British painter Hurvin Anderson discusses his artistic journey and the cultural influences that shape his work in a new interview. Born in Birmingham to Jamaican parents, Anderson creates atmospheric paintings that explore the textures of memory and the diasporic experience, often blending imagery of Britain and the Caribbean to reflect the feeling of being in one place while thinking of another.
The Bass Museum of Art in Miami Beach has appointed the Los Angeles-based architecture firm Johnston Marklee to design a new 22,000-square-foot pavilion. The expansion, funded in part by a $20.1 million municipal bond, will occupy a site currently used for parking and will feature an elevated gallery designed to withstand South Florida’s environmental challenges, alongside an outdoor patio and performance stage.
Author and Frieze Magazine editor-in-chief Andrew Durbin has released a dual biography titled 'The Wonderful World That Almost Was,' chronicling the lives and creative partnership of Peter Hujar and Paul Thek. The book focuses on their relationship from the mid-1950s through the 1970s, detailing their collaborative influence and the development of their respective practices in photography and sculpture before both died of AIDS-related complications in the late 1980s.
Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.
Scholar Thierry de Duve discusses the legacy of Marcel Duchamp in conjunction with a new exhibition at the Museum of Modern Art (MoMA) featuring seven of the artist’s “boîtes-en-valise.” These portable miniature museums, created decades before Duchamp’s first formal retrospective, are framed as evidence of his genius in anticipating the institutional logic of the modern museum. The conversation explores how Duchamp’s provocative works, such as the readymade "Fountain," fundamentally altered the trajectory of art history and defined the "post-Duchamp" era.
The art world is seeing a wave of institutional shifts and physical expansions, headlined by the appointment of Melissa Chiu as the new director of the Guggenheim Museum in New York. In London, galleries Edel Assanti and Emalin are both expanding their footprints with new locations, while the National Gallery has selected Kengo Kuma for a massive £350 million extension project. Meanwhile, the European Commission has threatened to pull €2 million in funding from the Venice Biennale unless it reverses its stance on Russian participation.
The third edition of Abidjan Art Week recently concluded in Côte d’Ivoire, featuring extended gallery hours, bus tours, and exhibitions across diverse neighborhoods from the administrative Plateau district to the working-class area of Abobo. The event saw a significant expansion this year, with the number of participating galleries more than doubling and featuring artists from across the continent, including Cameroon, Mali, and the Democratic Republic of the Congo.
Acclaimed American painter Celeste Dupuy-Spencer has passed away at the age of 46 at her home in Los Angeles. Known for her visceral and politically charged figurative works, Dupuy-Spencer rose to prominence through her inclusion in the 2017 Whitney Biennial and the 2018 Made in L.A. biennial. Her death was announced by the Jeffrey Deitch gallery just ahead of a scheduled exhibition of her new work in Los Angeles.
The thirteenth edition of Expo Chicago opened its VIP preview at Navy Pier with a streamlined floor plan and a focus on emerging talent. Despite a generally slow global art market, exhibitors reported strong early sales, including Nashville-based artist Annie Brito Hodgin’s debut outside her home state and Wenhui Hao’s near-sell-out presentation with Half Gallery. The fair’s decision to reduce the number of exhibitors from 170 to 130 was widely praised by dealers for improving the quality of presentations and making the event more navigable for collectors.
The Camden Art Centre in London is hosting a significant survey of the late Guyanese-British artist Donald Locke, marking the final stop of a UK touring exhibition. Locke is celebrated for blending the formal language of minimalism and modernism with the potent symbols of Guyanese and Black American culture, effectively challenging the traditional art world's Eurocentric perspectives through his work in ceramics, painting, and sculpture.
The 22nd edition of SP-Arte has opened at São Paulo’s Oscar Niemeyer-designed pavilion, featuring over 180 galleries and design studios. While global art markets face a period of recalibration, the Latin American sector—and Brazil in particular—is reporting significant growth, including a 21% year-on-year increase in sales for Brazilian dealers according to the latest Art Basel and UBS report.
