‘This is mine, I own it’: how Tracey Emin and Frida Kahlo inspired me to make meaning out of pain

The article is a personal essay by a writer who, after undergoing a colectomy in 2023, found inspiration in Tracey Emin's unflinching self-portraiture following her 2020 cancer diagnosis. The author describes taking her own post-surgery photographs, echoing Emin's mantra "This is mine, I own it," and reflects on Emin's current work, including the Tate Modern exhibition and paintings like "I watched Myself die and come alive" (2023) and "Barbed Wire Stitches" (2024). The essay also connects Emin's approach to that of Frida Kahlo, whose retrospective is upcoming at Tate.

A Delayed Art Dubai Opens With Fewer Galleries—but Buyers Abound

Art Dubai opened its 20th edition at Madinat Jumeirah with a significantly reduced number of exhibitors—50 largely regional galleries, down from the originally expected 120—after being delayed from mid-April due to geopolitical tensions following the U.S.-Iran ceasefire on April 8. The fair, which offered free entry for the first time and refunded booth costs for participating galleries, saw strong attendance from Gulf and Middle Eastern collectors, with an upbeat mood and a more intimate atmosphere reminiscent of pre-Covid editions. Galleries from Lebanon and other conflict-affected regions were present, emphasizing art as a form of resilience and cultural identity.

At a Powerful Carnegie International, Solidarity Is a Means of Survival

The 2026 Carnegie International, titled “If the word we,” opened at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists from around the world. Curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, the exhibition emphasizes collective survival and interdependence, with works including Khalil Rabah’s video about Palestinian resilience, Shala Miller’s abstraction inspired by Toni Morrison, and a performance by Brooke O’Harra and collaborators celebrating teamwork through a historic basketball dunk by Julius Erving. The show extends to three other venues, including the Mattress Factory, where married artists Claudia Martinez Garay and Artur Kameya present a sprawling installation.

New £5.5m record for Islamic glass leads London sales

The spring Islamic and Indian art auctions in London, held at Sotheby's and Christie's in late April, achieved strong results despite geopolitical tensions. Sotheby's Arts of the Islamic World & India sales totaled £14.8m, while Christie's Art from the Islamic and Indian Worlds sale and the Mary and Cheney Cowles collection brought in £17.6m. The top lot was a rare 14th-century Mamluk gilded glass bowl from the Toledo Museum of Art, which sold for £5.5m—a new auction record for Islamic glass. Other highlights included a 17th-century Mughal astrolabe that sold for £2m at Sotheby's, setting a record for an Islamic scientific instrument, and strong sales of Iznik ceramics from two old English collections.

Dallas Art Fair brings Texas's relationship-driven collecting community into focus

The Dallas Art Fair has returned for its 2026 edition, signaling a period of stability with approximately 90 exhibitors and a higher retention rate than previous years. The fair continues to serve as a vital hub for the North Texas collecting community, characterized by a deliberate, relationship-driven approach to acquisitions. Notable activity included the Dallas Museum of Art's acquisition of six works for its permanent collection, including pieces by Nicole Eisenman and Raymond Saunders, funded through a $100,000 partnership with the fair's foundation.

expo chicago sales vip day report

The thirteenth edition of Expo Chicago opened its VIP preview at Navy Pier with a streamlined floor plan and a focus on emerging talent. Despite a generally slow global art market, exhibitors reported strong early sales, including Nashville-based artist Annie Brito Hodgin’s debut outside her home state and Wenhui Hao’s near-sell-out presentation with Half Gallery. The fair’s decision to reduce the number of exhibitors from 170 to 130 was widely praised by dealers for improving the quality of presentations and making the event more navigable for collectors.

SP-Arte underscores Latin America’s resilient rise amid global market recalibration

The 22nd edition of SP-Arte has opened at São Paulo’s Oscar Niemeyer-designed pavilion, featuring over 180 galleries and design studios. While global art markets face a period of recalibration, the Latin American sector—and Brazil in particular—is reporting significant growth, including a 21% year-on-year increase in sales for Brazilian dealers according to the latest Art Basel and UBS report.

