gaza artifacts removed school building

Archaeological treasures from Gaza's five main archaeological sites were evacuated from the French Biblical and Archaeological School of Jerusalem's storehouse in Gaza City, following an Israeli order to vacate the building before a threatened military strike. The operation, described by school director Olivier Poquillon as a "high-risk" and "last-minute rescue," involved improvised transport and logistics in a context where almost no international actors remain on the ground. The relics include artifacts from a fourth-century monastery designated as a UNESCO World Heritage site.

france returns colonial era human remains to madagascar

France has returned three colonial-era human skulls to Madagascar, including one believed to belong to King Toera, a Malagasy king executed by French troops in 1897. The skulls were handed over to Malagasy representatives at the French Culture Ministry on Monday, after being held in Paris’s National Museum of Natural History. French Culture Minister Rachida Dati called the return “historic,” while her Malagasy counterpart Volamiranty Donna Mara described it as healing an “open wound” after 128 years.

remnants enaissance equestrian statue french dig

Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

germany colonial restitution conduct

Germany's culture minister Monika Grütters has released a 130-page code of conduct for museums, titled "Guide to Dealing With Collection Goods From Colonial Contexts," which outlines methods for identifying and confronting colonial-era artifacts in German collections. The guidelines, published by the German Association of Museums, include best practices for provenance research, a list of former and current colonies, and alternatives to full restitution such as long-term loans and joint custody agreements. The release coincides with the Prussian Cultural Heritage Foundation's official ceremony returning nine artifacts to Indigenous Alaskan communities, and follows increased pressure from public outcry over the Humboldt Forum and similar restitution efforts by French president Emmanuel Macron.

napoleon sword could fetch 1 million auction

A ceremonial saber commissioned by Napoleon Bonaparte in 1802 sold for €4.6 million ($5.2 million) at Giquello auction house in Paris on May 22, far exceeding its estimate of €700,000–€1 million. The sword, made by master armorer Nicolas-Noël Boutet, was given to Marshal Emmanuel de Grouchy on the eve of the Battle of Waterloo in 1815 and remained in his family ever since. It features a curved Damascus blade, gold-plated silver mounts, and a stingray-skin sheath, with classical imagery including Medusa, Hercules, and Mars. The sale was part of a 20-lot auction at Hôtel Drouot that also included a 15th-century sword, a Gabonese mask, and a 17th-century tapestry.

fashion dior debut collection jonathan anderson

Jonathan Anderson made his debut as the new men's artistic director of Dior with the Men's Spring/Summer 2026 collection, presented in June. The collection riffs on French history while incorporating Anderson's signature gestures: painstaking handiwork, reverence for craft, and touches of the absurd. Highlights include a collaboration with textile artist Sheila Hicks on the Lady Dior bag, literary tributes on the Book Tote (featuring works by Bram Stoker, James Joyce, and Charles Baudelaire), and intricate embroidery requiring up to 3,271 hours per coat. The collection also features Brandebourg detailing, sculptural silhouettes, and reimagined heritage pieces like a 1960s-inspired cape.

art mimosa echard amant show france

French artist Mimosa Echard presents "Facial," a new exhibition at Amant in East Williamsburg, Brooklyn, running through February 16, 2026. The show features a series of palimpsest-like canvases and a video work of Times Square, inspired by Echard's pedestrian observations of New York City. Key motifs include ginkgo trees—which she links to survival, ancient sexuality, and the city's olfactory character—and the repetitive eye imagery found on beauty salon facades, which she interprets as a form of "sweet surveillance." Echard, who won the Prix Marcel Duchamp in 2022, created the works during a two-month residency in the neighborhood, drawing on her characteristic blend of botanical and digital themes.

art young photographer camille farrah lenain

Cultured magazine profiles French-Algerian photographer Camille Farrah Lenain, nominated by Bell Pitkin of Leica Gallery Boston as part of the publication's '35—New Orleans, New York' feature. Lenain's documentary and portrait work has earned her the Arnold Newman Prize, a residency at the Joan Mitchell Center, and publication in The New York Times and Rolling Stone. She is preparing to release her first monograph in spring 2026. The article includes Lenain's personal reflections on photography, trust, and connection, illustrated with her self-portrait and images titled 'A Day With Edith,' 'Cassandra and Raymond,' and 'Ramziya's Dance.'

beauty judy chicago catherine dior parfums

Artist Judy Chicago has created a limited-edition perfume trunk for Dior's Miss Dior fragrance, reimagining the scent and its presentation as a tribute to Catherine Dior, the sister of Christian Dior. The trunk, of which only 25 exist, features hand-embroidery, floral motifs, and colors adapted from Chicago's iconic work *The Dinner Party*, and includes a custom version of the perfume by Dior's Francis Kurkdjian. Chicago discusses how the project honors Catherine Dior's legacy as a French Resistance fighter and Holocaust survivor, paralleling her own efforts to elevate overlooked women in history.

