The 1990 theft of 13 artworks from Boston's Isabella Stewart Gardner Museum remains unsolved, generating countless theories about the perpetrators. A new book by the former FBI agent who led the investigation for over a decade systematically debunks many prominent public theories, arguing they distract from the actual investigation.
Scottish artist Andrew McIntosh presents a new series of crimson-hued landscape paintings in his solo exhibition "I Hope This Transmission Finds You Soon" at School Gallery in Folkestone, U.K. The works, including pieces titled "Whitney," "K2," "Gasherbrum," and "Matterhorn" (all 2026), transform familiar mountain forms into eerie, otherworldly scenes with glowing orbs and uncanny light, drawing inspiration from Cormac McCarthy's novel "Blood Meridian." The exhibition runs through May 30.
Joy Machine presents 'Feel Free', a group exhibition featuring new works by Rachel Hayden, Paulina Ho, Hanna Lee Joshi, and Jeremy Miranda. The show opens with a reception on May 15, 2026, and runs through June 27, 2026. Each artist explores the tension between chaos and control, using diverse media—from acrylic and gouache to Japanese indigo on thrifted textiles—to capture moments of impermanence and unexpected harmony.
A booming stock market and increased disposable income among the ultra-wealthy have fueled a $2.2 billion fall auction season in New York, led by Gustav Klimt's "Portrait of Elisabeth Lederer," which sold for $236.4 million at Sotheby's. Other major sales include Frida Kahlo's "El sueño (la cama)" setting a record for a female artist at $55 million, and Mark Rothko's "No. 31 Yellow Stripe" fetching $62 million at Christie's. The surge is attributed to a convergence of high-quality estates coming to market—including those of Leonard Lauder, Robert and Patricia Ross Weis, and Jay and Cindy Pritzker—and renewed confidence among wealthy buyers after a stagnant period for art prices.
ArtDiscovery, a scientific art analysis firm with offices in London and New York, has launched what it calls the world's first insured authenticity guarantee for artworks. The service combines connoisseurship, provenance research, laboratory science, and proprietary AI, then backs the conclusion with an insurance policy from an A+ rated global insurer. If a certified attribution is later proven incorrect, the policy covers financial loss to the artwork's owner. The company's CEO, Denis Moiseev, and CFO, Steven Maslow, explained that the insured certificate is priced at 60 basis points of the certified value and travels with the artwork as a transferable warranty. The launch follows ArtDiscovery's acquisition by Hephaestus Analytical, a London-based tech company that uses AI, provenance research, and chemical analysis for authentication.
È morto il grande artista Remo Salvadori. Aveva 79 anni
Italian artist Remo Salvadori has died at age 79. Known for his rigorous, independent practice, Salvadori explored matter, energy, science, philosophy, and spirituality through sculpture, installations, and site-specific works. Born in Cerreto Guidi, he studied at the Accademia delle Belle Arti di Firenze and moved to Milan in the early 1970s, where he participated in the experimental scene without joining any movement. His career included solo shows in Milan galleries from 1971, appearances at the Venice Biennale (1982, 1986, 1993) and Documenta in Kassel (1982, 1992), and works held in major museums worldwide. In 2019 he received the Premio Presidente della Repubblica for sculpture. A major retrospective in 2025 at Palazzo Reale, Museo del Novecento, and San Gottardo in Corte in Milan showcased over 50 works from 1969 to 2025.
La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)
The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.
The Brooklyn Fine Art Print Fair (BFAPF) has returned for its second edition at Powerhouse Arts, expanding significantly from its inaugural "beta test" last year. The fair now features over 60 exhibitors, including a diverse mix of independent print shops, academic departments, self-represented artists, and established international galleries. This year's iteration emphasizes experimental mixed-media practices and a rigorous juried selection process, moving beyond traditional printmaking to include illuminated plexiglass screenprints and sculptural paper works.
