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Artnet Auctions has launched its Premier Prints and Multiples sale, live for bidding through April 10, 2025. The sale features important works by artists including Keith Haring, Roy Lichtenstein, Andy Warhol, and Barbara Kruger, with estimates ranging from $7,000 to $70,000. The article highlights the often-overlooked relationships between artists and the printers and publishers who bring their visions to life, using examples such as Peter Blake's collaboration with publisher Paul Stolper on the portfolio "An Alphabet" (2007) and Barbara Kruger's work "Savoir c'est pouvoir" (1989) printed by Derriere L'Etoile Studios.

Editors’ Picks: Six Solo Gallery Shows to See in Hong Kong, March 2026

Six solo gallery exhibitions are opening in Hong Kong in March 2026, featuring a diverse range of established and influential artists. The shows include Jaffa Lam's multi-media works at Axel Vervoordt, a tribute to the late Dinh Q. Lê at 10 Chancery Lane, new metal tapestries by El Anatsui at White Cube, the first Hong Kong solo show for collective Slavs and Tatars at Rossi & Rossi, and the debut Hong Kong presentation of Chow and Lin's "The Poverty Line" project at SC Gallery.

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The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.

Old Masters Records: Gentileschi, Michelangelo, Rembrandt

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Old Masters Week in New York saw a resurgence in the sector, highlighted by the Italian Ministry of Culture's $14.9 million private acquisition of a rare two-sided panel by Antonello da Messina from Sotheby’s. The week featured high-profile sales at both Sotheby’s and Christie’s, resulting in new auction records for major figures including Artemisia Gentileschi and Michelangelo, as well as a record price for a Rembrandt drawing. The success was attributed to a high level of museum participation and more realistic pricing strategies compared to previous seasons.

british museum raises 4 8 m to keep tudor heart authenticity concerns intensify legal battle over collection attributed to russian modernists morning links for february 10 2026 1234772920

The British Museum successfully raised £3.5 million ($4.8 million) to acquire the 'Tudor Heart,' a unique 16th-century gold pendant linked to Henry VIII and Katherine of Aragon. The funds came from over 45,000 public donations and major contributions from the Julia Rausing Trust, the Art Fund, the American Friends of the British Museum, and the National Heritage Memorial Fund, ensuring the artifact remains on public display.

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Nahmad Contemporary will present an exhibition titled “Picasso | Painter and Model, Reflections by Naomi Campbell” at its Gstaad, Switzerland space from February 14 to March 15. The show focuses on Pablo Picasso’s late series “Le Peintre et son modèle” (The Painter and his model), featuring 14 works from 1963–1965, many previously exhibited at institutions like the Centre Pompidou, Fondation Beyeler, Museo Reina Sofía, and Guggenheim Museum. Supermodel Naomi Campbell contributes personal reflections on the artist-muse relationship, offering a contemporary perspective on themes of desire, power, and the gaze.

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Belgian art dealer Klaas Muller has identified a previously unattributed oil-on-paper study as a work by Flemish master Peter Paul Rubens, titled "Bearded old man, looking down to his left" (ca. 1609). Muller purchased the piece for under €100,000 at a lesser-known northern European auction house three years ago, where it was listed as an unknown artist from the "Flemish school." After recognizing the bearded figure as Saint Thomas from Rubens's "Apostolado Lerma" series at the Prado, Muller commissioned research from art historian Ben van Beneden, former director of Rubenshuis, who confirmed the work's exceptional quality and likely attribution to Rubens. The study also features a ghostly woman's face visible when turned upside down, reflecting Rubens's playful reuse of materials.

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Christina Vassallo is leaving her role as director of the Contemporary Arts Center (CAC) in Cincinnati, Ohio, effective January 2, 2026, to become the new director of the Pew Center for Arts & Heritage in Philadelphia starting January 5, 2026. Vassallo, who joined the CAC in 2023, oversaw exhibitions including a group show celebrating the 20th anniversary of Zaha Hadid's first completed US building, as well as solo shows by Vivian Browne, Marcus Leslie Singleton, and Sheida Soleimani. Prior to the CAC, she served as executive director of the Fabric Workshop and Museum in Philadelphia, Spaces in Cleveland, and Flux Factory in New York.

