The Dixon Gallery and Gardens has concluded the third and final installment of its ambitious "Black Artists in America" exhibition series. This concluding chapter focused on the late 20th century, showcasing how African American artists navigated the Civil Rights Movement and the subsequent shift toward contemporary abstraction and conceptualism while maintaining a dialogue with social justice.
The Krannert Art Museum has opened "Memorias de la Mujer Lotina: Arpilleras, Women, and Coal in Chile," an exhibition featuring 23 arpilleras created by women from the coal-mining community of Lota. These colorful, hand-stitched textiles, which rose to prominence as a form of resistance during the Pinochet dictatorship, document the daily lives, heritage, and struggles of marginalized communities. The show features a centerpiece 16-foot-long collective textile created by 52 women ranging in age from 14 to 92, depicting scenes of labor, domestic life, and social activism.
The Dishman Art Museum is hosting a new exhibition that centers on the experiences and perspectives of immigrants, drawing on their voices to shape the show's narrative and artworks. The exhibit features contributions from artists who explore themes of migration, identity, and belonging through various media.
The Dayton Art Institute has opened a new gallery dedicated to feminist art, featuring works by women artists and addressing themes of gender, identity, and social justice. The space aims to highlight underrepresented perspectives within the museum's collection and contemporary art discourse.
The article discusses the opening of the National Museum of Art, Architecture, and Design in Oslo in 2022, which aims to break down traditional boundaries between art, design, and craft by housing the combined collections of several major Norwegian institutions. It highlights the inclusion of Sámi artist Máret Ánne Sara's work "Pile o' Sapmi" (2017) at the museum's entrance, a piece made from reindeer skulls that blends art, craft, and cultural identity, reflecting the museum's mission to challenge hierarchical distinctions.
The Great Plains Art Museum at the University of Nebraska–Lincoln will open “Reflections of Our People, Our Ways, Our Land” on September 5, the first-ever exhibition centered on Otoe-Missouria artists. Featuring 24 artists from the tribe, the show spans traditional to contemporary mediums and runs through December 20. The exhibition is part of the Walking in the Footsteps of our Ancestors project, funded by the Mellon Foundation, which aims to promote healing and reconciliation by reconnecting the tribe to its Nebraska homelands.
The Fowler Museum at UCLA has opened 'Construction, Occupation,' an exhibition exploring the intersection of art, activism, and housing justice. The show revisits the 2016–17 occupation of the abandoned Cambridge Hotel in São Paulo, Brazil, by low-wage workers, refugees, and artists—a project known as the Cambridge Artistic Residency (CARe)—which led to the building's transformation into government-funded social housing and a cultural hub. Curated by Alex Ungprateeb Flynn, Juliana Caffé, and Yudi Rafael, the exhibition features 24 artists and collectives, primarily from Brazil, with photography, video, installations from the original residency, and newly commissioned works. It runs through January 11, 2026.
The Pearl Fincher Museum of Fine Arts in Texas is hosting a series of spring events, including a student art exhibition titled "Fresh Perspectives: Visionaries of the Next Generation" running from April 2 to May 10, 2025, which features winners of the museum's Student Art Contest, works from the Youth Art Council's "Chronicles: Art in the Spirit of Storytelling," and pieces from Lone Star College students. Additionally, the museum will hold an Earth Day-themed Family Day on April 26 with art activities, a petting zoo, and an Art Market, and a Star Wars LEGO® pop-up event on May 3 in collaboration with the Houston Brick Club. The Cole Gallery is also showcasing "HEARD" by Houston artist Tramaine Townsend, focusing on Black cowboy history, through May 10.
The Dittmar Memorial Gallery in Evanston is hosting 'I Was Here,' a community-driven exhibition running from April 9 to May 3, 2026. Curated by Jasmine Ametovski and Clare Kirwan, the show features 24 local artists utilizing diverse mediums such as sound, video, and beeswax to document their daily lives. The project prioritizes lived experience and personal encounters over traditional, academic studio practices.
The Anadu Art Gallery is launching a pop-up exhibition titled 'Roots: Celebrating Heritage' at The Empty Space in Salford's MediaCity. The one-day event on February 28 features a blend of local and international artists, aiming to showcase diverse cultural traditions and personal histories through visual art.
