National Gallery spends £16m on altarpiece by unknown artist

The National Gallery in London has purchased a 500-year-old altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels*, for £16.4 million from an anonymous owner. The painting, created between 1500 and 1510, is of unknown authorship—experts cannot agree whether the artist was Netherlandish or French, with candidates including Jan Gossaert and Jean Hey. The oak panel was felled around 1483, and the work was first documented at the priory of Drongen in Ghent in 1602. It was sold through Sotheby’s with support from the American Friends of the National Gallery London and had been kept at the Lulworth Estate in Dorset, home of the Weld family.

Art House Productions presents "Playing Favorites"

Art House Productions in Jersey City, NJ, presents "Playing Favorites," a solo exhibition by artist Bryant Small, curated by Andrea McKenna. The show runs from May 2 to May 31, 2026, at the Art House Gallery, featuring a selection of Small's most cherished works, many never publicly exhibited before. The exhibition includes an opening reception on May 2 and an artist talk on April 17, with all artwork available for purchase in person and online.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

Yoshitomo Nara Painting Fetches 15 Billion Won, Sets Record for Korean Auction

Yoshitomo Nara’s painting "Nothing about it" has set a new record for the highest price ever achieved at a Korean art auction, selling for 15 billion won ($11 million) at Seoul Auction’s Gangnam Center. The sale significantly surpassed the previous record of 9.4 billion won held by Marc Chagall’s "Bouquet de Fleurs." The auction also saw a major result for Yayoi Kusama, whose "Pumpkin" painting fetched 10.45 billion won, marking the second-highest price in Korean auction history.

Contemporary artists with the highest auction sales worldwide between July 2023 and June 2024, by gender

A Statista chart published in October 2024 ranks the top ten contemporary artists by auction sales from July 2023 to June 2024, broken down by gender. Jean-Michel Basquiat leads all artists with $516.2 million in sales, followed by Yoshitomo Nara ($70.6 million), George Condo ($47.4 million), and Keith Haring ($36.2 million). Julie Mehretu is the only female artist in the top ten, with $36.0 million in sales. The data covers public auctions of paintings, drawings, sculptures, prints, photographs, videos, tapestries, installations, and NFTs, excluding antiques, furniture, and anonymous cultural goods.

LA CHOLA POBLETE PRESENTS HER FIRST SOLO SHOW IN BRAZIL

The Museu de Arte de São Paulo (MASP) is presenting the first Brazilian solo exhibition of Argentine artist La Chola Poblete, titled 'Pop andino,' from March 6 to August 2, 2026. The show features works that reimagine Pop Art through a Latin American lens, including her 'Chola Virgins' watercolor series and the 'Manifesto Pop Andino' sound piece, curated by MASP's Adriano Pedrosa and Leandro Muniz.

In Venice, famous street artist JR completely wraps a historic palazzo with an installation

A Venezia il famoso street artist JR avvolge completamente un palazzo storico con un’installazione

Street artist JR has wrapped the historic Palazzo Ca' da Mosto in Venice—now the Venice Venice Hotel—with a large-scale installation timed to the 61st Venice Biennale. The project, titled "Il Gesto," reinterprets Paolo Veronese's 1563 masterpiece "The Wedding at Cana" as a contemporary fresco featuring 176 people from the Refettorio Paris community kitchen. Inside the palazzo, an immersive installation combines photographic portraits, reflective surfaces, and audio recordings to create a layered narrative. A monumental tapestry woven by Giovanni Bonotto and the Fondazione Bonotto, made from recycled plastic, wool, cotton, and washi paper, extends the work into a durable, contemplative form.

An exhibition in Milan brings visionary contemporary landscapes into dialogue with a great Turner watercolor. Review and interview

Una mostra a Milano fa dialogare visionari paesaggi contemporanei con un acquerello del grande Turner. Recensione e intervista

The exhibition "Continuum" at Robilant+Voena in Milan marks the first solo show in the city for American artist Maria Kreyn. It presents a selection of her contemporary landscapes—charged with pathos, abstract geometries, and references to art history—alongside a rare watercolor by J.M.W. Turner, *The Splügen Pass* (1842–43). Kreyn’s seascapes, influenced by her background in mathematics and philosophy, feature turbulent waves, ovoid and parabolic forms, and a sense of latent tension, creating a visual dialogue with Turner’s Romantic vision of nature.

Story of Max Peiffer Watenphul, the Bauhaus painter who found his new homeland in Italy

Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria

A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.

Da Medardo Rosso a Josef Albers: il Novecento va in asta da Il Ponte a Milano

Il Ponte auction house in Milan will hold sales of Modern and Contemporary Art on May 26-27, 2026, followed by Prints and Multiples, with previews from May 22-24 at Palazzo Crivelli. Highlights include Josef Albers' *Study for Homage to the Square: Full Tenor* (1959, estimate €200,000-300,000), Medardo Rosso's wax sculpture *Enfant juif* (€70,000-80,000), and works by Giorgio Morandi, Bruno Munari, Felice Casorati, Giorgio de Chirico, and others spanning the 20th and 21st centuries.

