Senior contemporary artist Parvathi Nayar's solo exhibition explores the interconnectedness of human histories and natural forces, focusing on themes of salt, memory, and ocean currents. The show features works that examine how human narratives are shaped by and inseparable from environmental elements, as described in a review by Deepa Natarajan Lobo.
Studio Russo Gallery, in collaboration with Artvocate, is hosting the opening reception of "Disintegration Regeneration," a solo exhibition by artist Anastasia Travieso-Diaz. The show features works that explore themes of rupture and renewal, using layered compositions and material experimentation to examine cycles of loss, resilience, and transformation.
A new exhibition titled 'In Between' opens in Plymouth, featuring work from artists of East Asian backgrounds. The show, curated by Oliver Li, includes photography, illustration, and image-based works from artists Bo Fan, Sean Yang, Yifei Xiang, Yulong Li, and the duo Zoe Cui and Nandal Seo, as well as Scarlett Yang's 'Her Feast' series. It explores themes of intimacy, gender, and navigating multiple cultural identities. The exhibition runs from April 24 to May 3 at a gallery space on 37 Looe Street, with an opening night event and an artist-led workshop scheduled.
An art exhibition has opened that focuses on themes of women's resilience, personal growth, and strength, specifically highlighting the beauty and power found in life's imperfections. The show presents works that explore these concepts through a feminine lens.
The ALMA | LEWIS art gallery in Pittsburgh is expanding its physical footprint. The gallery, which focuses on contemporary art by Black, Brown, and Indigenous artists, is moving to a larger, more prominent location in the city's East Liberty neighborhood.
The Jeannette Art Gallery in Pennsylvania has opened its sixth annual 'Women in Art' exhibition, featuring works by female artists from the local region. The show includes a variety of mediums such as painting, sculpture, and photography, and aims to provide a dedicated platform for women artists during Women's History Month.
The McEachern Art Center (MAC) in Macon, Georgia, is presenting an exhibition titled 'Guilty Pleasures' by artist Brittany Coburn. The show, which runs from February 6 to March 22, explores vices and coping mechanisms through a range of materials, using bright colors and layered symbolism to invite viewers into conversations about mental health and resilience.
A group exhibition titled 'A Family Reunion of Artists' features works by Minnesota Anishinaabe artists, currently on display in Detroit and traveling to other venues. The show brings together multiple generations of Indigenous artists from the Anishinaabe community, highlighting their diverse practices and shared cultural heritage.
Ethiopian artist Tibeb Sirak presents her debut solo exhibition in Nairobi, exploring themes of heritage, identity, and cultural memory through her work. The show marks a significant milestone in her career, bringing her distinctive visual language to a new audience in East Africa.
The New York Times profiles an artist who creates works celebrating Black men in labor, depicting them with dignity and strength. The artist refuses to apologize for her focus, which she sees as a corrective to historical erasure and negative stereotypes.
China Institute Gallery in New York has transformed a logistical setback into an opportunity, mounting an urgent contemporary art exhibition that showcases works by Chinese and Chinese American artists. The show, organized on short notice after a previously planned exhibition fell through, features a range of pieces addressing themes of identity, diaspora, and cultural heritage, reflecting the gallery's pivot toward more current and pressing artistic conversations.
Art Macao's collateral exhibition 'Since it is•The Future: Media Art Exhibition' opened on Saturday evening at the Cardinal Newman Centre for Culture and Arts Performance of Macau (CCCN). Part of the Art Macao: Macao International Art Biennale 2025, the show is co-curated by Willa Chan and Ha Tin Cheong, featuring works by four local artists—Ng Man Cheng, Cheong Ka Kit, U Ka Kit, and Lo Hio Leng—under a 'post-apocalyptic cultural archaeology' narrative. The exhibition uses media art to explore Macau's identity between passive acceptance and active creation, with each artist presenting interactive installations that reimagine the present through a speculative future lens.
A new printmaking exhibition titled "Prints. People. Power." has opened at the Clara M. Lovett Art Museum at Northern Arizona University. Curated by Ty Miller, the show features works from three print collectives—Taller de Gráfica Popular (Mexico City), Movimiento Artístico del Río Salado (Phoenix), and The Arizona Print Group—exploring themes of justice, community, and resilience across the American Southwest, Central America, and South America. All artworks come from the museum's permanent collection, built through decades of donor gifts since the 1960s. The exhibition is also the first at NAU to involve student collaboration and to integrate generative AI in design and research.
Bloomfield College of Montclair State University's Scott H. Kaplan ’02 Art Gallery will open its fall exhibition, “The King Has Spoken,” on September 25, 2025. Curated by gallery director Wanda Croudy, the show features six male artists—Kervin André, José Camacho, Jo-El Lopez, Suliman Onque, Ron “Reap” Powell, and Levi Robinson—presenting deeply personal works exploring identity, resilience, and expression. The exhibition is supported by Marc and Ellen Kaplan and presented in partnership with Newark Arts.
Three master’s students from Stellenbosch University—Rebekah Pringle, Thabo Ngwenya, and Emily Fitzgerald—launched an exhibition titled "Matter of Self: Private fragments, public forms" on 7 August at the Gallery University Stellenbosch (GUS). The show is part of a master’s review series that highlights their academic year progress. Pringle’s work explores her domestic experience and caretaker relationship with her grandmother using repurposed furniture; Ngwenya’s pieces address alienation as a Ndebele man in Zimbabwe through pop culture references and self-portraits as "boundary objects"; Fitzgerald’s art challenges patriarchy and heteronormativity using archival photographs, clay, and photolithographic processes.
Young Filipino artist has launched a new exhibit in Guam that serves as a platform for cultural expression, showcasing works that explore Filipino identity and heritage. The exhibit aims to provide a space for dialogue and connection through visual art, highlighting the artist's commitment to amplifying underrepresented voices in the diaspora.
A San Francisco art exhibition has unveiled hidden histories through a stunning display of works that challenge conventional narratives. The show brings together diverse artists whose pieces explore overlooked stories, using mixed media and installation to reveal layers of cultural and personal memory. The exhibition is presented at a prominent local venue, drawing attention for its provocative and deeply researched content.
Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.