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Frank Gehry, the visionary architect behind iconic cultural landmarks such as the Guggenheim Museum Bilbao, Fondation Louis Vuitton in Paris, and Walt Disney Concert Hall in Los Angeles, died on December 5 at age 96. Over the weekend, art and architecture figures including artist Rob Pruitt, Serpentine Galleries artistic director Hans Ulrich Obrist, and leaders of institutions like the Guggenheim Bilbao, LACMA, and the J. Paul Getty Trust shared personal remembrances and tributes, highlighting his groundbreaking designs, enduring friendships, and profound influence.

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German police have dismantled an international forgery ring attempting to sell fake artworks attributed to masters including Rembrandt, Pablo Picasso, and Frida Kahlo. The suspected ringleader, a 77-year-old German man from Bavaria, was arrested after trying to sell two counterfeit Picasso paintings, one a portrait of Dora Maar. Investigators, who code-named the operation “Dora Maar,” conducted raids across Germany, Switzerland, and Liechtenstein, seizing 19 fake works with asking prices ranging from $460,000 to $16 million. A 74-year-old accomplice is accused of producing forged expert reports to authenticate the fakes.

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Qatar has revealed that it is the owner of Gustave Courbet's famed self-portrait *Le Désespéré* (The Desperate Man, 1843–45), which has gone on view at the Musée d'Orsay in Paris for the first time in 17 years. The painting, previously listed as being on loan from an unknown private collector, was acquired by Qatar Museums, a state body that oversees the nation's art scene. Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani, head of Qatar Museums, acknowledged the ownership during a tribute at the Musée d'Orsay, noting that the work will be on long-term loan there for five years before moving to the future Art Mill Museum in Doha, set to open in 2030.

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Tate director Maria Balshaw has defended the museum network's programming against criticism linking it to declining attendance, arguing in the Guardian that visitor numbers have returned to 95% of pre-pandemic levels when compared to annual pre-Covid figures rather than the record year of 2019. She cited popular shows for Pablo Picasso, J. M. W. Turner, and Tracey Emin as a strong foundation for future growth, though critics like Catherine Bliss countered that apart from the Lynette Yiadom-Boakye portrait show and El Anatsui's Turbine Hall installation, recent contemporary exhibitions have failed to excite. Separately, the article reports a wave of closures and cutbacks sweeping China's private art museums, including the shutdown of Shenzhen's Jupiter Museum of Art and Qingdao's TAG Art Museum, with the UCCA Center for Contemporary Art also facing financial difficulties.

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The Centre Pompidou-Metz in France has canceled a planned survey of Caribbean and Guyanese art titled “Van Lévé,” curated by Guadeloupean curator Claire Tancons. The exhibition, scheduled to open in October 2026, was to feature artists including Gaëlle Choisne and Pol Taburet. Museum director Chiara Parisi cited budgetary constraints in an email to Tancons, but Tancons disputed this, noting that the Ford Foundation had already contributed $500,000. A group of artists and curators, including Zineb Sedira and Tabita Rezaire, issued a statement condemning the cancellation and questioning whether bias played a role.

kennedy center audience boos trump french carpenters sentenced for selling fake 18th century chairs moca stays closed morning links for june 12 2025 1234745004

The Museum of Contemporary Art Los Angeles (MOCA) has extended the closure of its Geffen Contemporary space through the weekend as National Guard troops continue to confront anti-ICE protesters nearby. The museum cited safety concerns for staff and visitors, and also halted Pussy Riot member Nadya Tolokonnikova's durational performance 'POLICE STATE,' which had continued even after the initial shutdown on June 8. In other news, two Frenchmen—expert Bill Pallot and carpenter Bruno Desnous—were sentenced to suspended prison sentences and fines for selling fake 18th-century furniture, including chairs falsely attributed to Queen Marie Antoinette, duping the Château de Versailles and a Qatari prince. Meanwhile, President Donald Trump was booed by the audience at a Kennedy Center performance of Les Misérables, and Tamara de Lempicka's painting 'La Belle Rafaëla' (1927) is headed to auction at Sotheby's London with a high estimate of £9 million.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

