Kim Gordon, the co-founder of Sonic Youth, is currently the subject of two major exhibitions at Amant in Brooklyn. The first, a solo survey titled "Count Your Chickens," showcases two decades of her multidisciplinary practice including painting, ceramics, and film, while the second, "Folded Group," is a group show she co-curated with Bill Nace featuring artists who bridge the gap between music and visual art.
A new exhibition, "Collaborating in Conflict: The Yeats Family and the Public Arts," at the McMullen Museum of Art, spotlights the revolutionary contributions of sisters Susan Mary (Lily) and Elizabeth Corbet (Lolly) Yeats. Long overshadowed by their famous brothers, the sisters co-founded the Dun Emer Industries cooperative, which included a press and a textile guild, and produced embroidered banners of Irish saints for St. Brendan's Cathedral, playing a pivotal role in the Irish Arts and Crafts movement.
MASS MoCA has launched "Technologies of Relation," a group exhibition featuring 12 artists who explore the complex, non-binary relationship between humanity and artificial intelligence. Curated by Susan Cross, the show moves beyond dystopian narratives to investigate how artists can reclaim agency over corporate-produced technologies. Featured works range from Roopa Vasudevan’s hand-drawn QR codes that mimic textiles to Neema Githere’s hammock installations that literalize the concept of a digital network.
Marina Abramović Is the Unlikely Star of the New Balloon Museum
Performance artist Marina Abramović has created a large-scale inflatable installation for the new permanent New York outpost of the Balloon Museum. Titled *Snowy/Windy/Spring On The Planet Z*, the immersive work transforms the Tin Building into an imagined extraterrestrial meadow filled with balloon sculptures, light, and air currents, opening in July 2026.
Curator and artist Christine “C.” Finley has launched the second edition of the Whitney Houston Biennial, an all-female contemporary art survey titled “Greatest Love of All.” Hosted at a chashama space in Manhattan, the exhibition features 125 women artists in a salon-style presentation. The show serves as a scrappy, inclusive alternative to the Whitney Museum’s official biennial, emphasizing female legacy by requiring each participant to submit a text honoring a woman who paved the way for them.
Chinese American artist Hudson Shaoxia Zhang has been named the inaugural recipient of the U.S. Golf Art Foundation Fellowship Award, a distinction recognizing his prolific career dedicated to the intersection of sport and landscape painting. Zhang, a former art historian who authored over 40 books before returning to a dedicated studio practice, has produced more than a thousand paintings of golf courses. His work has gained significant international traction recently, with four solo exhibitions across Europe in 2024 and a major museum retrospective at the Art Museum of Nanjing University of the Arts in 2023.
The Gemäldegalerie Alte Meister in Dresden has received the Tefaf Museum Restoration Fund award for its ongoing restoration of Peter Paul Rubens's 17th-century painting 'The Boar Hunt'. The project involves removing discolored 19th-century varnish and undoing damaging 19th-century stabilization attempts that caused cracks in the wooden panel, aiming to reveal the work's original dynamism and palette.
Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection
The Musée d’Orsay in Paris is opening two concurrent exhibitions dedicated to Pierre-Auguste Renoir, titled 'Renoir and Love: A Joyful Modernity (1865-85)' and 'Renoir Drawings'. The shows focus on the first two decades of his career, featuring major works like 'Luncheon of the Boating Party' and rarely seen pieces from private collections, such as 'Confidence'. The exhibitions will later travel to the National Gallery in London and the Museum of Fine Arts in Boston.
Garth Greenan Gallery has announced it will relocate from Chelsea to SoHo in September, marking the gallery's 15th anniversary. The move involves opening two distinct spaces across from each other at 10 and 25 Greene Street, nearly tripling the gallery's current footprint to over 3,500 square feet of exhibition space. The new locations, situated in landmarked cast-iron buildings, will debut with solo exhibitions by Rosalyn Drexler and Cannupa Hanska Luger.
Leeds Castle has launched an interactive AI avatar of Eleanor of Castile as the centerpiece of its new exhibition, "Pilgrimage of Love: Eleanor of Castile." Developed in collaboration with SKC Studios, the digital queen is housed in a screen shaped like a lancet window and is programmed to recognize visitors and answer questions about her life, from her 13th-century architectural projects to her marriage to Edward I. The exhibition traces her transformation of the castle from a Norman stronghold into a royal residence with Moorish-inspired gardens.
