New Weatherspoon Exhibition Stitches Black Quilter’s Artistry, Life Stories

The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.

“Aether” group exhibition opens in Baku

A group exhibition titled "Aether" has opened at the Exhibition Gallery of the Azerbaijan Carpet Museum in Baku. The show features approximately eighty-five works by thirty-five artists, primarily students from the LèRami art studio led by artist and educator Ramila Shamilova. The exhibition includes paintings in oil and graphic techniques, ranging from small A5 works to large two-meter canvases, and also features contributions from child artists.

URI professor presents ‘Spirit of the Place and People’ art exhibit – Rhody Today

University of Rhode Island professor and artist Hongbing Tang is presenting her solo exhibition, 'Spirit of the Place and People,' at URI's Green Hall. The show features her watercolor paintings, which explore themes of memory, cultural heritage, and the layered histories of specific locations, and will be on view through April 30.

‘Colourful Dialogues’: An art exhibition by Gwarniċ

Gwarniċ presents 'Colourful Dialogues', a collective exhibition opening on 7 January 2026 at Bizzilla Art Space in Floriana, Malta, running through 27 January. The show brings together local and international artists—including Kevin Sciberras, Antje Flauss, Chris Saliba, Teo Burki, Rosette Bonello, Irakli Chikovani, and Sopho Simonishvili—to explore colour as a universal visual language that connects cultures and artistic approaches. The exhibition marks Gwarniċ's transition from digital and site-specific curation to a fully realized physical exhibition.

Emerging painter shows what it means to be a Maine artist | Column - Portland Press Herald

Dean McCrillis, an emerging painter from Rumford, Maine, is the subject of a solo exhibition titled "Dog Years" at Cove Street Arts in Portland, running through January 17. The show features oil paintings that depict distinctly Maine activities—hunting, fishing, camping—while employing layered, translucent brushstrokes to evoke the ephemerality of time and experience. McCrillis, who also works as a framer at Greenhut Galleries, uses a bright, saturated palette and techniques that make his images appear to simultaneously emerge and dissolve, capturing fleeting moments in the state's rugged landscape.

In Oregon, a One-Night Art Exhibition Within a Midcentury Home

A one-night, invitation-only exhibition titled "The Open House" took place within a private midcentury home in Oregon, designed by modernism pioneer Robert Rummer. Curated by Lena Vasilenko and Emma Strgar of the experiential agency Ethereal Reflections, and presented by Marisa Swenson of Modern Homes Collective, the group show featured works by contemporary artists including Stephanie Ketty, Christopher Belluschi, Ben Latham, Aremy Stewart, and Carvers Collective. The installation was designed to integrate the artworks with the architecture, encouraging reflection on how art enhances domestic space.

Long-running Azores art festival blossoms into a biennial

The Walk&Talk arts festival on São Miguel, the largest island in the Azores archipelago, has formally transitioned from an annual summer street art celebration into a biennial, running until 30 November with over 80 artists. Founded in 2011 by curator Jesse James, the event now features exhibitions, performances, excursions, talks, and educational programming across nine venues, including historic and architecturally significant sites such as Museu Carlos Machado and a former distillery turned contemporary art museum. The shift to autumn allows local school groups to participate, and the inaugural biennial is co-curated by Fatima Bintou Rassoul Sy, Liliana Coutinho, and Claire Shea under the theme "Gestures of Abundance."

In Kelantan, 'After Monsoon: Tera-Kota' project connects art with local community

The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.

The Chateau Show offers a stylish exhibition full of surprises for artistic insiders

Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.

The Lilley Museum of Art launches newest exhibition, 'To Hold a Form'

The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' Curated by Executive Director and Chief Curator Stephanie Gibson, the show features immersive, interactive works that blend visual art and sound. A highlight was a site-specific performance by artist-in-residence Naama Tsabar and a team of musicians, including Ruby Barrientos, Sophie Duvall, Jonesy, Sarah Strauss, and Karlie Watson, which took place on October 1 and 2, 2025. The exhibition remains open to the public, inviting visitors to touch and activate Tsabar's felt-and-piano-wire sculptures, challenging traditional museum norms.

Israeli Artist’s Show in Mexico City Closes After Antisemitic Harassment

An exhibition by Israeli artist Amir Fattal at König gallery in Mexico City was forced to close a week early after a campaign of antisemitic harassment escalated from online abuse to physical protests and vandalism. Vandals spray-painted swastikas, Stars of David, and the phrase "here there are terrorists" on the gallery's facade, and protesters gathered outside calling the artist a murderer and Mossad agent.