Japan's Art Market Growth and Asian Art News

japans art market growth asian art news

Japan’s art market demonstrated remarkable resilience in 2024, growing by 2% to reach $692 million despite a 12% contraction in the global art market. A government-commissioned report by economist Clare McAndrew revealed that the Japanese market is characterized by high-volume, lower-value transactions, with 93% of sales occurring at price points under $10,000 and dealers accounting for the vast majority of trade.

san francisco dealer rena bransten dead at 92

Rena Bransten, a foundational figure in the San Francisco art scene, has died at the age of 92 following a heart attack and a subsequent fall. Since founding her eponymous gallery in 1975, Bransten became a champion for California-based artists, with a pioneering focus on women and artists of color. Her gallery represented major figures including John Waters, Dawoud Bey, and Fred Wilson, evolving from its origins in ceramics to a multidisciplinary powerhouse that recently transitioned to a nomadic model.

reefline underwater art project miami beach leandro erlich

The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.

san francisco art week guide

San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.

californias beloved di rosa art center is reborn with a love letter to incorrect art

Six years after announcing plans to deaccession its 1,600-work collection—the world's foremost trove of Post-war Northern California art—the di Rosa Center for Contemporary Art has reopened in a new downtown San Francisco space. The inaugural exhibition, "Far Out: Northern California Art," features artists such as Enrique Chagoya, Peter Saul, Viola Frey, Roy De Forest, and Jay DeFeo, celebrating the radical, countercultural ethos of the region. The space, located at the Minnesota Street Project in Dogpatch, had been vacant since the McEvoy Foundation for the Arts closed in 2023. Curator Twyla Ruby reports that visitors have been emotionally moved by seeing the collection reunited.

philip tinari ucca tai kwun asian art industry news

This edition of State of Play, part of Artnet Pro's The Asia Pivot newsletter, reports on multiple developments across Asia's art scene. Highlights include the launch of Art Fairs Pavilion Taipei, a new alternative art fair co-founded by Hong Kong dealers Willem Molesworth and Ysabelle Cheung, with 13 galleries for its inaugural edition. Galleries Antenna Space and Kwai Fung Hin Art Gallery are expanding into Hong Kong and Singapore respectively, while veteran Beijing gallery Long March Space has closed its physical venue. The Taipei Fine Arts Museum announced Taiwan's collateral exhibition at the Venice Biennale, and the Hong Kong Museum of Art named artists for its collateral show. The Asia Society Museum in New York will open a 70th-anniversary exhibition, and the H+ Museum in Suzhou, designed by Tadao Ando, officially opened with two inaugural shows.

year in latinx art 2025 artists museums

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

tom sachs thaddaeus ropac interview nike

Tom Sachs has opened a new exhibition titled “A Good Shelf” at Thaddaeus Ropac’s London gallery during Frieze Week, featuring NASA-emblazoned ceramics inspired by Japanese tea bowls and space travel. The show runs through December 20 and includes hand-formed ceramics displayed on shelves made from rough materials like cinderblock and plywood. This marks Sachs’s return to the spotlight after a 2023 scandal in which former studio staff accused him of creating a toxic workplace, leading Nike to pause its sneaker partnership with the artist; the partnership resumed in September 2024.

gladstone gallery calder mobile fineberg collection art basel paris

Alexander Calder's market remains strong despite a broader art market downturn. Thirteen Calder works have sold for over $1 million at auction this year, all within or above estimates, led by Christie's sale of *Gypsophila* (1949) for $8.5 million. Next month, Gladstone Gallery will bring Calder's standing mobile *Caged Stone on Yellow Stalk* (ca. 1955) to Art Basel Paris, priced at $5.5 million, after it sold for $3.2 million at the Gerald Fineberg collection sale in 2023. This market resilience coincides with major institutional shows: the opening of Calder Gardens in Philadelphia and a Whitney Museum exhibition celebrating the centennial of Calder's *Circus* (1926–31).

