‘I don’t take advice on collecting. If I don’t like, I don’t buy’: Tariq Al Jaidah on his approach to acquiring art

Qatari patron and dealer Tariq Al Jaidah is a pivotal figure in building a grassroots commercial art market in Qatar. He opened the country's first commercial gallery, Waqif Art Centre, in 2007, later established the non-profit Katara Art Centre, and most recently founded the commercial gallery Wusum in 2023 to showcase emerging Qatari artists and cultivate young local collectors. He advocates for more private museums, foundations, and corporate collecting to create a self-sustaining ecosystem beyond the state-run institutions.

New UCCA CEO Kong Lingyi on the Beijing Institution’s Future

Kong Lingyi has been appointed as the new CEO of the UCCA Center for Contemporary Art in Beijing, succeeding Philip Tinari who stepped down shortly before the Lunar New Year. A veteran of the institution since 2012, Kong previously served as vice president of brand and is now tasked with overseeing UCCA’s multiple branches in Beijing, Beidaihe, and Yixing. Her leadership marks a shift toward a new management structure focused on institutional sustainability and public accessibility.

gelman collection of mexican art surfaces at santander with plans to bring it to spain

Banco Santander has announced it will manage roughly half of the Gelman Collection, one of the most significant collections of 20th-century Mexican art, which disappeared from public view in 2008. The Madrid-based bank now oversees 160 of approximately 300 works amassed by patrons Jacques and Natasha Gelman. The collection will anchor the new Faro Santander cultural center in Spain, set to open in June, through a long-term loan agreement with the Zambrano family, the prominent Mexican business family revealed to own the once-lost collection. The collection's whereabouts had been largely unknown, with only sporadic sightings in foreign institutions, after it was divided by executor Robert R. Littman despite the will's stipulation that it be shown intact in a private museum in Mexico.

Midea Group scion’s Shunde art museum shifts focus to amplify local voices

The He Art Museum (HEM) in Shunde, China, a private institution founded by the family behind appliance giant Midea Group, is shifting its programming strategy. Under director Shao Shu, the museum is moving away from hosting major international exhibitions to focus on amplifying local and regional artists, particularly from the Greater Bay Area, and exploring themes of Lingnan culture.

Despite Putin’s repressive regime, a new private museum opens in Moscow

A new private museum called Zilart is set to open in Moscow on December 2, founded by billionaire couple Andrey and Yelizaveta Molchanov. The museum will showcase their collection of roughly 10,000 works, spanning Russian avant-garde, Soviet nonconformist art, international contemporary art, photography, and African art. Originally conceived in 2015 as a modern art branch of the State Hermitage Museum, the project underwent significant changes: architect Hani Rashid was replaced by Sergei Tchoban in 2021, and the Hermitage withdrew in 2023. The museum is entirely funded by the Molchanovs' LSR Group and receives no state support.

Dubai’s first art museum to include ‘space for fairs’

Plans have been announced for Dubai’s first art museum, the Dubai Museum of Art (DUMA), a private initiative by the Al Futtaim Group. Designed by architect Tadao Ando, the five-story building will be built on an artificial jetty in Dubai Creek and shaped like a curved shell. The model was unveiled at a ceremony attended by Dubai’s ruler, Sheikh Mohammed bin Rashid Al Maktoum. The museum will include galleries, a restaurant, VIP lounge, and space for art fairs, though no timeline or collection details have been released.

‘We are in a very special situation as collectors’: Petr Pudil on opening the Kunsthalle Praha in Prague, and the art he collects

Petr Pudil, a Czech businessman and co-founder of BPD partners, discusses his journey as an art collector and the opening of Kunsthalle Praha in Prague with his wife Pavlína. The museum, housed in a former 1930s electricity substation, opened in 2022 and features temporary thematic exhibitions from their collection of over 2,000 works, including pieces by Max Ernst, Alicja Kwade, and William Kentridge. Pudil reflects on his acquisition strategy, regrets, and favorite London spots during Frieze week.

