The Best and Worst of the Stars at the 2026 Met Gala Inspired by Art History

Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art

On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."

Museum Night, Photomobiles… 10 outing ideas for the month of May

Nuit des musées, Photomobiles… 10 idées de sorties à faire au mois de mai

Beaux Arts Magazine presents a curated list of ten cultural outings across France for May 2026, highlighting events such as the Nouveau Printemps festival in Toulouse directed by Rossy de Palma, the Interstice festival in Caen focusing on emerging art and technology, the L'art est dans le pré festival in Troyes featuring contemporary art in rural villages, an immersive installation at the Musée d'Orsay tied to the Renoir exhibition, and the Cœurs-Volants kite festival in Essonne where architecture students create flying artworks. Other suggestions include outdoor art trails, heritage site sports programs, and literary festivals in Épinal and Seine-Maritime.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

Venice Biennale 2026: What are the major trends that will mark the 99 national pavilions?

Biennale de Venise 2026 : quelles sont les grandes tendances qui vont marquer les 99 pavillons nationaux ?

The article previews the 2026 Venice Biennale, highlighting key trends across its 99 national pavilions. Major themes include the hybridization of theater, dance, and performance, particularly in pavilions from Austria, Luxembourg, Belgium, and Lithuania, where artists like Florentina Holzinger, Aline Bouvy, Miet Warlop, and Eglė Budvytytė use radical, body-centric works. Geopolitical engagement is also central, with the Ukrainian pavilion featuring Zhanna Kadyrova's work on resistance and the British pavilion exploring themes of exile and migration. Other notable pavilions include Spain's focus on imagery, a sound installation for the Vatican, a polyphonic piece for Romania, and a film on sign language song for Poland.

Au boulot ! 10 œuvres qui célèbrent le travail

Beaux Arts Magazine presents a feature on ten artworks that celebrate labor, from ancient Egyptian frescoes to modern depictions of workers. The article highlights pieces such as Pieter Brueghel the Elder's "The Harvesters" (1565), Diego Velázquez's "The Spinners" (c. 1657), and Johannes Vermeer's "The Milkmaid" (c. 1660), examining how artists have elevated peasant, artisan, and domestic work from background detail to central subject. The feature coincides with the Musée d'Orsay's nationwide initiative "100 œuvres qui racontent le travail" (100 Works That Tell the Story of Work), which explores the history and representation of labor in art.

5 secret jewels to discover in Europe

5 joyaux secrets à découvrir en Europe

L'Œil magazine has curated a list of five European cities rich in art historical treasures, highlighting hidden gems for cultural getaways. The first city profiled is Mainz, Germany, featuring the Romanesque-Gothic Mainzer Dom (Imperial Cathedral of St. Martin), the Gutenberg Museum showcasing the 42-line Bible as a landmark of printing history, and the Church of St. Stephen with its iconic blue stained-glass windows designed by Marc Chagall. The second city is Plovdiv, Bulgaria, where the old town blends ancient Roman ruins (a stadium, forum, odeon, and theater from the 2nd century) with 19th-century Bulgarian National Revival houses, such as the Balabanov, Hindliyan, and Kuyumdzhioglu houses, now converted into museums.

A Titanic Face-to-Face Brings Together the Vibrant Bodies of Rodin and Michelangelo at the Louvre

Un face-à-face titanesque réunit les corps vibrants de Rodin et Michel-Ange au Louvre

The Louvre has mounted an exhibition that places the works of Auguste Rodin in direct dialogue with those of Michelangelo, focusing on the profound influence of the Renaissance master on the 19th-century sculptor. Key sculptures like Rodin's 'Adam' and 'The Age of Bronze' are juxtaposed with Michelangelo's 'Dying Slave' and 'Rebellious Slave', highlighting shared themes of contorted male forms and masterful use of contrapposto.

Croissant, pigeon… At Nothing Serious gallery, artist Paa Joe transforms Parisian clichés into pop coffins

Croissant, pigeon… À la galerie Nothing Serious, l’artiste Paa Joe transforme les clichés parisiens en cercueils pop

Ghanaian artist Paa Joe has transformed iconic Parisian symbols into vibrant "fantasy coffins" for his solo exhibition, "From Paa Joe to Paaris," at Galerie Nothing Serious. The show features 25 large-scale sculptures, including a Café de Flore cup, a croissant, a Renault 4L, and a bottle of Pouilly-Fumé, all handcrafted in the tradition of Ga burial customs. Created alongside his son Jacob Tetteh-Ashong, these works reinterpret French clichés through a playful yet surreal lens, marking the gallery's return after a four-year hiatus.

