Rare Gates of Paradise replica restored and on display at the BYU Museum of Art

The BYU Museum of Art (MOA) has unveiled a meticulously restored gypsum cast replica of Lorenzo Ghiberti’s Renaissance masterpiece, the "Gates of Paradise." The restoration project spanned a decade and involved approximately 13,000 hours of labor, largely performed by BYU students who repaired damage and applied gold leaf to the ten ornate panels. The restored work is now the centerpiece of the exhibition "Gilded Paradise," which features immersive projections of Florence and will remain on view through October 2026.

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Charlotte Meyer discovered a folder containing 35 original Rembrandt etchings while organizing her family home in Zutphen, Netherlands, during the COVID-19 pandemic. Inherited from her grandfather, who purchased them for a nominal sum in the early 20th century, the works were authenticated by the Rembrandt House Museum in Amsterdam after being stored in a drawer for decades.

Michaelina Wautier Market Appraisal

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The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

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Frank Frazetta’s 1973 painting 'Captive Princess,' originally created as cover art for Edgar Rice Burroughs’s novel 'The People That Time Forgot,' is heading to auction at Propstore with a high estimate of $1 million. The work, which depicts a dramatic abduction scene involving prehistoric figures, leads a major sale of entertainment memorabilia that includes iconic film props like a 'Jaws' harpoon gun and a C-3PO head.

A Brush With... Veronica Ryan—podcast

British-Montserratian sculptor Veronica Ryan discusses her extensive career and creative process in a new podcast interview, ahead of her major upcoming exhibition at the Whitechapel Gallery in 2026. Ryan explores how she utilizes diverse materials—ranging from bronze and marble to textiles and found objects—to investigate themes of personal memory, historical legacy, and the unconscious.

Hood River art exhibit highlights local Black artists in immersive setting - Oregon Public Broadcasting

The Columbia Center for the Arts in Hood River, Oregon, is hosting "Black Infinity House," an immersive exhibition curated by August Oaks that showcases the work of over 30 Black Oregonian artists. Moving away from traditional white-cube gallery aesthetics, the installation is divided into three domestic-themed environments—a studio, a living room, and a porch—where visitors are encouraged to interact with the space by sitting on furniture, listening to records, and reading poetry.

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Alexander Calder’s monumental sculpture "Mountains and Clouds," located in the Hart Senate Office Building in Washington, D.C., is finally undergoing a full restoration. The 75-foot-wide "clouds" component of the mobile was dismantled in 2016 due to structural safety concerns, leaving only the stationary "mountains" portion on display for nearly a decade. Supported by private funding secured by the Calder Foundation, the project will refabricate the suspended elements and reinstall the computer-controlled motor system that allows the sculpture to rotate.

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A collection of 35 rare Rembrandt van Rijn etchings has been rediscovered in the Netherlands after being stored in a family safe for nearly a century. Inherited by Charlotte Meyer from her grandfather, the prints were authenticated by experts from the Rembrandt House Museum, who were stunned by their exceptional condition. The works had remained out of the public eye since the early 20th century until Meyer sought professional appraisal during the 2020 pandemic.

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María Berrío’s mixed-media masterpiece "La Cena" (2012) is returning to the auction block at Christie’s post-war and contemporary day sale on May 17. The work, which draws inspiration from Da Vinci’s "The Last Supper" and features Berrío’s signature intricate collage style, is being sold by New York collector Dow Kim. Kim acquired the piece just two years ago for $1.56 million, significantly exceeding its initial estimate.

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Sotheby’s is offering María Berrío’s mixed-media collage "Act II, Scene 4: Threshold" in its "Contemporary Discoveries" online sale with an estimate of $60,000–$80,000. This specific work previously sold for $380,000 at the Two x Two for AIDS and Art charity auction in 2023, far exceeding its then-retail value of $125,000. The current auction serves as a litmus test for the artist's secondary market resilience following a period of intense speculative trading.