The fifth edition of the Every Woman Biennial, titled "I Will Always Love You," concludes its run at La MaMa Galleria in New York. Featuring over 200 female and non-binary artists, the salon-style exhibition showcases a diverse range of media including neon sculpture, textiles, and video, alongside a series of high-energy performances. Notable participants include Michele Pred, Nadya Tolokonnikova of Pussy Riot, and Swoon, with the event maintaining its tradition of honoring the legacy of Whitney Houston while providing an inclusive platform for contemporary creators.
Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.
ancient egyptian papyrus white out fluid
Researchers at the Fitzwilliam Museum have discovered evidence of 3,300-year-old "white-out" used to correct an artistic error on an ancient Egyptian papyrus. While preparing for an upcoming exhibition, curators identified a modification on a copy of the Book of the Dead belonging to the royal scribe Ramose, where a mixture of calcite and huntite was applied to slim down the figure of a jackal deity.
A newly discovered 1877 chalk portrait of the poet Christina Rossetti by her brother, the Pre-Raphaelite master Dante Gabriel Rossetti, has been unveiled at Wightwick Manor. The drawing, recently acquired by the National Trust, serves as the centerpiece for the exhibition "The Rossettis – Siblings and Spouses." Created during a period of shared family mourning following the death of their sister Maria, the work departs from Rossetti’s typical idealized style to offer a somber, realistic depiction of grief and resilience.
LG OLED has partnered with the Whanki Foundation to present "We Meet Again In New York" at Frieze New York, featuring digital reinterpretations of works by the late Korean abstractionist Kim Whanki. The presentation utilizes high-definition screens to showcase five of Kim’s iconic "all-over dot" paintings, animated by contemporary Korean multimedia artists including Je Baak and Mano Ahn. This digital showcase coincides with a physical exhibition of Kim’s work at the Korean Cultural Center New York, marking the artist's first major posthumous return to the city where he spent his final decade.
Tracey Emin’s major retrospective, "A Second Life," has opened at Tate Modern, marking a significant milestone in the artist's career following her recovery from bladder cancer. The exhibition surveys her evolution from the provocative "Young British Artist" era—featuring iconic works like the 1998 installation 'My Bed' and her early quilted blankets—to her more recent, expressive oil paintings and bronze sculptures. The show specifically highlights her 1996 film 'How it feels,' positioning her early 1990s abortion as the central, transformative event of her life and artistic practice.
taina cruz interview
Taína H. Cruz has emerged as a central figure in the 2024 New York art season, achieving the rare feat of being featured simultaneously in the Whitney Biennial and MoMA PS1’s "Greater New York." A 2023 Yale MFA graduate, Cruz has become the literal face of the Whitney Biennial, with her painting "I Saw the Future and It Smiled Back" displayed on a massive billboard outside the museum. Her work, which often explores Black female identity through a lens of folklore, horror, and celebrity culture, is characterized by a moody and unsettling atmospheric quality.
The historic San Francisco Art Institute campus, which shuttered in 2023 following bankruptcy, is being revitalized as the California Academy of Studio Arts (CASA). Founded by billionaire philanthropist Laurene Powell Jobs, the new center will offer a free, unaccredited, year-long studio program for up to 30 emerging visual artists. The initiative aims to foster an experimental environment inspired by Black Mountain College, providing mentorship, workshops, and public engagement platforms.
paterei prison could become museum
Estonia’s Minister of Justice, Urmas Reinsalu, has proposed transforming the historic Patarei Prison in Tallinn into an international museum and research center dedicated to the crimes of communism. The sprawling 10-acre seaside complex, which served as a site of political incarceration under Soviet rule until 2002, remains largely unrestored, containing haunting remnants such as surgical tools and tattered bunk beds. The proposal has gained significant diplomatic traction, receiving formal support from representatives of eight EU member states during a recent meeting in the Estonian capital.