On Arte, 'The Stolen Painting' dives into auction houses through the rediscovery of an Egon Schiele looted by the Nazis

Sur Arte, « Le Tableau volé » plonge dans les salles de ventes aux enchères à travers la redécouverte d’un Egon Schiele spolié par les nazis

Director Pascal Bonitzer’s film 'Le Tableau volé' (The Stolen Painting) dramatizes the real-life 2005 discovery of a lost Egon Schiele masterpiece, 'Autumn Sun,' in the modest home of a factory worker in Mulhouse. The narrative follows a cynical auctioneer, played by Alex Lutz, as he navigates the authentication and eventual sale of the work, which was looted by the Nazis from Jewish collector Karl Grünwald during World War II.

Saint Louis’s Counterpublic Triennial Reveals Artist List for Third Edition

The Counterpublic Triennial has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12 in Saint Louis. Curated by a five-member international team, the exhibition features forty-seven artists and collectives, including prominent figures like Glenn Ligon and Rebecca Belmore alongside local Saint Louis practitioners. The triennial will feature nearly fifty commissions, with a significant focus on site-responsive works installed along the Mississippi riverfront and the Gateway Arch.

Christo and Jeanne-Claude artwork to be presented for the first time ever at Gagosian.

An unrealized work by Christo and Jeanne-Claude, recently discovered in Christo's atelier, will be presented for the first time at Gagosian in London. Titled *Air Package on a Ceiling*, the installation features a 52-foot-long, 33-foot-wide inflated form wrapped in rope, softly illuminated from within to resemble half a cloud protruding from the ceiling. The piece is realized from the original 1968 model and preparatory drawings and collages.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

Fiona Pardington’s portraits of the lost birds of Aotearoa New Zealand – in pictures

Fiona Pardington has created a new series of human-scale photographic portraits of native New Zealand birds, many of which are extinct or endangered, using taxidermy specimens from regional museums. The series, titled "Taharaki Skyside," will be exhibited at the Aotearoa New Zealand pavilion at the 2026 Venice Biennale. Pardington, who has Māori and Scottish ancestry, incorporates the birds' eyes with superimposed historical landscapes to evoke their lost habitats and spiritual significance as intermediaries between human and divine worlds in Māori culture.

The Devil Wears Prada 2 to Lenny Henry: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

Jimmy Tsutomu Mirikitani, a New Sort of Street Artist, Rises from Art History’s Margins

Jimmy Tsutomu Mirikitani, a late Japanese American collagist who lived and worked as a street artist in New York City, is the subject of a new solo exhibition at the Spencer Museum of Art in Kansas City, on view through June. Co-curators Maki Kaneko and Kris Imants Ercums organized the show thematically rather than chronologically, reflecting Mirikitani's fragmented life—from surviving the atomic bombing of Hiroshima and incarceration at Tule Lake to arriving in New York in the 1950s. The exhibition draws on years of research, including visits to the parks where he lived and to Hiroshima, and builds on Linda Hattendorf's 2006 documentary *The Cats of Mirikitani*.

Walker Art Center Severs Ties with Restaurant for Laying Off Workers in Favor of QR Codes

The Walker Art Center in Minneapolis has announced it is severing ties with its on-site restaurant, Cardamom, following the establishment's sudden decision to lay off its front-of-house staff. The restaurant, operated by chef Daniel del Prado, intended to replace 16 servers and hosts with a QR code ordering system to combat financial losses. Museum director Mary Ceruti stated that the move caught the institution by surprise and does not align with the museum's commitment to providing a welcoming, full-service environment for its visitors.

How a Hopi Potter Named Nampeyo Became a 19th-Century Art Star

The Hopi-Tewa artist Nampeyo (1859–1942) is being celebrated as a foundational figure in modern ceramics for her role in the Sikyátki Revival. By studying ancestral pottery shards from archaeological excavations, Nampeyo revitalized centuries-old techniques and motifs, transforming Pueblo pottery into a globally recognized art form. Her career spanned from selling works at regional trading posts to becoming a celebrated figure who demonstrated her craft at the Grand Canyon and exhibited at major fairs in Chicago.

diya vij new york city commissioner of cultural affairs

Diya Vij has been appointed as the next commissioner of New York City’s Department of Cultural Affairs (DCA) by Mayor Zohran Mamdani. Vij, who most recently served as vice president of curatorial and arts programmes at Powerhouse Arts, is the first person of South Asian descent to lead the agency. She brings extensive experience from previous roles at Creative Time, the High Line, and a prior five-year tenure within the DCA itself, where she managed public artist residencies and diversity initiatives.

tefaf new york names 88 exhibitors for 2026

TEFAF New York has announced the exhibitor list for its 2026 edition, set to take place at the Park Avenue Armory from May 15 to 19. The fair will feature 88 galleries from 14 countries, including nine new participants and 78 returning dealers, with a focus on modern and contemporary art, design, jewelry, and antiquities. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner will be present.

