"In Minor Keys" Hits All the Right Notes

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.

The Major Exhibitions at LUMA Arles in France: Zaha Hadid, Gerhard Richter and Patti Smith

Le grandi mostre al LUMA di Arles in Francia: Zaha Hadid, Gerhard Richter e Patti Smith

LUMA Arles in France will launch a new exhibition cycle on May 1, 2026, followed by a second series starting July 4. The program, presented by CEO Mustapha Bouhayati and artistic director Vassilis Oikonomopoulos, includes a major show of Gerhard Richter's "Overpainted Photographs" in the Frank Gehry-designed tower, a Zaha Hadid retrospective titled "I Think There Should Be No End to Experimentation" marking the tenth anniversary of her death, and a centennial celebration of the influential art magazine Cahiers d'Art. The exhibitions aim to bridge visual arts with music, performance, and live events, bringing together voices from diverse geographies and disciplines.

Kim Gordon Was Never Just the “Girl in the Band”

Kim Gordon, best known as co-founder of the influential indie rock band Sonic Youth, is the subject of a new exhibition titled "Count Your Chickens" at Amant in New York. Curated by Patricia Margarita Hernández, the show surveys Gordon’s visual art from 2007 to the present, including paintings, drawings, ceramics, and video works such as "Jeanetta and Alex" (2026). The exhibition explores themes of celebrity, gender, electricity, and the tension between public image and private reality, featuring pieces like "Paris, Paris" (2025) and the "Airbnb Series" (2019).

Nude Performance at MFA Boston Confronts One of Art’s Oldest Tropes

Artist Xandra Ibarra staged her performance "Nude Laughing" (2014–) at the Museum of Fine Arts Boston on April 16, appearing nude except for a breastplate and yellow heels while dragging a nylon stocking stuffed with blonde wigs and fake breasts. She moved through the galleries, laughing hysterically, and ultimately collapsed in front of Paul Gauguin's painting "Where Do We Come From? What Are We? Where Are We Going?" (1897–98). The performance was part of the exhibition "Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude," which features 12 artists critiquing racial, gender, and power hierarchies in Western art history. The event sparked heated debate on the museum's Instagram, with hundreds of commenters arguing about its legitimacy and obscenity.

Jan Staller Photographs the Nuts and Bolts of Manhattan's Urban Symphony

Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.

Waterbury’s Mattatuck Museum Balances Art and Local

The Mattatuck Museum in Waterbury, Connecticut, balances art and local history, serving as a community hub. Director Bob Burns has integrated school programs reaching 7,000 local students annually, community art shows, contemporary works by artists like Yayoi Kusama and Simone Leigh, and a major exhibition "About Face: 250 Years of American Portraits" curated by Rebecca McNamara. The museum also features hyper-realistic paintings by Wende Caporale-Greene and a gallery of Waterbury's industrial past, with a focus on inclusivity after removing a physical barrier to Main Street in 2019.

Is Berlin not over yet?

Ist Berlin doch noch nicht over?

Çağla Ilk, who curated the German Pavilion at the Venice Biennale two years ago, has presented her plans as the new artistic director of the Maxim Gorki Theater in Berlin. Her program reimagines theater from the perspective of visual art, signaling a major shift in the city's theater landscape. The announcement comes amid broader reforms in Berlin's theater scene, including Matthias Lilienthal's upcoming takeover of the Volksbühne, and was met with both anticipation and anxiety, reminiscent of Chris Dercon's failed tenure at the Volksbühne in 2017.

Liu Ding and Carol Yinghua Lu to Curate the 19th Istanbul Biennial

Liu Ding und Carol Yinghua Lu kuratieren 19. Istanbul-Biennale

The 19th Istanbul Biennial, scheduled from September 18 to November 14, 2027, will be curated by Chinese artist and curator Liu Ding and art historian and curator Carol Yinghua Lu, as announced by the Istanbul Foundation for Culture and Arts (İKSV). The duo has worked together since 2007, previously co-curating the 8th Yokohama Triennale (2024), the Trans-Southeast Asia Triennial (2021), the Anren Biennale (2017), and the Shenzhen Sculpture Biennale (2012).

Julia Stoschek Foundation Closes Berlin Location

Julia Stoschek Foundation schließt Berliner Standort

The Julia Stoschek Foundation is closing its Berlin exhibition space at the end of October. The foundation, which specializes in video art, opened the venue in 2016 in a former Czech cultural center on Leipziger Straße, quickly becoming a key destination for time-based art in the city. Over its run, it presented 22 solo and group shows featuring artists such as Arthur Jafa, Ian Cheng, and Mark Leckey, attracting more than 450,000 visitors. The closure is part of a strategic reorientation: the foundation will now focus on its headquarters in Düsseldorf and temporary international projects, building on recent presentations abroad like a show in Los Angeles that drew over 30,000 visitors in early 2026.

A Dismembered Album by Gerard van Honthorst (1592-1656): Unpublished Drawings and Reconstruction of a Corpus

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.

