Russia's Venice Pavilion to Close to the Public in Compliance With Sanctions

Russia will return to the 61st Venice Biennale with its national pavilion, but the exhibition will only be physically open to the press and select guests during the vernissage dates of May 5–8. From May 9 onward, the pavilion will remain closed to the public, with multimedia documentation of performances displayed on screens at the windows. The arrangement follows leaked emails among Biennale Foundation President Pietrangelo Buttafuoco, General Director Andrea Del Mercato, and Russian Pavilion Commissioner Anastasia Karneeva, revealing efforts to comply with EU sanctions while still allowing Russia's participation after two consecutive absences since its invasion of Ukraine.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

How a Remote California Artists’ Retreat Inspired Vhernier’s Latest Ring Collection

Italian jewelry maison Vhernier has collaborated with artist Pae White to create a 10-design limited-edition ring collection inspired by White's childhood memories of Sea Ranch, a remote artists' retreat in Sonoma County, California. The collection translates the architecture of crustaceans and abalone into precious materials, using sapphires, diamonds, and rock crystal set in white or rose gold, with only two versions of each design produced.

FROM SÃO PAULO TO NEW YORK: THE MUSEUM OF ERRANCY OF ÉDOUARD GLISSANT

DE SÃO PAULO A NUEVA YORK: EL MUSEO DE LA ERRANCIA DE ÉDOUARD GLISSANT

The exhibition "La tierra, el fuego, el agua y los vientos: Por un Museo de la Errancia con Édouard Glissant" has traveled from the Instituto Tomie Ohtake in São Paulo to the Center for Art, Research and Alliances (CARA) in New York, marking its first U.S. presentation. Curated by Manuela Moscoso with Marian Chudnovsky, and building on prior work by Ana Roman and Paulo Miyada, the show engages with the philosophy of Martinican poet and philosopher Édouard Glissant, particularly his concepts of errantry, Relation, opacity, and the Tout-Monde. It centers on Glissant's unrealized idea of a museum as a fluid, porous space that resists colonial frameworks and fixed origins, featuring works by artists such as Melvin Edwards, Gerardo Chávez, and Eduardo Zamora.

The 10 Best Venice Films

Die 10 besten Venedig-Filme

Monopol magazine has published a ranking of the ten best films set in Venice, timed to coincide with the opening of the Venice Art Biennale. The list includes titles such as Steven Spielberg's "Indiana Jones and the Last Crusade" (1989), Joseph L. Mankiewicz's "The Honey Pot" (1967), and Kenneth Branagh's "A Haunting in Venice" (2023), highlighting how the lagoon city serves as a central character in action films, comedies, and love dramas.

Nasan Tur Collects Contributions for 'Archive of Feelings' for Manifesta 16

Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16

Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

Venice Biennale denies it helped ‘circumnavigate’ sanctions against Russia with pavilion

The Venice Biennale is facing allegations that it helped Russia circumvent EU sanctions by allowing the Russian pavilion to operate during preview days, when only arts professionals and press are present. Investigative website Open published emails between Biennale officials and Russian pavilion organizers, including requests for visa assistance for artists and staff. The commissioner, Anastasia Karneeva, is the daughter of a Rostec deputy CEO and runs a consultancy with the daughter of Russia's foreign minister. The Biennale denies any wrongdoing, stating it acted in compliance with international law. Russia has been absent from the Biennale since 2022 but retains a permanent pavilion in the Giardini.

For the 50th anniversary of his death, the controversial photographer Pierre Molinier at the heart of an important biography

Pour le cinquantenaire de sa mort, le sulfureux photographe Pierre Molinier au cœur d’une importante biographie

A new biography of the provocative French photographer and painter Pierre Molinier (1900–1976) has been published to mark the 50th anniversary of his death. Co-published by Mollat and L'Arbre vengeur, the book "Molinier. Une vie d'enfer" is an updated and expanded version of Pierre Petit's 1992 text, incorporating newly surfaced documents and reflecting Molinier's growing international recognition.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

Michel Bassompierre (1948-2026)

French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.

EFG LATIN AMERICA ART AWARD PRESENTS THE NOMINATED ARTIST AT SP ARTE 2026

The EFG Latin America Art Award, in partnership with ArtNexus, has named Brazilian artist Cristiano Lenhardt as the nominated artist at SP-Arte 2026. Lenhardt, represented by Fortes D'Aloia & Gabriel, was selected for his work *Lieoe* (2025), a mixed-media piece combining ceramic and embroidery on cotton that responds to the devastating floods in Rio Grande do Sul in May 2024. The selection was made with input from Fernando Oliva, curator of MASP, and Celia Sredni de Birbragher, director and editor of ArtNexus.

Around North America, Community Members Are Stitching Nearly 11,000 Birds

Artist and educator Holly Greenberg launched the multi-year project "Bird Collisions in the Anthropocene" in 2024 after learning about a mass bird collision at Chicago's McCormick Place Lakeside Center in October 2023, where nearly 1,000 birds died in a single night. Using data from the Chicago Field Museum and ornithologist Dave Willard, Greenberg focuses on the 10,863 birds found dead after hitting Chicago buildings in 2023 alone. The project involves community members stitching nearly 11,000 fabric birds to raise awareness and educate the public about preventing window collisions, which kill an estimated one billion birds annually across North America.

Gaia Sleeps Amid Sarah Eberle’s Award-Winning Garden at the RHS Chelsea Flower Show

At the 2025 RHS Chelsea Flower Show, designer Sarah Eberle's garden "On the Edge" won the prestigious Garden of the Year award. The installation features a sleeping figure of Gaia, the personification of Mother Nature, crafted from willow branches by artist Tom Hare and carved from a fallen tree by Tim Wood. The garden, a collaboration with the Campaign to Protect Rural England (CPRE), highlights "edgelands"—the overlooked transitional spaces between rural and urban areas—using native plants, a dry stone arch by Noble Stonework, and a deliberately wild aesthetic to evoke nature in recovery.

