the push to preserve nina simones childhood home just got a 6 million boost thanks to venus williams and adam pendleton 2307161

The childhood home of legendary singer and activist Nina Simone in Tryon, North Carolina, has been fully restored after nine years of effort by an artist coalition led by Adam Pendleton, alongside Julie Mehretu, Rashid Johnson, and Ellen Gallagher. The restoration, completed with a $6 million boost from a charity auction and gala co-hosted by tennis star Venus Williams and Pace Gallery, preserved the 650-square-foot clapboard house to its 1933–1937 condition, including historically accurate materials, an ADA ramp, geothermal climate control, and a century-old magnolia tree named “Sweetie Mae.” The African American Cultural Heritage Action Fund announced the completion, and the property remains closed to the public while community programming and ethical cultural tourism are being planned.

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Fiber artist Gary Tyler, who spent nearly 42 years on death row in Louisiana's Angola prison after being falsely convicted as a teenager, has published a memoir titled "Stitching Freedom" and opened his first Los Angeles gallery show, "Illuminations from a Captured Soul," at Official Welcome in MacArthur Park. The exhibition, on view through December 20, features quilts Tyler learned to make while working in the prison's hospice program, depicting scenes from his life and symbols of freedom like butterflies and birds.

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Artnet News has published a curated list of ten artists selected by their gallery liaisons in June 2023. The featured artists include Amy Barker, Meron Engida, Liam Everett, Franziska Furter, Iulian Bisericaru, Anne Rowland, Jim Richard, Isamu Kenmochi, Rita Maas, and Kyle Dunn, with works ranging from paintings to design objects. The artworks are available through the Artnet Gallery Network, which connects buyers with galleries worldwide, from Tokyo to Zurich, New Canaan to Paris.

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Artnet News re-airs an episode on "red chip art," a phenomenon characterized by Cybertrucks, crypto wallets, and artists like KAWS, MSCHF, and Daniel Arsham. The episode is prompted by actor Adrien Brody's solo exhibition "Made in America" at Eden Gallery in New York, featuring mixed-media paintings of Marilyn Monroe, Basquiat-inspired motifs, and interactive elements like audience chewing gum on the wall. Brody's show exemplifies the red chip art world's blend of celebrity, commerce, and spectacle.

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Art Basel, the flagship art fair, returns to Basel, Switzerland from June 17 to 22 amid a period of market contraction and geopolitical instability. The article explores key questions surrounding the fair, including whether the proliferation of new Art Basel editions in Paris and Doha is diluting interest in the original Swiss event. Gallerists and collectors weigh in, noting that while Paris is rising in importance, Basel retains unmatched prestige and draws a genuinely engaged international audience. The piece also highlights the fair's new "Premiere" section, which spotlights mid-career and established artists, featuring London gallery Edel Assanti's debut presentation of American artist Lonnie Holley.

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The sixth edition of the Art Business Conference took place in Midtown Manhattan on May 22, drawing over 200 art professionals including gallery staff, auction-house specialists, and lawyers. Chaired by former Artnet executive editor Julia Halperin and founded by Louise Hamlin, the event featured keynotes and panels addressing the state of the art market, legal challenges, and the impact of tariffs. Christie’s CEO Bonnie Brennan reported a $700 million haul from recent auctions, noting a thin top end but strong activity for female Surrealists and Simone Leigh sculptures. Advisors Megan Fox Kelly and Alex Glauber described the market as 'recalibrating' rather than in crisis, with buyers showing increased selectivity.

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American artist Ben Schonzeit, a pioneer of Photorealism, presents his current solo exhibition "Ben Schonzeit: Imaginary Friends" at Louis K. Meisel Gallery in New York, on view through May 3, 2025. The show marks a significant evolution in his practice, bringing sculpture to the forefront alongside his paintings, and features imaginary characters that depart from his earlier still-life Photorealism. In an interview, Schonzeit discusses how his process has shifted from predetermined goals to intuitive exploration, influenced by New York City's street life and fashion.

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The Marfa Invitational, a small art fair in West Texas, has sparked controversy after pivoting to a new format called the "Marfa Invitational Open." The fair issued an open call to Texas-based artists, charging a $75 application fee and later requiring an additional $150 "installation fee" not disclosed in the original terms. Over 500 artists applied, but many dropped out after the hidden fee was revealed, leading to a boycott campaign. Approximately 160 artists ultimately exhibited at the Saint George Hotel last weekend. The fair had previously faced scandal in 2023 when its tax-exempt status was revoked due to cofounder Michael Phelan's failure to file required paperwork.

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

Telfair Museums presents Impressionism and Modernity: French and American Painting opening May 15

Telfair Museums will present "Impressionism and Modernity: French and American Painting" at the Jepson Center for the Arts from May 15 through August 16, 2026. Organized for the museum's 140th anniversary, the exhibition brings together Telfair's collection of American Impressionist works with key French Impressionist paintings from the National Gallery of Art, Washington, D.C., featuring artists such as Edgar Degas, Alfred Sisley, and Vincent van Gogh. The show explores Impressionism's origins in France, its transatlantic influence, and its impact on American art and identity, with works addressing themes of modern life, leisure, the city, and nostalgia for nature.

