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South Florida artist honors Coco Gauff, women’s strength in bold new exhibit

Harold Caudio, a Haitian-American artist known for creating portraits from Skittles, is unveiling a new hand-sewn yarn piece titled "Warri-Her" at the Cornell Art Museum in Delray Beach. The exhibition, part of the museum's "Pop Culture" show, also features works by GWAK, Ashleigh Walters, Annina Rüst, and Rogerio Peixoto. On July 19, Caudio will add a portrait of tennis star and local native Coco Gauff to the series, which he plans to gift to her family after the exhibition closes on September 28.

Big Buddy’s ‘Expressions of Me’ art exhibition celebrates the imagination of local youth

The Arts Council of Greater Baton Rouge is hosting 'Expressions of Me,' an exhibition featuring works from 40 middle school students who participated in the Big Buddy’s Summer Art Collective. The show debuted on July 17 at the Shell Gallery at the Cary Saurage Community Arts Center and runs through Aug. 3. The program provided six weeks of intensive instruction in various artistic mediums, along with lessons on pricing, selling, and entrepreneurship, guided by professional artists.

New art exhibit at Asheville Regional Airport showcases Helene's lasting impact

A new art exhibit titled "Mountain Memories" has opened at the Asheville Regional Airport, created in collaboration with the River Arts District. The exhibition features works by eleven artists—including Chrys Corn Goodman, Davis Perrott, Beth Elliott, and others—using mediums such as oil, cold wax, graphite, charcoal, photography, mixed media sculpture, and textile installation. Each piece reflects on the catastrophic impact of Hurricane Helene and the community's resilience, with personal stories tied to the storm's aftermath. The exhibit is located in the airport's new North Concourse and will run until October 30.

Top auction houses draw Southeast Asia’s elite art buyers

Auction houses Sotheby's, Christie's, and Bonhams are seeing a surge in participation from wealthy Southeast Asian collectors, particularly Millennials and Gen Z. Elaine Holt of Sotheby's Asia reports significant growth in collector activity from the region, with strong bidding at recent Hong Kong sales. Christie's Asia-Pacific president Francis Belin notes Southeast Asia is now the firm's third-largest buying market in Asia-Pacific, led by Singapore and Indonesia, with notable increases from Vietnam. Bonhams' managing director for Asia, Julia Hu, reports a 67% year-on-year rise in Southeast Asian auction spending. Younger buyers are driving demand, with Millennials and Gen Z accounting for 37% of Bonhams' Hong Kong buyers and 40% of Sotheby's Hong Kong marquee sales. A Renoir painting sold for $23.56 million to a collector in their 30s, highlighting youthful buying power.

18 Artists Reimagine Angels in Brooklyn Exhibition

Angel Archives, a Brooklyn-based collective founded in 2025 by Emma Long and Audrey Roloff, will present its group exhibition 'Angels' on July 17 at Studio 45 in East Williamsburg. The show features 18 artists working across various mediums, each reimagining angels as protectors, guides, and spiritual presences. Themes include grief, sacred imagery, purity, and the tension between the unreachable and the real. Featured artists include Audrey Roloff, Ashley Walia, Autumn Kidd, Charlie Rudalavage, Claire Porter Manning, EC Brooks, Eden Weinstein, Emma Long, Fiona Murphy, Jade Groobman, Julia Rose, Kaden Bard Dawson, Megan Liz Smith, Sara Carlsen, Sharon Yalan Li, pszygy, Why? Why Not? Because!, Henry Davis, and Charlotte Davis.

“Chaos Osmosis” Project Announces Open Call for Artists & Scientists

Nicole Longnecker Gallery in Houston has announced an open call for the third edition of "Chaos Osmosis," an art and science exhibition centered on fluid dynamics. The project is a partnership between the gallery, the Gallery of Fluid Motion in Houston, and the Paradoxluxe curatorial collective, with locations in Greece and Puerto Rico. Selected participants will be featured in a dual exhibition at Nicole Longnecker Gallery and the Houston Museum of Natural Science, opening in October 2025. Houston-region artists and scientists from all disciplines are invited to submit works in any medium, including video, photography, painting, sculpture, installation, and mixed media. The submission deadline is July 30, 2025.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

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Chinese artist Jacky Tsai has created a painting on an orbital rocket, produced in collaboration with commercial space company LandSpace. The artwork, titled ZQ-2E Y2 (Zhuque-2 Enhanced, Flight 2), was rendered in aerospace-grade paint using advanced methods coordinated with engineers, and launched into space earlier this year. Inspired by the Chinese folktale “Chang’e Flying to the Moon,” the design remained visible as the rocket approached the stratosphere, marking what Tsai calls the first fully art-painted rocket to enter Earth’s orbit.