Gallery 121 in Belleville, Ontario, opened a new Indigenous art exhibition on January 19, 2026, featuring nine Haudenosaunee artists including David R. Maracle, Rebecca Maracle, Janice Brant, and others. The month-long show, running until February 7, opened with a smudging ceremony and musical performance by Maracle, and includes works by Gallery 121 member artists. The exhibition continues the gallery's annual tradition of showcasing Indigenous artists from the Tyendinaga Mohawk Territory since 2014.
A new exhibition titled "Shared Visions" has opened at Art Project 605 in Detroit Lakes, Minnesota, running from July 10 to August 1, 2025. The show features the work of three area artists: Kent Estey of Naytahwaush, Jennie Ward of Lake Park, and Jennifer Paulsrud of Fargo, all of whom have previously exhibited at the gallery. The exhibition highlights the artists' use of color, abstraction, and paint application, with works ranging from delicate to bold, expressing themes of heritage, beauty, and relationships.
金沢アートグミ17周年記念個展 尾角典子「むいみのいみ」@ 金沢アートグミ
Artist Noriko Okaku will present a solo exhibition titled "Meaning of Meaningless" at Kanazawa ArtGummi to commemorate the NPO's 17th anniversary. The exhibition marks a return to Okaku's roots in animation, featuring a large-scale installation that integrates her background in collage and digital media.
The Leslie Powell Gallery in Lawton, Oklahoma, will open two art exhibitions in May 2026. "Beauteous Maximus" features paintings by New Zealand-born Polynesian artist Tania Landers, whose work explores memory, identity, and generational storytelling through vibrant colors and collage. "Between the Front Door and the Kitchen Sink" showcases artwork by Texas artist Abigail Rainey, focusing on themes of home, inheritance, and the sacred within the mundane. Both exhibitions open with a reception on May 16 and run through June 26.
The Oxford Community Arts Center recently hosted the opening of "Changing Climate, Changing Communities," an exhibition organized by Engaging for Climate in Oxford (ECO). The show features a diverse range of media, including paintings, sculptures, and graphic works created by professional artists, Miami University faculty, and local elementary students. Notable works include Tara Trueblood’s abstract painting "The Flood," which explores the tension between crisis and hope, and imaginative drawings of undiscovered animals by sixth-grade students from Ridgeway Elementary.
The article explores the artistic practice of Thai painter Vichit Nongnual, examining how his work engages in a continuous dialogue with art history. It highlights his unique approach to blending traditional Thai artistic elements with contemporary techniques, positioning his paintings as a bridge between past and present visual cultures.
Art VallARTa, an art fair in Puerto Vallarta, has announced a special exhibition titled "Queer Artists Take Center Stage at Art VallARTa for Pride 2026 Exhibition," which will spotlight LGBTQ+ artists during Pride Month 2026. The fair aims to feature works by queer and allied artists, celebrating diversity and inclusion within the visual arts.
Morocco inaugurated its national pavilion at the 61st Venice Biennale International Art Exhibition on Friday, with Head of Government Aziz Akhannouch presiding over the ceremony. The pavilion features the project “Asǝṭṭa,” led by artist Amina Agueznay and curator Meryem Berrada, and will be on view at the Doges through November. The presentation aligns with the Biennale’s overarching theme, “In Minor Keys,” and showcases Moroccan heritage through contemporary artistic expression.
Jess Self, a Decatur-based sculptor and educator, presents *Celestial Perspectives* at the Marietta Cobb Museum of Art, an immersive textile environment that explores autobiography through figurative form. The exhibition features works in resin, plaster, felted wool, fiber, and rope, including the large-scale installation *The Veil* and the compelling *She Who Ties Magic Knots*, a resin and plaster cast of the artist's pregnant torso. Self's practice draws on Jungian archetypes and spiritual traditions, and the show communicates themes of connectivity, motherhood, bodily experience, and transcendence without relying on wall text.
The Mayor’s Office of Culture and the Arts, in collaboration with the East-West Center Arts Program, will present 'Ocean of Peace,' a group exhibition featuring seven artists of Micronesian heritage at Honolulu Hale from May 8 to June 11, 2026. The exhibition centers on the 'Ocean of Peace' declaration, a political and cultural framework endorsed at the Pacific Islands Forum Leaders’ meeting in the Solomon Islands in September 2025, which envisions Pacific Island nations as sovereign and free from geopolitical conflict and coercion. Participating artists include James Bamba, Carol Ann Carl, Gillian Duenas, Kalany Omengkar, Anthony Watson, Lissette Yamase, and Manny Crisostomo, exploring themes of Indigenous Pacific knowledge, identity, and storytelling.