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The 14th edition of the San Francisco Art Fair (SFAF) has launched with 88 exhibitors and a robust program of public projects and talks. A central highlight is the exhibition “The Sun Beneath,” curated by Mara Gladstone and featuring artist Jon Cuyson, which serves as a preview for their upcoming collaboration at the Philippine Pavilion for the 2026 Venice Biennale.

Andy Warhol | Cow II.11A (1971) | For Sale

Andy Warhol's screenprint "Cow II.11A" (1971) is being offered for sale by Composition.Gallery, priced at $15,200. The work is a color screenprint on wallpaper, printed by Bill Miller's Wallpaper Studio, Inc., New York, and published by Factory Additions, New York, for a Warhol exhibition at the Whitney Museum of American Art from May 1 to June 13, 1971. It is part of a limited edition of 100, stamped by the artist's estate, and includes a certificate of authenticity.

Expanded Vocabulary: Revisiting Deborah Kass’ Studio

The article recounts the author's visit to Deborah Kass's Brooklyn studio, which she shares with her wife, artist Patricia Cronin. The visit was prompted by logistical issues related to the author's exhibition "Social Minimalism" (2025). During the visit, the author and Kass revisited themes central to Kass's work over three decades: the exclusion of women from art history, Jewish identity, queer voice, lesbian subjectivity, and postwar American art. The conversation also touched on Kass's series including the Warhol Project, Feel Good Paintings, No Kidding, and the large painting/sculpture installation "Everybody" (2019), which was recently featured in a conversation between Kass and Titus Kaphar in Interview magazine.

Ursula Launch: Celebrating Firelei Báez and Issue 16 with Casa Dragones

Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'

Brazilian women bring Latin American art to the New York collector circuit.

Two Brazilian women, Fernanda Mazzuco and Luciana Solano, run Art in Brackets, a consultancy and art advisory firm based in New York. For the first time, they have opened a public exhibition space on Walker Street in Tribeca, featuring a collective show centered on the African diaspora and transatlantic connections. The exhibition includes works by artists such as Santídio Pereira and Madalena dos Santos Reinbolt, with prices ranging from $3,800 to $140,000. The company, founded in 2022, connects collectors with Brazilian and Latin American artists, operating as 'wall curators' in partnership with various galleries.

The Dallas Art Fair: A Balance Of Growth And Consistency

The Dallas Art Fair (DAF), founded in 2009 by developer John T. Sughrue and curator Chris Byrne, concluded its eighteenth edition this past weekend. Director Kelly Cornell, who started as an intern and became director in 2016, has strengthened partnerships with the Dallas Museum of Art, Nasher Sculpture Center, and Dallas Contemporary, while securing sponsors like Bank of America. The fair has grown from 35 to over 90 galleries, though it still lacks mega-galleries like Gagosian, Hauser & Wirth, David Zwirner, and Pace. International participation this year included about 20 galleries, with notable names such as Perrotin, Anat Egbi, and Hesse Flatow, while galleries from Germany and China were absent.

“I’m just a painter.” An interview with Jim Moir

Comedian Jim Moir, best known as Vic Reeves, has opened a solo exhibition titled 'Neo Fauna' at Cartwright Hall in Bradford. The show features his eclectic paintings and drawings, including watercolours of birds and the 'American Couples' series, where he paints over found family portraits. Moir insists his comedy career was an extension of his art practice, stating he is fundamentally 'just a painter.'

Marcel Duchamp - Hommage à Caissa (for the Marcel Duchamp Fund of the American Chess Foundation), 1966

Marcel Duchamp - Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation) , 1966

This rare 1966 silkscreen poster commemorates the "Hommage à Caissa" exhibition at New York’s Cordier & Ekstrom Gallery, a fundraiser organized by Marcel Duchamp for the American Chess Foundation. The event featured contributions from 36 iconic artists, including Salvador Dalí, Jasper Johns, and Alexander Calder, and is famously remembered for Andy Warhol’s uninvited "guerrilla attack" appearance with the Velvet Underground. The poster's design incorporates RSVP cards sent to participating artists, some featuring personal notes and autographs.

It’s LACMA’s World, and Hollywood Wants to Play in It

The Los Angeles County Museum of Art (LACMA) celebrated the opening of its new David Geffen Galleries with a star-studded gala that raised nearly $11.5 million. The event brought together architect Peter Zumthor, museum director Michael Govan, and a high-profile mix of Hollywood celebrities, artists, and major donors. The $720 million building, Zumthor's first major project in the United States, marks the culmination of a decades-long development process and is set to open to the public next week.

Inside A Nation of Artists, Philly’s New Must-See Exhibition

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive dual-museum exhibition running through late 2027. The show features over 1,000 works, including the public debut of 120 pieces from the private Middleton Family Collection, owned by Philadelphia Phillies owner John Middleton. While the PMA presents the works chronologically from 1700 to 1960, PAFA offers a thematic exploration, both aiming to integrate underrepresented Black, Indigenous, and immigrant artists alongside canonical figures like Georgia O’Keeffe and Jackson Pollock.

