Asia Society Seattle hosted a private tour of a major exhibition at the Seattle Art Museum (SAM) on June 2, 2025. The two-hour walkthrough was led by Dr. Ping Foong, SAM's Foster Foundation Curator of Chinese Art, who curated the exhibition. The event was exclusive to invited guests, partners, and Asia Society Seattle Advisory Council members, and notably featured the museum's first bilingual tour in Mandarin Chinese.
The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has repatriated fragments of the ancient Zidanku Silk Manuscripts to China. The artifacts, dating from the fourth to third century BCE, were looted from a tomb near Changsha, Hunan Province, and smuggled into the US in 1946. The NMAA deaccessioned Volumes II and III of the manuscripts, which were given to the Arthur M. Sackler Gallery by an anonymous donor in 1992. The transfer was formalized in a ceremony at the Chinese embassy following an agreement signed earlier this month, with the fragments handed over to the National Cultural Heritage Administration (NCHA) of China.
Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.
Florida Atlantic University's Division of Research is opening its seventh annual Art of Science gallery with a reception and awards presentation on March 31 at the Ritter Art Gallery on the Boca Raton campus. The event celebrates the winning entries from a photography and video competition that highlights the intersection of scientific research and artistic expression, featuring over 200 submissions from faculty, students, staff, and postdoctoral fellows.
MedStar St. Mary’s Hospital and the St. Mary’s County Arts Council have unveiled the third installment of their rotating art exhibition in the hospital’s emergency department in Leonardtown, Maryland. The latest exhibit features handsewn art quilts by Washington, D.C. artist Andrea “Andi” Cullins, whose collection “Second Life Quilter” includes intricate fabric mosaics. The quilts will be on display through January 2026, following earlier exhibits of traditional paintings as part of a philanthropy-led initiative to create a more welcoming environment.
Leaked transcripts from the University of North Texas (UNT) reveal that Dean Karen Hutzel attributed the abrupt cancellation of artist Victor “Marka27” Quiñonez’s exhibition to fears of political retaliation. The show, titled “Ni de Aquí, Ni de Allá,” was shuttered shortly after opening at the CVAD Gallery without an initial public explanation. The transcripts indicate that administrators feared the provocative nature of the work—specifically pieces addressing incarceration and deportation—could lead Texas Republican lawmakers to slash university funding or eliminate programs, following a pattern of ideological clashes at other state institutions.
Pete Hegseth Goes to War With Press Photographers
Defense Secretary Pete Hegseth has banned press photographers from Pentagon briefings on the U.S.-Israeli military conflict with Iran. The reported reason for the ban is Hegseth's displeasure over "unflattering" photographs taken during a recent press address, with the Pentagon stating it will now release official photos online instead.
Gibbs Library in Washington, Maine, is hosting a May/June art exhibit titled "Outside Work: Photography by Three Local Artists," featuring the photography of Rachel Oakes, Delphine Sherin, and David Spahr. An artist reception is scheduled for Sunday, June 7, 2026, from 4:30 to 6 p.m., with light refreshments. Oakes works in multiple media including painting, sculpture, and photography; Sherin is a printmaker and paper artist inspired by nature; Spahr is a photographer and educator known for landscapes and fungi photography.
The Smithsonian National Museum of African Art has opened "Here: Pride and Belonging in African Art," the largest exhibition of LGBTQ+ African art to date, featuring nearly 60 artworks by 30 queer artists from across Africa and its diasporas. Curated by Kevin D. Dumouchelle and Serubiri Moses, the exhibition was originally scheduled to coincide with WorldPride DC 2025 but was delayed to early winter 2026, shortly after President Donald Trump issued an executive order targeting the Smithsonian for material deemed "divisive ideology," including discussions of gender identity. Museum officials attributed the postponement to budget and fundraising challenges rather than political pressure.
Edmonds College Art Gallery in Lynnwood, Washington, is presenting its spring exhibition, "Student Art Show," from May 8 to June 12. The show features works by nine emerging student artists—Alexandria Ashley, Christian Douglas, Karis Johnson, Daphne Lynch, Zoe Mody, Aya Nakano, Jinx Pineda, Lika Rukhadze, and Felicity Silvers—across mixed media, painting, sculpture, and ceramics. An opening reception will be held on May 8 with food, refreshments, and live piano music.
A student-curated exhibition titled 'The Shape of Being' opens Friday at Washington Gallery in Waco, Texas. Organized by Baylor University senior Aleah Burns, the show features work from five female Baylor student artists, each contributing three pieces plus a collaborative installation centered on hands. The exhibition focuses on figurative painting, exploring themes of identity, memory, human connection, and technology-mediated relationships. Featured works include Kate Swayze's 'Left Unsaid,' which uses layered materials like reused painting rags, and Burns' own 'Unstable Connection,' depicting fragmented figures embracing through screens.
