Chinese artist Cai Guo-Qiang staged a fireworks performance titled 'The Rising Dragon' at the base of the Himalayas in Shigatse, Tibet, sponsored by outdoor apparel brand Arc'teryx. The event, which involved colored smoke emitted at 18,000 feet elevation, sparked widespread online criticism over environmental concerns. Chinese authorities launched an investigation, and both Arc'teryx and Cai issued public apologies.
South Korea's impeached former president Yoon Suk-yeol's wife, Kim Keon-hee, was arrested in August on charges including bribery. A special prosecutor revealed that a painting by renowned artist Lee Ufan is central to the inquiry. Prosecutors allege that former prosecutor Kim Sang-min purchased Lee's work *From Point No. 800298* in 2023 for about $75,000 on behalf of Kim Keon-hee's brother, Kim Jin-woo, and that the painting was given to the former first lady's circle. The transaction is being investigated for possible links to political favors, including Kim Sang-min's bid for a ruling-party nomination and his later appointment as a legal adviser to the National Intelligence Service.
Sotheby’s will auction Eddie Van Halen’s custom-built 1982 Kramer guitar, estimated at $2–3 million, as the centerpiece of its inaugural “Grails Week” in New York this October. The instrument, unseen for over 40 years, was played on tour, later owned by Mötley Crüe’s Mick Mars, and features Van Halen’s iconic red, black, and white striped design. The week-long sales series will also include Bob Dylan lyrics, Rolling Stones album artwork, and a Beatles cymbal.
Greenpeace activists scaled a Shell-operated gas rig in the North Sea and unfurled a 315-square-foot canvas titled "Butchered," designed by artist Anish Kapoor. The activists sprayed crimson paint made from beetroot powder and pond dye across the canvas, creating a blood-like stain intended to symbolize environmental destruction. The work, described as the first fine art exhibited from a working gas rig, was erected during the UK's fourth heat wave of the summer to protest fossil fuel companies' role in climate change.
Kenny Schachter critiques the art market's doomsaying media narrative, coining the acronym Salsa (Scribes Always Love Sensational Apocalypse) to describe clickbait-driven hype. He contrasts current market anxieties with past downturns, notably the 1991-1996 recession when the market evaporated, citing a 1991 Roberta Smith article. Schachter observes that the Nahmads and Mugrabis, once feuding families, now invest together, and he recounts his experience at Phillips during his "Hoarder 6" exhibition, where young collectors showed genuine interest. He argues that the market, though wounded, remains healthy and calls for a less transactional, more patient approach to selling art.
Art Basel 2026 confirmed that the global art market remains a buyer's market, with sales occurring across various price brackets. A new generation of collectors is emerging, driven by curiosity, community, and long-term engagement rather than speculation. Meanwhile, former Sotheby's executive Adam Chinn has quietly built the art lending firm International Art Finance, backed by the Nahmad family.
Art Basel, the world's largest art fair, returns from June 17 to 22 amid ongoing market contraction and geopolitical instability. Meanwhile, Sotheby's London will auction the private collection of legendary art patron Pauline Karpidas in a 250-lot sale this September, estimated to fetch a record-setting $81 million. Additionally, Frieze will relocate to a new venue in Seoul for its fourth edition in the South Korean capital.
Amalia Ulman's new film *Magic Farm* follows an American documentary crew that arrives in a rural Argentine town with a mandate to cover "crazy subcultures," only to find none. Led by a harried producer (Alex Wolff) and an anchor (Chloë Sevigny), the crew fabricates a zany trend while completely missing an environmental crisis affecting the village—no drinking water and widespread illness. Ulman describes the film as a critique of media bureaucracy, where content demands override actual news. The film continues her exploration of image-making and fiction, themes she previously investigated in her 2014 Instagram performance *Excellences & Perfections* and her 2021 debut feature *El Planeta*.
The former San Francisco Art Institute (SFAI) campus has been transformed into a privately funded nonprofit arts center called the California Academy of Studio Arts (CASA). Backed by philanthropist Laurene Powell Jobs, who purchased the Chester Street campus for $30 million last year, CASA will host 30 emerging artists annually in an unaccredited studio program. Artists will have access to private studios, shared workspaces, and professional mentors, with no tuition fees. The center is led by director Abbye Churchill and plans seminars for participants. SFAI, one of the oldest art schools in the U.S., suspended operations in 2022 and filed for bankruptcy after a failed merger with the University of San Francisco.
