The Weisman Art Museum (WAM) has launched a new exhibition titled "The Stories We Tell," which investigates the provenance and acquisition histories of its permanent collection. The show features a diverse array of objects, ranging from ancient ceramics to contemporary works, while highlighting the institutional processes that bring art into a public museum setting.
The Lowe Art Museum at the University of Miami has unveiled a diverse April program featuring two major exhibitions focused on Afro-Cuban art and identity. "El Pasado Mío / My Own Past" showcases nearly two centuries of Afrodescendant contributions to Cuban art, highlighting 45 artists including a significant group of historically overlooked women, while "Afrocubanismo" draws from the Ramón and Nercys Cernuda Collection to explore the 1930s movement that fused European modernism with Afro-Cuban culture.
The Art Institute of Chicago is hosting a major retrospective of Christina Ramberg, a pivotal figure in the Chicago Imagist movement. Co-curated by Thea Liberty Nichols and Mark Pascale, the exhibition features approximately 100 works, representing nearly 80% of the artist's total career output. The lecture by Nichols highlights Ramberg’s multidisciplinary practice—spanning painting, quilting, and printmaking—and her deep engagement with an informal archive of ephemera and source material.
The art world mourns the passing of Melvin Edwards, a pioneering American sculptor who died on March 30, 2026. Known for his mastery of steel, iron, and barbed wire, Edwards rose to prominence in the 1960s with works that balanced formal abstraction with the heavy symbolism of chains and industrial materials. His career was marked by significant milestones, including being the first African American sculptor to have a solo exhibition at the Whitney Museum in 1970 and his long-standing presence in the permanent collection of the Museum of Modern Art.
Penny Cooper and Rena Rosenwasser, a Berkeley-based couple, are debuting their private collection of women artists at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Titled "Rhapsody: Works from the Cooper Rosenwasser Collection," the exhibition features highlights from a half-century of collecting, including works by Marlene Dumas, Nicole Eisenman, and Jacqueline Humphries. The show coincides with the couple's significant donation of nearly 150 artworks to the museum, marking the first time these pieces have been displayed outside their home.
White Cube Paris is hosting a major retrospective of Park Seo-Bo’s 'Ecriture' paintings, covering five decades of the artist’s career. The exhibition notably features the debut of his 'Newspaper Ecritures' in Paris—a series he originally conceived in the city during the late 1970s—presented alongside the final works completed before his death in 2023.
The Getty Museum is hosting a comprehensive exhibition titled “Photography and the Black Arts Movement 1955-1985,” featuring over 150 works including paintings, photographs, video art, and archival memorabilia. Developed in partnership with Cal State Northridge, the show highlights the pivotal role of Black photographers and artists in documenting and shaping the Civil Rights era and the subsequent Black Arts Movement. The collection includes iconic imagery from figures like Barkley L. Hendricks and Gordon Parks, as well as local Los Angeles legends such as Betye Saar and Harry Adams.
Art market specialist Melanie Gerlis has launched a new editorial series titled "The Art Market Check," produced in collaboration with Art Basel. The series features Gerlis, a prominent columnist for the Financial Times and editor-at-large for The Art Newspaper, providing expert analysis and commentary on various sectors of the global art trade throughout the annual calendar.
Art Sonje Center in Seoul has launched 'Spectrosynthesis Seoul,' a landmark exhibition featuring 74 artists and collectives that explores the history and current state of queer art. The show, organized in collaboration with the Hong Kong-based Sunpride Foundation, features major international figures like Mark Bradford and Shin Wai Kin alongside prominent Korean artists such as Ayoung Kim and Mire Lee. By moving beyond small-scale independent shows into a major institutional space, the exhibition aims to map a comprehensive landscape of LGBTQ+ artistic practices.
The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.
The Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced its upcoming summer exhibition, "Fresh Air: Inflatable Sculptures." Running from June 19 through September 6, 2026, the show features large-scale, immersive works by a roster of high-profile contemporary artists including Nick Cave, Andy Warhol, and Claire Ashley. The exhibition is designed to be interactive, utilizing scale and movement to engage visitors with contemporary art in an accessible, unconventional format.