Venice exhibition of US artist Hernan Bas will tackle issue of mass tourism

American artist Hernan Bas is set to debut a major new series of over 30 paintings titled "The Visitors" at the Ca’ Pesaro International Gallery of Modern Art in Venice. The immersive installation, created in part during a residency in the city, satirizes the absurdity of global mass tourism, from iconic clichés like the Mona Lisa to "dark tourism" sites such as Chernobyl. The works depict a procession of North American and European youths performing for cameras and navigating tourist traps with a mix of naiveté and arrogance.

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

The art world is increasingly moving beyond simply adding women to the existing art historical canon, a practice long criticized by feminist historians like Griselda Pollock. Instead of merely 'expanding' the canon, new institutional approaches aim to 'difference' it by using the work of women to fundamentally re-evaluate and subvert established narratives. This shift suggests that the inclusion of previously marginalized artists should change how we perceive the masters they are often compared to.

Local Autistic Artist to Showcase Work this Friday, February 27

A free art gallery reception will be held on February 27, 2026, at the Johnnie Arolfo Civic Center in League City, Texas, featuring the work of local autistic artist Adam Cline. The event, organized by the City of League City, the Dash Gordon Foundation, and the Keep League City Beautiful Committee, will also include a book sale and signing for a children's story illustrated by Cline and written by his father.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

Local Autistic Artist to Showcase Work this Friday, February 27

A free art gallery reception will be held on February 27, 2026, at the Johnnie Arolfo Civic Center in League City, Texas, featuring the work of local autistic artist Adam Cline. The event, organized by the City of League City, the Dash Gordon Foundation, and the Keep League City Beautiful Committee, will also include a book sale and signing for a children's story illustrated by Cline and written by his father.

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Refik Anadol’s controversial AI installation 'Unsupervised' at the Museum of Modern Art has sparked a heated debate on the nature of art and technology, recently highlighted in a '60 Minutes' segment. While Anadol defends his work as a poetic use of 'data as pigment' that captures viewer attention for an average of 38 minutes, critics and fellow artists raise concerns about the substance and ethics of the medium. The piece, which uses MoMA’s metadata to create morphing abstractions, became a viral sensation that challenged traditional museum engagement.

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A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.

Louise Nevelson Sculpture at Long Island Synagogue for Sale

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Temple Beth El, a synagogue in Great Neck, New York, has announced the sale of a monumental 55-foot-long Louise Nevelson sculpture titled "The White Flame of the Six Million." Commissioned in the 1960s as a Holocaust memorial and functional Torah ark, the white-painted wood installation has served as the centerpiece of the congregation's sanctuary for over 50 years. Due to dwindling membership and a decision to sell the synagogue property, the congregation is seeking a new home for the massive work.

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Pierre Huyghe has unveiled his most ambitious project to date in Berlin, a major exhibition titled 'Liminals' staged at the cavernous Halle am Berghain. Commissioned by the LAS Art Foundation as part of its 'Sensing Quantum' program, the installation features a massive 50-minute film projected in a former electrical station, accompanied by a droning, atmospheric soundscape. The work continues Huyghe’s exploration of AI-driven systems and 'unworlding,' attempting to create a space that transcends human subjectivity through bio-technological environments.

Tobias Pils “Shh” mumok / Vienna by Frank Wasser

Tobias Pils has opened a major exhibition titled "Shh" at mumok in Vienna, presenting a decade-spanning survey of his work. The show, which follows his 2013 presentation at Secession, occupies three spaces and charts his evolution from abstraction to figuration and a more expansive color palette, while focusing on recurring motifs and the structure of pictorial language.

Tobias Pils “Shh” mumok / Vienna by Frank Wasser

Tobias Pils's exhibition "Shh" at mumok in Vienna presents a decade-spanning survey of his work, marking his first major institutional show since 2013. The exhibition charts his evolution from abstraction to figuration and a broader color palette, centered on recurring motifs of fractured bodies and archetypal figures that explore the structure of pictorial language itself.