Conductor Art Fair made its debut at Powerhouse Arts in Gowanus, Brooklyn, with a VIP preview night on April 29, ahead of its public run from April 30 to May 3. Led by Powerhouse Arts President Eric Shiner and Fair Director Adriana Farietta, the event drew over 800 guests, featuring installations by Juan Jose Barboza-Gubo, House of Silence by Vuslat, and Sana Frini, along with 28 gallery exhibitors and 20 special projects. A performance by Grammy-nominated artist Lido Pimienta highlighted the evening, and the fair showcased works by numerous artists and gallerists.
Arch Enemy Arts in Philadelphia is presenting 'Common Waters,' a group exhibition running from June 5 to July 5, featuring 60 artists from around the world. The show celebrates marine wildlife and lore through square-format works that range from fantastical depictions of coral-haired sirens and octopuses to miniature paintings and sculpted paper reliefs of sea turtles. A portion of sales proceeds will be donated to PangeaSeed, a non-profit that uses art to advocate for ocean conservation.
Monica Rohan, a Brisbane-based artist, creates vibrant oil paintings in which domestic objects like patterned tablecloths and bentwood dining chairs appear in remote, natural landscapes. Her recent works, including those from her upcoming solo exhibition "Invitations" at Sophie Gannon Gallery in Melbourne this June, increasingly omit human figures, allowing the objects themselves to become stand-ins for people. The scenes are inspired by her hiking trip through Tasmania, featuring alpine summits, streams, and meadows.
The Institute of Museum and Library Services (IMLS) has reached a legal settlement allowing it to resume full operations after being targeted for dismantling by a presidential executive order. The agreement, facilitated by a lawsuit from the American Federation of State, County and Municipal Employees, reverses planned mass layoffs and the termination of federal grants that support thousands of institutions across the United States.
C’è un padiglione assente alla Biennale d’Arte di Venezia 2026 di cui nessuno ha parlato: il Venezuela
The Venezuelan pavilion at the 2026 Venice Art Biennale remains closed, an absence that has gone largely unnoticed amid other controversies surrounding the Russian, Israeli, South African, and Iranian pavilions. Designed by architect Carlo Scarpa and built between 1953 and 1956, the pavilion now displays a trilingual sign stating it will "rise again soon," reflecting the country's collapse after the kidnapping and imprisonment of President Nicolás Maduro by the United States and the installation of a fragile pro-American interim government.
Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa
Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.
Kader Attia presents his multimedia installation "Whisper of Traces" at the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The work explores the intersections of magic, spirituality, traditional healing, and digitalization, drawing on Attia's long-standing interest in how colonialism, neoliberalism, and technology have transformed shamanic and healing practices. Attia describes the project as an accumulation of psychic traces from human history, which his mother called "ghosts."
A new exhibition titled "Dante Ferretti. Con i miei occhi" has opened at the Musei di San Salvatore in Lauro in Rome, celebrating the legendary Italian set designer and costume designer Dante Ferretti. Curated by Raffaele Curi, the show runs until July 19, 2026, and features a collection of Ferretti's sketches, charcoal drawings, and collages that served as the foundational visual ideas for films by directors including Pier Paolo Pasolini, Martin Scorsese, Federico Fellini, and Tim Burton. The exhibition presents these preparatory works not merely as production tools but as autonomous works of art, tracing Ferretti's visual genealogy from Renaissance painters like Piero della Francesca and Caravaggio to contemporary cinema.
Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta
Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.
Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)
Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.
Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì
A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.
Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?
Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.
È morto lo storico dell’arte Paolo Baldacci. Fondamentali i suoi studi su Giorgio de Chirico e sulla Metafisica
Renowned art historian, critic, and professor Paolo Baldacci has passed away in Milan at the age of 81. Originally a scholar of ancient history and Roman epigraphy, Baldacci transitioned into a leading authority on 20th-century Italian art, specifically focusing on Futurism and Metaphysical painting. He was widely recognized for his monumental 1997 monograph and catalogue raisonné on Giorgio de Chirico, as well as his extensive research into the work of Alberto Savinio.
