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fondation cartier reopens paris

The Fondation Cartier pour l’art contemporain will reopen its new space at 2 Place du Palais-Royal in Paris on October 25, 2025, during Paris Art Week. Designed by architect Jean Nouvel, the building—originally constructed for the 1855 Exposition Universelle and later a hotel, department store, and antiques center—has been transformed with a modular system of five movable platforms, a glass canopy, and transparent ground-floor windows to create an open, flexible exhibition environment. The inaugural show, titled “Exposition Générale,” features nearly 600 works by over 100 artists from the foundation’s history.

offscreen paris julien frydman salon 2025

Offscreen, the nomadic Parisian art salon founded by former Paris Photo director Julien Frydman, returns for its fourth edition from October 21 to 26, 2025, held concurrently with Art Basel Paris. This year, the event takes over La Chapelle Saint-Louis de la Salpêtrière, a historic church on the grounds of a former hospital that once detained and studied women labeled as “degenerate” or “insane.” The venue previously hosted exhibitions by Anselm Kiefer, Nan Goldin, and Christian Boltanski. Offscreen features 28 artists from 27 galleries, including a guest of honor tribute to late video-sculpture pioneer Shigeko Kubota, a durational performance by Maria Stamenković Herranz, and new talks and museum acquisitions from the Centre Pompidou and ZKM.

robert rauschenberg dance guggenheim

A gala performance at the Guggenheim Museum in New York marked what would have been Robert Rauschenberg's 100th birthday, featuring dancers performing Paul Taylor's 'Tracer' (1962), for which Rauschenberg created costumes and sets—including a spinning bicycle wheel that served as a portal to the exhibition above. The show, 'Robert Rauschenberg: Life Can’t Be Stopped,' opened in one of the museum's tower galleries and runs through May 3, presenting select works from the Guggenheim's collections and loans from the artist's foundation, including major pieces like 'Barge' (1962–63), the largest silkscreen painting Rauschenberg made in the early 1960s, back in New York for the first time in nearly 25 years.

frank lloyd wright kalil house national historic places

Frank Lloyd Wright's Kalil House, a 1957 Usonian Automatic home in Manchester, New Hampshire, has been added to the National Register of Historic Places. Commissioned by Dr. Toufic and Mildred Kalil, the house was built using 2,580 concrete blocks and retains nearly all of its original Wright-designed furnishings. It is one of only seven such Usonian Automatic homes ever constructed and was purchased by the Currier Museum of Art in 2019.

leading artists call for nationwide resistance against authoritarian forces

Visual artist Dread Scott, playwright Lynn Nottage, and dozens of cultural figures have launched "Fall of Freedom," a nationwide weekend of creative demonstrations scheduled for November 21–22, 2025, to protest rising authoritarianism under the Trump administration. The project invites arts communities to organize independent actions—such as storefront readings, pop-up performances, exhibitions, and workshops—at museums, galleries, classrooms, comedy clubs, or any community gathering space. Participating institutions include the Institute of Contemporary Art, Los Angeles, which will host a "Wear Your Rights" silk-screening workshop, and New York's Leslie-Lohman Museum of Art, which will turn a gallery into a library of queer art activism books. Other notable participants include artists Marilyn Minter, Robert Longo, and Amy Sherald, who recently canceled a Smithsonian exhibition after concerns over her painting of a Black transgender Statue of Liberty.

dara birnbaum lynn hershman leeson tribute

This tribute article recounts the profound impact of artist Dara Birnbaum's work on the author, describing a chance meeting with Birnbaum at MoMA's café and the subsequent friendship that developed. It highlights Birnbaum's pioneering role in video art, including her manipulation of single video frames and use of color bars, and cites key works like "Technology/Transformation: Wonder Woman" (1978–79), "Local TV News Analysis" (1980), and "MTV: Artbreak" (1987) that deconstructed mass media and gender representation.

qatar owns courbet self portrait

Qatar has revealed that it is the owner of Gustave Courbet's famed self-portrait *Le Désespéré* (The Desperate Man, 1843–45), which has gone on view at the Musée d'Orsay in Paris for the first time in 17 years. The painting, previously listed as being on loan from an unknown private collector, was acquired by Qatar Museums, a state body that oversees the nation's art scene. Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani, head of Qatar Museums, acknowledged the ownership during a tribute at the Musée d'Orsay, noting that the work will be on long-term loan there for five years before moving to the future Art Mill Museum in Doha, set to open in 2030.