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Ernst van de Wetering, the leading authority of the Rembrandt Research Project, has reattributed 70 paintings to the Dutch master in the project’s final volume. This significant shift includes reinstating 44 works that were previously stripped of their authenticity by the project's earlier democratic voting process, which van de Wetering now describes as flawed and overly restrictive. The new findings bring the total count of surviving Rembrandt paintings to 340.

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Artist Judy Chicago recounts her frustrating experiences with public art commissions, focusing on a recent failed collaboration with Google for its Chicago headquarters at the Thompson Center. After being encouraged by her dealer to apply, Chicago was awarded a commission in fall 2025 to create a large terrazzo floor and a 17-story glass elevator shaft using her "Through the Flower" imagery. However, the project fell through after months of effort, mirroring earlier disappointments with the Beverly Hills Sculpture Park, where a city councilor questioned the value of her work, which Chicago attributes to institutionalized sexism.

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Lady Pink, a pioneering graffiti artist, is creating the inaugural mural commission for MoMA PS1 in Queens, New York. The mural, set to be unveiled on June 26, 2025, features a surreal composition of a stone foot, a subway platform, and the Brooklyn skyline, paying homage to the lost 5Pointz graffiti site. Lady Pink, who began tagging subway cars in 1979 and was included in MoMA PS1's 1981 'New York/New Wave' exhibition, is working on-site with assistants, using both brushes and spray paint.

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A rediscovered oil painting by J.M.W. Turner, titled *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, sold for £1.9 million ($2.6 million) at Sotheby’s Old Masters and 19th Century Paintings evening auction in London—more than six times its high estimate. The work, painted in 1792 when Turner was 17, had been misattributed and sold for just $506 at a Dreweatts auction the previous year. After cleaning revealed Turner’s signature, scholars confirmed its authenticity, and it was identified as Turner’s first publicly exhibited oil painting, exhibited at the Royal Academy in 1793. The winning bidder was a private collector in the U.K., outbidding Bristol Museum and Art Gallery, which had raised over £100,000 from donors in a failed attempt to acquire the work.

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Sasha Suda, the former director and CEO of the Philadelphia Art Museum, gave her first extensive interview since her firing last November to Philadelphia Magazine, alleging that the board attempted to strip her of the CEO title. She claims former board chair Leslie Anne Miller initially offered both roles but later tried to separate them, only allowing her to hold both temporarily. Suda says she rejected the revised offer, leading the board to backpedal. The article also reveals that Suda placed chief curator Carlos Basualdo on administrative leave in 2024, a decision that upset some trustees and may have contributed to tensions. Suda was abruptly fired on Election Day via email citing "cause," and she and the board have traded allegations over misuse of funds and unfair investigations.

Art as Memorial in Lotusland

The article "Art as Memorial in Lotusland" by Aleina Grace Edwards appears in the February 2026 issue of Contemporary Art Review LA (CARLA). It is part of a larger issue exploring themes like scent in art, tarot, social urgencies in curation, and video art, positioning it within a critical discussion of contemporary art practices in Los Angeles.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

A mind-bending Spaniard, an imagistic Puerto Rican and a lush Latvian – the week in art

This week's art roundup from The Guardian features a major exhibition on Spanish painter Francisco de Zurbarán at the National Gallery in London, described as a mind-bending and revelatory show with loans from the Prado and other top museums, positioning him alongside Goya and Picasso. Other highlights include Gilbert & George's tribute to their late homeless friend at their London centre, outdoor sculptures by Lynn Chadwick at Houghton Hall, thickly built-up paintings by Angel Otero at Hauser & Wirth Somerset, and abstract works by Latvian sculptor Daiga Grantina at Warwick Arts Centre. The article also covers a new Banksy statue in central London depicting a man marching with a flag, and a Masterpiece of the Week feature on Guido Reni's 'Saint Mary Magdalene'.