From Two Tons of Celadon, Jean Shin Sculpts a Metaphor for the Korean Diaspora

Artist Jean Shin has created "Celadon Landscape," a monumental installation at the Green-House at Green-Wood in New York, using nearly two tons of discarded celadon porcelain fragments donated by studios in Icheon, South Korea. The work features two large bulbous vessels covered in broken shards of cups, saucers, and pots, appearing to emerge from the earth as if unearthed in an archaeological dig. The installation is on view through January 17.

Romane de Watteville “I’ll miss you when I scroll away” at Istituto Svizzero, Milan

Romane de Watteville's exhibition "I'll miss you when I scroll away" opens at Istituto Svizzero in Milan, featuring an environmental installation designed specifically for the venue. Her figurative paintings explore the tension between aesthetic saturation and the disorienting experience of digital consumption, drawing from online imagery and personal archives.

Jenna Sutela “With each cycle” at Nicoletta Fiorucci Foundation, London

Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.

“Porous Grounds, Sacred Codes” at Marres, Maastricht

Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.

"Costume Art" MET Museum Exhibition

The Metropolitan Museum of Art's Costume Institute has opened a new exhibition titled "Costume Art," featuring a design by Robert Wun displayed in the "Vital Body" section. The show opened on Saturday, May 2, 2026, in New York, as captured in a photograph by Charles Sykes for Invision.

'Preserving the art of Utah culture': Utah-artist museum opens in Salt Lake City

A new art museum, the Salt Lake Art Museum, is opening in the historic B'nai Israel Temple in downtown Salt Lake City, dedicated to preserving and celebrating Utah culture through visual art. Founded by art historian Micah Christensen and led by executive director Chris Jensen, the museum is the first new art museum to open in the city in over 40 years. It has already begun programming, including an interactive 'Make Your Mark' installation and a Utah Master Series highlighting influential local artists such as Galina Perova, Stanley Wanlass, and Ben Hammond. Opening exhibitions will feature works by Albert Bierstadt, Pilar Pobil, and a show on Julia Reagan billboards, alongside a gallery on the temple's history.

Alessandro Rabottini on the Impact of Artists’ Moving Image

Alessandro Rabottini, artistic director of Fondazione In Between Art Film, reflects on the closing of 'Canicula', the final chapter of the foundation's 'Trilogy of Uncertainties' exhibition series in Venice. The article explores how staging time-based moving-image works interacts with the fast-paced environment of the Venice Biennale, and how artists' film and video have evolved as a medium within the art world.

The Condé M. Nast Galleries Open at The Metropolitan Museum of Art

The Condé M. Nast Galleries have opened at the Metropolitan Museum of Art's Costume Institute, a 12,000-square-foot space designed by architecture firm Peterson Rich. The galleries feature white granite floors, classic pedestals, and recessed uplighting to protect fragile fabrics, creating a seamless integration with the museum's existing architecture.

Met Gala 2026 – Everything to know about fashion's biggest night

The Metropolitan Museum of Art's 2026 Met Gala will take place on May 4, themed "Costume Art" to highlight fashion as a central artistic discipline. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with a host committee featuring Anthony Vaccarello, Zoë Kravitz, and other celebrities. The event coincides with the opening of the new Condé M. Nast Galleries and the spring exhibition "Costume Art," which pairs historic garments with artworks spanning 5,000 years. The dress code is "fashion is art," and the red carpet will be livestreamed by Vogue.

ENTERTAINMENT: AMFA opens Young Arkansas Artists exhibition; UCA Public Appearances sets 2026-27 season

The Arkansas Museum of Fine Arts (AMFA) in Little Rock opens the 65th Young Arkansas Artists exhibition on Saturday, featuring 52 artworks selected by a panel of museum and art professionals. The exhibition expands to four works per grade, K-12, and includes a "Best in Class" award chosen by grand juror Celeste Alexander. The show runs through July 26 in the Robyn and John Horn Gallery, with free admission and related activities at the museum's Windgate Art School.

Helen McNicoll: An Impressionist Journey

The article titled "Helen McNicoll: An Impressionist Journey" appears to be about the Canadian Impressionist painter Helen McNicoll, likely focusing on her life, work, and artistic legacy. However, the actual content of the article is inaccessible due to a security verification page from the National Gallery of Canada's website, which blocks access to the full text. The page displays a security challenge requiring JavaScript and cookies to proceed, preventing any substantive information from being extracted.

Art Museum of Southeast Texas opens two new exhibitions tonight exploring Texas waterways and history

The Art Museum of Southeast Texas (AMSET) opens two new exhibitions today: "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal." The Stockfleth exhibition features early Texas artist Julius Stockfleth's paintings of the 1900 Galveston hurricane and Texas coastal history, marking a homecoming as his work was first shown at AMSET in 1987. The Pangburn exhibition presents a new series of large-scale abstract woodcut prints inspired by the Neches River. Both run through July 5, with a free public reception tonight and a musical performance by composer Nathan Felix on May 30.

How Native American Artists Redefined Contemporary Art in the United States

A generation of Native American artists, emerging from the Institute of American Indian Arts (IAIA) in Santa Fe from the 1960s onward, reclaimed Indigenous representation in American art. Figures like Fritz Scholder, T.C. Cannon, Kevin Red Star, and Earl Biss used modernism, irony, and cultural specificity to dismantle colonial stereotypes of Native peoples as romanticized relics, instead portraying them as contemporary individuals with agency and living traditions.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.