Calls for Artists: April 2026

Multiple open calls for artists and grants have been announced for April 2026 deadlines. The 2027 Creative Capital Open Call offers unrestricted project grants up to $50,000 for artists across all 50 states, while also selecting recipients for the new State of the Art Prize, which grants $10,000 to one artist from each state and territory. Delfina Foundation, in partnership with the Jorge M. Pérez Collection, is offering four fully funded residencies for Latin American and Caribbean artists, with two spots available in this round. The Ogden Museum of Southern Art is accepting submissions for its Louisiana Contemporary 2026 statewide juried exhibition, and the Handweaver’s Guild of America has issued calls for entries for its Convergence 2026 fiber art exhibitions.

Karl Ullger in Berlin exhibition with artist collective Cane-Yo

Artist Karl Ullger is participating in a group exhibition titled 'Running with Scissors' at Anders Galerie in Berlin. The show features over 40 artists from the global online collective Cane-Yo, including six of Ullger's figurative oil paintings, three of which are new works created specifically for the event.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

Pop-up art gallery “Class C” rolls into Irvine Barclay Theater plaza

Artist Ruben Ochoa has returned to the UC Irvine campus with "Class C," a mobile art gallery housed inside a converted 1985 Chevy delivery van. The pop-up exhibition features works by UCI-affiliated artists Sean Duffy, Beatrice von Rague Schleyer, and André Woodward, showcasing contemporary art within a space that mimics a traditional white-cube gallery. The project is presented in coordination with the exhibition "Breakdown/Breakthrough: Art and Infrastructure" at the Langson IMCA.

Georges Rouault: Memories of the Artist’s Studio | Panasonic Shiodome Museum | Art in Tokyo

The Panasonic Shiodome Museum in Tokyo is set to host "Georges Rouault: Memories of the Artist’s Studio," an exhibition drawing from the museum’s extensive collection of approximately 270 works. The show features a chronological exploration of Rouault’s career, specifically highlighting recent acquisitions from his Fauvist period and a partial reconstruction of his final Paris studio using original tools and materials.

The Prizes

Los premios

Artist Gala Berger presents a three-act exhibition titled "Los premios" (The Prizes), which revisits the radical spirit of the 1968 Latin American avant-garde. The show specifically references two historic 1968 exhibitions at the National Museum of Fine Arts in Buenos Aires—the Georges Braque Prize and "Materials, new techniques, new expressions"—where artists staged protests involving egg-throwing, stink bombs, and manifestos against censorship and institutional tutelage.

Two new exhibitions debut today at St. Pete’s MFA

The Museum of Fine Arts St. Petersburg has launched two major exhibitions: a career-spanning survey of Iranian-born artist Ali Banisadr and a site-specific installation by Ward Shelley and Douglas Paulson. Banisadr’s exhibition, "The Alchemist," features nearly 20 years of work including large-scale paintings that blend abstraction with intricate, emerging figures. Accompanying this is "The Last Library IV: Written in Water," a life-sized library constructed from corrugated cardboard that explores the fragility of the written word and the impact of censorship and AI on language.

Gerd Harry Lybke, from artist’s model to gallery founder in East Germany showing in Mallorca

Gerd Harry ‘Judy’ Lybke, the founder of the influential German gallery Eigen + Art, is making his debut at the inaugural Art Cologne Palma Mallorca. Lybke, who began his career as a nude artist's model in East Germany before opening an underground flat-gallery in 1983, reflects on the evolution of the art market from a socialist system defined by censorship to the modern capitalist landscape. For this fair, he is presenting a diverse roster ranging from New Leipzig School star Neo Rauch to emerging talent Maja Behrmann, with works priced between €2,000 and €20,000.

A Look Back at Newport’s Historic 1974 Sculpture Show

The Preservation Society of Newport County is hosting "Full Circle" at the Rosecliff mansion, an exhibition that revisits the landmark 1974 outdoor sculpture show "Monumenta." The current display features scale models, preparatory drawings, and archival photographs of works by modern masters such as Claes Oldenburg, Alexander Calder, and Willem de Kooning. A significant portion of the show is dedicated to Richard Fleischner, whose site-specific earthwork "Sod Maze" remains the only original piece from the 1974 project still standing in its original Newport location.

Piacenza, Klimt's Portrait of a Lady is back at the Ricci Oddi Gallery of Modern Art

Gustav Klimt’s "Portrait of a Lady" has returned to the Ricci Oddi Gallery of Modern Art in Piacenza following a successful loan exhibition at the My Art Museum in Seoul. The masterpiece resumes its permanent display just as the gallery prepares to unveil a comprehensive renovation of its 22 exhibition rooms. Designed by Lissoni & Partners, the redevelopment project has modernized over 1,000 square meters of the institution's floor space.