The exiled Belarus Free Theatre will stage a major exhibition titled "Official. Unofficial. Belarus." as an official collateral event at the 61st Venice Biennale. In the absence of a formal national pavilion, the group show will occupy the Church of San Giovanni Evangelista, featuring works by artists like Sergey Grinevich and Vladimir Tsesler that utilize religious iconography and prison materials to critique state surveillance and political repression.
van gogh yellow exhibition
The Van Gogh Museum in Amsterdam has launched a major exhibition centered on Vincent van Gogh’s profound obsession with the color yellow. The show explores how the artist utilized the hue—from the 'pale sulfur' of his Arles landscapes to his iconic sunflowers and the famous Yellow House—as a symbol of life-giving sunshine and modernity. Beyond Van Gogh’s own masterpieces, the exhibition features works by 19th- and 20th-century masters like Wassily Kandinsky and Hilma af Klint, as well as a contemporary light installation by Olafur Eliasson.
carmen reviriego art patronage spain callia foundation
Carmen Reviriego, founder and president of the Callia Foundation, recently hosted the 11th edition of the International Patronage Awards at Madrid’s Royal Collections Gallery. The event honored significant figures in the art world, including ARTnews Top 200 collector Batia Ofer, while highlighting the foundation's broader mission of funding restorations and fostering collaboration between private donors and Spain’s public institutions. Reviriego, who transitioned from a career in finance to art philanthropy, utilizes a business-minded approach to advocate for a more balanced model of cultural funding in Spain.
Buckminster Fuller’s iconic 'Fly’s Eye Dome' (1976) sculpture at LongHouse Reserve in East Hampton has collapsed after a severe blizzard. The fiberglass structure, one of only five existing prototypes of its kind, buckled under the weight of heavy snow, leaving its custom-made modular components crumpled and in need of extensive restoration.
The Venice Biennale has released the artist list for its 61st edition, titled "In Minor Keys," featuring 111 participants. This edition is historically unique as its curator, Koyo Kouoh, passed away in May 2025 during the exhibition's development, leaving a team of advisors including Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti to realize her vision. The exhibition focuses on understated, poetic sensibilities and living artists, a departure from the larger, historically-focused surveys of recent years.
louvre new director christophe leribault
Christophe Leribault has been appointed as the new director of the Louvre, succeeding Laurence des Cars following her resignation. Leribault, who currently leads the Palace of Versailles and previously directed the Musée d’Orsay, returns to the institution where he once served as deputy director of graphic arts. He takes the helm during a period of intense turmoil marked by staff strikes, a high-profile $102 million heist of the French crown jewels, and systemic security failures.
The era of high-stakes art speculation that defined the 2010s has largely cooled, but the impulse for financial gambling has migrated to digital prediction markets like Polymarket. While art collectors once treated waitlists and auction rooms as speculative arenas, the public now wagers billions on binary outcomes ranging from election results to celebrity behavior.
CORE and TBA21 Thyssen-Bornemisza Art Contemporary are launching "Get Up Stand Up: Artists for Jamaica and Los Angeles," a high-profile benefit auction scheduled for February 26 during L.A. Art Week. The event features over 20 works by major contemporary artists including Henry Taylor, Hank Willis Thomas, and Nari Ward, with a live sale led by auctioneer Simon de Pury. Proceeds will fund long-term recovery efforts following Hurricane Melissa in Jamaica and recent wildfires in Los Angeles, as well as CORE’s ongoing emergency response work.
Art Basel has launched its inaugural edition in Doha, Qatar, debuting a specialized format that emphasizes solo artist presentations and a slower, more meditative pace compared to its flagship fairs. The event features a curated selection of international galleries including Pace, Lisson, and Almine Rech, with a layout designed to foster deeper engagement and introduce regional collectors to the fair circuit.
The Gulf region is rapidly transforming into a primary axis for the international art trade, marked by the upcoming debut of Art Basel Qatar and the rebranding of Abu Dhabi Art as a Frieze event. While state-led museum projects have long dominated headlines, a surge of commercial activity is now taking hold as blue-chip galleries like Pace and David Zwirner join local stalwarts. This expansion comes at a strategic time as traditional markets in the U.S., U.K., and China face contraction.
Hundreds of artists, gallery owners, and collectors staged coordinated sit-ins at major Spanish museums, including the Museo Reina Sofía, to protest the country's 21 percent Value Added Tax (VAT) on art sales. Demonstrators gathered around Richard Serra’s 'Equal-Parallel/Guernica-Bengasi'—a replica of a work that famously vanished from storage—to symbolize the potential disappearance of the Spanish art sector under current fiscal pressures. The protests included demands for the resignation of the culture and finance ministers and calls for tax parity with European neighbors.