“Flagrant Act of Censorship”: NCAC & ACLU of Texas Call Out UNT Over Gallery Shutdown

The National Coalition Against Censorship (NCAC) and the ACLU of Texas have issued a formal challenge to the University of North Texas (UNT) following the abrupt closure of an exhibition by artist Victor “Marka 27” Quiñonez. The show, titled 'Ni de Aquí, Ni de Allá', featured works exploring Latin American identity and immigration, including pieces critical of U.S. Immigration and Customs Enforcement (ICE). Shortly after opening, the university shuttered the gallery, covered the windows, and terminated the artist's loan agreement without providing a clear explanation.

Juror's Talk: 91st Annual Student Art Exhibition

Curator and artist Kyle Herrington will deliver a juror's talk for the 91st Annual Student Art Exhibition at Ball State University on February 20, 2026. Herrington, an alumnus of the university and former Director of Exhibitions at the Indianapolis Art Center, selected the works for this competitive juried showcase, which features a diverse range of media and styles from the School of Art's student body.

‘Bridge at 909’ art exhibit reception connects artists and community members

The Bridge at 909 art exhibit recently held a reception in the lobby of Evanston’s City Hall, featuring a dialogue between the works of established local artist Chris Froeter and emerging Chicago artist Gabi Bozeman. Curated by Juelle Daley, the exhibition juxtaposes Froeter’s large-scale, monochromatic portraits of activists from his “Voices” series with Bozeman’s vibrant, surrealist canvases focused on young Black women. The pilot program aims to transform public municipal spaces into accessible galleries that engage passersby in their daily routines.

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Artist Claudia Bitrán has completed a decade-long project titled "Titanic, A Deep Emotion," a shot-by-shot remake of James Cameron’s 1997 blockbuster. Premiering at Cristin Tierney Gallery in New York, the film features a cast of 1,400 participants and utilizes a lo-fi, multidisciplinary approach involving painting, sculpture, and performance. Bitrán plays the role of Rose throughout, while the character of Jack is portrayed by a rotating cast of actors of various ages, genders, and ethnicities, with all special effects created by hand using recycled materials.

Milligan Artist-in-Residence Presents Her Fine Arts Exhibition, “Building a Life”

Kendall Hamelryck, the current artist-in-residence at Milligan University, has debuted her solo exhibition titled “Building a Life” at the Milligan Art Gallery. The showcase features mixed-media installations and sculptures, including the centerpiece “Be Content,” which explores themes of domesticity, faith, and the simplicity of childhood. The works reflect Hamelryck’s personal transition into marriage and family life, utilizing everyday objects like tea sets and stuffed animals to convey spiritual contentment.

More than 600 works by Afro-Brazilian artists returned to Brazil

A collection of 666 artworks by 135 Afro-Brazilian artists has been voluntarily repatriated to Brazil from Detroit, Michigan, marking the largest return of its kind in the nation's history. The works, which include sculptures, paintings, and ritual objects, were returned to the National Museum of Afro-Brazilian Culture (Muncab) in Salvador after being held in the United States for three decades.

New Weatherspoon Exhibition Stitches Black Quilter’s Artistry, Life Stories

The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.

Hood River art exhibit anchors Black History Month events by group Black in the Gorge - Oregon Public Broadcasting

The Columbia Center for the Arts in Hood River is hosting "Black Infinity House," an immersive exhibition curated by August Oaks that showcases the work of over 30 Black Oregon-based artists. The installation is designed as a domestic space featuring a studio, living room, and porch, displaying a diverse range of media including fabric art, wood-burned illustrations, painted portraits, and handmade jewelry.

2026 MFA Thesis Exhibition

The University of Hawai‘i at Mānoa is hosting its 2026 MFA Thesis Exhibition from March 7 to March 29 at The Art Gallery. The showcase features the culminating work of five Master of Fine Arts candidates: Diane Chen, Ashley Jeneé Collins, Caroline Holmes, Sheldon Wong, and Mia Zheng. The exhibition represents the final requirement for the terminal degree in visual arts, highlighting a diverse range of practices from personal narratives to broader contextual explorations.