DUDD LITE, a collaboration between design collective Dudd Haus and The Future Perfect gallery, presents over 130 artist-designed nightlights on view through June 26. Curated from nearly 400 open-call submissions, the exhibition transforms a mundane household object into a canvas for small-scale sculptures made from stained glass, wood, sea shells, ceramic, cotton, and more. Featured artists include James Burial, Chris Wolston, Nicholas Holmes, and Mikei Huang, among others.
Habib Hajallie, a Kent-based artist of Sierra Leonean and Lebanese heritage, presents a new solo exhibition titled "Black & Blue" at Larkin Durey in London. The show features meticulous ballpoint pen drawings on found fragments of philosophical and historical texts, exploring themes of memory, connection, and loss. For this series, Hajallie switched from black to blue ink as he grapples with the stillbirth of his daughter and the loss of his sister four years ago. Works include self-portraits and depictions of Black cultural figures, conveying emotions such as despair, confusion, numbness, and care.
Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.
A new book titled *Jewish Country Houses*, edited by Juliet Carey and Abigail Green, explores the history of approximately 1,000 country estates built or remodeled by wealthy Jewish families across Great Britain and Continental Europe from the French Revolution until World War II. These houses, such as Waddesdon Manor and Château de Champs-sur-Marne, served as symbols of social arrival and assimilation, blending eclectic architectural styles with art collections from European auction houses. The volume, published by Profile and Brandeis University Press in association with the National Trust, features contributions from an international team of historians and curators, with photographs by Hélène Binet, and includes case studies of a dozen houses now open to the public.
Gallery 1988, a pioneering Los Angeles institution that branded itself as the world's first pop culture-focused art gallery, will cease operations at the end of April after 20 years. Founded in 2004, the gallery became a cult favorite for its tribute exhibitions dedicated to films, video games, and television, often drawing massive crowds for shows like "Crazy 4 Cult." Owner Katie Sutton cited a historically weak art market and the loss of a physical storefront as primary factors in the decision to close.
Project Native Informant, an east London gallery known for its adventurous program featuring artists like DIS, Sin Wai Kin, Juliana Huxtable, and Hal Fischer, is closing after 12 years. Founder Stephan Tanbin Sastrawidjaja announced the decision on Instagram on October 31, citing a volatile and unsustainable global economic, political, and social environment, along with personal factors. The gallery had not staged an exhibition since July 2024 and had previously lost commercially viable artist Joseph Yaeger, who signed with Modern Art and Gladstone in 2023.
Artist Austyn Weiner presents her latest exhibition "Half Way Through," on view through June 21 at Lévy Gorvy Dayan in Manhattan. The show features floral paintings inspired by her Los Angeles studio environment, the LA River, and her personal experiences of marriage and loss—including the deaths of her father, close friend, and grandmother within months. Weiner collected blooms at various stages of life and decay for the gallery installation, reflecting her fascination with flowers' life cycles.
On 24 April, a Department of Homeland Security contractor bulldozed a 1,000-year-old intaglio—a 280ft by 50ft etching in the desert sand—during construction of the US-Mexico border wall in Arizona's Cabeza Prieta National Wildlife Refuge. The site, sacred to local Indigenous communities including the Hia-Ced O’odham, was part of a UNESCO biosphere and contained over 3,000 petroglyphs. Despite warnings from tribal members and refuge staff, the contractor destroyed a 70ft stretch of the fish-shaped intaglio, which elders and archaeologists describe as an irreplaceable cultural and archaeological treasure.
Lebanon’s Ministry of Culture has filed an urgent complaint with Unesco following reports that Israeli military forces destroyed the 12th-century Chama’ Citadel in southern Lebanon. The site, a Crusader-era fortress, had recently been granted "enhanced protection" status under the 1954 Hague Convention, a designation intended to shield it from military targeting. Lebanese authorities are currently unable to access the site due to ongoing military occupation and have requested that Unesco utilize satellite imagery to verify the extent of the demolition.