Perna, Cruz-Diez, Otero, Barboza: Venezuelan Focus at ISLAA

PERNA, CRUZ-DIEZ, OTERO, BARBOZA: ENFOQUE VENEZOLANO EN ISLAA

The Institute for Studies on Latin American Art (ISLAA) in New York has launched its 2026 exhibition program with a major focus on Venezuelan modern and contemporary art. The season features a significant solo exhibition of Claudio Perna—his first in New York—alongside a showcase of Carlos Cruz-Diez and digital 'Spotlight' presentations on Diego Barboza and Alejandro Otero. The Perna retrospective, titled 'Idea como arte,' gathers over forty works including photography, photocopies, and conceptual cartography created between the 1960s and 1990s.

Michel Bassompierre (1948-2026)

French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.

Jan Staller Photographs the Nuts and Bolts of Manhattan's Urban Symphony

Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.

Chanel to open major Lina Lapelytė commission at Berlin’s Hamburger Bahnhof.

Lithuanian interdisciplinary artist Lina Lapelytė will present a large-scale sonic installation and performance titled "We Make Years Out of Hours (2026)" at Berlin's Hamburger Bahnhof — Nationalgalerie der Gegenwart, opening May 1st during Berlin Gallery Weekend 2026. The work is the second iteration of the Chanel Commission, with performances scheduled on Tuesdays, Thursdays, and Saturdays through January 10, 2027, and a public preview on April 30th.

Two 17th-Century Dutch Still Lifes Acquired by the Getty

Deux natures mortes hollandaises du XVIIe siècle acquises par le Getty

The J. Paul Getty Museum in Los Angeles has acquired two 17th-century Dutch still-life paintings by Pieter Claesz and Jan Davidsz. de Heem, masters of the genre. The works, including de Heem's "Vase en verre avec fleurs et fruits," were purchased on the New York art market and fill a gap in the museum's Dutch still-life collection, which previously lacked examples by these two artists.

“Human Being Human” at The Private Museum

The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.

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The South African Ministry of Sport, Arts, and Culture has denied censoring its 2026 Venice Biennale pavilion after canceling a proposed artwork by artist Gabrielle Goliath on December 2. The work, part of Goliath's "Elegy" series curated by Ingrid Masondo, addressed sexual assault, femicide, the killings of women and queer people in South Africa, colonial-era genocide in Namibia, and included a tribute to Palestinian poet Hiba Abu Nada. Culture minister Gayton McKenzie initially called the piece "highly divisive" and linked to a polarizing international conflict, but a January 10 statement reframed the cancellation as a safeguard against foreign interference, alleging a foreign country attempted to fund or purchase the work to use the pavilion as a proxy for a geopolitical message about Israel's actions in Gaza.

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El Salvador will debut its first national pavilion at the 2026 Venice Biennale, featuring Salvadoran American artist J. Oscar Molina. The pavilion, titled "Cartographies of the Displaced," will be curated by Alejandra Cabezas and commissioned by Astrid Bahamond, the national director for museums and exhibition spaces of El Salvador's Ministry of Culture. Molina will install at least 15 of his "Children of the World" sculptures at Palazzo Mora in Venice's Cannaregio district, each accompanied by QR codes linking to interactive stories from displaced communities, including his own experience fleeing El Salvador's civil war in 1989.

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The nonprofit organization Artemisia Gold has announced a major restoration project for Plautilla Bricci’s 17th-century altarpiece, 'Birth of the Virgin' (ca. 1660), located in Rome’s Church of Santa Maria in Campo Marzio. Bricci, a rare female polymath of the Baroque era, was Italy’s first professional female architect as well as a prolific painter and sculptor. The restoration team, led by Jane Adams, aims to clean the darkened canvas and conduct X-ray analysis to potentially uncover a hidden signature and more details regarding its commission by Abbess Anna Maria Mazzarino.

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South Africa will not participate in the 61st Venice Biennale following a High Court ruling that dismissed an urgent application by artist Gabrielle Goliath. The dispute began in January when Culture Minister Gayton McKenzie canceled the planned exhibition, "Elegy," citing concerns over its references to Gaza and the killing of Palestinian poet Hiba Abu Nada. The court's decision, delivered just hours before the biennial's submission deadline, effectively leaves the South African pavilion empty for the 2024 edition.