The Art Gallery of Ontario (AGO) has launched a dedicated exhibition to rediscover the work of Edna Taçon, a mid-century abstract artist who was once a prominent figure in the New York and Toronto art scenes. Curated by Renée van der Avoird, the show features collages, drawings, and paintings from the 1940s, a period when Taçon exhibited alongside Lawren Harris and was championed by Hilla Rebay at the Museum of Non-Objective Painting (now the Guggenheim). The exhibition was sparked by the discovery of a single work in the AGO’s holdings and a subsequent connection with the artist's grandson, sculptor Carl Taçon.
The Oklahoma City Museum of Art (OKCMOA) has announced the final weeks of its comprehensive exhibition, ‘Paul Reed: A Retrospective,’ which is scheduled to conclude on April 12. This exhibition marks the first major museum retrospective of the Washington Color School painter since his death in 2015, featuring a wide array of works that span his career from early experiments to his signature shaped canvases and late-career explorations.
The Los Angeles County Museum of Art (LACMA) is launching a four-day celebration from April 16–19 to mark the opening of the David Geffen Galleries, the museum’s new home for its permanent collection. The "Third Weekend" festivities include behind-the-scenes talks on the installation process, film screenings, poetry workshops, and movement sessions. The weekend culminates in the official unveiling of the Peter Zumthor-designed building, followed by two weeks of exclusive member previews before the general public opening.
Contemporary Calgary has announced the details for its upcoming LOOK2026 auction fundraiser, featuring a prestigious selection of works by Canadian masters and contemporary stars. The auction will include pieces by Group of Seven member L.L. FitzGerald, Maxwell Bates, and Chris Cran, alongside contemporary works by artists such as Kablusiak. The event was bolstered by a significant contribution from Calgary-based philanthropist and collector John Lacey, who reached out to CEO David Leinster to support the institution's mission.
The Los Angeles County Museum of Art (LACMA) has unveiled a selection of must-see works within its new David Geffen Galleries, marking a radical departure from traditional museum curation. Moving away from rigid chronological and geographic silos, the museum has organized its encyclopedic collection around four major bodies of water—the Atlantic, Pacific, and Indian Oceans, and the Mediterranean Sea—to highlight the historical movement of resources, ideas, and cultures. The single-level, fluid architectural space encourages visitors to meander through evolving installations that include high-profile acquisitions like Francis Bacon’s "Three Studies of Lucian Freud" alongside intricate Kuba ceremonial textiles.
The Leopold Museum in Vienna, in collaboration with Museum Folkwang in Essen, is hosting a major retrospective titled "Gustave Courbet: Realist and Rebel." Featuring 130 exhibits, including 90 paintings and 20 graphic works, the exhibition traces the artist's journey from his early rejection of academic training to his role as the pioneer of Realism. The show highlights his revolutionary choice to depict everyday life and ordinary people on a monumental scale, a practice previously reserved for heroic or mythological subjects.
Alicia Keys and Swizz Beatz have opened a major exhibition of their personal art collection at the Museum of Contemporary Art San Diego (MCASD). Titled "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys," the show features over 100 works by prominent Black artists, including Kehinde Wiley, Amy Sherald, Barkley L. Hendricks, and Jean-Michel Basquiat.
Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.
The Seattle Art Museum has launched "Beyond Mysticism: The Modern Northwest," a major exhibition that re-evaluates the legacy of the "Northwest Mystics." The show features pivotal works such as Mark Tobey’s "Dancing Miners" and Malcolm M. Roberts’ surrealist "Lunar Landscape," tracing how global movements like Surrealism and local landscapes merged to define the region's mid-century aesthetic.
Author Dave Eggers and artist JD Beltran have launched Art + Water, a new initiative located at Pier 29 in San Francisco designed to bypass the traditional art school model. The program seeks to resurrect the historical artist-apprentice and atelier systems, providing students with practical skills and studio space without the prohibitive costs of modern higher education. By partnering with the Port of San Francisco and the Community Arts Stabilization Trust, the founders aim to revitalize the city's waterfront while offering a sustainable alternative to the current debt-heavy academic landscape.