JR transforms the Pont-Neuf into an immense immersive cave

JR métamorphose le Pont-Neuf en immense caverne immersive

French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

For the 50th anniversary of his death, the controversial photographer Pierre Molinier at the heart of an important biography

Pour le cinquantenaire de sa mort, le sulfureux photographe Pierre Molinier au cœur d’une importante biographie

A new biography of the provocative French photographer and painter Pierre Molinier (1900–1976) has been published to mark the 50th anniversary of his death. Co-published by Mollat and L'Arbre vengeur, the book "Molinier. Une vie d'enfer" is an updated and expanded version of Pierre Petit's 1992 text, incorporating newly surfaced documents and reflecting Molinier's growing international recognition.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.

Michel Bassompierre (1948-2026)

French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

Karachi celebrates global creativity

The fourth edition of the international art exhibition 'Peace & Pieces' opened in Karachi on Thursday, inaugurated by Mayor Barrister Murtaza Wahab as part of the 39-day World Culture Festival 2025. Held at the Ahmed Pervez Art Gallery, the exhibition features works by global artists including Kelechi Nwaneri (Nigeria), Adjaratou Ouedraogo (Burkina Faso), Sofia Maria Xenaki and Aglaia Perraki (Greece), alongside Pakistani artists such as Amin Gulgee, Akram Spaul, Basil Habib, Hamza Qazi, and Haider Ali Naqvi. The event was attended by Marc Piton, Counsellor for Cooperation and Cultural Affairs at the French Embassy, and drew a diverse crowd of art enthusiasts.

What Future for Art Centers?

Quel avenir pour les centres d’art ?

The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.

A Large Dalpayrat Jardinière Acquired by Orsay

Une grande jardinière de Dalpayrat acquise par Orsay

The Musée d'Orsay in Paris has acquired a large jardinière (planter) by French ceramicist Adrien Dalpayrat, along with a jewelry coffer by Henri-Auguste Fourdinois. The purchases were made from a sale at Hôtel Drouot by the Thierry de Maigret auction house, where the museum notably did not exercise preemption rights on other works by Jean-Marie Pointu, Eugène Lion, and Paul Jeanneney. The museum justified its inaction by citing the cost of these two acquisitions.

Aude Herledan | Black Venus (2015) | For Sale

This is a sales listing for Aude Herledan's bronze sculpture "Black Venus" (2015), an editioned work from her series "Faithful To My African Roots." The piece is offered by 1831 Art Gallery in Paris, with a certificate of authenticity and price available on request. The listing also provides a biography of Herledan, a French-born artist raised in Kinshasa who studied at the École Estienne, Parsons School, École des Beaux-Arts, and École du Louvre, and who has shown at major fairs including TEFAA and Art Paris.

Exhibition | Carlo D'Anselmi, 'Secrets and Mountains' at Fabienne Levy, Lausanne, Switzerland

Carlo D'Anselmi's solo exhibition 'Secrets and Mountains' opens at Fabienne Levy in Lausanne, Switzerland. The show presents a new body of work created during the artist's first stay in Switzerland, overlooking the French Alps, where he observed the transition from winter into spring. His dreamlike paintings blend figures, animals, and landscapes, exploring memory, light, nature, and the shifting boundary between reality and fiction. D'Anselmi holds an MFA from the New York Studio School and is represented by Thierry Goldberg Gallery in New York.

Exhibition | Julien Carreyn, 'Exposition personnelle' at Crèvecoeur, Paris–Beaune, France

French artist Julien Carreyn is preparing his sixth solo exhibition, titled 'Exposition personnelle,' at the Crèvecoeur gallery in Paris. The show will feature a selection of small black-and-white photographs centered on themes of holidays and family, a possible miniature painting, a long, non-linear text, and a series of Polaroids depicting jewelry, installed across the gallery's spaces at 5 and 7 rue de Beaune.