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ARAR Gallery in Utrecht, Netherlands, is championing contemporary Armenian art on the global stage. Founded by Ashot Khalafyan, the gallery presents a diverse roster of artists who synthesize Armenian cultural heritage with avant-garde practices, refusing to treat the art as an isolated category. The gallery's program includes painters like Hasmik Khalafyan and Anahit Mirijanyan, photographer Aram Khalafyan, and extends to limited-edition wearable art based on original paintings.

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Christie's auction "We the People: America at 250" on January 23, 2026, achieved $35.5 million in total sales, doubling its presale estimate. The top lot was a draft of the U.S. Constitution annotated by founding father Rufus King, which sold for $7.3 million. Other highlights included a signed Emancipation Proclamation ($6.7 million), a 1776 Declaration of Independence copy ($5.6 million), and the Apple Computer Company Partnership Agreement from 1976, signed by Steve Jobs, Steve Wozniak, and Ronald Wayne, which fetched $2.5 million. A Gilbert Stuart portrait of George Washington (ca. 1804) realized $2.8 million, setting a new auction record for the Athenaeum type.

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South Africa's culture minister Gayton McKenzie canceled artist Gabrielle Goliath's selected presentation for the country's national pavilion at the 2026 Venice Biennale, prompting Goliath and curator Ingrid Masondo to file a constitutional court challenge on January 22. The artist's work, *Elegy*, commemorates victims of injustice including women, queer people, and victims of the Herero and Nama genocide, and was to address deaths of Gazan women and children since October 2023. McKenzie described the work as "highly divisive" and canceled the exhibition on January 2, despite an independent committee's binding selection. The minister now plans to replace it with a project by the collective Beyond the Frames titled "Shameless Rebellions: a South African Chorus."

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OXH Gallery in Tampa, founded just over two years ago, presents its latest exhibition “Where Form Remembers,” featuring works by artists Avani R. Patel and Julie Gladstone. The show highlights each artist's exploration of emotion through abstraction, with Patel drawing on Indian cultural influences and organic motifs, while Gladstone uses multimedia compositions rooted in psychological experiences like memory and trauma. The exhibition runs through January 23, 2025.

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Christie’s is launching its largest-ever Americana Week in January, featuring a George Washington portrait by Gilbert Stuart that inspired the dollar bill. The painting, commissioned by James Madison, is expected to fetch between $500,000 and $1 million. The auction includes 700 lots across nine sales, with highlights such as a signed Emancipation Proclamation and the contract that created Apple. The portrait, a Vaughn-type from 1795, was consigned by Clarkson University and has a provenance tracing back to Madison, confirmed by a 19th-century catalog and a note from Madison’s secretary.

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On Saturday, demonstrators across the United States took part in No Kings rallies protesting President Donald Trump, with artists playing a key role in creating protest visuals. In New York City, activists including Susan Sarandon and Mark Ruffalo carried a yellow banner by graphic designer Ange Tran reading “People Over Billionaires,” while Brooklyn artist Julie Peppito led an art build with Indivisible Brooklyn, producing around 100 signs featuring slogans like “people power” and a red sun design. The protests, organized by the 50501 movement alongside Indivisible and MoveOn, drew an estimated 5 to 13 million participants nationwide, making it the largest action since Trump took office in January.

FSU's Museum of Fine Arts presents exhibit examining humanity through things we collect, keep and carry

Florida State University's Museum of Fine Arts (MoFA) will present the exhibition "Like everything alive that we try to hold forever" from January 29 to June 27, 2025. Curated by Elizabeth Diggon, Naomi Potter, and Shauna Thompson of Esker Foundation and produced by Independent Curators International (ICI), the show features seven international artists—including Larry Achiampong & David Blandy, Diane Borsato, Stephanie Dinkins, Bridget Moser, Sondra Perry, and Miya Turnbull—whose work in photography, sculpture, and video examines the complex relationship between humans and non-human objects, touching on themes of identity, colonialism, artificial intelligence, and digital technologies.