Collectors and philanthropists Igor and Mojca Lah are opening a new contemporary art museum called Muzej Lah in Bled, Slovenia, set to debut next year. Designed by David Chipperfield Architects, the 55,000-square-foot museum will be built into a hillside beneath Bled Castle and will house the Fundacija Lah art collection of around 800 works, including pieces by Joseph Beuys, Anselm Kiefer, William Kentridge, Anne Imhof, and Theaster Gates, many never before publicly displayed.
Art Basel is expanding to the Middle East with a new fair in Doha, Qatar, set to launch in February 2026. The inaugural edition will feature around 50 galleries from local and international scenes, held across two venues: M7 and the Doha Design District. The fair is a partnership between Art Basel, Qatar Sports Investments (QSI), and QC+, a cultural commerce collective under Qatar Museums. A new artistic director will be announced soon, and the fair aims to scale up over time, with additional art activations in outdoor spaces like Msheireb Museums and Barahat Msheireb square.
Smith and Partner, a London-based art investment firm, has been accused of defrauding over a thousand investors out of $11 million through a scheme involving high-pressure sales of limited edition art prints with promises of future returns that rarely materialized. The company, founded by Austrian citizen Peter Paul Adam in 2015, faced complaints from 2020 onward, leading to its bank freezing accounts and an investigation by British Trading Standards. Liquidators are seeking $17 million in compensation, and a High Court judge has upheld asset freeze orders against former director Luke Sparkes and his company Zeno Fine Art, which allegedly inflated print prices by nearly 500 percent.
Frieze, the international art fair group, has been sold to Ari Emanuel, the Hollywood power broker who previously owned it through Endeavor. Emanuel acquired Frieze via a new, unnamed company from his former entertainment conglomerate, which was recently taken private by Silver Lake. The deal, valued at approximately $200 million according to sources, includes all seven fairs, Frieze magazine, and the No. 9 Cork Street exhibition space. Simon Fox will remain CEO. The sale comes just days before Frieze New York’s 2025 edition and follows months of speculation about the fair's future ownership.
The Dutch municipality of Maashorst accidentally threw out a valuable Andy Warhol silk-screen print of former Queen Beatrix, along with nearly 50 other artworks, during a town hall renovation. An independent investigation commissioned by the municipality, first reported by the New York Times, was inconclusive, and officials acknowledged the error in a letter to the council, stating that recovery of the missing works is unlikely. The Warhol print, from the Reigning Queens series (1985), is valued between $40,000 and $50,000.
Artist Nancy Lupo is preparing a new exhibition titled "Meow Meow Real Estate" at the Nicoletta Fiorucci Foundation in London. The show shares its name with a novel she is writing, both projects emerging from a period of personal displacement and a fixation on finding a home. The exhibition continues a trajectory of shows that serve as interconnected, physical manifestations of her literary and emotional exploration of place.
Burnaway's May 2026 Calls for Artists roundup lists multiple opportunities with deadlines in early May. These include the Joan Mitchell Center's call for figurative works, the Michael P. Smith Fund for Documentary Photography for Gulf Coast photographers, the Center for Craft Teaching Artist Cohort offering $10,000 grants to mid-career craft artists, the Hopper Prize grants totaling $13,000, residencies at The Studios of Key West and Trillium Arts, and the National Performance Network Creation & Development Fund. Each opportunity has specific eligibility, fees, and deadlines ranging from May 3 to May 18, 2026.
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Bottega Veneta's creative director Louise Trotter has launched 'Bottega Veneta for the Arts,' a new collaborative series aimed at connecting the fashion house with the art world. The inaugural project features British photographer Peter Fraser, who documented Trotter's debut collection in Italy's Veneto region, the brand's birthplace. This follows previous art collaborations with photographer Duane Michals and painter Poppy Jones.
This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.
This article from ArtAsiaPacific reports on three recent art awards. Iraqi artist Ali Eyal received the Hammer Museum's $100,000 Mohn Award for emerging artists in Los Angeles. Japanese artist Mari Katayama won the inaugural ¥10 million Mori Art Award from the Mori Contemporary Art Foundation in Tokyo. Korean media artist Jeamin Cha secured the Hermès Foundation's 21st Missulsang, receiving KRW 30 million and production support for a solo exhibition at Atelier Hermès in Seoul in 2027.
