Hauser & Wirth Basel is presenting a focused exhibition of works by Swiss artist Niklaus Stoecklin (1896–1982), featuring paintings and drawings spanning from the 1920s to the 1970s. The show includes several rarely seen pieces, highlighting Stoecklin's distinctive approach to depicting life—people, animals, trees, stones, and space—as he described it.
Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.
The article highlights several collateral events not to miss at the 61st Venice Biennale, including "The Spirits of Maritime Crossing 2026" at Palazzo Rocca Contarini Corfù, featuring 20 artists from Southeast Asia, Ireland, and Serbia, anchored by Marina Abramović's performance piece "Sea Punishing" (2006). Other notable exhibitions include a seven-decade survey of Korean artist Lee Ufan at San Marco Art Centre, "TURANDOT: To the Daughters of the East" at ACP Palazzo Franchetti featuring 11 female artists from Central Asia, Li Yi-Fan's "Screen Melancholy" at Palazzo delle Prigioni, and Nalini Malani's "Of Woman Born" at Magazzini del Sale.
Art Basel Hong Kong 2026 drew 91,500 visitors and featured 240 galleries at the Convention and Exhibition Centre, alongside over 100 galleries at Art Central, three new boutique fairs, four new art spaces, multiple auction previews, and dozens of institutional shows and gallery openings. Despite a challenging 2025 that saw mega-galleries Pace and Perrotin close their Hong Kong spaces and auction results hit an eight-year low, blue-chip galleries reported strong sales, including David Zwirner’s USD 3.8 million sale of Liu Ye’s "Snow White" (2006) and Hauser & Wirth’s USD 2.95 million sale of a Louise Bourgeois work. The prevailing sentiment among collectors and gallerists was cautious optimism, with the phrase "Are you surviving?" overheard frequently.
ArtAsiaPacific profiles Rirkrit Tiravanija, a pioneering figure in relational aesthetics known for participatory works centered on communal dining and shared rituals. The article traces his career from his first solo exhibition "untitled 1990 (pad thai)" at Paula Allen Gallery in New York, where he cooked and served pad thai to visitors, to his current major retrospective "The House That Jack Built" at Pirelli HangarBicocca in Milan, running through July 26. Tiravanija, born in Buenos Aires in 1961 and raised across multiple countries, has received numerous accolades including the Hugo Boss Prize (2004) and a nomination in the Established Artist category at the 2026 Art Basel Awards. He is also preparing to present a tent-like structure at the Qatari pavilion for the 2026 Venice Biennale, featuring contributions by Sophia Al-Maria, Tarek Atoui, Alia Farid, and Fadi Kattan.
This episode of The Art Newspaper's podcast covers several art-world stories. Ben Sutton and Kabir Jhala discuss the current edition of Frieze New York, alongside other concurrent fairs like Esther and Tefaf, and preview the upcoming New York auctions. Ben Luke interviews Martin Bailey about a Lucas Cranach the Elder painting, 'Cupid Complaining to Venus' (1526-27), which once hung in Adolf Hitler's Munich apartment, with a newly published photograph from the 1940s. The episode also features a segment on Ajamu X's 'Glamour Posse' series from the early 1990s, part of the touring exhibition 'Gender Stories' opening at the Walker Art Gallery in Liverpool, with comments from gallery head Charlotte Keenan.
Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.
Philadelphia is set to launch a new contemporary art fair called Elsewhere on June 4, organized by Megan Galardi, founder of Blah Blah Gallery. The fair will take over the Yowie Hotel, a pair of 1900s rowhouses, featuring 26 galleries from cities including Los Angeles, Toronto, and London. Booth prices are kept low—around $3,000 for the largest rooms—and some exhibitors can sleep in their spaces to reduce costs. Participating galleries include Harlesden High Street, DARLA, and Blah Blah Gallery, with artists such as Patricia Renee’ Thomas, Emmanuel Massillon, and Qualeasha Wood. The fair also includes panels, DJ sets, reciprocal museum tours, and VIP studio visits.
A late 19th-century Tiffany stained-glass window, known as the Boyd Family Memorial Window (The Falls), is set to be auctioned at Christie's in June with an estimated price of $2 million. The window, depicting a waterfall and sunset landscape, has been installed in the Second Congregational Church in Winsted, Connecticut, for 125 years and was commissioned by Ellen Wright Boyd in memory of her parents.
A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.
dora maurer artist dead
Dóra Maurer, a preeminent figure of Hungarian conceptual art, has died at the age of 88. Known for her multidisciplinary approach spanning film, photography, and painting, Maurer rose to prominence for her experimental work created under Soviet rule in Hungary. Her practice frequently explored themes of displacement, perception, and the mathematical shifting of forms, ranging from her 1970s performance-based photography to her later vibrant, geometric "Overlappings" paintings.