From fields to fire: Lee Bae brings 30 years of charcoal art to Museum SAN

South Korean artist Lee Bae has opened a major solo exhibition titled "En attendant" at Museum SAN in Wonju, marking the first time the institution has dedicated its entire grounds to a single Korean artist. The retrospective spans thirty years of Lee’s career, showcasing his deep engagement with charcoal as a medium that bridges his heritage as a farmer’s son with the traditions of East Asian ink painting. The exhibition features monumental sculptures, installations, and video works that transform the museum’s indoor and outdoor spaces into a meditative journey.

New Light Art Charity to Auction Prestigious Northern Collection in Newcastle

The Northern England-based charity New Light Art has announced the forced sale of its prestigious permanent collection due to a critical lack of funding. Comprising over 80 works by prominent Northern artists such as Norman Ackroyd and Anne Desmet, the collection will be auctioned at Anderson & Garland in Newcastle on April 2, 2025. The decision follows the departure of a long-term patron and rising logistical costs, with proceeds intended to keep the charity’s exhibition and education programs operational.

Serakai Studio to unveil cultural lab GOLD with inaugural exhibition 'CERTAINLY'

Serakai Studio is launching a new cultural laboratory and exhibition space called GOLD in Hong Kong’s Wong Chuk Hang district. The venue, situated in a repurposed bank and jewelry shop, will debut with a group exhibition titled "CERTAINLY" curated by Tobias Berger. The show features a diverse roster of international and local artists, including Pak Sheung Chuen, Shinro Ohtake, and Santiago Sierra, all responding to the theme of uncertainty inspired by La Monte Young’s 1960 instructional compositions.

'Discovering Ansel Adams' highlights 36 exhibitions on display at Southwest Florida museums in March

Southwest Florida’s museum landscape is featuring a robust schedule this March, with 36 exhibitions on display across institutions from Sarasota to Naples. Key highlights include the Sarasota Art Museum’s centennial celebration of Art Deco through 100 rare posters from the Crouse Collection, alongside contemporary showcases such as Selina Román’s photographic explorations of the human form and Molly Hatch’s massive site-specific ceramic installation, "Amalgam."

A selective history of the moving image comes to downtown Los Angeles

The Julia Stoschek Foundation has launched its first major U.S. exhibition at the historic Variety Arts Theater in downtown Los Angeles. Curated by Udo Kittelmann, the show features over 40 time-based works ranging from early cinematic pioneers like Georges Méliès and Alice Guy-Blaché to contemporary icons such as Arthur Jafa and Doug Aitken. The exhibition utilizes the labyrinthine spaces of the 1924 Italianate theater to create a dialogue between the history of Hollywood and the evolution of media art.

MUNCH presents Kim Hankyul’s Shore, a new SOLO OSLO exhibition

South Korean artist Kim Hankyul has unveiled a major immersive installation titled 'Shore' at MUNCH in Oslo. The exhibition, which serves as the fifth edition of the museum’s SOLO OSLO series, features a subaquatic landscape constructed from motorized sculptures, holograms, and Foley-inspired soundscapes. Hankyul’s work draws on the personal testimonies of North Korean defectors, female free divers, and rescue teams to explore the ocean as a site of both survival and memory for those marginalized by land-based social structures.

Ken Gun Min’s explosively colourful, densely layered work is showing in LA

Korean-born, Los Angeles-based artist Ken Gun Min is set to debut his third solo exhibition, 'Strange Days of a Quiet Sun,' at Nazarian/Curcio in Los Angeles. The showcase features a new body of work including a monumental double-sided folding screen and paintings that utilize Min's signature technique of combining embroidery, beading, and hand-applied materials with traditional pigments. The exhibition explores themes of sadness and estrangement through the astronomical metaphor of a 'quiet sun,' blending Western art history with East Asian traditions.

Last Year’s Art Market: Only Works by Proven Artists Survived

The Korea Art Authentication and Appraisal Institute (KAAAI) released its "2025 Art Market Analysis Report" on January 21, 2026, revealing that the Korean art market grew 5.16% in total auction sales to 142.7 billion won, despite a decline in the number of lots offered. The global market saw a similar trend: combined sales at Christie's, Sotheby's, and Phillips rose 11.1% to $4.56 billion, but the number of works sold fell by 33.3%. Demand concentrated on high-priced blue-chip works by artists like Gustav Klimt, Claude Monet, Mark Rothko, René Magritte, and Jean-Michel Basquiat, while ultra-contemporary art sales plunged 39.1%.

Amoako Boafo solo exhibition to open in Venice during 2026 Biennale

Ghanaian artist Amoako Boafo will open his first solo exhibition in Italy at the Museo di Palazzo Grimani in Venice this spring, timed to coincide with the 61st Venice Biennale (9 May–22 November 2026). The show, co-organized by Gagosian Gallery, will feature new and recent works inspired by the Renaissance atmosphere of the palazzo and the Venetian portrait tradition. Boafo is creating a series of new pieces specifically for the exhibition, directly referencing the historical context and unique architecture of the museum.