On ARTE, the Ruffini Affair or the Autopsy of an Extraordinary Scandal in the Art World

Sur Arte, l’affaire Ruffini ou l’autopsie d’un scandale hors norme dans le monde de l’art

The documentary series "Le Peintre, la Pizza et le Corbeau" (The Painter, the Pizza and the Crow), available on ARTE, investigates a sprawling art forgery scandal centered on discreet dealer Giuliano Ruffini. Beginning in spring 2014 with an anonymous letter, the case led to a judicial inquiry by judge Aude Burési and France's Central Office for the Fight against Trafficking in Cultural Goods (OCBC). The series follows multiple suspicious artworks—including a Lucas Cranach Venus seized from an exhibition at the Hôtel de Caumont, a David and Goliath by Artemisia Gentileschi, and a Frans Hals portrait—each raising questions of authenticity. Ruffini, a former painter turned collector, remains an enigmatic figure, portrayed as both intuitive genius and possible cog in an opaque system.

Château-Chinon unveils the astonishing gifts of President François Mitterrand

Château-Chinon déballe les étonnants cadeaux du président François Mitterrand

The Cité des présents-François Mitterrand, formerly the Musée du Septennat, has reopened in Château-Chinon, France, after a renovation. The museum displays thousands of diplomatic gifts received by President François Mitterrand during his 14-year tenure (1981–1995), including a portrait of Prince Charles, a vermeil oasis from the king of Saudi Arabia, and taxidermy lions from the Central African Republic. The collection of 4,800 objects spans 80 countries, with one-third donated by French citizens. The site also houses a fashion museum featuring 5,000 pieces from the 17th century to contemporary designers like Alexis Mabille and Yves Saint Laurent.

Au macLyon, l’art vidéo comme vecteur d’émotions

The article reports on the exhibition "Regards sensibles" at the macLyon (Musée d'Art Contemporain de Lyon), which showcases 28 video artworks from the collection of Isabelle and Jean-Conrad Lemaître. The exhibition celebrates the couple's complete donation of their video art collection to the museum. It begins with Gillian Wearing's 1996 video "Boytime," the first video artwork the Lemaîtres acquired, and spans works from 1984 to 2025 by artists of 43 nationalities, offering a broad panorama of the video art genre.

A Record for Lalanne

Un record pour Lalanne

Sotheby's New York achieved a major result with the sale of a set of fifteen mirrors by Claude Lalanne (died 2019), commissioned between 1974 and 1985 for the music room of Yves Saint Laurent and Pierre Bergé's Paris apartment. Estimated at $10–15 million, the lot—from the collection of Jean and Terry de Gunzburg after the 2009 Saint Laurent-Bergé sale—fetched $33.5 million including fees, setting a record for the artist.

In a Year of Remarkable Filmmaker Debuts, Here’s How Aleshea Harris Set ‘Is God Is’ Apart

Aleshea Harris has adapted her award-winning 2016 play 'Is God Is' into a feature film, marking her directorial debut. The story follows twin sisters with burn scars who, summoned to their mother's deathbed, learn their father caused their disfigurement and are urged to seek revenge. The film stars Kara Young, Mallori Johnson, Vivica A. Fox, Sterling K. Brown, and Janelle Monáe. Harris brings her playwright's precision to the screen, using avant-garde typography and captions inspired by a 1964 edition of Eugène Ionesco's 'The Bald Soprano' designed by Robert Massin, with title design by Teddy Blanks.

CUANDO LOS OBJETOS HABLAN. MUSEO HECHIZO, DE JUAN JOSÉ SANTOS

Juan José Santos's book "Museo hechizo" (Metales Pesados, 2025) challenges the perceived neutrality of the Western museum, presenting it as an institution shaped by colonial logics of classification, extraction, and representation. The essay centers on the concept of "lo hechizo"—understood as both artisanal precariousness and disruptive enchantment—and explores small, community-based Latin American museum experiences that operate from precarity, reciprocity, and care. Santos argues that the museum is a space of conflict where voices, narratives, and ways of constructing history are contested, and he proposes thinking of the museum through its minor, situated, and alternative forms in Latin America.

“Cartographies of Growth” at MARTa Herford

From February 7 to June 7, 2026, MARTa Herford presents a dual exhibition dedicated to Lois Weinberger (1947–2020) and Katinka Bock (born 1976). The show explores poetic phenomena beyond human control, where materials react, spaces shift, and natural forces leave their traces both inside the museum and beyond.

“Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson, Nice

Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.

“Clean / Clear / Cut” Malta Biennale 2026

The Malta Biennale 2026, titled "Clean / Clear / Cut," launched on March 11 and runs through May 29, transforming historical sites and cultural landmarks across Malta and Gozo into venues for contemporary art and critical dialogue. The biennale is under the artistic direction of international curator Rosa Martínez.

Bharti Kher Commissioned by Powerhouse Parramatta for Major Public Artwork

British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.

