Iran's cultural heritage sites, including several historic palaces, have sustained severe damage during the recent conflict. The Golestan Palace in Tehran, specifically the Hall of the Marble Throne, and the Chehel Sotoun and Ali Qapu Palaces in Isfahan have suffered extensive destruction to their intricate mirror-mosaic decorations, painted ceilings, and structural elements.
The German government has established a new council, the Coordination Council for Returns of Cultural Property and Human Remains from Colonial Contexts, to oversee the restitution of artifacts acquired during the colonial era. The council will include representatives from federal, state, and municipal authorities and is intended to provide a structured, national approach to handling these complex returns.
Phillips’ Evening Sale of Modern & Contemporary Art achieved a total that more than doubled the previous year's auction result, driven by strong demand for works spanning the 19th to 21st centuries. The sale opened with three lots exceeding their high estimates, including record prices for Lee Bontecou's rare 'Untitled' (1985-2001), which set a new record for any two-dimensional work by the artist after nearly five minutes of bidding. Other records were set for Pat Passlof, P.S. Krøyer, and Joseph Yaeger. Top lots included Andy Warhol's 'Sixteen Jackies' ($16.2 million), Claude Monet's 'La Route de Vétheuil, effet de neige' ($9.9 million), and Jackson Pollock's 'Untitled' ($9.2 million). The sale also featured works from The Collection of Ambassador John L. Loeb, Jr., which achieved a combined $8.4 million, with two Vilhelm Hammershøi works acquired by prominent institutions.
The J. Paul Getty Museum in Los Angeles has acquired two significant 17th-century Dutch still life paintings. The first is Jan Davidsz. de Heem's 'Glass Vase with Flowers and Fruit' (c. 1673–74), a work the museum had sought for over twenty years, which recently emerged from a private German collection. The second is Pieter Claesz's 'Still Life with Assorted Fruit' (1597/98–1660), a 'fruitagje' painting purchased at a Sotheby's auction for $1.64 million.
The Walker Guest House, a 1953 architectural pavilion designed by Paul Rudolph, has been transported from Florida and reassembled inside the Pacific Design Center in West Hollywood. It is being offered for sale for $2 million as part of the Basic.Space L.A. high-design shopping event, complete with original furnishings and architectural drawings.
The Ukrainian government has enacted a new resolution to streamline the evacuation of over three million cultural objects from conflict zones as the Russian invasion nears its fourth year. The policy establishes a mandatory evacuation zone for museum items within 50 kilometers of the frontline and requires storage at least 75 kilometers away. Crucially, the resolution empowers museum directors to act independently during crises and introduces a three-stage evacuation system based on the cultural value of the property.
Elvira Dyangani Ose is stepping down as the director of the Museu d'Art Contemporani de Barcelona (MACBA) in April, months before her contract was set to expire. Her resignation follows a conflict with the MACBA Consortium, which ruled that her new appointment as director of the Abu Dhabi Public Art Biennial was incompatible with her leadership role in Barcelona. Dyangani Ose, who became the first woman and first person of color to lead the institution in 2021, had requested to balance both positions, but the governing body denied the proposal.
A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.
London's Victoria and Albert Museum (V&A) has acquired a reconstructed version of YouTube's 2006 interface, including its first-ever uploaded video, 'Me at the zoo.' The interactive display, built using archived code and Adobe Flash, is now on view in the museum's 'Design 1900-Now' gallery, representing a significant effort to preserve the look and feel of early internet culture.
Two senior staff members at the Philadelphia Museum of Art, Chief of Staff Maggie Fairs and CFO Valerie McDuffie, are resigning. This follows the controversial firing of former director and CEO Sasha Suda in November, who later sued the museum for wrongful termination, and the recent resignation of the marketing chief who oversaw a short-lived and widely mocked rebranding of the institution.
Louvre director Laurence des Cars defended the museum's security protocols in a New York Times interview following a recent robbery. She revealed that a comprehensive security review had already been initiated, including a master plan to add 100 cameras to the museum's perimeter, and that several companies had bid on the project before the theft occurred. However, she acknowledged that implementation has been slow due to the museum's scale and public procurement rules, with the full camera system not expected to be operational until the end of next year.
London's Courtauld Gallery and Institute has received a £30 million ($40.06 million) donation from the Reuben Foundation, the largest gift in its 93-year history. The foundation, established by billionaire brothers David and Simon Reuben, will also share their extensive art collection to support future exhibitions as part of a long-term partnership. The donation will help fund the refurbishment of the Courtauld's academic wing, which still requires an additional £65 million to complete.
The Yale University Art Gallery has withdrawn two federal grant applications totaling $200,000 for an upcoming exhibition on the migration of Nguni peoples from southeastern Africa, scheduled to open in fall 2026. The museum rejected new anti-DEI stipulations attached to grants from the National Endowment for the Arts and the National Endowment for the Humanities, which require applicants to certify they do not operate programs promoting diversity, equity, or inclusion that violate federal anti-discrimination laws. The gallery will instead use its endowment to fund the show, marking the second time it has forfeited NEA grants under similar circumstances.
The Netherlands has signed an agreement to return 119 Benin Bronzes to Nigeria, one of the largest repatriations of looted artifacts to date. The transfer, formalized on February 19 by Dutch culture minister Eppo Bruins and Nigerian official Olugbile Holloway at the Wereldmuseum in Leiden, includes 113 bronzes from the Dutch National Collection held at the museum and six additional objects from the municipality of Rotterdam. The artifacts were plundered by British forces in 1897 and later acquired by Dutch institutions, with provenance research confirming the museums were aware of their looted origins.