Tate Modern has launched the most comprehensive exhibition dedicated to the work of British artist Tracey Emin. The show brings together a vast range of her pieces, spanning several decades of her provocative and confessional career.
British contemporary painter Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to the United States for its debut at SXSW in March 2026. Utilizing Snap’s fifth-generation Spectacles, the installation transforms Yeo’s traditional portraiture into interactive, living digital experiences that respond to the viewer's movements in real time. The project, which premiered at the Centre Pompidou, represents a collaboration between the artist and Snap AR Studio’s Artist Residency Program.
Christie’s London achieved a robust £197.4 million total across three evening sales, representing a 52% year-on-year increase for the season. The marathon auction was defined by a high 96% sell-through rate and record-breaking prices for major artists, most notably Henry Moore, whose sculpture "King and Queen" sold for £26.3 million. The evening demonstrated a strong appetite for "fresh to market" works and Surrealist masterpieces, even as some lots hammered at the lower end of their estimates.
The Venice Biennale has announced 31 official collateral events for its 2026 edition, headlined by a major Lee Ufan retrospective at the San Marco Art Centre. Curated by Dia Art Foundation director Jessica Morgan, the exhibition will celebrate the artist's 90th birthday by tracing his seven-decade career from the Mono-ha movement to his recent dimensional paintings. Other notable collateral participants include national presentations from Scotland and Wales, a floating synagogue installation by Ukrainian artist Anna Kamyshan, and a Gaza-focused exhibition organized by the Palestine Museum US.
The New Bedford Art Museum has unveiled its 2026 exhibition schedule, featuring a diverse range of programming that spans from historical masterpieces to contemporary social issues. The season began with "The Homecoming," a rare display of works by Mary Cassatt and Käthe Kollwitz from private SouthCoast collections, and will continue with a major survey of contemporary Mexican art titled "Resistance." Other highlights include an exploration of ecological anxieties in "Vanishing Ecologies" and a partnership with the American Visionary Art Museum to showcase self-taught artists.
The Royal West of England Academy in Bristol is hosting "Cosmos: The Art of Observing Space," an expansive exhibition curated by artist Ione Parkin. The show bridges the gap between hard science and artistic imagination, featuring works that range from Susan Derges’s lunar photography to Christopher Le Brun’s monumental 12-panel painting of the moon’s phases. By blending scientific inquiry with creative expression, the exhibition explores how celestial phenomena, NASA data, and planetary movements inspire contemporary visual art.
The Musée de la Vie romantique in Paris has reopened on February 14th following a €3.8 million renovation. The project, funded by the City of Paris and private donors, restored the 19th-century building—once the home and studio of painter Ary Scheffer—focusing on its timber framework, roof, and façades using traditional techniques. The museum's exhibition has been completely renewed, featuring 300 works from its collection, including 70 recently restored pieces, and incorporates new multimedia elements to immerse visitors in the Romantic period.
The Dallas Museum of Art's exhibition "International Surrealism" is critiqued as a missed opportunity during the centennial of the surrealist movement. The author argues that while the show presents a broad survey of mixed-media works from around the world, divided into six thematic subgroups, it lacks the political urgency and revolutionary context that defined surrealism's origins in 1925. The exhibition, initially curated by Matthew Gale from the Tate Modern collection and presented locally by Sue Canterbury, is described as whimsical and decorous, reducing the movement's subversive power to quirky categories and gift-shop fodder.
The Muscarelle Museum of Art in Williamsburg, VA, has opened “Abstract Expressionists: The Women,” an exhibition featuring nearly 50 paintings by 32 women artists who were pivotal to the Abstract Expressionist movement. Running from January 23 through April 26, 2026, the show draws from the Christian Levett Collection and the FAMM (Female Artists of the Mougins Museum), France, and is organized by the American Federation of Arts. It spans the movement’s development from the late 1930s to 1977, with works by artists such as Lee Krasner, Joan Mitchell, Helen Frankenthaler, and Grace Hartigan, and is structured around four thematic sections covering New York, San Francisco, Paris, and the artists’ own voices.