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The Mathaf: Arab Museum of Modern Art in Doha has opened "Wafa al-Hamad: Sites of Imagination," the first solo museum exhibition dedicated to the late Qatari artist Wafa Al-Hamad (1964–2012). Curated by Lina Ramadan, the show runs through August 9 and features over 40 years of Al-Hamad's work across mediums including ink, watercolor, pastel, collage, and digital art. Al-Hamad was one of the first female students at the Qatari Free Atelier in 1981 and later became a professor at Qatar University, exhibiting in group shows across the Gulf such as the Sharjah Biennale 4 (1999) and "6 Gulf Women Artists" in Sharjah (1994).

The flesh artist: Jenny Saville returns to the spotlight with a US$2.7m drawing and major London retrospective

British figurative painter Jenny Saville has returned to the spotlight with a new auction record and a major retrospective. Her charcoal drawing *Mirror* (2011-12) sold for £2.11 million (US$2.7 million) at Sotheby’s London, setting a record for a work on paper by the artist. The sale coincides with *Jenny Saville: The Anatomy of Painting*, a retrospective at London’s National Portrait Gallery running through 7 September, which features 45 works tracing her evolution from early oil paintings to recent charcoals.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

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Artist Jehan Legac, originally from Paris and based in Bangkok, discusses his practice of oil painting and photorealistic surrealism in an interview. His work, which explores femininity, sensuality, and sci-fi or fantasy narratives, has been exhibited at Nave8 Gallery in Ibiza, Saba Gallery in Miami, and Chaiyos Gallery in Bangkok. Legac describes his creative process as a slow, intuitive dialogue with the medium, emphasizing patience and emotional depth over intellectual understanding.

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Artnet News published its quarterly museum artist ranking for June 2025, analyzing temporary exhibitions at over 250 U.S. museums to identify which living artists received the most institutional attention. The list includes over 4,500 names, with Indigenous contemporary artists dominating the top ranks: Cara Romero and Sky Hopinka remain highly visible, joined by Jeffrey Gibson and Andrea Carlson. Cindy Sherman appears in at least 10 group shows nationwide, while Alex Katz continues as a rare painter favored by museums at age 97. The ranking prioritizes career retrospectives, dedicated exhibitions, and special commissions over group show appearances.

Hunterdon Art Museum exhibition explores the wonder of … paper

The Hunterdon Art Museum in Clinton, New Jersey, presents "Pulp: The Fluid and the Concrete," a group exhibition featuring 26 artists who explore the artistic potential of handmade paper. Curated by Gail Deery and Cynthia Nourse Thompson, the show transforms the museum's second floor into a celebration of paper as a versatile, sculptural medium, with works ranging from Joan Hall's marine-inspired "Red Tide Returning" to Michelle Samour's intricate paper installations and Marc Rosenquist's pulp sculptures.

Galleria brings unique approach with flowing, weaving of art

The Viera Voice reports on a local gallery, Galleria, which is introducing a distinctive artistic approach centered on flowing forms and weaving techniques. The article highlights how this gallery is bringing a unique perspective to the local art scene through its focus on these dynamic, textile-inspired methods.

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Earlier this spring, artist Julia Isídrez led a guided tour at São Paulo's Gomide & Co. gallery for a joint exhibition with Maria Lira. The show highlights two artists from different generations and mediums—Lira from Brazil (painting) and Isídrez from Paraguay (sculpture, featured in the 2024 Venice Biennale)—who both engage Indigenous and Afro-Indigenous traditions from a contemporary perspective. Gallerist Thiago Gomide rejects labels like 'folk' or 'popular,' insisting it is simply an art exhibition. The article profiles a network of Brazilian dealers, including Vilma Eid of Galeria Estação and Antonio Almeida of Almeida & Dale, who have worked to revive interest in arte popular, a category historically applied to self-taught, Indigenous, and Black artists.