Broken Hill City Art Gallery in New South Wales will launch three exhibitions on May 8, 2026: 'Saltbush Country,' featuring contemporary Aboriginal women artists from regional South Australia; 'ARTEXPRESS 2026,' showcasing exemplary Higher School Certificate Visual Arts works by students across the state; and 'Footsteps in the Desert,' a solo show by local artist Ann Evers using natural and found materials. The opening night is free and includes bar facilities, with exhibitions running through July 26, 2026.
A student-curated exhibition titled 'The Shape of Being' opens Friday at Washington Gallery in Waco, Texas. Organized by Baylor University senior Aleah Burns, the show features work from five female Baylor student artists, each contributing three pieces plus a collaborative installation centered on hands. The exhibition focuses on figurative painting, exploring themes of identity, memory, human connection, and technology-mediated relationships. Featured works include Kate Swayze's 'Left Unsaid,' which uses layered materials like reused painting rags, and Burns' own 'Unstable Connection,' depicting fragmented figures embracing through screens.
Marquette University held its fourth annual Student Art Exhibition on April 23, 2026, at the Lemonis Center for Student Success, featuring ten student artists each awarded a $500 stipend to create works around themes such as “Culture & Career,” “Defining Success,” “Belonging at Marquette,” and “Expanding Horizons.” The event, organized by Career Center director Courtney Hanson, included pieces by Jessica Wrobel and Salo Aristizabal, among others, and was sponsored by the Career Center, the Division of Belonging and Student Affairs, the Lemonis Center, Raynor Library, and Enterprise Mobility.
Sertoma Arts Center in Raleigh, North Carolina, presents its May–June Exhibition from May 4 through June 21, 2026, featuring regional artists across multiple gallery spaces. The Raleigh Room highlights Adam Cooley's "Boro Land: Layered Worlds," while the Hall Gallery displays works by Natacha Sochat and Rachel Stewart, and the Lobby Gallery showcases Beverly Lovelace, Heather Lee McLelland, and Linette Knight. An opening reception is scheduled for May 16.
On April 12, the Reed Gallery opened 'Shuttered Light,' an exhibition of photographs by Deerfield Academy student Albert Yuk (class of 2026). The show juxtaposes staged war scenes from a Beijing film set with real wartime documentation from Israel and Iran, aiming to highlight media bias and the blurring of authenticity in news imagery. Yuk, who has traveled to conflict zones including Israel, Iran, Kazakhstan, and Afghanistan, began his photography career working for Pulitzer Prize-winning Chinese photojournalist Liu Heung Shing. The exhibition includes personal favorites like 'Intersection of Tradition and Modernity' and 'Warrior’s Respite,' reflecting themes of freedom, liberty, and gender roles.
A five-day group exhibition titled 'Different Strokes' concluded at the Alliance Française de Dhaka, featuring 40 paintings by eight self-taught artists. Curated by artist and educator Alamgir Kabir, the show presented works in oil, acrylic, watercolour, and charcoal that depicted nature, women's lives, and marginalized communities in Bangladesh.
The Julio Fine Arts Gallery at Loyola University will host its 2026 Annual Student Exhibition from April 13 to May 4, featuring work nominated by faculty from art and design classes. A reception and awards ceremony on April 23 will include prizes for studio art and photography, judged by artist-in-residence Jaz Erenberg.
Government College Women University Faisalabad's Department of Art & Design is organizing a solo exhibition titled "Chain of Memories" featuring works by artist Dr. Tooba Najam. The exhibition will be held at the Punjab Council of Arts Faisalabad Division and inaugurated by Divisional Commissioner Musarrat Jabeen, with university Vice Chancellor Prof. Dr. Kanwal Ameen attending as a special guest.
The Dittmar Gallery at Northwestern University is hosting a community art exhibition titled “I was here,” featuring works by 24 local artists. Curated by Jasmine Ametovski and Clare Kirwan, the show highlights diverse mediums ranging from photography of the Berlin Wall to beeswax sculptures and multimedia installations. The exhibition focuses on how personal perspectives can redefine traditional art spaces and reclaim cultural identities through creative practice.
Gisborne-based artist Melanie Tangaere Baldwin has unveiled her latest solo exhibition, Ā Mua, at the Tairāwhiti Museum. The showcase features a departure from her previous multi-disciplinary work, focusing heavily on sculptural hand-stitched textile art that depicts powerful female forms, alongside light boxes exploring the symbolism of fire.