christies arnold joan saltzman fernand leger picasso matisse

Christie’s will sell over 70 works from the collection of Arnold and Joan Saltzman during its fall marquee sales in November, with a group estimate exceeding $70 million. The modern art collection includes pieces by Pablo Picasso, Fernand Léger, Edvard Munch, František Kupka, Robert Delaunay, Henri Matisse, and Henry Moore. The top lot is Léger’s 1914 painting *Composition (Nature Morte)*, estimated around $20 million, from his celebrated 'Contraste de formes' series. Other highlights include Henry Moore’s bronze sculpture *Reclining Woman: Elbow* (1981), estimated at $9–12 million, and Henri Matisse’s *Femme au chapeau fleuri* (1923), estimated around $10 million. The collection, built over 60 years, will be featured in Christie’s 20th century evening sale on November 17 and day sales on November 18.

macarthur genius grants garrett bradley gala porras kim

The John D. and Catherine T. MacArthur Foundation announced its 2025 class of 22 MacArthur Fellows, each receiving an $800,000 no-strings-attached grant. Among the winners are several visual artists: Garrett Bradley, known for her Oscar-nominated documentary *Time* (2020) and works centering Black resistance; Gala Porras-Kim, whose practice questions how art institutions convey or conceal information about objects; Tuan Andrew Nguyen, whose films and installations explore trauma and colonization; and Jeremy Frey, a seventh-generation Passamaquoddy basket maker whose midcareer survey is on view at the Bruce Museum. Photographers Matt Black and Tonika Lewis Johnson also received fellowships, along with archaeologist Kristina Douglass and non-artists such as novelist Tommy Orange and astrophysicist Kareem El-Badry.

ken jacobs film artist dead

Ken Jacobs, a pioneering experimental filmmaker who blurred the boundaries between cinema and visual art, died at 92 in New York from kidney failure, according to his son, filmmaker Azazel Jacobs. A key figure in the postwar New York underground alongside Jack Smith and Jonas Mekas, Jacobs challenged conventional filmmaking through works like "Blonde Cobra" (1963) and "Tom, Tom, the Piper's Son" (1969), using techniques such as live radio accompaniment, slow motion, and looping to deconstruct the medium. He studied painting under Abstract Expressionist Hans Hofmann and described his own work as "Abstract Expressionist cinema," often drawing direct comparisons between film and painting.

hauser amp wirths uk profits drop

Hauser & Wirth's UK subsidiary reported an 87% decline in pretax profit for 2024, falling to $1.6 million from $12.5 million the previous year, as revenue dropped by more than half to $91.4 million. The gallery attributed the downturn to a sharp fall in secondary-market sales, which can fluctuate significantly based on a few high-value transactions. The UK entity represents only a small portion of the gallery's global business, which the founders said remained aligned with the prior year's successful performance. Separately, the gallery's hospitality arm, Artfarm Group, posted a wider pretax loss of $24 million despite a 16% rise in turnover.

musee dorsay manet mock trial dejeuner sur lherbe

The Musée d'Orsay in Paris staged a mock trial of Édouard Manet and his model Victorine Meurent for his 1863 painting *Déjeuner sur l'herbe*, which caused scandal at the Salon des Refusés for its nude female figure. The event, part of the museum's Orsay Live program for 18-to-25-year-olds, featured real lawyers, a sitting judge, and students from the Fédération française de Débat et d'Éloquence, with speeches reviewed by Manet specialist Isolde Pludermacher. The trial aimed to explore historical debates about morality, indecency, and artistic freedom in a courtroom format.

artnews celebrates 2025 top 200 collectors issue

On September 18, ARTnews celebrated the 2025 edition of its annual Top 200 Collectors list with a launch party at the newly opened Faena New York in Chelsea. The event was cohosted by collectors Beth Rudin DeWoody and Miyoung Lee, both trustees of the Whitney Museum. ARTnews Editor-in-Chief Sarah Douglas introduced the hosts, highlighting DeWoody's role as a supportive art patron and Lee as a representative of a younger generation of collectors. Other Top 200 Collectors in attendance included Michael Ovitz, Lonti Ebers, Lisa Goodman, Rodney Miller, Pete Scantland, and James Keith “JK” Brown and Eric Diefenbach. The evening featured a performance by pianist Arsha Kaviani, Cognac from LOUIS XIII, wines from Rioja, luxury perfumes from Xerjoff, and photo cards from Chubb.

sculptor petrit halilaj wins 2027 nasher prize

The Nasher Sculpture Center in Dallas has awarded its 2027 Nasher Prize to Petrit Halilaj, a Kosovo-born sculptor known for works addressing his country's history and sociopolitical realities. At 40, Halilaj is the youngest recipient of the prize since its 2015 inception. The award, now given biannually, includes $100,000 and a future exhibition at the Nasher. In an unusual gesture, Halilaj will donate the entire prize purse to the Hajde! Foundation, a Kosovo-based nonprofit he co-founded in 2014 to support Kosovar artists.