American University's Studio Art MFA candidates will present their thesis exhibition, titled "If That Makes Sense," at the AU Museum from April 18 to May 17, 2026. The show features nine artists—Rob Balsewich, Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson—whose works span painting, sculpture, textiles, sound, and installation, exploring themes of memory, identity, materiality, and collective experience.
Watercolor artist Judy Thompson and her daughter, poet Kristin Gifford, have launched a collaborative exhibition titled “Becoming Midwest: Life Between” at the Washington Pavilion Visual Arts Center in Sioux Falls. The show features 27 artworks and 12 poems that explore shared themes of motherhood, the natural landscape of the Great Plains, and the complexities of regional identity. The project marks the first formal partnership between the pair, blending Thompson’s established watercolor practice with Gifford’s contemporary poetry.
The Southampton Arts Center (SAC) has been awarded a $50,000 grant from the Robert David Lion Gardiner Foundation to support its upcoming exhibition, "The Story of America: 1776-2026, A Celebration of Freedom and Independence." Organized in collaboration with the Museum of Democracy, the show will feature over 250 years of American presidential campaign history through artifacts from the Wright Family Collection. Notable items on display will include the original flag from George Washington’s inauguration and political memorabilia ranging from 19th-century torches to 1960s paper campaign dresses.
Street artist Victor Quiñonez (Marka27) spoke at the Latino Cultural Center in Dallas, addressing the sudden closure of his exhibition at the University of North Texas (UNT). The university covered the gallery windows with paper and terminated its loan agreement with Boston University without explanation, removing art that confronted U.S. immigration policy and criticized ICE. Quiñonez credited UNT students for alerting him to the removal, stating he was "ghosted" by the institution and received only a vague justification after their intervention.
The CaminARTE art walk returns to historic downtown Laredo, Texas, on the first Friday of February. The event, organized by the Laredo Cultural District, features art exhibits, live music, and a Valentine's-themed market across multiple downtown venues including the Laredo Center for the Arts, Casa Ortiz, and La Posada Hotel. It showcases local and visiting artists, performers, and vendors, bringing activity to Iturbide Street.
The US National Park Service has removed an outdoor exhibit titled “Freedom and Slavery in the Making of a New Nation” at Independence National Historical Park in Philadelphia. The exhibit, which focused on nine people enslaved by George Washington and explored the paradox between slavery and freedom in the nation's founding, was dismantled following a directive from President Donald Trump to eliminate “corrosive ideology” from cultural heritage sites. The removal, captured on social media on January 22, aligns with a March 2025 executive order instructing the NPS to emphasize American achievements and avoid materials that “inappropriately disparage Americans.”
The Smithsonian's National Portrait Gallery in Washington, DC, has removed wall text accompanying a portrait of Donald Trump that mentioned his two impeachments. The text, part of the America's Presidents exhibition, listed Trump's achievements and noted he was impeached for abuse of power and incitement of insurrection, then acquitted by the Senate. The portrait by Matt McClain was replaced with a black-and-white photo by Daniel Torok, with a simplified label stating only Trump's birth year and status as the 45th and 47th president. The museum says it is beginning a planned update of the gallery, which will close from April 6 to May 14.
The Eide/Dalrymple Gallery at Augustana University will host its annual 'Augustana High School Invitational' from January 15 to February 6, 2025, featuring over 110 artworks by students from 22 regional high schools. The exhibition includes a range of mediums such as ceramics, drawing, digital art, photography, mixed media, painting, printmaking, and sculpture, with a closing reception and awards ceremony on February 6. The show is juried by Augustana Art Department faculty, and junior and senior artists can participate in portfolio reviews for Pro Artis Scholarships worth up to $8,000.
An art exhibition in Washington, D.C., is showcasing a collection of oil paintings by former President George W. Bush titled “Out of Many, One: Portraits of American Immigrants.” The works highlight the diversity of the United States and the contributions of immigrants, reflecting Bush's personal artistic practice since leaving office.
