An art exhibition titled "In Full Bloom" is exploring themes of bodily autonomy through a lens of transformation. The show presents works that use floral and organic imagery to address issues of personal agency, identity, and physical change, likely featuring multiple contemporary artists whose pieces engage with the body as a site of political and personal expression.
Le Musée d’Ixelles à la croisée de différents regards
The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.
Abstract mixed-media painter Mary Lovelace O’Neal, a Civil Rights activist and influential artist known for her monumental canvases and inventive 'lampblack' works, died at age 84. The article also reports that Manhattan’s Neue Galerie will merge with the Metropolitan Museum of Art, and covers the NADA New York art fair, Todd Gray's exhibition, and the Lehman College Art Gallery thesis show.
The article reports on five distinct art fairs—Frieze, NADA, Independent, 1-54, and Esther III—visited during New York Art Fair Week. It highlights key artists and works, including Kelly Tapia-Chuning's deconstructed serapes at NADA, Esaí Alfredo's queer nighttime paintings, Alex Burke's textile dolls at 1-54, and Laetitia KY's photographic self-sculpture. The fairs collectively emphasized themes of environmentalism, globalism, decolonization, and a growing textiles sector, with curation varying widely from commercial to conceptually driven.
Die vielen Häutungen der Valie Export
Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.