these printers share stories of helping artists bring their visions to life

Artnet Auctions' Premier Prints and Multiples: Summer Edition sale, open for bidding through April 3, 2025, features iconic works on paper by artists such as Jonas Wood and Lynda Benglis. The article highlights the collaborative process between artists and printers, with firsthand accounts from Emmett Walsh of Ollin Editions and a publisher who worked with Lynda Benglis on a tapestry based on her painting *Rajesh in Rajasthan* (2012–2016). Walsh describes producing Wood's 112-color silkscreen *Kitchen Interior* (2022) over 20 months, while the other publisher recounts a three-year search for weavers to create Benglis's detailed rug.

the scene at two essential summer art parties and a bevy of juicy art world gossip

Artnet News' Wet Paint column reports on two summer art parties. The White Columns benefit auction in New York raised $350,000, with works donated by 60 commercial galleries. Highlights included a KAWS 'Companion' piece selling for $16,500 and a Florian Krewer painting for $14,000, auctioned by director Matthew Higgs. Separately, London gallerist Sadie Coles has vacated her 1 Davies Street space after a decade and will open a new 6,000-square-foot location at 17 Savile Row, a historic townhouse that once housed the Burlington Fine Arts Club.

kenny schachter art basel report

Kenny Schachter recounts his fraught journey from Newark to London for his curated Paul Thek exhibition at Thomas Dane Gallery and the 56th edition of Art Basel in Switzerland, describing a near-crash landing and widespread anxiety among U.S. attendees about returning home amid FAA cutbacks and immigration fears. He highlights Mary Lovelace O’Neal’s presence at Jenkins Johnson as his Basel highlight, dismisses panic over a single unsold Giacometti as overblown, and critiques art journalists for lacking real market experience, while sharing conversations with collectors Mera Rubell and Dakis Joannou.

young collector habits

Maurice Mielcarek, a 43-year-old Zurich-based collector, exemplifies a new generation of younger art buyers who prioritize lasting engagement over speculation. At Zurich Art Weekend, he introduced friends to New York artist Travis Boyer, whose velvet paintings Mielcarek has collected for two years. This cohort, mostly in their 30s and 40s, takes a slower, research-driven approach to collecting, often building relationships with artists and galleries before purchasing. They focus on discovery, conceptual works, and supporting artists' visions beyond mere acquisition.

photo london 2025 standouts

Photo London's 10th edition opened with a buoyant mood despite co-founder Michael Benson acknowledging a difficult economic climate. The fair features classics by pioneers like Henri Cartier-Bresson and Brassaï, alongside emerging artists through its Discovery section and Positions platform. Standouts include Palestinian-American artist Adam Rouhana's poignant images of joy and resistance, the special exhibition "London Lives" curated by Francis Hodgson featuring 30 photographers, and a notable booth by Guerin Projects showcasing Robin Hunter Blake's chronophotographic works paired with Rodin's The Kiss.

gallery weekend berlin 3

Gallery Weekend Berlin took place during the city's spring bloom, featuring exhibitions like Alvaro Urbano's melancholic installation "September and Lions" at ChertLüdde and Pamela Rosenkranz's flesh-toned water bottles at KaDeWe. The event kicked off on May Day and included expanded public tours, artist talks at the Neue Nationalgalerie, and a 24-hour window project. Notable attendees included collector Frédéric de Goldschmidt and celebrity Usher, who collected art. The weekend was marked by a mood of resilience despite political turmoil.

A Launchpad for the Future

"Eine Startrampe für die Zukunft"

The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.