“Human Being Human” at The Private Museum

The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.

x museum director you yang interview

You Yang, the director of X Museum, discusses the recent surge in new art museums, particularly those backed by tech companies in China's Greater Bay Area, including Shenzhen and Hong Kong. He attributes this boom to a strategic shift in Shenzhen's cultural policy, the city's established cultural foundations, and the region's historical role in cross-cultural exchange, which has created a demand for contemporary institutions.

art kye christensen knowles young artist

Kye Christensen-Knowles, a 32-year-old figurative painter based in New York, is featured in Cultured's 2025 Young Artists list. A recent solo exhibition at Lomex in New York showcased his range, from unnerving contemporary society portraits to epic science-fiction scenes. His work is also on view in a group show at the Warehouse, a private museum in Dallas. In an interview, he discusses his readymade work "Painting" (2019–23), a studio rug covered in accumulated paint, and cites influences such as Vito Acconci and Louise Bourgeois.

elvira dyangani ose departs macba abu dhabi biennial

Elvira Dyangani Ose is stepping down as the director of the Museu d'Art Contemporani de Barcelona (MACBA) in April, months before her contract was set to expire. Her resignation follows a conflict with the MACBA Consortium, which ruled that her new appointment as director of the Abu Dhabi Public Art Biennial was incompatible with her leadership role in Barcelona. Dyangani Ose, who became the first woman and first person of color to lead the institution in 2021, had requested to balance both positions, but the governing body denied the proposal.

This Is Where Max Mara Will Hold Its Resort 2027 Show in Shanghai

Max Mara has chosen the Long Museum West Bund in Shanghai as the venue for its Resort 2027 runway show on June 16. The event will coincide with the opening of an exhibition titled “The Max!”, curated by Olivier Saillard, celebrating the brand’s 75th anniversary. The Long Museum is a private art museum founded by collectors Liu Yiqian and Wang Wei, with three locations across China. This marks Max Mara’s second show in Shanghai, following a 2016 presentation at the Shanghai Exhibition Center.

‘Raw honesty’: new museum preserves Thai-Chinese art rebel’s remarkable legacy

The Tang Chang Private Museum opened on May 1 in Nakhon Pathom, Thailand, dedicated to preserving the legacy of the late Thai-Chinese artist Tang Chang. The museum was established by his grandson, Nawapooh Sae-tang, who inherited the responsibility of managing the artist's vast archive, a duty originally passed to his father, Thip, by the artist himself.

How China’s private museums are navigating a post-boom era

China's private museum sector, which boomed in the 2010s with hundreds of new institutions often tied to property developments or vanity projects, is now contracting. Notable closures include Guangzhou's Times Museum (shuttered in 2022, later relaunched as a project space), OCAT Shanghai (closed indefinitely in 2021), and Qingdao's TAG Museum (suspended operations in 2024). Other prominent museums like Sifang Art Museum, Yinchuan MoCA, and Shanghai MoCA have scaled back, while Long Museum's future appeared uncertain after its owners auctioned part of their collection. The downturn follows the collapse of China's property sector, Covid-19 restrictions, and a broader economic slump.

‘We’ve faced immense new pressures’: Shanghai museum director on the challenges—and benefits—of going free entry

Shanghai’s Rockbund Art Museum (RAM) became one of the only private museums in China to offer free admission in May 2025, marking its 15th anniversary. The move initially required pre-booked timed entry via WeChat, but after city-wide guidance encouraged removing barriers, the museum eliminated the booking system, leading to long wait times and visitor complaints on social media. One visitor reported receiving an inappropriate response from the museum’s official account, prompting apologies from both the museum and its executive director and chief curator, X Zhu-Nowell. A hybrid system of day-ahead reservations and same-day walk-ins was later implemented.

Amid crackdowns on dissent, Russia’s private museums are threatened

Russia's private art museums, once symbols of post-Soviet integration into Western elite culture, are now struggling to survive amid increasing state repression and the war in Ukraine. The Garage Museum of Contemporary Art, founded by Roman Abramovich and Dasha Zhukova, was raided by security services in 2024 and visited by right-wing activists demanding pro-war messaging; its founding director was replaced. Other institutions have closed entirely: the Institute of Russian Realist Art shut in 2019 after its founder Aleksei Ananyev fled embezzlement charges, and Art4.ru, Russia's first private contemporary art museum, closed in 2024 after a nationalist raid. The GES-2 House of Culture, financed by gas magnate Leonid Mikhelson, lost its visionary director shortly after opening and now operates under a lawyer.

In Verona, the Palazzo Maffei Museum opens a new multifunctional space by reclaiming an ancient chapel

A Verona il museo di Palazzo Maffei apre un nuovo spazio polifunzionale recuperando un’antica cappella

Palazzo Maffei House Museum in Verona has inaugurated a new multifunctional space called "Il Monastero," following the restoration of an ancient chapel located behind the main palace. Inspired by a memory of seeing Miquel Barceló’s work in a deconsecrated Sicilian church, director Vanessa Carlon spearheaded the project to create a contemplative, intimate environment for exhibitions and educational activities. The restoration uncovered original frescoes, vaults, and columns, breathing new life into a previously neglected corner of the city's historic center.