Must-See Museum Exhibits Opening in Colorado in 2026

Several Colorado museums are launching new exhibitions in 2026. The Museum of Boulder presents "Blazing Trail for 150 Years at CU Boulder" (Jan 16–Mar 1), celebrating the university's sesquicentennial. The Boulder Museum of Contemporary Art (BMoCA) opens "Yes &…" (Jan 29–May 3), featuring 18 artists exploring human-made art in the age of AI. History Colorado Center mounts "Mountains Majesty: On the Summit With John Fielder" (Jan 24, 2026–Jan 10, 2027), showcasing landscape photographs by the late John Fielder. MCA Denver hosts Ana María Hernando's solo exhibition "Seguir Cantando (Keep Singing)" (Mar 5–Jul 5), featuring tulle sculptures.

An Artist Asks: Without Darkness, Who Are We?

Artist Jan Tichy has created a new exhibition that explores the consequences of light pollution and the disappearance of natural darkness. The project, titled "Without Darkness, Who Are We?", involved extensive research and collaboration with scientists including entomologists and neurobiologists to understand the ecological and psychological impacts of artificial light.

The Interview: Gabrielle Goliath

Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

After The Complex: The Dublin Art Scene

The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.

MSU Entomology Partners With Artist Jan Tichy for Darkness Exhibit at Broad Art Museum

Chicago-based artist Jan Tichy has created a new exhibition titled 'Darkness' at Michigan State University's Eli and Edythe Broad Art Museum. The project is the result of a nearly nine-month collaboration with four MSU labs, most prominently the Department of Entomology, where Tichy worked with researchers and students to incorporate insects and scientific methods like blacklight sampling into the artwork.

Conceptual artist Theresa Hak Kyung Cha’s gets expansive tribute in California show

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.

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YouTube star Rachel Accurso, known as Ms. Rachel, announced an exhibition and fundraiser titled "Colors That Survived" featuring artworks created by children in Gaza. The show opens Tuesday at Caelum Gallery in New York's Chelsea neighborhood, with limited-edition prints priced at $200 each available through January 30 via the nonprofit Artists Support. All proceeds will go to young Palestinian artists. Accurso, who has over 18 million YouTube subscribers, became an advocate for children in Gaza after participating in a Save the Children fundraiser in May 2024, and has faced backlash from Zionist groups including StopAntisemitism, which falsely accused her of receiving funds from Hamas.

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British artist Henry Walsh, known for his intricate paintings of miniature worlds filled with tiny figures and narratives, has announced a series of exhibitions for 2025 and 2026. His work will be shown at Fresh Art Fair in London (January 31–February 2, 2026), the Affordable Art Fair New York and Austin editions in March and May, and a solo show titled "Changing Seasons" at Fine Art Consultancy from June 10 to July 12. The exhibitions follow a private commission inspired by the Austin City Limits Festival, which Walsh used as a starting point for his painting "Pageant" (2025), featuring music icons like Bonnie Raitt and Leon Bridges.

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The Winter Show returns to New York's Park Avenue Armory for its 72nd edition, running from January 23 to February 1, 2026. The fair brings together over 70 international dealers offering a wide range of collecting categories including jewels, antiques, design, and fine art. Highlights include returning exhibitors such as A La Vieille Russie, Ralph M. Chait Galleries, and Joan B Mirviss, alongside newcomers like Galerie Cahn, Greg Pepin Silver, and Rose Uniacke. The fair also features a Design Council co-chaired by Noz Nozawa, Ben Pentreath, Jane Keltner de Valle, and Giancarlo Valle, and includes benefit events like Opening Night Preview and Young Collectors Night.

The Met’s much-anticipated spring 2026 exhibit puts fashion on a fine art level

The Metropolitan Museum of Art's Costume Institute will open its spring 2026 exhibition, "Costume Art," on May 10, 2026, running through January 10, 2027. The show features nearly 400 objects from the Met's collection, pairing couture garments with paintings, sculptures, and decorative works across centuries. Organized by "body types" such as "Classical Body" and "Mortal Body," the exhibition will be housed in the new 12,000-square-foot Condé Nast Galleries. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, will kick off the exhibition with a dress code of "Fashion is Art."

National Carpet Museum opens exhibition titled 'Images Imprinted in Memory' [PHOTOS]

The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.