An important exhibition in Milan tells the story of the lesser-known Man Ray: interview with the curator

Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore

The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.

Christie’s Paris Sells $64 Million Worth of 20th- and 21st-Century Art at Auction

Christie’s Paris held a series of auctions focused on 20th- and 21st-century art, achieving over $64 million in total sales with a 92% sell-through rate. The sales included works from the Lise and Roland Funck-Brentano Collection and the Henri Canonne Collection, and featured Impressionist, Modern, and Contemporary art. Three world records and one national record were set, including a wooden relief by Sophie Taeuber-Arp that sold for $3.4 million and Jane Avril au Divan Japonais by Henri de Toulouse-Lautrec, which fetched over $6 million and set a national auction record for the artist. The evening sale alone brought in over $34 million, and the Contemporary Art sale exceeded its high estimate at over $9.4 million.

Can This New York Gallery Make You Reconsider Your Stance on Digital Art?

Offline gallery, a new brick-and-mortar space at 243 Bowery in New York (formerly Salon 94's location), has opened with a mission to bridge digital art and physical experience. Supported by the NFT marketplace SuperRare, the gallery is directed by Mika Bar-On Nesher and co-founded by Josh Long. It launched in July 2024 and has already hosted a book launch for Botto, an autonomous AI artist, and currently features a solo exhibition by Japanese multimedia artist Emi Kusano titled "Ego In The Shell," which explores AI, nostalgia, and pop culture. The gallery aims to create a tangible space where audiences can engage with digital and AI-generated art, fostering dialogue between crypto-natives and traditional art audiences.

Art Basel reveals exhibitor lineup for Paris fair's 2025 edition

Art Basel Paris has announced the exhibitor lineup for its 2025 edition, which will bring 203 galleries to the Grand Palais this autumn. The fourth edition features 89% returning exhibitors from last year and 25 newcomers, with a strong Parisian presence—one-third of participants operate a space in the French capital. The main sector includes 177 exhibitors such as Thaddaeus Ropac, Mor Charpentier, and Acquavella Galleries, while the Emergence section offers 16 solo stands for emerging artists, and the Premise sector challenges art historical canons with pre-1900 works and obscure practices. Highlights include a joint presentation by Gordon Robichaux and Stars of Janet Olivia Henry's dioramas, and a solo stand by Arash Nassiri at Ginny on Frederick.

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

Nazi-looted painting discovered in home of Dutch SS commander's heirs

Art detective Arthur Brand announced the discovery of a Nazi-looted painting, *Portrait of a Young Girl* by Toon Kelder, in the home of the heirs of Hendrik Seyffardt, a notorious Dutch SS commander. The painting was part of the more than 1,100 works plundered from Amsterdam art dealer Jacques Goudstikker by German occupiers. An anonymous heir, who changed his family name, contacted Brand after learning of his ancestry, expressing shame and demanding the painting be returned to the rightful Jewish owners. The current owner, a relative, claims ignorance of its provenance and says the family is discussing restitution.

Lebanon appeals to Unesco to intervene amid fears protected citadel has been destroyed

Lebanon’s Ministry of Culture has filed an urgent complaint with Unesco following reports that Israeli military forces destroyed the 12th-century Chama’ Citadel in southern Lebanon. The site, a Crusader-era fortress, had recently been granted "enhanced protection" status under the 1954 Hague Convention, a designation intended to shield it from military targeting. Lebanese authorities are currently unable to access the site due to ongoing military occupation and have requested that Unesco utilize satellite imagery to verify the extent of the demolition.

scholars and mps slam uk museums as unethical and sacrilegious for holding vast collections of human remains

A major investigation has revealed that UK museums and universities hold more than 263,000 human remains, including at least 37,000 sourced from overseas and former British colonies. The findings indicate that many institutions lack proper documentation, with thousands of items stored anonymously in cardboard boxes or mixed together, often in violation of government guidelines regarding respectful handling and transparency.

lebanese ministry of culture urges unesco to grant enhanced protections to cultural property

Lebanon’s Ministry of Culture has formally petitioned UNESCO to secure enhanced protections for the nation’s cultural heritage sites as regional conflict intensifies. Culture Minister Ghassan Salamé urged the UN agency to intervene with belligerent parties to ensure the safety of irreplaceable landmarks, including the National Museum of Beirut and the Roman ruins of Baalbek. UNESCO confirmed it has shared the coordinates of these World Heritage sites with all involved parties to prevent accidental or intentional targeting during military operations.

neh awards grants promote classical art conservative values

The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects in its first grant round since President Donald Trump dismissed nearly all members of the National Council on the Humanities. The largest grants—$10 million each—went to the University of Texas at Austin and the Foundation for Excellence in Higher Education (FEHE), with other significant awards to the Abigail Adams Institute, Grand Central Atelier, and the Museum of the American Revolution. Many funded projects emphasize American exceptionalism, classical philosophy, civics, and Western canonical texts, reflecting the Trump administration's conservative priorities.