Phillips claims stake in South Asian market with London exhibition

Phillips auction house has launched a selling exhibition titled "Crossing Borders" at its Berkeley Square location in London, featuring 64 South Asian Modernist artists including Bhupen Khakhar, Huma Bhabha, Rasheed Araeen, and Nilima Sheikh. The show, organized in collaboration with Grosvenor Gallery, includes major market figures like S.H. Raza and F.N. Souza alongside lesser-known names such as Ahmed Parvez and Viswanathan. Prices range from £5,000 to £1.5 million, with works jointly consigned and profits shared between Phillips and Grosvenor. The exhibition marks Phillips' most significant entry into the South Asian art market, a sector long dominated by Sotheby's, Christie's, and Bonhams.

The Global Influence of Contemporary African Art

Contemporary African art has transitioned from a niche regional interest to a central pillar of the global art market and institutional landscape. Artists such as El Anatsui, Njideka Akunyili Crosby, and William Kentridge are leading this shift, utilizing diverse media to address universal themes of identity, colonialism, and technology while maintaining deep local roots.

Japanese museum’s collection of Western art could bring $60m at auction

The Kawamura Memorial DIC Museum of Art, a private museum near Tokyo that closed permanently in March 2025, has consigned 80 works from its collection of Western modernism to Christie’s. The consignment is expected to generate at least $60 million across multiple sales in New York this autumn, led by a 1907 Claude Monet *Nymphéas* painting estimated at $40 million. Other highlights include a Pierre-Auguste Renoir *Baigneuse* from 1891, two Marc Chagall paintings, and works by artists such as Mark Rothko, Pablo Picasso, and Cy Twombly. The museum’s parent company, DIC Corporation, plans to retain only about 100 works and sell the remaining roughly 280 pieces gradually.

How Private Art Collectors In Singapore Are Helping To Shape Our Artistic Future

Singapore entrepreneur Chong Huai Seng and his daughter Ning Chong are presenting "Artist's Proof: Singapore at 60," a landmark exhibition at Artspace @ Helutrans running until 17 August 2025. Featuring over 90 artworks from Chong's private collection, the show spans 1940 to 2025 and includes more than 50 artists, mostly Singaporeans, such as Cultural Medallion recipients Cheong Soo Pieng, Chua Mia Tee, and Lee Wen, alongside emerging talents. For the first time, Chong commissioned 11 new artworks and an original musical composition for the exhibition, which he describes as his "love letter to Singapore."

Design and Motorcycle Collector Opens a Museum Dedicated to the Piaggio Vespa in Milan: Unique 80-Year-Old Specimens

Collezionista di design e moto ha aperto un museo dedicato alla Vespa Piaggio a Milano: esemplari unici di 80 anni fa

Former Ikea executive Stefano Biffi has transformed a 700-square-meter former tire workshop in Milan into "My Vintage," a private museum and event space housing one of the world's most significant collections of Piaggio Vespa scooters. The venue features rare specimens from the 1940s, 50s, and 60s, including original 1946 models displayed without kickstands to reflect the muddy road conditions of post-war Italy. The space is designed to be a sustainable cultural hub, offering guided tours alongside rentals for events, film shoots, and ceremonies.

Jiushi Art Museum opens debut exhibit at new Shanghai home

The Jiushi Art Museum has officially opened its new permanent home in Shanghai with its inaugural exhibition, "The Shape of Time." The museum, which previously operated as a non-collecting institution without a fixed venue, now occupies a purpose-built space in the city's Huangpu district.

Where Private Fortunes Treat the Public to Sumptuous Art

The New York Times article explores the growing trend of private collectors and foundations establishing their own museums to showcase their art collections to the public. These institutions, often funded by immense private fortunes, offer lavish exhibition spaces and high-profile shows that rival traditional public museums, blurring the lines between private ownership and public cultural access.

Private museum in Pakistan becomes the first to honour a rich textiles heritage

Pakistan's first textiles museum, The Haveli, has opened in Karachi, housed in the Modernist villa of collector Nasreen Askari and her husband Hasan Askari. The museum preserves indigenous weaving, embroidery, and dye work from the Sindh province, focusing on the material culture of diverse communities including Hindus and Muslims. Nasreen Askari began collecting these textiles in the 1970s while working as a doctor, inspired by the intricate designs on her patients' clothing that revealed their identity, religion, and social status. The collection includes rare shawls, bridal tunics, and embroidered dowry pouches called bujhki, many from nomadic and tribal communities.