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This Week at LACMA

This week at LACMA features the opening of Tavares Strachan's first museum exhibition in Los Angeles, "The Day Tomorrow Began" (October 12, 2025–March 29, 2026), with immersive multisensory installations including uncanny everyday spaces, a field of rice grass with ceramic figures, and monumental bronze sculptures. The museum also offers a gallery tour of "Deep Cuts: Block Printing Across Cultures" with curator Erin Maynes on November 18, alongside ongoing exhibitions such as works by Beeple, Zheng Chongbin, Youssef Nabil, Ai Weiwei, Mark Bradford, Robert Irwin, Barbara Kruger, Richard Serra, and Chris Burden, plus public programs like Mindful Monday, Communities Create LA! workshops, and member screenings of Academy Award contenders.

On the ground at Art Week Tokyo: amid shifting national politics, Japan’s ‘sleeping beauty’ art scene is waking up

The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

Amoako Boafo serves up a community tennis court in Ghana

Ghanaian artist Amoako Boafo has opened Backyard Community Club, a tennis training facility in Osu, Accra, featuring the country's first regulation clay court. Designed by Accra-based architecture firm DeRoche Projects, the court is enclosed by precast rammed-earth panels—also a first in Ghana—and includes shaded seating, changing rooms, and edible plants. The project offers free tennis lessons to local children, drawing on Boafo's own background as a ball boy and tennis player before his rise as a global art star.

‘Sometimes the space comes first’: how Shohei Shigematsu is using architecture to break cultural ground

Shohei Shigematsu, director of OMA New York since 2006, has carved a niche designing luxury-brand exhibition spaces and flagship stores for Dior, LVMH, and Tiffany. His approach treats architecture as a cultural platform that integrates fashion, art, design, and food. Key projects include the 2016 'Manus x Machina' exhibition at the Metropolitan Museum of Art and the 2023 'Christian Dior: Designer of Dreams' show in Seoul, where spatial design often precedes thematic content.

Curator Conversation: Behind The Honest Eye

On October 25, 2025, co-curators Clarisse Fava-Piz, Claire Durand-Ruel Snollaerts, and Nerina Santorius will host a conversation at the Joslyn Art Museum in Omaha, Nebraska, offering a behind-the-scenes look at the exhibition "Pissarro’s Impressionism." The talk will explore Camille Pissarro’s life and legacy, from his Caribbean roots to his role in Impressionism, and detail how over 80 works were assembled for the first major U.S. retrospective of the artist in over 40 years. The event is sold out in person but will be livestreamed.

James Turrell’s New Skyspace Is Opening in Denmark—and It’s Monumental

James Turrell's largest Skyspace to date, titled "As Seen Below – The Dome," will open at ARoS Aarhus Art Museum in Denmark on June 19, 2026, timed for the summer solstice. The dome-shaped underground chamber, over 50 feet high and 130 feet in diameter, frames the sky and is housed within a grassy mound as part of the museum's subterranean expansion, The Next Level. The project, first announced in 2015, faced financial and technical delays, including a supplier bankruptcy, and required additional funding of 6.7 million kroner this year.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

Weisman Art Museum shows rugs as the messengers of our stories

The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.

Ruth Orkin: Women on the Move | Exhibition

The National Museum of Women in the Arts is presenting "Ruth Orkin: Women on the Move," an exhibition of 21 vintage photographs by the mid-20th-century American photographer Ruth Orkin (1921–1985). Drawn from the museum's collection, the show highlights Orkin's depictions of women in diverse settings—from Hollywood celebrities and Broadway stars to Women's Army Auxiliary Corps members, tourists in Europe, and families in an Israeli kibbutz. Orkin, who was barred from joining the cinematographers' union due to her gender, turned her narrative eye to photography, often collaborating with her subjects to invert the conventional male gaze. The exhibition runs from December 12, 2025, to April 19, 2026.

Calder Gardens opens this weekend in Philadelphia

Calder Gardens, a new art space dedicated to the work of Alexander Calder, opens this weekend in Philadelphia on Benjamin Franklin Parkway, across from the Rodin Museum. Designed by Herzog & de Meuron with gardens by Piet Oudolf, the building is mostly underground and emphasizes a multi-sensory experience, including curated scents, textured surfaces, and no wall labels. The space will display 50 years of Calder's mobiles, stabiles, paintings, and drawings, rotating works without a fixed schedule.