Gagosian To Open New UES Gallery With Duchamp Show

Gagosian is expanding its presence on the Upper East Side with the opening of a new ground-floor gallery at 980 Madison Avenue on April 25. The inaugural exhibition features the iconic readymades of Marcel Duchamp, including the 1964 editions of works like "Fountain." This opening marks a return to a historic location for the gallery, which previously utilized the building as its headquarters for over three decades.

Pilar Corrias now represents Alexis Ralaivao

London gallery Pilar Corrias has announced the representation of French painter Alexis Ralaivao in partnership with New York-based Olney Gleason. The announcement coincides with Ralaivao’s debut UK solo exhibition, "Flirter avec l’abstrait," which is currently on view at the gallery’s Conduit Street location in Mayfair. Ralaivao is recognized for his intimate, diaristic oil paintings that blend 17th-century Dutch technical precision with contemporary emotional depth.

HOSOO to Present “Glorious Robe,” a Collaborative Exhibition with Theaster Gates

Kyoto-based textile house HOSOO has announced a collaborative exhibition with American artist Theaster Gates titled “Glorious Robe,” scheduled to run from April 11 to August 30, 2026. The showcase centers on the “Dashikimono,” a hybrid garment merging the West African dashiki with the Japanese kimono, alongside ceramic vessels and traditional obi sashes. These works incorporate motifs from the American Civil Rights Movement, including tributes to Martin Luther King Jr. and Malcolm X, woven directly into the fabric using HOSOO’s centuries-old Nishijin techniques.

Ruth Asawa: Retrospective

A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.

‘Better every year’: Frieze opens to swift sales for Los Angeles artists

Frieze Los Angeles opened its 2026 edition at the Santa Monica Airport with a strong showing of community spirit and rapid sales during the VIP preview. Following a difficult year marked by local wildfires, the fair has seen a surge in institutional acquisitions and commercial success for both emerging local talent and established international figures. Notable early transactions included a $2.8 million sale of a Njideka Akunyili Crosby work by David Zwirner and a complete sell-out of Erica Mahinay’s paintings at Make Room gallery.

Michael Joo: Sweat Models 1991–2026

Space ZeroOne in New York will present "Michael Joo: Sweat Models 1991–2026," a solo exhibition of early and newly realized works by Korean American multimedia artist Michael Joo, organized by guest curator Christopher Y. Lew. The show focuses on Joo's 1990s works, which engaged with issues like the AIDS crisis and information technology, and will feature a newly realized large-scale installation, *Concatenations*, first conceived in 1990.

One Fine Show: “Michael Rakowitz, Proxies for Poets and Palaces” at the Stavanger Art Museum

Iraqi-American artist Michael Rakowitz has opened his first major survey exhibition in Norway, titled "Proxies for Poets and Palaces," at the Stavanger Art Museum. The show features eight new reliefs from his long-running series *The Invisible Enemy Should Not Exist*, which recreates artifacts looted from Baghdad's Iraq Museum using cardboard, Arabic newspapers, and food packaging, alongside older works like the 2017 film *The Ballad of Special Ops Cody*.

Amy Sherald’s Show Sets Visitor Record at Baltimore Museum of Art

Amy Sherald's traveling mid-career survey, 'American Sublime,' has set a new attendance record at the Baltimore Museum of Art (BMA), drawing 63,000 visitors as of early February with an expected final total of 75,000. This makes it the museum's most-attended show since 2000. The exhibition features nearly 50 grisaille portraits of Black Americans and was previously shown at SFMOMA and the Whitney Museum of American Art.

BMA sets attendance record with 'Amy Sherald: American Sublime' exhibition

The Baltimore Museum of Art (BMA) has set a new attendance record with its current exhibition, 'Amy Sherald: American Sublime,' which has drawn 52,597 visitors since opening on November 2. The previous record was held by the 'Matisse/Diebenkorn' show in 2016-2017 with about 45,700 visitors. The exhibition, a mid-career survey of Sherald's work, runs through April 5 and is projected to reach 70,000 attendees. It originated at the San Francisco Museum of Modern Art and traveled to the Whitney Museum of American Art before arriving in Baltimore, after Sherald canceled its planned stop at the National Portrait Gallery due to censorship concerns.

Fairfield University Art Museum Exhibition to Commemorate 250th Anniversary of the U.S., Opens Jan. 23

Fairfield University Art Museum will open a major loan exhibition titled "For Which It Stands…" on January 23, 2026, running through July 25, 2026, as part of the university's commemoration of the 250th anniversary of the United States. The exhibition features over 70 works by diverse artists from the early 20th century to the present day, all centered on depictions of the American flag, including pieces by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, Julie Mehretu, Childe Hassam, and a new textile sculpture by Maria de Los Angeles commissioned for the show. Works are lent by private collectors, artists, galleries, and institutions such as the Delaware Art Museum, Yale University Art Gallery, and the Gordon Parks Foundation.