Local artist David Hughes MBE is celebrating his 100th birthday with a charity art exhibition titled *Celebration* at Arts Centre Washington, running from 20 November to 20 December 2025. He has donated a collection of his paintings to STS Charity, the official charity of South Tyneside and Sunderland NHS Foundation Trust, to raise funds for the Stroke Unit Fund and the Vision Appeal, which supports a new Eye Hospital in Sunderland opening in summer 2026. Hughes, who taught himself to paint after retiring at age 60, credits Sunderland Royal Hospital with saving his life twice—after a stroke in 2024 and a pacemaker procedure in 2010.
d'Elaine Herard Johnson, a 93-year-old artist from Edmonds, Washington, is preparing for her final exhibition in December. Born legally blind, she began sculpting and painting as a child, later earning a scholarship to Central Washington University and a master's degree from the University of Washington. Over her career, she has completed more than 1,200 paintings, exhibited in over 700 shows, and developed a Myth and Lore series since 1971. Her final show will feature works inspired by goddesses, reflecting her journey as a woman artist. Johnson plans to donate her estate, including her art, to Edmonds College to fund scholarships through its arts program.
Megan Clarke of Good Morning Washington visited McLean’s Historic Pleasant Grove Church to report on a new exhibition featuring the work of photographer Bernie Boston. Boston, a DMV native and longtime McLean resident, was the first African American member of the White House Press Corps and covered presidents from Truman through Clinton. He is best known for his iconic “Flower Power” photograph, which earned him a runner-up spot for the Pulitzer Prize. The exhibit showcases photographs spanning his career, including both celebrated images and candid shots of the photographer himself.
Hyde Park youth artists Via McEwen and Asha A. Edwards showcased their paintings at the annual Marwen Art Fair, held on October 17, 2025, at Marwen, a downtown Chicago nonprofit offering free art classes to low-income students. The exhibition featured over 400 works from more than 150 young artists. McEwen, a 16-year-old Jones College Prep student, displayed intimate scenes including a portrait with her girlfriend and a figure painting from a Marwen class. Edwards, 23, presented sunset depictions inspired by Promontory Point, reflecting her experiences in Hyde Park and Bronzeville.
The article reports on the exhibition 'D.I.Y. in the District' at the Martin Luther King Jr. Memorial Library (MLK Library) in Washington, D.C., which celebrates the city's artist-run spaces. The show highlights the grassroots, self-organized venues that have shaped D.C.'s visual art scene, featuring works and histories from collectives and alternative galleries that operated outside traditional institutions.
Fall River artist Brian Fox has completed a series of Vietnam War military paintings titled “In the Valley of the Shadow: The Cost of Walking with Death,” which will debut at the Narrows Center for the Arts from October 18 through December 27, 2025. Fox collaborated closely with U.S. military veterans, who provided technical guidance and honest critique, and the series includes about 25 pieces, mostly black-and-white paintings and sketches, with one color piece titled “Vietnam Nurse.” Notably, Fox used rusting metal sheets as canvas for paintings inspired by Agent Orange, intended to deteriorate over time like the veterans affected by the chemical.
The University of Mary Washington Galleries have announced their fall 2025 exhibition lineup, featuring four major shows at the duPont and Ridderhof Martin Galleries. Highlights include Erika Stearly's participatory installation 'Take a Painting,' where visitors exchange artworks; 'Intersection,' pairing David Carlson's abstract paintings with Chee Keong Kung's geometric sculptures; and 'Adaptation, Innovation and Tradition: Art from the Patawomeck Community,' showcasing historic and contemporary Native American art. The season also includes gallery talks, a juror lecture, and a community roundtable, all free and open to the public.
Columnist Sebastian Smee highlights nine art exhibitions opening this fall, noting that museum curators plan major shows two to five years in advance, and the cultural mood can shift dramatically between conception and execution. The article reflects on how exhibitions that once felt timely may now feel dissonant or precarious upon opening.
Trinidadian artist Martin Superville presents his latest exhibition, "Twilight Zone: Tovaco et Iere II," at Studio Joli in St. James, Trinidad, opening September 6 and running through September 18. The show draws on the indigenous names for Trinidad and Tobago, reflecting Superville's decades-long practice of documenting local culture, history, and landscapes through oil paint, charcoal, ink, and watercolor. Superville, who launched his fine-art career in 1988 and owns The Art Gallery in Tobago, has exhibited internationally in Barbados, Anguilla, Antigua, Washington, and New York.
The Ronald K. DeLong Gallery at Penn State Lehigh Valley will host a solo exhibition titled 'Solace: Photographs by Jane Noel' from September 10 to December 5. The show features over a dozen large-scale archival pigment prints by local photographer Jane Noel, who draws inspiration from her home on South Mountain. Trees are a recurring subject, with gallery director Ann Lalik comparing the immersive experience to walking into a forest. Noel, a former lecturer at PSU-LV, holds an MFA from Vermont College of Fine Arts and has exhibited extensively in the region.