Joy Machine's exhibition 'Feel Free' explores themes of order, change, and the limits of control through a series of artworks. The show presents a visual dialogue between structured systems and the unpredictable forces that disrupt them, inviting viewers to reflect on the tension between stability and transformation.
Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."
Artists in Action (AiA), a nonprofit organization supporting Salem-area artists, is celebrating its 25th anniversary with a public reception on May 3, 2026, at Elsinore Framing & Fine Art Gallery in Salem, Oregon. Founded by Diane Trevett and about five other artists, the group began as a small support network for struggling artists and has grown into an established arts organization with around 65 active members. AiA hosts monthly openings, critique sessions, open-call shows, and special events like Paint and Write the Town, providing opportunities for artists to exhibit and sell their work across various mediums.
Renowned Victoria artist and philanthropist Tanya Bub is presenting a new exhibition titled "Wild Art for the Big of Heart" at the Gage Gallery in Victoria’s Bastion Square from May 12th to 31st. The show features dozens of sculptural works made from driftwood, wire, and paper, with prices ranging from $30 to $8,000. Twenty-five percent of all sales will go to the charity of the buyer’s choice, with 10 local charities benefiting, including Broken Promises Rescue, Elder Carl Olsen — Goldstream / SELE₭TEȽ Watershed, CNIB Victoria, Georgia Strait Alliance, Mustard Seed, Rainbow Haven, Soap for Hope, The Thinking Garden, Victoria Therapeutic Riding Association, and Voices in Motion. The exhibition also includes three weeks of talks, performances, and interactive events in partnership with the charities.
Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.
A new gallery called the Capitol Crossing Gallery of Art has opened in Washington, D.C., within the Capitol Crossing development on Capitol Hill. The gallery features over 20 artists with local connections to the DMV area, including a large lobby commission by Katherine Tzu-Lann Mann. The space is curated by Alexandra Foxworth-Hill, senior property manager for Capitol Crossing Advisors, who selects abstract works that complement the building's modern, sustainable design.
The twentieth edition of Art Dubai opened to VIP visitors on Thursday in a smaller format than originally planned, delayed from mid-April due to regional geopolitical unrest. The fair presented around fifty galleries, roughly 60% fewer than the approximately 120 exhibitors initially expected, yet drew a strong crowd of collectors primarily from the Gulf states and the wider Middle East. Separately, a new gallery, 971 Art Gallery, has opened in Dubai's Art of Living Mall, featuring international artists such as Gérard Rancinan, Isabelle Scheltjens, Riccardo Gusmaroli, Benito Cerna Leon, and Michele Tombolini, and offering curatorial advice and collection management to a growing base of newer collectors.
Haley Art Gallery in Kittery, Maine, has opened its 21st season with the group exhibition "Shared Spaces," featuring works by Paul Burke, Sheridan Cudworth, Barbara D’Antonio, Jozimar Matimano, Bill Oakes, and Carlos Vega. The show runs through August, with gallery artist talks scheduled for June 13 and June 27. The gallery also offers special purchasing incentives for local business owners and designers, as well as a Victorian Tea-Time Art experience for groups.
Jamaica Plain First Fridays returns on May 1, 2025, from 5:30-8:30 pm, featuring six locations that showcase painting, photography, multi-media works, and a famous bench. Highlights include artist Matthew Hincman celebrating the 20th anniversary of his guerrilla-style bench on Jamaica Pond, plus exhibitions at Eliot School Annex, JP Clay, Green Street Photo Collective, Jameson & Thompson Picture Framers, and Boston Cyberarts Gallery. The event is free and walkable.
Slanted Art Co-Op in Montrose hosted its fourth annual student art show, featuring high school artists from four of the six school districts in the county. Students displayed works in acrylic, oil, pastels, ceramics, and mixed media, with some pieces available for sale. Notable participants included Forest City senior Amanda Borsheski, whose acrylic painting "Mandarin" and other works won multiple awards, and Blue Ridge senior Madison Gaylord, who exhibited a paint-dotted vinyl record and a relief sculpture. The event was curated by the students themselves and included awards such as Judges Delight and People's Choice.
Depot Art Gallery in Littleton, Colorado, has opened a new juried exhibition titled “Tell Me a Story,” running until May 16. The show features 57 works by members of the Littleton Fine Arts Guild, including paintings, photographs, and jewelry, each accompanied by a printed label explaining the personal story behind the piece. The exhibition was organized by artists Mary Clark and Anastasya Kossyrev, and judged by Jo Ann Nelson of Rox Arts Gallery. Awards were given at the April 24 opening reception, with top honors going to Teresa Maone, Peggy Dietz, and others.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.
Stella's Art Gallery in Willoughby, Ohio, held its awards reception for the annual 'Size Matters' exhibition on May 8, with this year's theme requiring all works to be exactly 10 inches. Best of Show went to Breda Fallon for 'One Woman Show,' a 3D diorama. Winners in 3D included John Carreon (first and second place) and Daniel Fishwick (third); in 2D, Tatiana Strelnikova, Tracy Parsons, and Sheri Lawrence took top honors. The article also covers upcoming calls for art at the gallery, including 'The Landscape Show: Real or Fantasy' in June and 'The H2O Show' in July.