A secular church for the art of Alexander Calder opens in Philly on Sunday

A new $100 million art center dedicated to Alexander Calder, called Calder Gardens, opens on the Benjamin Franklin Parkway in Philadelphia on Sunday, September 21. Designed by architect Jacques Herzog of Herzog & de Meuron with landscape by Piet Oudolf, the building features underground galleries, sunken gardens, and no wall text, encouraging visitors to have a personal, sacred experience with Calder's sculptures, paintings, and works on paper. The Calder Foundation built the space, and the Barnes Foundation administers it in partnership.

Uptown and downtown, re-imagined museums in New York prepare to reopen

Two of New York City's most influential contemporary art institutions, the Studio Museum in Harlem and the New Museum on the Bowery, are set to reopen this autumn after major architectural transformations. The Studio Museum will unveil its first purpose-built facility, an 82,000 sq. ft seven-story building on West 125th Street designed by Adjaye Associates with Cooper Robertson, featuring expanded exhibition space, artist studios, and a "reverse stoop" for public programming. The New Museum will debut a seven-story expansion to its flagship building at 235 Bowery, doubling its exhibition space and reinforcing its role as a hub for experimental art.

On Loss and Absence: Textiles of Mourning and Survival

The Art Institute of Chicago presents 'On Loss and Absence: Textiles of Mourning and Survival,' an exhibition running from September 6, 2025, to March 15, 2026. Featuring over 100 objects from antiquity to the present, the show draws primarily from the museum's own collection and is organized into four thematic sections: Death and Mourning, Transition of Realms, Care and Repair, and Resistance and Survival. Works include funeral hangings, burial cloths, mourning samplers, Indonesian ship cloths, a Taoist priest's robe, and contemporary pieces by artists such as Nick Cave, Carina Yepez, the Noqanchis collective, and Diné weaver Barbara Teller Ornelas. The exhibition is curated by four artist-educators from the School of the Art Institute of Chicago's Fiber and Material Studies department: Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, with senior museum advisor Melinda Watt.

Seeing double: Vermeer painting and its mysterious ‘twin’ go on show in London

Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

London's Dulwich Picture Gallery prepares to reveal £5m redevelopment

Dulwich Picture Gallery in south London will open a newly transformed sculpture garden to the public on 6-7 September, as the centerpiece of its £5m Open Art project. The redevelopment reclaims previously underused green space for a rotating programme of contemporary art on two-year loans, alongside permanent works including a land art piece by Kim Wilkie, an ArtPlay Pavilion designed by HoLD Collective and Carmody Groarke, and a new entrance restoring elements of John Soane's 1811 plans. The project is funded by principal donor The Lovington Foundation, The Julia Rausing Trust, the Manton Foundation, and a public campaign, as the gallery receives no regular government funding.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

Iranian artworks sold at Bonhams' online auction of Modern and Contemporary Middle Eastern Art

Two works by Iranian artists were sold at Bonhams London's online auction of Modern and Contemporary Middle Eastern Art on August 14, 2025. The auction featured 45 pieces from Middle Eastern artists, including 10 by Iranian artists such as Sirak Melkonian, Ebrahim Olfat, Babak Kazemi, Marcos Grigorian, and YZ Kami. Only two works found buyers: an untitled 2020 oil on canvas by the late Sirak Melkonian (1930-2024) sold for $13,888, and Ebrahim Olfat's calligraphy painting "Eshgh (Hafez Poem)" (2012) sold for $5,207. The article provides extensive background on Melkonian, an Iranian-Armenian modernist pioneer and co-founder of the Azad Art Group, and on Olfat, a calligraphy specialist with a medical degree.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

Preston Park Museum's new exhibition space to open with host of exciting exhibitions celebrating the railway

Preston Park Museum is opening a new multi-million pound exhibition space in 2025 with a series of railway-themed exhibitions called 'Tracks of Change', part of the S&DR200 festival celebrating the bicentenary of the Stockton and Darlington Railway. Highlights include 'Corridors', a suspended floral installation by internationally acclaimed artist Rebecca Louise Law; 'All Aboard', an interactive playscape for children; 'Gateway to the World', a collection of nationally significant paintings; and 'Perfume', a light-and-sound installation by visual artist Yann Nguema. All exhibitions will be free with museum admission.