Remembering Raghu Rai, Jack Thornell, and Jarvis Rockwell

Hyperallergic's weekly 'In Memoriam' column honors eight recently deceased figures from the art world, including Indian photojournalist Raghu Rai (1942–2026), Argentine abstract painter Ides Kihlen (1917–2026), Israeli painter and activist Yair Garbuz (1945–2026), British photographer Mark Gerson (1921–2026), Japanese art collector Kurt Gitter (1937–2026), Danish antiquities dealer Ittai Gradel (1965–2026), indigo textile artist Leigh Magar (1968–2026), and Kenyan muralist Patrick Mukabi (1967–2026). Each entry summarizes their life, career highlights, and contributions to visual art and photography.

The Box LA, Beloved Risk-Taking Art Space, Closes After 19 Years

The Box LA, a pioneering experimental art space in Los Angeles known for its fearless support of unconventional and performance art, is closing after 19 years. Founded in 2007 by Mara McCarthy in Chinatown (later moving to the Arts District), the gallery operated as a commercial space but with a nonprofit ethos, championing underrecognized artists from her father Paul McCarthy's generation alongside emerging talents. Its final exhibition, a retrospective of Wally Hedrick presented with Parker Gallery, ended April 4, with a closing celebration planned for June 6 featuring a fashion show by Johanna Went. The closure is attributed to financial struggles, exacerbated by the Eaton Fire that destroyed McCarthy's home and her family's, and a shift in support from McCarthy Studios.

The Art World Is a Joke

Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.

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The 2024 edition of TEFAF Maastricht has opened with a significant focus on rediscovered female Old Masters, highlighted by the third annual 'Map of Women Artists' which now features over 670 works. Major dealers like Lullo Pampoulides and Koetser Gallery are showcasing high-value pieces by Artemisia Gentileschi, Virginia da Vezzo, and Michaelina Wautier, drawing immediate attention from institutional leaders including Metropolitan Museum of Art director Max Hollein.

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Crystal Bridges Museum of American Art in Bentonville, Arkansas, has acquired a monumental stained-glass window by Tiffany Studios, titled *Mountain Landscape (Root Memorial Window)* (1917). Measuring approximately nine feet by seven feet, the window was commissioned by the fraternal organization Woodmen of the World as a memorial to its founder, Joseph Cullen Root. Its design is attributed to Agnes F. Northrop, a lead designer at Tiffany Studios for half a century. The window was originally installed in Omaha, Nebraska, moved to San Antonio, Texas in 1931 for a tuberculosis hospital chapel, and later stewarded by the Sunset Ridge Church of Christ. The acquisition, facilitated by stained-glass restorer Bryant J. Stanton, took about a year to finalize.

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A rediscovered Baroque painting by 17th-century Neapolitan artist Diana de Rosa, titled *Salome with the Head of Saint John the Baptist*, sold for £317,500 ($436,086) at Sotheby’s Old Masters and 19th Century Paintings sale in London on July 2, more than quadrupling its high estimate. The work, previously unknown to scholars, set a new auction record for the artist and was described by Sotheby’s specialist Elisabeth Lobkowicz as a powerful image comparable to Caravaggio’s treatment of the same subject.

How Latin American Artists Have Harnessed the Allure of Alchemy

A new exhibition titled “Constellations and Drifts: Art from Latin America in the FEMSA Collection” has opened at the Museum of Contemporary Art, Monterrey (Museo de Arte Contemporáneo de Monterrey) in Mexico, running through August 9, 2026. The show features 170 works by 115 Latin American artists from the FEMSA Collection, one of the most prestigious corporate collections of Latin American art, and is organized around five curatorial themes or “constellations,” including a section centered on alchemy. Highlights include works by Diego Rivera, José Clemente Orozco, Francis Alÿs, and a new commission by Argentine artist Ad Minoliti, alongside Surrealist pieces by Remedios Varo, Leonor Fini, Leonora Carrington, and Kati Horna.