Adam Budak has been dismissed as director of the Museum of Contemporary Art in Krakow (MOCAK), effective from 12 May, with his employment ending on 30 June. The city of Krakow cited improper performance of duties related to work organization and team management, following an investigation triggered by a complaint signed by 37 employees. Budak disputes the decision, calling it baseless and made under time pressure, and is considering an appeal. Artists including Paulina Ołowska and Robert Knoke have rallied in support, with several artists withdrawing from MOCAK's 2026–27 programme in solidarity.
Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.
The City of Krakow dismissed Adam Budak as director of the Museum of Contemporary Art in Krakow (MOCAK) on May 16, citing improper performance of duties related to work organization and team management. Budak, who took the helm last summer, was replaced by acting director Grzegorz Kuźma, formerly the museum's deputy director, and will be officially terminated when his contract ends June 30. The dismissal followed an internal investigation spurred by a complaint signed by thirty-seven MOCAK staffers. In response, artists and curators including Paulina Olowska, Sabine Breitweiser, Alison Gingeras, and Candice Breitz signed a petition demanding Budak be heard, while several artists withdrew from MOCAK's 2026–27 programming.
Il museo MAR di Ravenna apre una galleria permanente dedicata al fotografo di moda Paolo Roversi
The MAR museum in Ravenna, Italy, is opening a permanent gallery dedicated to fashion photographer Paolo Roversi, set to launch on May 20. The space, curated by Chiara Bardelli Nonino, will showcase Roversi's poetic and visual universe, featuring his iconic portraits of models like Kate Moss, Naomi Campbell, and Rihanna, along with his fashion work and still lifes. The gallery is designed by scenographer Ania Martchenko with lighting by Silvestrin & Associati, and includes areas such as the Studio, the Archive, and the Room of the Muses.
The Museum Rietberg in Zurich is transferring ownership of 11 Benin Bronzes to the Republic of Nigeria. The transfer includes a significant commemorative bronze head from around 1850 and an 18th-century ivory tusk, both looted during the British raid on Benin City in 1897, which will be physically returned to Nigeria this summer.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair. Highlights include Isa Genzken’s architectural investigations at the Triennale Milano, Cao Fei’s exploration of global agriculture at Pirelli HangarBicocca, and Anselm Kiefer’s monumental tributes to female alchemists. These shows span the city's major institutions, offering a diverse look at how contemporary artists engage with history, technology, and the built environment.
The Metropolitan Museum of Art has announced its spring 2026 Costume Institute exhibition titled "Costume Art," along with the accompanying Met Gala fundraiser scheduled for May 4, 2026, with a "Fashion is Art" dress code. The exhibition will debut in the newly designed 12,000-square-foot Condé M. Nast Galleries, featuring nearly 400 objects that juxtapose historical garments with fine art across thematic bodily categories such as the "Classical Body" and "Pregnant Body." Curated by Andrew Bolton, the show includes standout pairings like a Glenn Martens suit with an ancient marble statue and a Comme des Garçons ensemble with a Max Weber painting, with mannequins featuring polished steel heads by artist Samar Hejazi.
Crown Equipment has announced the construction of the Modern Aboriginal Art Museum in New Bremen, Ohio, a 23,700-square-foot facility scheduled to open in late 2026. The museum will house one of North America’s largest collections of contemporary Australian Aboriginal art, featuring over 100 paintings and sculptures. The project stems from the company’s 60-year business history in Australia and follows the philanthropic model of Crown’s previous local cultural investments.
The Virginia Museum of Contemporary Art (Virginia MOCA) has announced plans to relocate from its longtime home to a new, state-of-the-art facility in Virginia Beach. This move marks a significant expansion for the institution, aiming to modernize its exhibition spaces and enhance its capacity for community engagement and educational programming.
The city of Pécs, Hungary, has reopened the Victor Vasarely Museum following a comprehensive renovation to mark the 120th anniversary of the artist's birth. The updated institution features a modernized building and a redesigned curatorial approach that showcases approximately 400 works, including monumental screen prints from the "VI-VA Album" that have been in storage for over 50 years. New interactive spaces and a focus on international dialogue place Vasarely’s Op Art legacy within the broader context of 20th-century geometric abstraction.