Meg Molloy, founder of the Working Arts Club, discusses the systemic barriers facing working-class professionals in the art world. Launched last year, the independent network provides social and professional support for arts workers from lower socioeconomic backgrounds, a demographic often excluded by the industry's reliance on unpaid internships, low entry-level salaries, and expensive urban hubs like London.
Art critic Martha Schwendener has released a new book titled 'The Society of the Screen: Vilém Flusser’s Radical Prescience,' exploring the prophetic theories of the late philosopher Vilém Flusser. Flusser, a Prague-born thinker who lived in Brazil and Europe, argued in the 1980s that society was transitioning from a text-based culture to one dominated by 'technical images,' a shift he believed would fundamentally alter human consciousness and the function of the 'apparatus' in daily life.
The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a massive collaborative exhibition titled "A Nation of Artists" to commemorate the 250th anniversary of the Declaration of Independence. Featuring over 1,000 works, the show spans from colonial-era masterpieces like Charles Willson Peale’s portrait of George Washington to contemporary Indigenous art and modern portraiture by Barkley L. Hendricks. The exhibition will also debut 120 works from the Middleton Family Collection, including significant Hudson River School and American Impressionist pieces.
Canyon, a new 40,000-square-foot institution dedicated to moving image, sound, and performance art, is set to open this autumn on Manhattan’s Lower East Side. Founded by entrepreneur Robert Rosenkranz and led by former Mass MoCA director Joe Thompson, the space aims to bypass the slow curatorial cycles of traditional museums by hosting international media-rich exhibitions with a faster 18-to-24-month turnaround. Unlike traditional collecting institutions, Canyon will focus on public accessibility and domestic-style hospitality rather than building its own permanent archive.
Chicago’s spring art season features a diverse array of exhibitions, highlighted by Dabin Ahn’s solo debut at Document, which explores memory and grief through fractured canvases and Korean ceramics. The Art Institute of Chicago is hosting a tribute to the late Lucas Samaras, showcasing his experimental Polaroid self-portraiture, while the Museum of Contemporary Art Chicago (MCA) launches an ambitious group show examining the political and cultural impact of dancehall and reggaetón.
The 2026 edition of Expo Chicago marks a strategic shift under the leadership of new director Kate Sierzputowski, featuring a leaner roster of 130 galleries at Navy Pier. The fair has introduced a more spacious layout and a new curatorial role, filled by Essence Harden, to deepen institutional ties and scholarly rigor. Notable participants include local mainstays like Monique Meloche Gallery and Gray, alongside international exhibitors from South Korea, South Africa, and Nigeria, as well as high-profile New York newcomers like Karma.
Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.
Novelist Ben Lerner reflects on Rose Salane’s installation '60 Detected Rings (1991–2021)' as part of a new series exploring impactful artworks. The piece consists of rings recovered by a metal detectorist over three decades in Atlantic City, which Salane subsequently analyzed through laboratory 'melt value' reports and psychic readings. Lerner describes the work as a profound exercise in 'revaluation,' where discarded objects are transformed into auratic relics through scientific and spiritual inquiry.
British artist Poppy Jones has seen a meteoric rise in market and institutional recognition over the past year. Her enigmatic still lifes, created by mono-printing photographic images onto found materials like silk and suede, have resonated with collectors, leading to a major jump in searches on the Artnet Price Database and auction results that have tripled estimates, with her record now over $60,000.
The article is a weekly art roundup highlighting several major exhibitions opening in London and Cambridge. It spotlights a new show of nature-themed paintings by Cecily Brown at the Serpentine Gallery, ceramics by Phoebe Collings-James at Pitzhanger Manor, a career survey of Turner Prize-winner Veronica Ryan at the Whitechapel Gallery, a Frank Bowling retrospective at The Fitzwilliam Museum, and a presentation of Aboriginal Australian art at Edel Assanti. The piece also features a powerful war photograph from Iraq and includes brief news items on topics ranging from a Matisse retrospective to potential museum entry fees.
