The Metropolitan Museum of Art in New York has introduced nine new mannequin bodies for its costume displays, replacing older models to better showcase fashion exhibitions. The new mannequins feature more diverse and realistic body shapes, including different skin tones and poses, aiming to modernize the museum's presentation of historical and contemporary garments.
Indonesian artist Natasha Tontey is the subject of an interview discussing her film series *Macho Mystic Meltdown*, which debuted at the Venice Biennale. The series includes chapters *Oikoumenē* (2025), *Monster, She Wrote* (2026), and *The Phantom Combatants* (2026), exploring Minahasan cosmology, the Permesta rebellion, and the mythologized figure of female combatant Len Karamoy. Tontey uses speculative fabulation, collage, and unstable bodily forms to challenge patriarchal norms and official histories.
Laura Green and Pierre Bounaud have co-curated a new exhibition titled "The Natural World" at The Studio Door in Hillcrest, San Diego, running from May 8 through June 12. The show features paintings by Green and ceramic and glass works selected by Bounaud, all exploring humanity's complex relationship with nature. Green's impressionistic paintings focus on animals and plants from the San Diego landscape, while Bounaud emphasizes clay and glass as materials drawn from the earth. The exhibition includes works by artists such as Oscar Romo and Kathleen Kane Murrell, who address environmental themes and conservation.
Artist Koh Sang-woo's solo exhibition "Still Breathing" opened at the Savina Museum of Contemporary Art in Seoul, featuring paintings of wounded, abused, and endangered animals. The show includes portraits of spotted seals from a project with WWF Korea, works from a partnership with Cheongju Zoo (including a vulture named Hana and a zebra named Sero), and a rabbit blinded in cosmetic testing. Koh uses a signature blue-inversion technique, and the exhibition is curated by museum director Lee Myung-ok.
Third Space Art Foundation will present “1922 Revisited,” a live arts program curated by Dr. Janine A. Sytsma, from May 5–9, 2026 in Venice, Italy, during the preview week of the 61st Venice Biennale. The program brings together ten international artists to engage with the 1922 Venice Biennale exhibition of African sculpture through performances, a film screening, and a panel discussion, staged at venues including Hotel Monaco and the European Cultural Centre’s Marinaressa Gardens.
The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ artists. The show, which was abruptly postponed earlier, features works that celebrate queer life through themes of joy, family, and belonging, while also addressing the darkness and loss faced by LGBTQ+ communities globally.
Artist Sarah Spackman is preparing for a new exhibition titled "Continuum" at the Sarah Wiseman Gallery in Summertown, celebrating 20 years of collaboration with the gallery. The show features 30 new still lifes, reflecting Spackman's evolving style toward greater simplicity and focus on single objects, color, and quiet intensity. Spackman, an Oxford-based artist and elected member of the Royal Society of British Artists and Royal Institute of Oil Painters, describes her process as organic, often sketching first thing in the morning and working primarily with color to let it "talk" on the canvas.
The Lynden Sculpture Garden in Milwaukee announces its May 2026 events, including exhibitions, workshops, and outdoor installations. Featured exhibitions include Faythe Levine's "Time is Running Out," which explores the legacy of Charlotte Partridge and Miriam Frink, co-founders of the Layton School of Art, and "Slow Growing in the Time of Trees" by the mycology-focused collective mycollective. A bonsai exhibit opens on World Bonsai Day in collaboration with the Milwaukee Bonsai Society and Milwaukee Bonsai Foundation, alongside free community events like Knit @ Lynden with Sara Caron.
The National Cowboy & Western Heritage Museum in Oklahoma City is closing its Route 66 exhibit soon. Chief Curatorial Officer David Davis explains that the museum's location on Route 66 was the original reason for its founding, and the exhibit explores the historic highway's deep connection to the institution.
The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.
Artists in Action (AiA), a nonprofit organization supporting Salem-area artists, is celebrating its 25th anniversary with a public reception on May 3, 2026, at Elsinore Framing & Fine Art Gallery in Salem, Oregon. Founded by Diane Trevett and about five other artists, the group began as a small support network for struggling artists and has grown into an established arts organization with around 65 active members. AiA hosts monthly openings, critique sessions, open-call shows, and special events like Paint and Write the Town, providing opportunities for artists to exhibit and sell their work across various mediums.
A new exhibition titled "From Hermès to Home" at the Waco Welcome Center showcases the work of internationally acclaimed artist Kermit Oliver alongside local artists Cade Kegerreis and Vincent Thomas, who were mentored by Oliver. Oliver is the only American artist to have designed scarves for Hermès, and the show features his iconic scarf designs alongside paintings and self-portraits by all three artists, marking the first time their work has been exhibited together. The exhibition coincides with a limited-edition re-release of Oliver's scarf design "Faune et Flore du Texas" and the upcoming publication of a book about him by Texas A&M University Press.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
Photographer Jonk has invited 13 fellow artists to reinterpret his urbex photographs for a group exhibition titled "Jonk & Friends" at his Galerie Nature Forte in Paris. The show runs from May 7 to June 6, 2026, featuring works in a uniform 60 x 80 cm format, with participating artists including Horss, Mouarf, S4m, Siel, Bault, and Jace. Admission is free.
Dirimart presents Olivia Sterling's first solo exhibition in Istanbul, titled 'Jelly,' at its Pera location from May 7 to June 14, 2026. The show explores themes of race, power, and desire through scenes involving food, the body, and stains, using fruit and dark colors as metaphors for consumption and objectification. Sterling's paintings incorporate letters that expose how race is constructed through language, while the title 'Jelly' evokes flexibility, fluidity, and a grotesque bodily quality that mirrors the instability of identity and social conventions.
The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.