Sotheby’s Buoyant $303.4 Million Modern Art Evening Sale: By the Numbers

Sotheby’s modern art evening sale on Tuesday night generated $303.4 million, with a 97.6% sell-through rate and a hammer total of $256.5 million. The top lot was Henri Matisse’s *La Chaise Lorraine* (circa 1919), which sold for $48.4 million after a prolonged bidding war. The house withdrew three lots before the sale to improve optics, and 85% of the lots were guaranteed, mostly by third parties. Asian collectors were active at seven-figure price points, contrasting with sparse high-end bidding at Christie’s the previous night.

sothebys 70 million alberto giacometti

Sotheby's has secured a $70 million Alberto Giacometti sculpture, *Grande tête mince (Grande tête de Diego)* (1955), for its evening sale of Modern art on May 13 in New York. The bronze bust of the artist's brother Diego is the highest-priced lot known to be offered in the upcoming high-stakes auctions. Consigned anonymously from the collection of late real estate tycoon Sheldon Solow, the work is being sold by the Soloviev Foundation to raise funds for philanthropic activities, including support for the Metropolitan Museum of Art. The sculpture, one of six casts, is described as the only 'richly painted' version and was included in Giacometti's 1956 Venice Biennale presentation.

'Reflection of resilience': Art Dubai's war-postponed edition opens to healthy sales

Art Dubai's 20th anniversary edition opened at Madinat Jumeirah after being postponed from April to May due to the US-Israel war in Iran and regional missile threats. Around 75 exhibitors dropped out, leaving roughly 50 participants, mostly from the region. The fair was reorganized in just eight weeks under executive director Benedetta Ghione and new director Dunja Gottweis, who created a new floor plan in a day and a half. The scaled-back format includes an embedded digital section, and initial sales have been strong, with works by Samira Badran, Mostafa Al Hallaj, Safeya Sharif, Alyazia Al Nahyan, Roudhah Al Mazrouei, and Nabil Anani selling at prices ranging from $3,500 to $360,000.

tefaf fair maastricht edition undaunted global unrest 2026

The 2025 edition of TEFAF Maastricht has opened with 277 dealers from 24 countries, showcasing 7,000 years of art history despite significant geopolitical instability in the Middle East. While the fair remains a premier destination for Old Masters and high-end antiques, exhibitors are navigating logistical hurdles caused by regional conflicts and airport closures in major transit hubs like Dubai.

Nicholas Pope, sculptor whose career came in two acts, 1949–2026

Nicholas Pope, a British sculptor known for his organic, post-minimalist works, has died at age 76. His career unfolded in two distinct acts: an early phase in the 1970s producing roughly-hewn wooden columns like *Oak Tree Column* (1973) and *Drooping Column* (1975), which earned him a spot in the British Pavilion at the 1980 Venice Biennale, followed by a decades-long hiatus after contracting viral encephalitis in Tanzania. He later returned to sculpture with brighter, brasher works in ceramic, glass, and felt, including *The Apostles Speaking in Tongues Lit By Their Own Lamps* (1993–96) and collaborations like *The Conundrum of the Chalices of the Seven Deadly Sins and Seven Virtues* (2015) with James Maskrey.

5 Trends Shaping the 2026 Venice Biennale

The 2026 Venice Biennale has opened to the public, featuring the main exhibition 'In Minor Keys' conceived by the late Cameroonian Swiss curator Koyo Kouoh, who died unexpectedly in May 2025. Kouoh, the first African woman appointed to lead the Biennale, had her curatorial team—including Rasha Salti, Marie Hélène Pereira, and Gabe Beckhurst Feijoo—carry forward her vision of art as a 'shared and sustaining force.' The opening was weighted with politics and emotion.

Collateral Events Not to Miss at 61st Venice Biennale

The article highlights several collateral events not to miss at the 61st Venice Biennale, including "The Spirits of Maritime Crossing 2026" at Palazzo Rocca Contarini Corfù, featuring 20 artists from Southeast Asia, Ireland, and Serbia, anchored by Marina Abramović's performance piece "Sea Punishing" (2006). Other notable exhibitions include a seven-decade survey of Korean artist Lee Ufan at San Marco Art Centre, "TURANDOT: To the Daughters of the East" at ACP Palazzo Franchetti featuring 11 female artists from Central Asia, Li Yi-Fan's "Screen Melancholy" at Palazzo delle Prigioni, and Nalini Malani's "Of Woman Born" at Magazzini del Sale.