Thaddeus Mosley, the acclaimed American sculptor known for his monumental wood abstractions, has died at the age of 99 in Pittsburgh. Throughout a career spanning seven decades, Mosley transformed salvaged walnut, sycamore, and cherry wood into curvaceous, gravity-defying forms that balanced immense weight with a sense of lightness. Though he was a long-standing pillar of the Pittsburgh creative community, he achieved widespread national recognition and major museum representation only in his 90s.
The inaugural Making Their Mark forum convened 350 art world professionals at the National Museum of Women in the Arts to address systemic gender inequity. Organized by collector Komal Shah and the Making Their Mark Foundation, the event featured panels with artists, curators, and public figures like Chelsea Clinton and Ava DuVernay. The forum served as a call to action to dismantle the male-dominated art historical canon and reform the systems governing visibility and valuation.
The New Museum in New York has officially reopened following a two-year closure for a major expansion designed by OMA. The renovation doubles the institution's footprint to 60,000 square feet, introducing a central spiral staircase that seamlessly connects the original SANAA-designed building with the new structure. The reopening is marked by the massive group exhibition "New Humans: Memories of the Future," a sprawling survey featuring over 200 artists curated by artistic director Massimiliano Gioni.
Agosto Machado, a seminal figure in the Downtown New York art scene and a veteran of the Stonewall uprising, has died following a brief illness. Known as a 'pre-Stonewall street queen,' Machado transitioned from a community activist and archivist to a recognized artist whose intricate altar sculptures are currently featured in the 2024 Whitney Biennial. His work, which utilizes found objects and ephemera to create shrines for queer icons and AIDS victims, serves as a vital act of 'ancestor worship' and historical preservation for a community often marginalized by mainstream institutions.
A major exhibition at San Francisco's de Young Museum, titled 'Monet and Venice,' brings together over 100 works, focusing on the two dozen paintings Claude Monet created during his only visit to the city in 1908. The show contextualizes his Venetian output with works by contemporaries like J.M.W. Turner, John Singer Sargent, and Pierre-Auguste Renoir, revealing that the trip was almost cancelled and was initially planned as a brief holiday.
MCH Group, the parent company of Art Basel, is launching a new global ideas festival called the Futurific Institute in Basel in 2028, backed by billionaires James and Kathryn Murdoch. Art Dubai has postponed its 20th edition due to regional conflict, while several galleries are opening, closing, or changing locations, including Brooke Benington in London and Timothy Taylor in New York. Additionally, Mexico is demanding eBay remove listings for pre-Columbian artifacts, and institutions like the Royal Academy of Arts and MCA Chicago are announcing key leadership changes.
Stephen Friedman Gallery has announced it will close its New York location in Tribeca by the end of February 2026, less than 30 months after its high-profile opening. The gallery framed the decision as a "strategic evolution" intended to consolidate resources at its London headquarters while maintaining a presence at major international art fairs. Despite the closure, the gallery maintains that its artist roster remains unchanged and its influence in the U.S. will continue through institutional exhibitions.
The Making Their Mark Forum recently convened 350 women in the arts—including artists, curators, and over 20 museum directors—at the Martin Luther King Jr. Memorial Library in Washington, D.C. Organized by collector Komal Shah alongside Cecilia Alemani and Loring Randolph, the invitation-only conference coincided with a traveling exhibition of Shah’s collection at the National Museum of Women in the Arts. The event featured high-profile speakers like Chelsea Clinton and Ava DuVernay, focusing on dismantling structural gender inequities and celebrating the foundational contributions of women to art history.
Confidence in the art market is rising, with a significant increase in dealers expecting sales growth in 2026 according to the latest Art Basel and UBS Global Art Market Report. The report, authored by economist Clare McAndrew, notes that 43% of dealers anticipate improvement, a 10-point jump from the previous year, though recovery remains uneven due to high costs and trade barriers.