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2025 Fall Preview: Six Texas Art Exhibitions to See this Year

Brandon Zech and Jessica Fuentes preview six highly anticipated Texas art exhibitions for fall 2025. Highlights include "Jenny Saville: The Anatomy of Painting" at the Modern Art Museum of Fort Worth, the first major U.S. museum survey of the British figurative painter; "Robert Rauschenberg: Fabric Works of the 1970s" at the Menil Collection in Houston, exploring the artist's innovative use of textiles; "Constellations: Contemporary Jewelry at the Dallas Museum of Art," featuring over 350 wearable works; and "HOST: Raul De Lara" at The Contemporary Austin, showcasing the sculptor's surreal wooden forms.

The 10 Exhibitions to See in September 2025

The article previews ten major art exhibitions opening in September 2025, highlighting the 36th Bienal de São Paulo curated by Bonaventure Soh Bejeng Ndikung, which takes inspiration from estuaries and rivers and features artists like Frank Bowling and Huguette Caland. It also covers the Okayama Art Summit 2025, directed by Philippe Parreno, which reimagines the city as a site of balance between nature and construction, and Hayv Kahraman's solo show 'Ghost Fires' at Jack Shainman Gallery in New York, reflecting her experience as a refugee from the Gulf War.

9 Highlights to Look Out for at This Year’s Armory Show

The Armory Show returns to New York City's Javits Center from September 5–7, 2025, with a VIP preview on September 4. Under new director Kyla McMillan, the fair features over 230 galleries from more than 30 countries, including curated sections such as Solo, Presents, Platform (titled "My Art Is the Evidence of My Freedom," curated by Raina Lampkins-Fielder), and a new Function section exploring art and design, curated by Ebony L. Haynes. Highlights include presentations by Gee’s Bend Quiltmakers at Nicelle Beauchene Gallery, Thornton Dial from Souls Grown Deep Foundation, and a monumental sculpture by Kennedy Yanko at James Cohan.

We Know You’re Preparing for the Onslaught, so Here’s a List of 15 Solo Gallery Shows Worth Seeing in New York This Month

Cultured magazine has published a curated list of 15 solo gallery shows worth seeing in New York this September, highlighting exhibitions at venues such as Gagosian, Meredith Rosen Gallery, Michael Werner, 56 Henry, and Matthew Marks Gallery. Featured artists include Christopher Kulendran Thomas, whose AI-driven installation "Peace Core" re-edits pre-9/11 television footage alongside paintings of a Sri Lankan massacre; Catharine Czudej, who pairs consumerist paintings with merchandise and a new film; Florian Krewer, whose ominous animalistic paintings explore human emotion; Ohad Meromi, whose works focus on moments of rest and reflection; and Nayland Blake, whose three-part exhibition spans queer sexuality, the AIDS crisis, and new sculptural works.

Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

Alton Yan

Alton Yan has been appointed as the new director of the Asia Society Museum in New York, effective immediately. Yan, previously a curator at the museum, succeeds the outgoing director and brings extensive experience in Asian contemporary art to the role.

This Contemporary Icons Auction Packs Blue-Chip Firepower

Artnet Auctions has launched "Contemporary Icons: Part II," a summer auction now live for bidding through August 20, 2025. The sale features over 100 lots from a single private collection, including works by blue-chip artists such as Rashid Johnson, Jean-Michel Basquiat, Shara Hughes, Marilyn Minter, Tunji Adeniyi-Jones, and Jean-Baptiste Bernadet. Highlights include Johnson's "Write me In" (est. $120,000–$180,000) and Adeniyi-Jones's "ESHU" (est. $60,000–$80,000). Head of post-war and contemporary art Johannes Vogt noted the rarity of an online auction offering so many lots from one cohesive collection, with most pieces acquired in the last 15 to 20 years.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

On View: 'Amy Sherald: American Sublime' at Whitney Museum of American Art in New York Charts Artist's Two-Decade Career

The Whitney Museum of American Art in New York has opened "Amy Sherald: American Sublime," the largest exhibition of the artist's work and her first solo museum show in the city. Featuring over 40 paintings created between 2007 and 2024, the exhibition includes iconic portraits of Michelle Obama and Breonna Taylor, as well as works inspired by Alfred Eisenstaedt's famous photograph and filmmaker Wes Anderson. The show is organized chronologically, beginning with the rarely seen "Hangman" (2007), and includes "If You Surrendered to the Air, You Could Ride It" (2020), shown for the first time since its acquisition by the Whitney five years ago.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

In Light of Innocence Raúl de Nieves

Raúl de Nieves's first solo institutional show in New York City, titled "In Light of Innocence," has opened at Pioneer Works. The exhibition transforms the Main Hall into an immersive, cathedral-like environment featuring 50 faux stained glass panels, a monumental lightbox mural, and works that blend Catholic, Mexican folkloric, and tarot symbolism. The artist uses humble materials like paper, wood, glue, tape, and colored acetate to create kaleidoscopic, light-responsive installations that shift throughout the day.