The Artist Who Keeps Remaking His Childhood Home

The New York Times profiles an artist who repeatedly recreates his childhood home through various artistic mediums, exploring memory, loss, and the passage of time. The article details how the artist reconstructs the house from memory, using materials ranging from drawings and sculptures to immersive installations, each iteration reflecting a different emotional or psychological state.

Over a Hundred Thousand Images Later: Dan Kane, a Retrospective

The South Dakota Art Museum will present "Over a Hundred Thousand Images Later: Dan Kane, a Retrospective" from June 28 to September 28, 2025. The exhibition showcases the career of Dan Kane, a South Dakota-born photographer who has lived in Berlin for decades, featuring his analog black-and-white photographs that explore the male nude and South Dakota landscapes. Curated by Hunter O'Hanian, the show includes works from 1987 onward and is supported by anonymous and named sponsors.

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Art Basel in Basel has concluded, with galleries reporting hundreds of sales despite low expectations set by lackluster New York auction results. Dealers shared prices ranging from $1 million to $17 million, with top sales including David Hockney's *Mid November Tunnel* (2006) at Annely Juda Fine Art ($13M–$17M), a Ruth Asawa sculpture at David Zwirner ($9.5M), and a Gerhard Richter painting at David Zwirner ($6.8M). Other notable transactions include works by Keith Haring, Mark Bradford, Georg Baselitz, and George Condo, though many galleries provided only price ranges and withheld exact titles or mediums.

“Dyke is our armor:” A conversation with dyke artist Sarah-Joy Ford’s about her new exhibition Dykeland (2025)

Dr. Sarah-Joy Ford, an artist and independent scholar based in Todmorden, West Yorkshire, has opened her exhibition "Dykeland: Volume 1" at The Whitaker Museum & Art Gallery in Rossendale on June 7, 2025. The show explores the history of dyke and lesbian landscapes in the UK, focusing on queer relationality to placemaking and preservation. It interweaves historical material, personal memory, and fantasy in response to Jane Cambell's upcoming poetry collection "Dykeland and other secret islands," and is displayed alongside Cambell's art. Ford uses quiltmaking as a medium to share lesbian and queer archival material, continuing a tradition of queer fabric art that includes recent installations like the ACLU's 258-square-quilt display on the National Mall and the Euphoria Quilt by Eliot Anderberg.

Exhibition in Abu Dhabi marks collaboration between Korean and Emirati institutions

A partnership exhibition titled "Layered Medium: We Are in Open Circuits" has opened at Manarat Al Saadiyat in Abu Dhabi, featuring 29 Korean contemporary artists from the Seoul Museum of Art (SeMA) collection. Organized with the Abu Dhabi Music & Arts Foundation (ADMAF), the show includes works by Nam June Paik, Haegue Yang, Lee Bul, and others, and runs until 30 June. A reciprocal exhibition of Emirati artists, "Intense Proximities," will open at SeMA in December 2025. The curators, Maya El Khalil and Kyung-hwan Yeo, chose to present each country's art scene separately to allow full appreciation on its own terms.

The Space Between: Denja Harris Brings Innovative Fiber Art to Oceanside Museum

Denja Harris, an innovative fiber artist, is bringing a new exhibition titled "The Space Between" to the Oceanside Museum of Art. The show features her intricate textile works that explore themes of connection, identity, and the physical and emotional spaces between people and places. Harris uses traditional fiber techniques like weaving and knotting, often incorporating unconventional materials to create layered, sculptural pieces that challenge the boundaries of the medium.

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The Digital Art Mile, Basel's first-ever digital art fair, opened its second edition on Monday at the city's Kult Kino Camera cinema, running through Sunday. Founded by digital art adviser Georg Bak and ArtMeta founder Roger Haas, the fair features panels, conferences on the digital art market, and the headline exhibition “Paintboxed,” which explores the history of the Quantel Paintbox. In a calmer, more academic atmosphere than Art Basel, ARTnews asked 10 prominent digital art figures to select their favorite artwork from the fair, with responses highlighting works such as Kim Asendorf's "Monogrid 90," XCOPY's "Last Selfie," and Matt Kane's "Gazers 200."