steve mcqueen soundtrack bottega veneta milan fashion week

Steve McQueen, the Turner Prize-winning artist and Oscar-winning filmmaker, created the soundtrack for Louise Trotter's debut collection as creative director of Bottega Veneta at Milan Fashion Week. The show took place at Fabbrica Orobia, a former zinc factory in Milan, and featured McQueen's sound piece '66 – '76, which pairs vocal recordings by David Bowie and Nina Simone of the song "Wild is the Wind." McQueen attended the event with his daughter Alex, both wearing the brand's signature leather Intrecciato.

tehching hsieh performance dia

Tehching Hsieh, a Taiwanese-born performance artist who fled to the U.S. in 1974 as an undocumented immigrant, is the subject of a major retrospective at Dia Beacon opening October 4. The exhibition features his five iconic yearlong 'lifeworks' from 1978 to 1986, including living in a cage, punching a time clock every hour for a year, and abstaining from art entirely, plus his final work, 'Tehching Hsieh 1986–1999 (Thirteen Year Plan).' The article includes an interview with Hsieh discussing the retrospective and his philosophy of time and repetition.

picasso museum paris expansion sculpture park plan

The Musée Picasso-Paris has announced a €50 million ($59 million) transformation plan, including a new wing for temporary exhibitions and a redesigned garden that will connect with the nearby Square Léonor-Fini. The project, scheduled for construction from 2028 to 2030, will double the museum's temporary exhibition space to 8,600 square feet and create a 25,000-square-foot sculpture park featuring around 10 Picasso sculptures, free to the public without a museum ticket. The museum plans to remain open during construction, which will be funded through patronage raised by a foundation hosted by the Académie des Beaux-Arts, with a significant donation from the Picasso family.

marina abramovic venice accademia 2026

Marina Abramović will celebrate her 80th birthday with a career-spanning exhibition titled "Marina Abramović: Transforming Energy" at the Gallerie dell'Accademia in Venice from May 6 to October 19, 2026, coinciding with the 61st Venice Biennale. The show, previously staged at the Modern Art Museum in Shanghai in fall 2024, features 150 works including furniture-sculpture hybrids made from quartz, amethyst, and tourmaline. Abramović's "transitory objects" will be installed throughout the 14th-century building alongside the museum's permanent collection of Renaissance masterpieces by Titian, Tintoretto, Giorgione, and Mantegna, with a notable pairing of her 1983 photograph *Pietà (with Ulay)* and Titian's *Pietà* (1575–76).

lawrence abu hamdan munch museum exhibition golan heights

Lawrence Abu Hamdan's exhibition "Zifzafa" has opened at the Munch Museum in Oslo, featuring a politically charged exploration of sound as both a celebration of life and a tool of displacement. The show centers on a forensic audio investigation into the impact of 31 wind turbines planned for the Israeli-occupied Syrian Golan Heights, or Jawlan. Key works include the video projection *Wind Ensemble* (2024) featuring saxophonist Amr Mdah, CGI animations *Tilting at windmills i, ii & iii* (2024), and the 45-minute film *Zifzafa: Livestream Audio Essay* (2025), which uses a video game walkthrough format to simulate the sonic pollution that will affect local homes—some as close as 115 feet from the turbines. The game incorporates field recordings by local composer Busher Kanj Abu Saleh and turbine noise from Germany, highlighting the sounds of daily life and resistance.

the night watch dog inspiration rembrandt

The Rijksmuseum in Amsterdam has discovered that the dog in the lower right corner of Rembrandt's "The Night Watch" (1642) was inspired by a 17th-century drawing by Adriaen van de Venne. Curator Anne Lenders spotted the resemblance while visiting an exhibition at the Zeeuws Museum, and subsequent research confirmed the connection. The finding emerged from Operation Night Watch, an ongoing restoration project that uses scientific analysis to study the painting.

john giorno dial a poem online

John Giorno's 1969 conceptual artwork "Dial-A-Poem," originally a phone-based poetry service featured in MoMA's landmark 1970 exhibition "Information," has been relaunched as an online platform. The new version, created by Giorno Poetry Systems, presents randomized readings of both historic and contemporary poems, including contributions from Laurie Anderson, William S. Burroughs, and Gary Snyder. International editions have been added for France, Mexico, Thailand, Italy, Hong Kong, Switzerland, and Brazil, with poems recited in their native languages.

artists resisted fascism comrades in art andy friend

A group of British artists, frustrated by the Great Depression and inspired by socialist ideologies, founded the Artists International Association (AIA) in the early 1930s. Initially a Communist-inflected agit-prop group, it rebranded in 1935 to broaden its anti-fascist coalition, a move that sparked internal debates about ideological purity. The article, reviewing Andy Friend's book *Comrades in Art: Artists Against Fascism, 1933–1943*, highlights key episodes such as the AIA's 1940 exhibition 'The Face of Britain,' which opened amid the Blitz after bombs damaged the gallery.