A new European Union law, Regulation 2019/880, aimed at preventing the sale of looted antiquities, is set to go into effect on June 28. The law imposes heightened due diligence requirements on anyone importing cultural goods from outside the EU, including fine arts, antiquities, and decorative arts. It categorizes cultural goods into three groups, with the strictest rules for archaeological items over 250 years old, which require an import license and proof of legal export. Non-compliance could lead to seizures or criminal consequences for art dealers, collectors, and professionals. While there is a partial exemption for temporary exhibitions, it primarily benefits museums outside the EU, leaving private collectors without the same protections.
The Rijksmuseum has acquired a nearly 200-year-old condom made from sheep intestine, which features an erotic illustration of a nun and clergymen and is now on display as part of a small exhibition on 19th-century sex work. The object, likely a brothel souvenir, has sparked outrage from the conservative Christian group Stichting Civitas Christiana and its youth wing TFP Student Action Europe, who organized a protest outside the museum and circulated flyers calling it an insult to God, the Catholic Church, and the Dutch nation.
Two print curators from the Rijksmuseum, Huigen Leeflang and Joyce Zelen, discovered a rare 19th-century condom with an erotic print at an auction house in Haarlem, Netherlands, in November 2023. They acquired the 1830s condom for €1,000 ($1,140) with no other bidders, and it is now the centerpiece of a small exhibition titled "Safe Sex?" at the Rijksmuseum, which explores 19th-century sex work and sexual health through Dutch and French prints. The condom, likely made from sheep's appendix, features an etching of a half-naked nun with clergymen and is believed to be a souvenir from an upmarket French brothel.
The Great Baddow Hoard, the largest recorded collection of ancient gold coins in the U.K., has been acquired by the Museum of Chelmsford five years after its discovery. Unearthed by metal detectorist Shane Wood on private land in Great Baddow, Essex, the hoard comprises 933 gold coins and fragments dating to 60–20 B.C.E. The museum secured the £300,050 ($400,590) trove with major funding from the National Lottery Heritage Fund and smaller contributions from other organizations. Wood was convicted in 2021 for failing to declare the treasure under the Treasure Act 1996, and the reward was paid to the landowner instead.
A class action lawsuit was filed Monday by the Authors Guild, independent scholars, and writers against the National Endowment for the Humanities (NEH) and officials within the Department of Government Efficiency (DOGE) for terminating millions in committed grants from Congressional funds. The lawsuit argues these actions violate the Administrative Procedure Act, the separation of powers, and freedom of expression, exceeding agencies' congressionally granted authority. It seeks to stop mass grant terminations, restore funds, and require the NEH to operate according to Congress's intent to preserve multicultural artistic heritage and support new ideas. The grants were canceled following extreme cuts by DOGE under the Trump administration, affecting recipients under programs like the Public Scholar and Fellowship initiatives.
The Oxford Festival of the Arts is bringing a major visual art component to its 2025 program, featuring free exhibitions by world-renowned artists across multiple venues in Oxford city centre. Highlights include James Gemmill's cinematic paintings at St John's College, a collaborative installation by Chinese artist Qu Lei Lei and Caroline Deane at OVADA examining humanity and geopolitics, a retrospective of Ukrainian artist Oleksandr Dubovyk's 'White Bouquet' series, and a charitable project supporting Ukrainian children through art. All exhibitions are free and require no booking.
On January 7, 2025, a wildfire driven by extreme winds reached the Getty Villa in Los Angeles. Thanks to years of preparation, staff efforts, and firefighter support, the museum buildings and art collection survived undamaged, though the landscape suffered severe damage. The Villa closed for about six months, during which staff removed 1,400 burned trees, cleaned soot and ash, restored water service, and installed a new exhibition. It reopened in late June 2025, welcoming visitors back to the galleries and gardens.
Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.
The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.
Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.
The Madison Museum of Contemporary Art (MMoCA) has acquired a significant work by artist and former University of Wisconsin-Madison professor, Warrington Colescott. The museum will present a solo exhibition of Colescott's work in the fall of 2025, featuring the newly acquired piece alongside other works from its collection.
The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.
The Weston Loan Programme with Art Fund has announced its tenth round of support, facilitating 15 exhibitions at regional museums across England, Scotland, and Wales through 2027. This initiative funds the logistical costs—including transport, insurance, and security—required to move masterpieces from major national institutions like the Tate, the National Gallery, and the V&A to smaller local galleries. Notable upcoming highlights include the return of Joseph Wright’s 'An Experiment on a Bird in the Air Pump' to Derby for the first time in eight decades and a landmark Leonard McComb exhibition in Birkenhead.
The UC Davis Library has unveiled new student-acquired artwork in its study rooms, aiming to transform traditionally drab academic spaces into vibrant environments through a student art competition. Additionally, the TANA community art center in Woodland is hosting the opening reception for the Sacramento Poderosas Mural Project, featuring a mural by Ruby Chacon and Isabel Martinez that honors the legacy of the Royal Chicano Air Force (RCAF) and Xicana/o/x activism.
The Italian government has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million following a year of negotiations with private owners. The 17th-century masterpiece, which depicts one of the artist's most influential patrons, will join the permanent collection of the Galleria Nazionale d'Arte Antica at Palazzo Barberini in Rome. It represents one of the largest sums ever paid by the Italian state for a single work of art.
The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a landmark exhibition featuring 200 works by nearly 150 female artists spanning five centuries. Curated by Alison M. Gingeras and designed by Dorota Terlecka of Biuro Kreacja, the show is organized into nine thematic sections within the museum’s new contemporary building. The exhibition design utilizes a minimalist approach, featuring neutral palettes and intentional spatial proportions to ensure the diverse artworks remain the primary focus.