Jenny Saville: The Anatomy of Painting

The National Portrait Gallery in London is hosting a major exhibition of Jenny Saville's work, titled "Jenny Saville: The Anatomy of Painting," running from 20 June to 7 September 2025. The show brings together some of Saville's most monumental paintings, including works like "Hyphen" (1999) and "Reverse" (2002-03), drawn from private collections and courtesy of Gagosian. The article traces Saville's career from her early days as a committed child artist, through her studies at Glasgow School of Art and the University of Cincinnati, to her breakthrough when collector Charles Saatchi purchased her entire degree show in 1992, enabling her to create large-scale works for a solo exhibition.

Art Basel Qatar unveils new fair format and appoints Artistic Director

Art Basel has announced details for its inaugural edition in Qatar, set to take place from February 5 to 7, 2026, at the M7 creative hub in Doha's Design District. Departing from the traditional booth model, the fair will introduce an open-format exhibition centered on the theme 'Becoming,' with solo presentations by galleries responding to a central curatorial framework. Egyptian-born artist Wael Shawky has been appointed Artistic Director for the first edition, working alongside Art Basel's Chief Artistic Officer Vincenzo de Bellis to shape the curatorial vision and guide gallery selection. The fair will span two key venues—M7 and the Doha Design District—as well as public sites in Msheireb, and plans include transforming Qatar Museum's Fire Station into a platform for educational programs.

Hot new artist: Jadé Fadojutimi, a colour genius

The article profiles painter Jadé Fadojutimi, highlighted as a "colour genius" by curator and advisor Hervé Mikaeloff in Numéro art's series on hot new artists during the 56th edition of Art Basel. Fadojutimi's large-format, near-abstract compositions feature rich fuchsias, indigos, and yellows with expressionist brushstrokes and oil pastel marks, evoking plant worlds and musical scores. Her work has been shown internationally, including at the Hayward Gallery, Kunstmuseum Bonn, the 59th Venice Biennale, and the National Art Museum in Osaka, and she is represented by Gagosian, Galerie Gisela Capitain, and Taka Ishii. Her first Gagosian solo show in New York in 2024 incorporated a soundtrack, underscoring the role of music, fashion, and animation in her practice.

Post-Minimalist sculptor Joel Shapiro has died, aged 83

Post-Minimalist sculptor Joel Shapiro died on 14 June in Manhattan at age 83 from acute myeloid leukemia. Best known for vibrant, humanoid sculptures built from wooden beams that balance abstraction and figuration, Shapiro completed over 30 public commissions, including *Loss and Regeneration* (1993) at the United States Holocaust Memorial Museum. His career began with fingerprint drawings that caught gallerist Paula Cooper's attention, leading to a 1982 mid-career retrospective at the Whitney Museum of American Art. He later showed at Pace Gallery and other major venues, with his most recent solo exhibition at Pace in New York in September 2024.

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

8 Must-See Solo Gallery Shows in June

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.

In Galerie Sardine, a New Idea of What the Art Gallery Can Be

Artist Joe Bradley and his wife Valentina Akerman, neither of whom had run an art gallery before, opened Galerie Sardine in a 1701 farmhouse on Main Street in Amagansett, Long Island. The gallery, named after a small fish to convey modesty and portability, attracted crowds of local and visiting art lovers, including prominent dealer Larry Gagosian. The article profiles the couple's backgrounds—Akerman, an architect and former art director from Colombia, and Bradley, a painter who rose to prominence with a solo show at MoMA PS1 in 2006 and now shows with David Zwirner.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

Why dealers play the waiting game before exhibiting a newly signed artist

David Zwirner Gallery is opening a new 18,000 sq. ft flagship in New York with a solo exhibition by Michael Armitage, his first at a Zwirner location since signing in March 2022. The three-year gap was intentional, aligning with the gallery's expansion and Armitage's other projects. Other dealers like Gladstone Gallery and Mrs. also vary their timelines, sometimes showing artists before officially signing them, as seen with Brook Hsu at Gladstone and Alexandra Barth, Nevena Prijic, and Precious Okoyomon at Mrs.