Eddisbury Artists, a long-running art group based at Castle Park Arts Centre in Frodsham, is celebrating 30 years at the venue with a new exhibition titled 'Amazing Nature.' The show runs from May 19 to June 27 and features artwork inspired by the natural world, including landscapes and wildlife of Cheshire. The group, comprising 17 artists from north west Cheshire, originally met behind Frodsham Post Office before moving to the arts centre in 1996. Member Sam Robson, a Royal Society prize-winning artist, noted the exhibition coincides with the arts centre's 40th anniversary, making it a dual milestone.
Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne
The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.
Gallery 1882, located in Chesterton, Indiana, is hosting a new exhibition featuring contemporary artists from across the United States. The show brings together a diverse range of works, highlighting emerging and established talents in a local gallery setting.
The Murray Hill Art Museum in New York has opened an exhibition featuring 100 rare prints of works by Italian Renaissance master Raphael. The show includes engravings and lithographs from the museum's own collection as well as loans from private collectors across the United States, and was attended by local artists and collectors at its opening ceremony on April 25, 2026.
Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti
Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.
Tapisserie de Bayeux : un voyage à blanc qui ne teste rien
A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.
Israel advanced a bill on Tuesday that would grant sweeping civilian authority over antiquities and archaeology in the occupied West Bank, replacing the current military-run system. The Likud-backed legislation would create a "Judea and Samaria Heritage Authority" under the Israeli heritage minister, empowered to purchase and expropriate land, oversee excavations, and manage heritage sites across Areas B and C of the West Bank. The bill passed its first of three votes (23-14) and would be led by Amichai Eliyahu, a far-right politician who advocates for annexation. Human rights groups and the Israeli NGO Emek Shaveh warned the move amounts to de facto annexation and a violation of Palestinian rights.
A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.
A busy week of auctions is scheduled for May 21-27, 2026, spanning Milan, New York, and other global hubs. Italian auction houses including FarsettiArte, Wannenes, Gonnelli, Finarte, Capitolium AuctionHouse, Pananti, Aste Bolaffi, Il Ponte, Maison Bibelot, Babuino Fine Art Auctions, and Pandolfini will offer paintings, drawings, sculptures, antiques, design, jewelry, and vintage fashion. International houses Christie’s, Sotheby’s, Bonhams - Cornette de Saint-Cyr, and Dorotheum also hold sales in New York, Zurich, Paris, and Vienna, covering post-war and contemporary art, handbags, fine wine, and antiques.
Ocula published an image of Suzanne Song's 2024 painting "Open Bloom Fold II," an acrylic pigment on linen work measuring 152.4 x 124.5 cm. The artwork is presented as a standalone visual feature.
Rosewood Arts Center in Kettering, Ohio, has announced the opening of its 32nd annual The View Juried Landscape Exhibition, running from June 8 through July 18, 2026. The exhibition features 48 works selected by juror Rebecca Foley from 308 submissions by 114 Ohio-based artists, with awards totaling $1,100. A free public reception and awards presentation will take place on July 18.
The Curator’s Choice exhibition at Art on Target in Nelson Mandela Bay showcases 10 selected artists, ranging from emerging talents to established practitioners, including an octogenarian and recent graduates. The show, now in its third year, is an offshoot of the annual Same Size-Same Price-No Signature exhibition and was curated by Art on Target director Bretten-Anne Moolman. Artists were chosen by a diverse panel of over 20 local professionals, educators, and art lovers, and were given eight months to prepare new works for the exhibition, which opened on 13 May.
The Susan Velder Gallery and More in St. Walburg, Saskatchewan, is hosting 'Invisible Winds: Stories You Can Not See, Journeys toward Wholeness,' a traveling exhibition curated through the Organization of Saskatchewan Arts Councils (OSAC). Featuring 19 local artists, the show explores hidden emotional realities such as adoption, PTSD, trauma, and resilience through mixed-media works, including Holly Hildebrand's textured portraits 'Ghosts and Shadows: Heather' and 'Ghosts and Shadows: Teanna.' Visitors are encouraged to scan QR codes to hear artists' stories, and many return multiple times to absorb the heavy themes.
The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.
The article reviews "Before We Knew Better," a group exhibition at Elise Seigenthaler Gallery featuring artists Sarah Bedford, Day Brièrre, Josiah Ellner, and Léa LeFloc'h. The critic reflects on the show's thematic framing around narrative, folklore, and personal mythology, while expressing frustration with its open-endedness and lack of clear intent. Specific works are discussed, including Ellner's psychedelic unicorn paintings, LeFloc'h's enigmatic works on paper, Bedford's nocturnal flowers, and Brièrre's intricate ceramics, though the critic notes the installation does not always serve the pieces well.