Romero Paprocki at miart

Paris-based gallery Romero Paprocki is expanding its presence in the Italian art market with a multidisciplinary presentation at miart 2026. Following the opening of a second gallery space in Milan, the booth features a curated dialogue between four artists—Antoine Carbonne, Louis Jacquot, Winnie Mo Rielly, and Matisse Mesnil—spanning figurative painting, minimal works, and sculptural photography.

See What’s on View in NOLA This March

New Orleans is set to host several major art exhibitions this March, highlighting the city's diverse cultural landscape. Key openings include Alexis McGrigg’s "In the Beloved" at the Ogden Museum, which explores Blackness and spirituality through fluid abstraction, and an augmented reality exhibition on the American Revolution at The Historic New Orleans Collection. Additionally, the New Orleans Museum of Art will debut a significant collection of 18th-century French Sèvres porcelain.

London’s Mosaic Rooms, dedicated to art from the Arab region, reopens after expansion

London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.

A New Art Exhibition In Paris Celebrates The 80th Anniversary Of The Little Prince

A group exhibition titled “One Rose, A Thousand Worlds” opens at A2Z Art Gallery in Paris from February 12 to March 14, 2026, celebrating the 80th anniversary of the first French publication of Antoine de Saint Exupéry’s *The Little Prince*. Conceived with the Antoine de Saint Exupéry Youth Foundation, the show features 17 Asian and French artists—including Alain Delsalle, Shiori Eda, and Jihee Han—who reinterpret the tale through painting, sculpture, ceramics, and mixed media, focusing on themes of love, responsibility, exile, and memory.

Louvre closes again due to staff strikes

Staff at the Louvre museum in Paris staged another strike on Monday, January 19, the ninth such action in a month, forcing the museum to close completely for the third time since mid-December. The strike, voted unanimously by 350 employees, concerns pay, working conditions, and infrastructure, with unions demanding salary alignment with other national museums and monuments, and calling for the €666m new entrance project to be dropped in favor of basic maintenance. The closure costs the museum about €400,000 per day, and negotiations with France's culture ministry are scheduled for January 29.

Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

‘Unrealistic’ €600m Louvre redevelopment plans must be scrapped, say striking workers

Staff at the Musée du Louvre staged another walkout on Monday, forcing the Paris museum to close temporarily before partially reopening at noon. The striking workers, representing 350 staff members including curators, unanimously voted for the action, citing concerns over working conditions and infrastructure. They are demanding that director Laurence des Cars scrap her "unrealistic" €666m plan for a new entrance, subterranean complex around the Mona Lisa, and an exhibition hall, arguing that funds should instead be directed toward urgent technical maintenance to preserve the collections. The strike follows a three-day walkout before Christmas and an October theft of crown jewels, which have not been recovered despite arrests.

UK government insures Bayeux Tapestry for £800m during loan to British Museum

The UK Treasury will insure the Bayeux Tapestry for an estimated £800 million under the Government Indemnity Scheme during its loan to the British Museum next year. The tapestry, created in the 1070s, will travel from Normandy to London via the Channel Tunnel and be displayed in the Sainsbury Exhibitions Gallery from September 2025 to July 2027 while its home museum in Bayeux undergoes renovations. The loan agreement, announced by French President Emmanuel Macron and UK Prime Minister Keir Starmer, includes a dry run with a facsimile and vibration monitoring, and in exchange, British Museum treasures such as the Lewis chessmen and Sutton Hoo helmet will travel to Normandy.

Paris exhibition presents exceptional jewels—but Louvre heist treasures missing from line up

An exhibition titled 'Dynastic Jewels' opens at the Hôtel de La Marine in Paris, showcasing over 130 exceptional jewels dating primarily from 1800 to 1920. The show includes pieces linked to Catherine the Great, Queen Victoria, and Prince Albert, many displayed in the city for the first time. However, three major treasures—an 1853 pearl and diamond tiara and two sets of pearl earrings belonging to French Empresses Eugénie and Joséphine—are missing after being stolen from the Louvre Museum in October 2025. The exhibition draws loans from the Victoria and Albert Museum and the Al Thani Collection, which occupies the venue under a long-term contract with the Centre des Monuments Nationaux.