The New York City Council passed the Climate Mobilization Act, a sweeping piece of legislation designed to drastically reduce greenhouse gas emissions from large and mid-sized buildings. The law sets strict emissions reduction targets for 2024, 2030, 2040, and 2050, with the ultimate goal of an 80% reduction by 2050. Major cultural institutions like the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the New Museum, and the planned headquarters of Pace Gallery are among the buildings affected.
A legal battle over a collection of 1,800 paintings attributed to Russian modernist masters has escalated after the litigation funder backing the claimants, LitFin, raised concerns it may have been misled about the works' authenticity. The funder is now in a dispute with the claimants, the family of the late Palestinian collector Uthman Khatib, over halted payments and control of the lawsuits, which seek the return of the paintings or $323 million from Israeli-Russian businessman Mozes Frisch, who is accused of stealing them.
Judy Baca, a pioneering Los Angeles muralist known for her socially engaged public art, is participating in the Other Art Fair for the first time. She is showcasing a new 10-by-22-foot painting, *The 1968 East L.A. Walkouts*, which is the latest addition to her monumental, decades-long project *The Great Wall of Los Angeles*. The fair has commissioned a printed reproduction of the work for exhibition and will donate it to a community center afterward.
Critic and artist Aria Dean, known for her influential essays on digital culture and race, has staged a new theatrical work titled "The Color Scheme" as part of the Performa biennial. The piece imagines a 1920s meeting in Berlin between two Black intellectuals, marking a shift from her usual focus on contemporary online life to historical Black culture and politics. Dean's essays are collected in the recent book "Bad Infinity" from Sternberg Press, and her art has appeared in major exhibitions including the Hammer Museum's Made in L.A. Biennial and the Whitney Biennial.
A self-portrait by Artemisia Gentileschi sold for $5.69 million at Christie’s New York, setting a new auction record for the artist. The painting, *Self-Portrait as Saint Catherine of Alexandria*, is one of only five self-portraits by Gentileschi and is believed to be the earliest, painted when she was around 20 years old in Florence. It far exceeded its presale estimate of $2.5–$3.5 million. On the same day, the National Gallery of Art in Washington, D.C., announced its acquisition of another Gentileschi work, *Mary Magdalene in Ecstasy* (circa 1625), funded by a gift from Nina J. Cohen and the Patrons’ Permanent Fund.
A previously unknown Michelangelo drawing, a red chalk study for the foot of the Libyan Sibyl on the Sistine Chapel ceiling, was discovered after an owner submitted a photograph to Christie's online estimate service. The work, created around 1511–12, sold at Christie's New York for $27.2 million, far exceeding its $1.5–2 million estimate and setting a new auction record for a Michelangelo drawing. The anonymous seller inherited the piece from his grandmother, and it had been in his family since the late 1700s.
A long-lost painting by the 17th-century Italian Baroque artist Artemisia Gentileschi, titled *Mary Magdalene in Ecstasy*, has been rediscovered and will be auctioned at Sotheby's in Paris on June 26. The work, previously known only from a single black-and-white photograph, was found in a private collection in the south of France and has not been publicly seen for 80 years.
The first Art Angle Round-Up of 2026 highlights three major art world stories. The selection includes the controversy surrounding the South Africa pavilion at the Venice Biennale, the Prado Museum's struggle with and plans to manage overwhelming visitor numbers, and the phenomenon of 'speed painting,' exemplified by artist Vanessa Horabuena selling a 10-minute painting of Jesus for nearly $3 million at a Mar-a-Lago fundraiser.
Zona Maco, one of Latin America's premier art fairs, will return to Mexico City from February 4–8, 2026, at Centro Banamex. The fair will feature 241 exhibitors across nine sections, including a new section called Forma, which blends contemporary art and design, and a revised Diseño Emergente section for emerging designers. Notable participants include Pace Gallery, Galleria Continua, Kurimanzutto, and OMR, with curated sections led by Aimé Iglesias Lukin and Manuela Moscoso. Founder Zélika García highlighted the fair's growth and its commitment to showcasing blue-chip galleries alongside emerging and mid-career talent.
Two nearly identical portraits of George Washington by Charles Peale Polk, depicting him after the 1777 Battle of Princeton, will be auctioned on consecutive days in New York. Christie’s offers a 1793 version (number 53) on January 23, estimated at $200,000–$300,000, which was selected by Jackie Kennedy for the White House in 1962 and remained there until 1992. Sotheby’s offers a 1790–93 version (number 30) on January 24, estimated at $400,000–$600,000, previously sold at Christie’s in 1971 and at Sotheby’s in 2010 for $458,500. Both paintings have passed through Hirschl and Adler Galleries and depict Washington in uniform with Princeton’s Nassau Hall in the background.
Ten years after London dealer Vanessa Carlos launched the gallery sharing initiative Condo in the East End, the collaborative model has become a key survival strategy for galleries of all sizes, especially smaller ones. The latest edition of Condo London runs from Saturday to February 14. Brunette Coleman, a photography-forward gallery launched in 2023 by Anna Eaves and Ted Targett in Bloomsbury, exemplifies this trend: it has grown quickly through cooperative exhibitions rather than costly fairs, participating in Condo for the second time this year by hosting Milan’s Zero gallery. The gallery represents six international artists, and its artist Nat Faulkner won Frieze London’s Emerging Artist Award in 2024, with a solo show opening at Camden Art Centre.