john pritzker donates 188 dada surrealist works to the metropolitan museum of art new york

John Pritzker, a Top 200 collector and Metropolitan Museum of Art trustee, has donated 188 Dada and Surrealist works by 37 avant-garde artists to the Met. The Bluff Collection includes pieces by Man Ray, Marcel Duchamp, Max Ernst, Francis Picabia, and others, spanning collages, paintings, photographs, objects, and rare publications. Many works will feature in the museum's upcoming exhibition “Man Ray: When Objects Dream,” opening September 14, which includes 35 Man Ray pieces from the collection. The gift also establishes a research program funded by the John Pritzker Family Fund.

stephen shore early work mack

The article reviews Stephen Shore's book *Early Work*, which collects photographs he took between the ages of 13 and 18, from 1960 to 1965. Despite his youth, the images display remarkable sophistication, a feat Shore attributes to an atypical childhood that included early access to cameras and a copy of Walker Evans's *American Photographs*. The book includes a "pre-history" essay in which Shore reflects on his formative influences, including time spent at Andy Warhol's Factory and a friendship with headmaster William Dexter, who deepened his interest in photography. The earliest image in the book is a portrait of Dexter taking a photograph, which Shore describes as a metanarrative of a photographer photographing a photographer.

icons issue fall 2025

The article introduces the annual 'Icons' issue of Art in America, profiling artists whose decades-long practices reflect deep commitment to their mediums. Featured artists include Paul Pfeiffer, who became hyper-aware of image grammar through early video work; Consuelo Jimenez Underwood, who found her voice in textiles; David Diao, who references Barnett Newman; and the late Joel Shapiro, who explored transformation through wood sculpture. The issue also includes an interview with Tehching Hsieh on freethinking and art, plus departments on curatorial challenges, a Bukhara Biennial curator Q&A, and an appreciation of Dara Birnbaum.

amy sherald speaks out government censorship at the smithsonian

Amy Sherald, the painter who canceled her exhibition “American Sublime” at the Smithsonian’s National Portrait Gallery in July due to censorship issues, has broken her silence in a MSNBC article. Sherald canceled her September show after the museum considered removing her painting *Trans Forming Liberty* (2024), depicting model and performance artist Arewà Basit as a Black transgender Statue of Liberty. In her op-ed, Sherald explains that institutional fear shaped by political hostility toward trans lives played a role, and she cannot comply with a culture of censorship targeting vulnerable communities.

rosa barba moma times square moynihan

Rosa Barba's exhibition "The Ocean of One's Pause" at the Museum of Modern Art in New York surveys 15 years of her work, featuring over a dozen cinematic sculptures arranged as a single installation. Central to the show is her latest 25-minute film *Charge* (2025), co-commissioned by MoMA and the Vega Foundation, shot at CERN in Geneva. The film will also screen at Moynihan Train Hall and in Times Square as part of the "Midnight Moment" program throughout July. Barba transforms a black box gallery into a cello-like space, with long wires and film projectors creating a celluloid symphony through mechanical clicks and analog apparatuses.

aspen air festival 2025

The inaugural AIR festival took place in Aspen as part of Aspen Art Week, featuring a mix of talks, performances, and a closed-door retreat for artists, writers, scientists, and theorists. Highlights included a pack of panting huskies, a psychoanalysis talk in a psychedelic chapel, an artist conversing with his AI doppelganger, and a whispery musical performance on a museum rooftop. The festival kicked off with a film by Apichatpong Weerasethakul accompanied by composer Rafiq Bhatia, followed by discussions on dreaming and catastrophe, and site-responsive works by Jota Mombaça and Paul Chan.

robert wilson theatre director artist dead

Robert Wilson, the influential playwright and artist known for his spare, slow-moving productions that blurred the line between performance art and theater, died Thursday at age 83 in Water Mill, New York. His death was announced by the Watermill Center, the arts center he founded, which stated he died of a brief but acute illness. Wilson's career spanned stage works like the landmark 1976 opera *Einstein on the Beach* (with Philip Glass and Lucinda Childs), video portraits of figures such as Lady Gaga and Brad Pitt, and sculptures, all characterized by stillness and a radical use of time.

stan douglas bard museum survey review

Stan Douglas's survey at Bard College's Hessel Museum of Art features a new video installation titled "Birth of a Nation" (2025), which reworks a racist sequence from D.W. Griffith's 1915 film of the same name. The installation presents the original footage alongside four new videos from different character perspectives, shot in black and white without sound, and ends with a blue screen left bare to suggest the mutability of historical images. The survey also includes earlier works like "Hors-Champs" (1992), which critiques televisual representation through a staged free jazz performance.