The Met Will Expand by Merging With the Nearby Neue Galerie

The Metropolitan Museum of Art will acquire the Neue Galerie's Fifth Avenue building and its collection of 20th-century Austrian and German art, starting in 2028. The collection was built by cosmetics magnate Ronald S. Lauder, who founded the Neue Galerie in 2001.

Mexican filmmakers to co-host Serpentine Summer Party

The Serpentine Summer Party, a major fixture in London's art calendar, will take place on 23 June, co-hosted by Mexican actress Salma Hayek Pinault and celebrated filmmakers Alfonso Cuarón and Alejandro González Iñárritu. The event, an invite-only fundraiser, celebrates the Serpentine pavilion, which this year is titled 'a serpentine' and designed by Mexico City-based architecture firm Lanza Atelier. Last year's co-host was movie icon Cate Blanchett.

The Bahamian Pavilion Brings Junkanoo to Venice in a Biennale Standout

After a thirteen-year hiatus, the Bahamian Pavilion has returned to the Venice Biennale with an exhibition titled "In Another Man's Yard," featuring the late master John Beadle and his former student Lavar Munroe. The pavilion, housed in the San Trovaso Art Space in Dorsoduro, centers on Junkanoo—the vibrant, crepe-costumed procession that is a defining cultural tradition of the Bahamas. Munroe's large-scale sculptural works incorporate strips of discarded Junkanoo costumes, while paintings and installations commemorate Beadle, who died in 2024. The presentation was revived with support from Baha Mar, a resort company, after government funding was withdrawn in 2014.

Abbas Akhavan Transforms the Canada Pavilion Into a Greenhouse, Daring Viewers to Leave Behind Their Preconceptions

Artist Abbas Akhavan has transformed the Canada Pavilion at the Venice Biennale into a functioning greenhouse for his exhibition "Entre chien et loup." The pavilion now houses a 6,000-gallon pool containing giant Victoria water lilies, with modifications including grow lights, water misters, a new ventilation system, and structural reinforcements to support the 25-ton water tank. The installation evokes Victorian-era Wardian cases and London's Crystal Palace, but Akhavan emphasizes that his interest in the lilies began intuitively, not as a commentary on colonialism or empire. The project, developed with curator Kim Nguyen, involved collaboration with Kew Gardens and the Orto Botanico di Padova to cultivate the plants, and the outcome remains uncertain as the lilies may thrive or wither over the exhibition's six-month run.

Dirty carpets to Palestinian skateboarders: a decade of Peckham 24 – in pictures

Peckham 24, a photography festival in south London, celebrates its 10th anniversary with a special edition titled "The Eras Edition," running from 15-17 May at Copeland Park and the Bussey Building. Founded a decade ago by artist-curator duo Jo Dennis and Vivienne Gamble as a fringe event of Photo London, the festival began as a 24-hour pop-up showcasing emerging talent. This year's edition explores the theme of time through works by artists including Kristina Yenza (documenting youth in wartime Ukraine), Vinca Petersen (rural community life on the Isle of Skye), Max Ferguson (the London College of Communication tower block), Julie F Hill (space telescope data visualizations), Mark Duffy (carpet detritus in the Houses of Parliament), and Maen Hammad (Palestinian skateboarders).

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

Rose Finn-Kelcey review – flying puns, smart pranks and prayers for 20p

The Guardian reviews "Rose Finn-Kelcey: House Rules," a posthumous exhibition at the new Arts Collective in Northampton, UK. The show features works by the British conceptual artist (1945–2014), including her 1972 flag installation "Power for the People" at Battersea Power Station, a prayer vending machine titled "It Pays to Pray," and pieces exploring permission, spirituality, and societal restrictions. The exhibition is presented as a homecoming for Finn-Kelcey, who was born in Northampton.

Trippy Film by British-Ethiopian Artist Theo Eshetu Hits the Venice Biennale

British-Ethiopian artist Theo Eshetu is presenting a new installation, *The Garden of the Broken-Hearted* (2026), at the Venice Biennale. The work features a live olive tree mounted on a rotating dais, with a video of the tree projected onto itself, marking a shift from his decades-long practice of multi-screen video installations. Eshetu discusses the project's origins in conversations with the late Biennale curator Koyo Kouoh, framing the tree as a space for mourning, human consciousness, and elemental storytelling.

Portland’s Converge 45 Reveals Theme and Artists, Including Trisha Baga, Rose Salane, and Srijon Chowdhury

Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.

Michael Jackson Accessories Hit the Market Amid Biopic Buzz

GWS Auctions is offering nine pieces of Michael Jackson memorabilia in a May 2 sale, including a signed pair of the late singer's Florsheim loafers. The auction features 734 items from the collection of Prince Lorenzo de' Medici, with highlights such as a crystal-studded white glove from Jackson's 1984 Victory tour and Swarovski-embellished socks from his Dangerous tour. The loafers, authenticated by Jackson's assistant Rosemary Chavira, carry a starting bid of $7,500, and the sale coincides with the record-breaking opening weekend of a new Michael Jackson biopic.