rome charges fee for trevi fountain

Rome has introduced a €2.35 entry fee for the Trevi Fountain, one of the world's most famous monuments, effective February 1 during daylight hours (9am to 9pm). The measure, announced by Mayor Roberto Gualtieri, aims to curb overtourism by limiting viewership to 400 people at a time. The fountain currently welcomes up to 70,000 visitors per day, and the fee could raise an estimated $7.6 million annually for maintenance. Similar fees will apply to four other city sites, while Roman citizens retain free access.

kryptos sculpture code cia

An anonymous buyer paid $962,500 at an RR Auction sale for the code to the final unsolved passage of Jim Sanborn's sculpture "Kryptos," located at the CIA headquarters in Langley, Virginia. The sculpture, dedicated in 1990, contains four encrypted passages; three have been cracked by cryptologists, but the 97-character fourth passage (K4) has remained unsolved for decades. Sanborn, now 80, decided to sell the solution after growing tired of fielding inquiries from enthusiasts, despite a recent discovery of the solution in the Smithsonian's Archives of American Art that raised questions about the auction.

donald trump jeffrey epstein statue returns email release

A controversial statue of Donald Trump and Jeffrey Epstein, originally titled *The Secret Handshake* and later renamed *Why Can't We Be Friends?*, has reappeared in Washington, D.C., outside the Busboys and Poets Art Cafe. The anonymous artists behind the work, which depicts the two men holding hands, timed its return to coincide with the release of a new tranche of Epstein-related emails by the House Oversight Committee. The statue first debuted on the National Mall in September but was removed by the National Parks Service for exceeding size regulations, before briefly returning. The artists have now renamed it *Best Friends Forever* and included plaques alluding to a birthday message allegedly written by Trump to Epstein.

hard truths curator invisibility

The article, presented as an advice column by consultants Chen & Lampert in ARTnews, addresses two anonymous letters from art-world professionals. The first letter is from a curator at a major museum who feels underpaid, invisible, and constrained by an ethics policy that prevents freelance work, while colleagues at smaller institutions enjoy more freedom. The second letter is from a veteran graphic designer and illustrator, active since the 1960s, who laments losing commercial clients to younger, cheaper talent using AI and smartphones. The consultants respond with sharp, critical advice: they tell the curator to consider collective action with colleagues to push for institutional reform, and advise the designer to leverage their legacy and experience rather than accept obsolescence.

trump epstein statue dc returns national mall

A controversial 12-foot-tall statue depicting President Donald Trump and convicted sex offender Jeffrey Epstein has returned to Washington, D.C.'s National Mall after being removed by the National Parks Service late last month. Originally titled *The Secret Handshake*, the work was created by anonymous artists to "celebrate" Trump's ties to Epstein during Friendship Month, and features plaques with a message Trump allegedly wrote to Epstein. The National Parks Service cited the statue's height as non-compliant with its permit, and the artists accused the Trump administration of suppressing free speech. The statue has since been repaired and retitled *Why Can't We Be Friends?*.

remnants enaissance equestrian statue french dig

Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

bayeux tapestry 93 penises offer clues

The article examines historian George Garnett's analysis of the 93 penises depicted in the Bayeux Tapestry, a 225-foot-long embroidery chronicling the Norman conquest of England in 1066. Garnett, a professor of Medieval history at Oxford University, argues that the size and placement of these genitalia—88 on horses and five on men—offer clues about the tapestry's meaning. He notes that the largest equine phallus belongs to Duke William's stallion, followed by those of Harold Godwinson and Odo of Bayeux, suggesting a hierarchy of importance. More significantly, Garnett interprets four penises attached to men in the tapestry's border as references to Aesop's fables, indicating themes of deceit, shame, and illicit sex, which he believes challenge the traditional attribution of the tapestry's commission to Odo of Bayeux.

yuga labs seeks access to crypto wallets bored apes lawsuit

Yuga Labs, the parent company of Bored Ape Yacht Club, has filed a motion in US District Court demanding that Jeremy Cahen, co-creator of the RR/BAYC NFT series, turn over control of four cryptocurrency wallets allegedly holding $400,000 in assets. This follows a February judgment ordering Cahen and Ryder Ripps to pay nearly $9 million for trademark infringement and cybersquatting. Yuga Labs claims Cahen transferred funds to private wallets after a court-authorized levy was served on his crypto exchange account, and seeks court-ordered access via the U.S. Marshals. Cahen's legal team plans to respond by May 5, calling the motion "courtroom theater" and arguing it contains factual misrepresentations.

The Formal Consistency of Marcos López

LA CONSISTENCIA FORMAL DE MARCOS LÓPEZ

The Fundación Larivière in Buenos Aires is hosting a major retrospective of Argentine photographer Marcos López, featuring over 200 works spanning from 1975 to 2025. The exhibition highlights López’s distinct visual language, characterized by the high-saturation color palette of his 'Pop Latino' series and his rejection of traditional black-and-white documentary photography. His work is defined by deliberate staging, using artificial backdrops and theatrical props to create images that function as allegorical documents of Latin American identity.

Nasan Tur Collects Contributions for 'Archive of Feelings' for Manifesta 16

Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16

Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.