The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing

New York City is hosting an unprecedented concentration of art fairs this week, with over nine fairs running simultaneously, including Independent, Esther, and Future Fair. Independent, held at Spring Place in Tribeca, opened on May 8 and is positioning itself as a boutique, hyper-curated alternative to mega-fairs like Frieze, featuring mostly solo presentations. Early sales were reported by several galleries: Europa sold works by Suyi Xu ($9,000–$20,000), Long Story Short sold six works by Keita Morimoto (up to $26,000), Charles Moffett nearly sold out his booth of Julia Jo ($10,000–$45,000), The Approach sold four works by John Maclean ($13,500 or less), and Copperfield presented works by Ada Patterson ($8,000–$23,000).

8 Must-See Solo Gallery Shows in May

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for May, spanning from New York to Miami and Los Angeles. Featured artists include Takako Yamaguchi at Ortuzar in New York, Enzo Cucchi at Vito Schnabel Gallery, Iván Argote at Perrotin, and Kang Seung Lee, among others, with exhibitions showcasing a range of styles from hybrid transnational paintings to Neo-expressionist works and conceptual installations.

Stockholm’s 10 Contemporary Art Galleries You Should Visit

Rebecca Steel's article for Google News highlights ten contemporary art galleries in Stockholm, Sweden, that are essential for visitors interested in the local and international art scene. Featured spaces include Wetterling Gallery, which has championed Swedish and international artists since 1978; Magasin III Museum & Foundation for Contemporary Art, housed in a 1930s warehouse and known for its ambitious shows and private collection; Fotografiska, a premier photography museum in an Art Nouveau building; and Bonniers Konsthall, named after the Maria Bonnier Dahlin Foundation, which presents themed group and solo shows. The list also includes artist-run initiatives and galleries specializing in photography, all promoting Swedish talent alongside global artists.

British artist Thomas J Price brings a contemplative colossus to Times Square

British artist Thomas J Price has installed a 12-foot-tall bronze sculpture titled *Grounded in the Stars* (2023) in New York’s Times Square, on view until 17 June. The work depicts a fictionalized woman in a contemplative contrapposto pose, finished in matte black, and is placed at street level rather than on a pedestal. Concurrently, Price’s *Man Series* (2005–present) will be shown on the square’s 95 giant screens every night in May as part of Times Square Arts’ *Midnight Moments* series. The sculpture was previously featured in Price’s 2023 solo exhibition at Hauser & Wirth’s Downtown Los Angeles location, and his New York gallery show *Resilience of Scale* runs until 14 June.

As Kazakhstan cautiously strengthens ties with western Europe, new art venues herald a change of direction

Two wealthy Kazakh entrepreneurs, Kairat Boranbayev and Nurlan Smagulov, are opening private art institutions in Almaty this year: the Tselinny Center of Contemporary Culture and the Almaty Museum of Arts. The Tselinny Center, designed by British architect Asif Khan, will open in September in a repurposed Soviet-era cinema, while the Almaty Museum of Arts, a 10,000 sq. m building by Chapman Taylor, aims to open the same month. These developments come as Kazakhstan cautiously strengthens ties with western Europe to reduce dependence on Russia, following the 2022 invasion of Ukraine, and positions itself as an energy supplier to Europe and a logistical hub for China's Belt and Road Initiative.

6 Under-the-Radar Art Shows to See in New York Right Now—and 3 to Look Forward To

The article highlights six under-the-radar art shows currently on view in New York, including Lotus L. Kang's solo presentation "Already" at 52 Walker, featuring light-sensitive film installations and greenhouses; Silät, a collective of Indigenous Wichí weavers from Argentina, showing at James Cohan; and a major solo exhibition of pioneering Korean artist Kim Yun Shin at Lehmann Maupin. It also previews three upcoming shows to look forward to, as the city prepares for a burst of art fairs next month.

Silvestre Pestana’s LED Signs Give Language Charge

Silvestre Pestana, a Portuguese artist and poet, is presenting a solo exhibition of his LED text-based works at Galeria Quadrado Azul in Porto. The show, titled 'Silvestre Pestana: The Light of Words', features his pioneering 'Poemas Pornográficos' (Pornographic Poems) from the 1980s and newer LED pieces that transform language into pulsating, illuminated objects.

Emily Kraus’s Glitchy Paintings Challenge Aesthetic Authority

Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.

Joan Miró | Quelques Fleurs Pour Des Amis: Milani (#25) (1964) | For Sale

A lithograph by Joan Miró from his "Quelques Fleurs pour des Amis" series, titled *Milani (#25)* (1964), is being offered for sale through Palm Beach Modern Auctions. The work is a limited-edition print on paper, signed in plate, from an edition of 150, printed by Mourlot, Paris, and published by Societe Internationale d'Art XXe Siecle, Paris. The listing includes details on condition, buyer's premium, and bidding terms.