A multi-generational art exhibition opened at The People's Museum in Limerick on a December evening, featuring works by Michael Collins, Clare Hartigan, Barbara Hartigan, Oisín Cleary, Teresa Collins, and Martin Finnin. The launch, supported by wine from Rocky of The Commercial pub, drew a community crowd and continued with an after-party, blending family ties and artistic disciplines across decades.
Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.
Central Washington University's Sara Spurgeon Gallery is hosting a national juried exhibition titled “INTERSTATE: Where I-90 meets I-82,” opening November 6 in Ellensburg. Juror Alexis L. Silvia, Curatorial Assistant at the Frye Art Museum in Seattle, selected works by 46 artists from across the United States, including Brandin Barón, Neil Berkowitz, Shivani Bhalla, and others. The exhibition runs through December 6, with an opening reception from 5 to 7 p.m. following a 4 p.m. presentation.
Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.
The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.
Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.
Each October, the Chateau Show transforms the historic Aldredge House on Swiss Avenue in Dallas into an innovative exhibition space. Founded by artists Joel Murray and Clint Bargers, the four-year-old show invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works that juxtapose with the Gilded Age home's classic interiors. The 2025 edition features 21 artists including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with past participants like Rachael Henson, Sheryl Anaya, and Brent Birnbaum. The altruistic curators allow 100% of proceeds to go directly to the artists.
The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," which will run from summer through fall of 2026 to celebrate the United States' 250th anniversary. Submissions are open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within a 50-mile radius of State College. The exhibition invites works addressing themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community feedback gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury of five will select the pieces.
The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," which will run from summer through fall of 2026 to celebrate the United States' 250th anniversary. The exhibition is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within a 50-mile radius of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from visitor feedback during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury of five will select the works.
The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," running from summer through fall of 2026. The exhibition marks the United States' 250th anniversary and is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within 50 miles of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community input gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury including artist Folayemi Wilson, curator Janine Yorimoto Boldt, and artist Roberto Lugo will adjudicate the entries.
Pepperdine University, a private Christian institution in Malibu, California, censored and closed an art exhibition titled "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art. The exhibition, curated by museum director Andrea Gyorody, featured works centered on hands as symbols of labor, identity, care, and connection. On October 1, administrators Lauren Cosentino and Nicole Singer visited the museum, leading to the shutdown of artist Elena Mann's video "Call to Arms 2015-2022," which included references to Donald Trump's policies, the overturning of Roe v. Wade, the Brett Kavanaugh hearings, and the George Floyd protests. Another work, "Con Nuestras Manos Construimos Deidades" by Natalie Godinez and the nonprofit AMBOS, was also censored after officials objected to text reading "Save the Children" and "Abolish ICE."
Sasha Fishman '24, an alum and adjunct assistant professor at Columbia, presents her solo exhibition "Shad Mode" at ILY2 Gallery in Portland, Oregon. The show, which stems from her summer residency at ILY2, features sculptures made from materials like egg yolk-tanned sturgeon skin, ceramics, UV prints, and lamprey teeth, exploring the relationships between fish, their ecosystems, and human intervention. Works such as "Immortal by Wifi" and "Each Time You Bathe Me" blend natural and synthetic elements, while a fish cannon encircles the gallery, highlighting modern technologies used to transport fish over dams.
The 2025 Sea Art Festival, titled "Undercurrents: Waves Walking on the Water," is co-directed by Keumhwa Kim and Bernard Vienat, who were selected via an international open call. The biennial, established in 1987 as part of the Seoul Olympic Games, takes place on the beaches of Busan, Korea, alternating between Dadaepo Beach and Songdo. This year it returns to Dadaepo, focusing on outdoor installations and sculptures that engage with the natural landscape. The festival emphasizes collaboration with local communities and scientists, including paleontologists and bioacoustic researchers, to highlight invisible ecological and social structures.
The 2025 Sea Art Festival, titled 'Undercurrents: Waves Walking on the Water,' is co-directed by Keumhwa Kim and Bernard Vienat, who were selected through an international open call. The biennial returns to Dadaepo Beach in Busan, South Korea, focusing on outdoor installations and sculptures that engage with the natural landscape and local communities. Kim, founder of Keum Art Projects, and Vienat, founder of art-werk and leader of the (re)connecting.earth biennial, emphasize collaboration with scientists such as paleontologists and bioacoustic researchers to highlight invisible ecological and social structures.
The Ruth Chandler Williamson Gallery at Scripps College has opened a new exhibition, “Pintor de Poemas: Unseen Works by Alfredo Ramos Martínez,” featuring over 25 drawings and paintings by the Mexican modernist. Guest curator Robin Dubin, director of Louise Stern Fine Arts, organized the show to highlight recently discovered works that reveal Ramos Martínez’s political engagements, challenging the long-held view of his art as merely decorative or folkloric. The exhibition is divided into four thematic sections—Indigenismo, Revolution, Labor, and War—and includes studies for his 1946 mural “The Flower Vendors,” which is housed nearby in the Margaret Fowler Garden.
Hong Kong's art scene is witnessing a significant rise in the visibility and institutional embrace of LGBTQ+ art, particularly during its annual Art Week. Exhibitions like the Sunpride Foundation's 'Myth Makers—Spectrosynthesis III' at Tai Kwun Contemporary have acted as major accelerants, moving queer discourse from semi-private contexts into prominent public institutions.