Tashkeel, a Dubai-based art organization founded in 2008 by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, is presenting "Unfolding," the debut solo exhibition by Emirati artist Moza Al Falasi. Opening May 12 at Tashkeel's Nad Al Sheba 1 Gallery, the show marks the culmination of Al Falasi's participation in the Tashkeel Critical Practice Programme (CPP), where she was mentored by Luisa Menano and Hanaa Bou Hamdan. The exhibition explores memory, loss, and the passing of time through photography, sound, painting, plaster, and fabric, reflecting on inherited grief and personal loss, including the deaths of her parents and husband.
Morocco will debut its first-ever national pavilion at the 2026 Venice Art Biennale, presenting a monumental installation titled "Asǝṭṭa" by multidisciplinary artist Amina Agueznay. Curated by Meriem Berrada, the project is housed in the Arsenale's Artiglierie and explores themes of traditional craftsmanship, shared memory, and the symbolic threshold (âatba). The installation, which involves 166 Moroccan artisans and two Venetian collaborators, is conceived as a porous, liminal space that engages with the Biennale's theme "In Minor Keys," curated by Koyo Kouoh.
Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.
National Gallery Singapore presents 'When Art Meets Nature', a children's art exhibition running from 30 April to 1 November 2026. The show features two installations: 'Peace Forest' by Singaporean artist Soh Ee Shaun, located in the Keppel Centre for Art Education, and 'Where the River Runs' by Yenting Hsu, displayed in the City Hall Alcove. The exhibition is co-curated by the Taoyuan Museum of Fine Arts and National Gallery Singapore, offering interactive experiences such as a scavenger hunt and a woodblock art station, alongside a video and audio installation exploring the Dahan River in Taiwan.
The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.
Olivia Bourrat, a 45-year-old chief heritage curator trained at the École du Louvre, the INP, and the Sorbonne, has been appointed director of the heritage and collections department at the Musée du quai Branly-Jacques Chirac in Paris. She succeeds Anne-Solène Rolland, and returns to the museum after previous stints there, as well as at France-Muséums, the Louvre Abu Dhabi, the French Ministry of Culture, and Paris Musées.
Lynda Roscoe Hartigan, 75, will become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., on September 8, ending a 17-month vacancy. Hartigan, currently the director of the Peabody Essex Museum in Salem, began her career at SAAM as chief curator, where she developed collections of modern, contemporary, African American, and self-taught art.
Camille Guichard presents 'Corps littoral' (Coastal Bodies), her first solo exhibition in Paris, at the Rachel Hardouin Gallery from May 21 to June 21, 2026. The show blends contemporary photography, poetic texts, and the artist's own nude body against coastal landscapes, exploring themes of vulnerability, erosion, and the relationship between the body and the living world. Guichard, who also works as a filmmaker and writer, includes series such as 'Ces rivages perdus' documenting the Aquitaine coast and 'Pulsions, corps et figures' focusing on bodily fragments.
A number of European hotels are integrating art collections and museum-quality experiences into their accommodations, offering travelers the chance to stay within or adjacent to art spaces. Notable examples include MACAM in Lisbon, Portugal, which combines a contemporary art museum with a hotel featuring the private collection of founder Armando Martins, including works by Marina Abramović and Paula Rego; the Byblos Art Hotel Villa Amistà in Verona, Italy, blending Renaissance architecture with avant-garde art; and the Elizabeth Arthotel in Ischgl, Austria, which has showcased art and sculpture since 1976 and recently added a rooftop commission by the artist duo NONOS.
A Euronews Travel article highlights several European hotels that integrate contemporary art into the guest experience, positioning themselves as destinations for cultured travelers. Featured properties include the MACAM Hotel in Lisbon, which opened in March 2025 and shares a building with the Museu de Arte Contemporânea Armando Martins, offering guests access to a private collection spanning Portuguese and international art from the 19th century to the present. Other hotels mentioned are the Byblos Art Hotel Villa Amistà in Verona, blending Renaissance architecture with avant-garde works by artists like Andy Warhol, and the Elizabeth Arthotel in Ischgl, Austria, which has showcased art and sculpture since 1976 and recently added a rooftop commission by the artist duo NONOS.
An art exhibition titled “Working the West” has opened at The Legacy, showcasing works that depict the authentic experiences of Western life. The show aims to counter romanticized or stereotypical portrayals of the American West by featuring artists who capture the real, working aspects of ranch life, cowboy culture, and the Western landscape.
Michael Greathouse's exhibition "Child's Play" opened at the Step Mother Nature gallery in Bloomingdale, featuring a dozen portraits of discarded stuffed animals. The show marks the gallery's third season reopening and is paired with a toy drive for the Saranac Lake Holiday Helpers, a local volunteer group that collects toys for children at Christmas. Greathouse's paintings depict battle-worn toys with scars, ripped fabric, and chipped paint, aiming to capture the history and soul of each object.
An ongoing group exhibition titled 'Echoes of Past and Future' at Divine Art Gallery in Delhi brings together 48 artworks by 48 artists, spanning generations of Indian modern and contemporary art. The show features works by masters such as Anjolie Ela Menon, Manu Parekh, and Himmat Shah alongside contemporary voices like Ashok Bhowmick and Bhaskar Rao, aiming to create a dialogue between past and present artistic expressions.
The 47th annual Venice Family Clinic Art Exhibition + Auction will take place May 8–17, 2026, at 910 Abbot Kinney in Venice, Los Angeles. Founded in 1979 as the Venice Art Walk, it is the city’s longest-running charity art exhibition, featuring Signature Artist Alison Saar and over 150 established and emerging Los Angeles artists. Proceeds support Venice Family Clinic’s health care services for more than 45,000 patients across the Westside, Inglewood, the South Bay, and beyond.