‘Slowing the process down’: how a bohemian Somerset art gallery is forging its own path

Close gallery, founded in 2009 by curator and art advisor Freeny Yianni in the grounds of her 17th-century home near Hatch Beauchamp, Somerset, is expanding its operations. Yianni, who previously worked at Lisson Gallery and helped Grenville Davey win the Turner Prize, recently hired sales director Richard Scarry, formerly of Coates and Scarry in Bristol. The gallery's current exhibition features previously unseen works by British abstract artist Jane Harris (1956–2022), shown both in Somerset and at a new London project space in Marylebone. Upcoming plans include presenting a monumental sculpture by Simon Hitchens at Frieze Sculpture in Regent's Park.

It's hard for green-themed art shows to garner credibility—the Helsinki Biennial deserves more than most

The Helsinki Biennial's third edition, titled "Shelter: Below and beyond, becoming and belonging," opens on Vallisaari Island, featuring 37 artists and collectives. Co-curated by Blanca de la Torre and Kati Kivinen, the biennial deliberately shifts focus away from humans, centering instead on flora, fauna, and the natural environment under the slogan "Non-humans first!" The event continues its founding commitment to carbon neutrality by 2030, employing measures like a carbon footprint calculator, promotion of slow travel, and rejection of artificial lighting to protect local bat populations.

How to Plan an Art-Filled Day Trip to the Berkshires

This article is a travel guide for planning an art-focused day trip to the Berkshires in western Massachusetts, highlighting key cultural destinations for summer 2025. It details MASS MoCA in North Adams, a vast contemporary art museum housing works by Sol LeWitt, Anselm Kiefer, Louise Bourgeois, and James Turrell, with current exhibitions including a Vincent Valdez retrospective and Alison Pebworth's "Cultural Apothecary." The guide also covers the Clark Art Institute in Williamstown, featuring its "Ground/work 2025" outdoor sculpture exhibition curated by Glenn Adamson, alongside shows by Mariel Capanna, mid-century modern graphic design, and Isamu Noguchi. Additional attractions include the LOUD Weekend and FreshGrass music festivals, plus dining options like the museum campus's cafe and the Tourists hotel restaurant.

National Museum of African Art

The article is a visitor's guide to the Smithsonian's National Museum of African Art in Washington, D.C., describing its hidden, underground location behind the Smithsonian Castle and its extensive collection of ancient and modern African art. It highlights specific works on display, including a mixed media piece by Mary Sibande titled *Sophie-Merica* (2009), a sculpture by Ghada Amer titled *The Blue Bra Girls* (2012), and *Untitled* (2009) by El Anatsui, along with numerous masks, textiles, and photography exhibits by artists such as Lalla Essaydi.

Exhibition at The Met Highlights Role of Photography in Cross-Dressing Community in 1960s New York

The Metropolitan Museum of Art's exhibition "Casa Susanna," on view from July 21, 2025 to January 25, 2026, brings together approximately 160 photographs and publications created by and for a community of cross-dressers who gathered in New York City and the Catskills Mountains during the 1960s. The works, discovered at a Manhattan flea market in 2004, document safe spaces provided by Susanna Valenti and Marie Tornell at two modest resorts, where guests used cameras—especially Polaroids—to affirm their femme identities and connect a nationwide community. The exhibition is organized by the Art Gallery of Ontario and Les Rencontres d’Arles in collaboration with The Met, and includes collections from the Art Gallery of Ontario, artist Cindy Sherman, and donor Betsy Wollheim.

Sea State: restored Norfolk mansion puts on water-themed exhibition by Maggi Hambling and Ro Robertson

Wolterton Hall, an 18th-century Palladian country house in Norfolk, England, has reopened to the public after a restoration completed by its new owner Richard Ellis. The estate is launching a water-themed exhibition titled "Sea State," featuring site-specific works by artists Maggi Hambling and Ro Robertson. Robertson's outdoor steel sculpture "The Swell" will be the first permanent outdoor artwork on the grounds, while Hambling presents new pieces from her "Wall of Water" series and an installation called "Time" dedicated to her late partner. The exhibition is co-curated by Simon Oldfield and Gemma Rolls-Bentley.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.