Digital artist Mike Winkelmann, known as Beeple, joined Ben Davis on the Artnet News podcast "The Art Angle" to discuss his work and the evolving perception of digital art. Beeple first gained global attention in 2021 when his NFT artwork "Everydays, The First 5,000 Days" sold for $69 million at Christie's, making him a symbol of the NFT boom. Since then, he has continued to experiment with new media, including interactive video sculptures shown at LACMA and robot dogs with human heads displayed at Art Basel Miami Beach 2025.
Li Hei Di, a young Chinese-born painter based in London, has emerged as one of the most closely watched artists in the ultra-contemporary market despite its recent downturn. Since joining Pace Gallery in September 2024 as its youngest artist, Li's works have appeared at auction 12 times, with eight sales in Hong Kong. Nearly every lot has exceeded expectations, often doubling or tripling high estimates. A standout was the painting *There Was One Summer Returning Over and Over; There Was One Dawn I Grew Old Watching* (2023), which sold at Sotheby's Hong Kong for HK$2.67 million—more than double its high estimate—setting a new auction record. Auction specialists and dealers emphasize that Li's market reflects a slow, sustained buildup rather than a speculative spike, with bidding and buying activity spanning Asia, Europe, and the United States.
Artnet News published an interview with Julia Cameron, author of the bestselling creativity guide *The Artist's Way*, originally released in 1992. Cameron discusses the origins of her 12-week program for overcoming artistic blocks, including the famous 'Morning Pages' ritual of writing three pages of unedited text each day. She also introduces her new book *The Daily Artist's Way*, which offers a fresh approach for fans. The interview, conducted by Ben Davis, revisits how Cameron's practical, spiritually-infused techniques have become a staple for artists, musicians, and writers worldwide.
Frieze Los Angeles has announced its 2026 exhibitor list, featuring 95 galleries from 22 countries at the Santa Monica Airport, running from February 26 to March 1. The lineup includes blue-chip names like Gagosian, Hauser & Wirth, and David Zwirner, alongside local staples such as Commonwealth & Council and David Kordansky Gallery. First-time participants include El Apartamento, Bradley Ertaskiran, and Sprüth Magers returns after a hiatus. The Focus section, curated by Essence Harden, highlights galleries under 12 years old. Notable absentees include Marian Goodman Gallery, Bortolami, and Sean Kelly, while five galleries that participated in 2025 have since closed. The fair follows a challenging 2025 edition impacted by LA wildfires, which prompted withdrawals and a charity initiative.
Abu Dhabi Art Fair returns for its 17th edition from November 19–23 on Saadiyat Island, featuring 140 galleries from 35 countries—up from 104 last year and 40 in 2009. Under director Dyala Nusseibeh, the fair introduces new thematic sectors including 'The Collectors Salon' for historical objects, an expanded 'Emerge' section for works under $3,000, and a Global Focus highlighting modern masters from Nigeria and Türkiye. The growth reflects Abu Dhabi's broader cultural strategy of ambitious development, with museums long in the works finally opening and attracting global attention.
P.P.O.W. gallery has taken on representation of artist Owen Fu, while Nicola Vassell Gallery now represents Na Kim, known for her book covers and paintings. Jessie Washburne-Harris has been named Global Director at White Cube, overseeing the gallery's U.S. growth. Chris Sharp Gallery added Mark A. Rodriguez to its roster, and Berry Campbell took on the estate of Louisa Chase. Mexico City dealers Misa Yamaoka and Yuna Cabon launched an artist residency program at Third Born gallery. The article also reports that combined evening sales at Christie's, Phillips, and Sotheby's in Hong Kong totaled $136 million, a significant drop from $208.6 million last fall, and highlights the rising market interest in 17th-century artist Michaelina Wautier.
Claire Oliver Gallery is expanding its Harlem townhouse location in New York, adding the upper floors to its existing street-level space. The new areas will be dedicated to a more intimate, salon-style presentation, moving away from the traditional white cube model. The expansion will be inaugurated on September 5 with a solo exhibition by BK Adams on the ground floor and a group show upstairs featuring represented artists including Barbara Earl Thomas, Carolyn Mazloomi, Gio Swaby, and others.
The Newport Art Museum in Rhode Island has opened "Bobby Anspach: Everything is Change," the first institutional solo exhibition for the late American artist Bobby Anspach, who died in 2022 at age 34. Curated by Taylor Baldwin, the show traces Anspach's development of immersive sculptural environments, particularly his "Place for Continuous Eye Contact" series, which uses materials like pom-poms, lights, fabric, and found objects to create psychologically charged spaces. The exhibition includes early works, paintings, and large-scale installations that Anspach had previously shown at venues such as New York's Spring Break Art Show and outside the Metropolitan Museum of Art.