beloved rocky statue will move to top of philadelphia art museum steps

The Philadelphia Art Commission has voted to relocate the popular bronze statue of Rocky Balboa from its current position at the bottom of the steps of the Philadelphia Museum of Art to the top of those steps. The move, budgeted between $150,000 and $250,000, includes the creation of a new 14-foot-tall pedestal. The statue, a fictional boxer played by Sylvester Stallone, has long been a tourist attraction and local icon, though a second casting already exists at the top. The project will be overseen by Creative Philadelphia.

art bites michelangelo military fortifications

Michelangelo, best known for masterpieces like the Sistine Chapel ceiling and the Pietà, also served as the governor and procurator general of fortifications for Florence in 1529, tasked with designing military defenses against the Medici family. After the Medici were expelled in 1527, Michelangelo joined the "Nine of the Militia" committee, but his overly complex drawings were so impractical that almost none were built. The Medici, backed by Pope Clement VII, successfully besieged Florence in 1529–30, forcing Michelangelo into hiding in a secret chamber beneath the Medici Chapel, where he drew figurative works rediscovered in 1975. He was eventually pardoned and went on to create major commissions like the tomb of Pope Julius II and The Last Judgement, but left Florence for Rome in 1534.

samurai exhibition british museum

The British Museum has announced a major 2026 exhibition titled "Samurai" that will trace the 1,000-year history of Japan's warrior class. Spanning armor, woodblock prints, paintings, clothing, ceramics, and contemporary media, the show brings together 280 objects from the museum's own collection and international lenders. Highlights include a 17th-century suit of armor recently acquired by the museum, a portrait of envoy Mancio Itō by Domenico Tintoretto, and works by Katsushika Hokusai. The exhibition also examines the modern myth of the samurai as shaped by film, manga, and video games such as Akira Kurosawa's movies and Assassin's Creed: Shadows.

p staff david zwirner review

P. Staff's current exhibition at David Zwirner in New York transforms the gallery's Upper East Side townhouse into a haunting, body-centric experience. The show features a new video titled *Penetration* (2025), split across three floors, depicting a person with a laser beamed at their bare stomach, alongside sculptures with wood spikes under latex drapes and ambient sounds of a beating heart. The installation evokes a dread of having a body, with jaundiced yellow window films and disjointed sensory elements creating an uncomfortable, dysphoric atmosphere.

wet paint in the wild li hei di debut solo show

Artist Li Hei Di documents her first solo show with Pace Gallery, titled "Tongues of Flare," in Hong Kong through a disposable camera photo diary for Artnet News's "Wet Paint in the Wild" column. The 28-year-old London-based artist shares behind-the-scenes moments from her opening at Pace HK, including dinner with friends, visits to Tai Kwun Museum and M+, and an after party at an ice-cream shop where a custom flavor named Plum_Black_Field was created. The show is set to travel to the Pond Society during Shanghai Art Week in the fall.

nagakin capsule tower moma

The Museum of Modern Art (MoMA) in New York has acquired and put on display a capsule from the demolished Nagakin Capsule Tower in Tokyo. The capsule, designated A1305, is the centerpiece of a year-long exhibition titled "The Many Lives of the Nakagin Capsule Tower," which also includes archival materials such as photographs, models, films, and recordings. The tower, designed by Kisho Kurokawa and completed in 1972, was a landmark of the Metabolism movement, featuring 140 prefabricated modules. After years of decline, it was demolished in 2022, but 23 capsules were salvaged, with 16 finding homes in institutions including MoMA.

diana de rosa

A rediscovered Baroque painting by 17th-century Neapolitan artist Diana de Rosa, titled *Salome with the Head of Saint John the Baptist*, sold for £317,500 ($436,086) at Sotheby’s Old Masters and 19th Century Paintings sale in London on July 2, more than quadrupling its high estimate. The work, previously unknown to scholars, set a new auction record for the artist and was described by Sotheby’s specialist Elisabeth Lobkowicz as a powerful image comparable to Caravaggio’s treatment of the same subject.

cleveland museum of art acquires giambologna

The Cleveland Museum of Art has acquired Giambologna's marble sculpture *Fata Morgana* (ca. 1572), believed to be the last marble work by the Flanders-born Italian Mannerist in private hands. The piece, which depicts a nude woman emerging from a grotto, was originally commissioned by banker Bernardo Vecchietti and remained with his family for 200 years before being sold in 1775. It was misattributed for centuries until London dealer Patricia Wengraf correctly identified it at a 1989 Christie's auction, purchasing it for £715,000. The museum acquired the sculpture for an undisclosed price, making it only the second Giambologna marble in the U.S. and one of just three outside Italy.