The Museum of Contemporary Art Chicago has opened "Dancing the Revolution: From Dancehall to Reggaetón," an ambitious exhibition exploring the historical evolution of dancehall and reggaetón as cultural movements and their influence on contemporary art. Curated by Carla Acevedo-Yates, the show features over 40 international artists including Isaac Julien, Edra Soto, Alberta Whittle, Carolina Caycedo, supakid, and Lee "Scratch" Perry, tracing the genres' roots from Afro-Caribbean traditions through their emergence in Jamaica, Panama, and Puerto Rico to global mainstream dominance by figures like Daddy Yankee and Bad Bunny.
Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, will host its largest-ever exhibition of Dale Chihuly's work from May 2 to November 1, 2026. The show, titled 'CHIHULY at Frederik Meijer Gardens,' features installations across 12 outdoor locations on the 158-acre campus, as well as indoor displays in the Sculpture Galleries, and includes special ticketed tours and evening viewing events.
The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.
The PSI Foundation in Limassol, Cyprus, has announced a major exhibition titled “Bill Viola. Unspoken,” set to open in April 2026. Organized in collaboration with Bill Viola Studio and curated by Dimitri Ozerkov, the show features seminal video works including "The Greeting," "The Dreamers," and "Martyrs." The exhibition focuses on Viola’s use of slow motion and cyclical time to explore universal themes of birth, death, and human consciousness.
Vanderbilt University has announced its inaugural participation in the Venice Biennale, marking a major milestone for the institution's arts program. Faculty artists Maria Magdalena Campos-Pons and Kamaal Malak have been selected to present works in the 61st International Art Exhibition, curated by the late Koyo Kouoh. To complement the exhibition, the university will launch "Resonance: Vanderbilt University in Venice," a two-month public program series featuring sonic inquiries, performances, and scholarly convenings.
The Museum of Fine Arts St. Petersburg has launched two major exhibitions: a career-spanning survey of Iranian-born artist Ali Banisadr and a site-specific installation by Ward Shelley and Douglas Paulson. Banisadr’s exhibition, "The Alchemist," features nearly 20 years of work including large-scale paintings that blend abstraction with intricate, emerging figures. Accompanying this is "The Last Library IV: Written in Water," a life-sized library constructed from corrugated cardboard that explores the fragility of the written word and the impact of censorship and AI on language.
The Henry Art Gallery at the University of Washington has unveiled its spring/summer 2026 exhibition schedule, featuring a diverse lineup of solo and group presentations. Highlights include a major exhibition by Diné artist Eric-Paul Riege exploring Indigenous cosmology and institutional knowledge, a showcase of Helen Frankenthaler’s experimental printmaking alongside works by Analia Saban, and the annual University of Washington MFA and MDes thesis exhibition. The season also features "Day-to-Day: Rhythm, Routine, Resistance," a collection-based show examining the intersection of personal life and structural social forces.
Saina Heshmati and Amir Amini have opened ANTiPODE Art Gallery in Seattle’s Pioneer Square, a new space dedicated to showcasing the work of immigrant artists. Located in a basement shared with the Seattle Jazz Fellowship, the gallery functions as a multi-modal hub for cultural exchange, hosting art exhibitions alongside film screenings, tea ceremonies, and experimental music. The founders, both Tehran natives, aim to bridge the gap between Seattle and distant global cities through diverse programming that emphasizes the intersection of different artistic disciplines.
Artist Rina Banerjee has opened a major solo exhibition, "Make Me a Summary of the World," at the Asian Art Museum in San Francisco. The immersive installation features fantastical sculptures and environments constructed from materials like blood-red resin, mud, feathers, and synthetic cobwebs, exploring themes of migration, colonialism, and diaspora.
A new exhibition titled VISION has opened at the recently launched Art Jewel gallery space within Bangkok's Siam Paragon shopping mall. The show features works by fifteen artists from around the world, including notable figures like Japanese artist Kohei Nawa and Thai artist Pinaree Sanpitak, presenting a diverse range of contemporary art in a high-traffic commercial setting.
Saudi Arabia's art market reached a significant milestone with Sotheby’s second "Origins" auction in Riyadh, headlined by the $2.1 million sale of Safeya Binzagr’s painting "Coffee Shop in Madina Road." This record-breaking event, which nearly doubled its high estimate, underscores the rapid growth of the Kingdom’s art economy under the Vision 2030 plan. The auction saw a mix of local and international buyers, signaling that Saudi artists are increasingly being integrated into the global contemporary art dialogue.
The Julia Stoschek Foundation has launched its first major U.S. exhibition at the historic Variety Arts Theater in downtown Los Angeles. Curated by Udo Kittelmann, the show features over 40 time-based works ranging from early cinematic pioneers like Georges Méliès and Alice Guy-Blaché to contemporary icons such as Arthur Jafa and Doug Aitken. The exhibition utilizes the labyrinthine spaces of the 1924 Italianate theater to create a dialogue between the history of Hollywood and the evolution of media art.
The fourth Lahore Biennale, scheduled for January 2027, will explore cross-border connectivity and cultural internationalism during the 80th anniversary of the Partition of India. Curated by Nav Haq, associate director of the Museum of Contemporary Art Antwerp, the event will take place in historic Lahore and feature artists who have fostered connections between India and Pakistan, such as Shilpa Gupta and Rashid Rana.
The historic Variety Arts Theater in downtown Los Angeles is reopening after decades for a six-week exhibition titled "What a Wonderful World: An Audiovisual Poem." The show, running through March 20, presents a non-linear, late-night experience featuring over 120 years of moving images, from early cinema to contemporary video art, allowing visitors to wander freely from 5 p.m. to midnight.