Musician Kid Cudi, working under the artist alias Scotty Ramon, has launched his debut solo art exhibition titled 'Echos of the Past' at the Ruttkowski;68 gallery in Paris. The show features a collection of paintings characterized by a cartoonish aesthetic, bold colors, and themes ranging from inner turmoil to meditative peace, accompanied by a 16-minute documentary detailing his creative process.
Kyotographie, Japan's leading international photography festival, opened its 2025 edition with the theme 'Edge,' featuring 14 exhibitions across Kyoto. The festival includes a major retrospective of Daido Moriyama, the 86-year-old pioneer of the 'are-bure-boke' aesthetic, showcasing over 200 images, 400 magazines, and 100 books. Also featured are British artist Linder Sterling, known for her punk-era feminist photomontages and album art for Buzzcocks, and Kenyan photographer Thandiwe Muriu, this year's African artist in residence, who uses patterned kitenge fabric to explore identity and female empowerment.
Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.
The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.
A conversation between German author and filmmaker Alexander Kluge and curator Hans Ulrich Obrist, originally published in 2017, has been republished following Kluge's recent death at age 94. The dialogue explores the unique capacities of different art forms, the need for interdisciplinary collaboration, and the role of art as an "oasis" or "garden" within an overwhelming technological landscape.
An exhibition of works by Spanish Baroque painter Francisco de Zurbarán has opened at London’s National Gallery, showcasing his strikingly realistic still lifes and religious scenes. The show highlights Zurbarán’s masterful use of light, texture, and dramatic composition to create paintings that feel almost tangible, drawing viewers into their intimate, contemplative worlds.
Berlin's Gemäldegalerie is digitally reconstructing hundreds of Old Master paintings by artists like Rubens, Veronese, van Dyck, and Caravaggio that were destroyed in fires near the end of World War II. The project uses high-resolution scans of glass negatives, primarily photographed by Gustav Schwarz between 1925 and 1944, to create detailed online renderings that will be publicly accessible for viewing and download later this year.
The Julia Stoschek Collection has made its United States debut with a sprawling exhibition titled "What a Wonderful World: An Audiovisual Poem," staged at the historic Variety Arts Theater in Los Angeles. Curated by Udo Kittelmann, the presentation features 45 time-based media works by a high-profile roster of artists including Marina Abramović, Arthur Jafa, and Anne Imhof, alongside early cinema classics. Eschewing traditional "white cube" gallery aesthetics, the show utilizes the dilapidated grandeur of the six-story theater, allowing for overlapping soundtracks and non-linear viewing experiences.
Amsterdam-based fashion brand Scotch & Soda has launched a new apparel collection in partnership with the estate of Jean-Michel Basquiat. The line features men’s, women’s, and children’s clothing adorned with the late artist’s signature motifs, including his iconic three-point crown and sketches. A central element of the collaboration is the use of Basquiat’s 1987 painting "Unbreakable," which has been adapted into prints for hoodies, jackets, and denim.
Butter, the Indianapolis-founded art fair known for returning 100 percent of sales proceeds to artists, is making its Los Angeles debut at Hollywood Park in Inglewood. Organized by the cultural development firm GangGang, the fair coincides with Frieze Week and features works by Black visual artists including Micah Johnson, Micaiah Carter, and April Bey. The event includes a robust programming schedule featuring a collaborative installation by Lauren Halsey and a screening commemorating the 50th anniversary of Ernie Barnes’s "The Sugar Shack."
Casa Batlló, a UNESCO World Heritage Site in Barcelona designed by Antoni Gaudí, has opened a new exhibition space called Casa Batlló Contemporary dedicated to contemporary art. The program launched with a show by United Visual Artists (UVA), a London-based collective founded by Matt Clark, running from January 31 to May 17. The space, located on the second floor and restored by architecture studio Mesura, will host two annual exhibitions. This initiative expands on Casa Batlló’s existing "Mapping" series, which commissions artists to project audiovisual works onto Gaudí’s façade.
The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.
The Chanel Culture Fund has announced the 10 recipients of its 2026 Chanel Next Prize, each receiving €100,000 ($117,400). The winners, announced on January 19 in London, include visual artist Álvaro Urbano, jazz musician Ambrose Akinmusire, fashion designer Andrea Peña, artist and filmmaker Ayoung Kim, fashion designer and artist Bárbara Sánchez-Kane, sound artist Emeka Ogboh, choreographer Marco da Silva Ferreira, experimental musician Pan Daijing, filmmaker Payal Kapadia, and painter Pol Taburet. The biennial prize, now in its third edition, also includes a two-year mentorship program in collaboration with Chanel’s cultural partners, such as London’s Royal College of Art.
The Obama Foundation has commissioned artist Theaster Gates to create an expansive frieze for the Pendleton Atrium of the Obama Presidential Center (OPC), set to open on Chicago’s South Side in 2026. The installation will draw from the Johnson Publishing Company image archive and the Howard Simmons photographic collections, celebrating the visual archives of Ebony and Jet magazines. Gates, who founded the Rebuild Foundation in 2009, will join nine other artists—including Kiki Smith, Nick Cave, Marie Watt, Jenny Holzer, and Idris Khan—whose works were announced in September for the OPC campus.
Immigration lawyers report that social media influencers and OnlyFans models are increasingly qualifying for O-1B visas—the U.S. visa category for individuals with extraordinary ability in the arts—by presenting online metrics such as follower counts, earnings, and brand deals as evidence of distinction. Traditionally, visual artists have needed exhibition histories, recommendation letters, and press clips to apply, but attorneys say the criteria have shifted to accommodate digital fame, with some arguing that the quality of approved applicants has been "watered down."
The Museum of Contemporary Photography (MoCP) at Columbia College Chicago will host an exhibition titled “If Emmett Till Lived: Freedom on American Ground,” guest curated by Harvard professor Sarah Lewis. Opening September 3, the show draws from MoCP’s permanent collection and features 70 photographers—including Gordon Parks, Henri Cartier-Bresson, Dorothea Lange, and Carrie Mae Weems—to imagine the life Emmett Till might have lived had he not been lynched in 1955. The exhibition includes images of Chicago, the railways Till traveled, and milestones he missed, such as the Chicago Bulls phenomenon, Barack Obama’s election, and ongoing civil rights protests.
Brian Eno, the renowned musician and artist, is selling a cache of paintings for £500 each (around $666) through his London gallery, Paul Stolper. The online sale begins November 12, following a two-day performance where Eno created over 400 works using stencils, spray paint, and found objects like dried pasta and wooden blocks. The paintings, measuring about 5 by 7 inches, are priced individually, with four-block assemblages available for £3,000. An exhibition accompanies the sale from November 14 through January 17 at Paul Stolper.
Drew Struzan, the artist behind iconic movie posters for franchises like Star Wars, Harry Potter, and Indiana Jones, died on October 13 at age 78 after a battle with Alzheimer's. His wife, writer Dylan Struzan, announced the news on Instagram, noting his daily engagement with the works of Van Gogh, Gauguin, and Cézanne. Struzan studied under Lorser Feitelson at the Art Center College of Design in Pasadena and was influenced by Impressionists as well as Renaissance masters like Michelangelo and Pontormo.
Diane Keaton, the acclaimed actress known for films like Annie Hall and The Godfather, died at age 79. Beyond her acting career, Keaton was a devoted visual artist who worked in photography and collage, publishing several art books including Saved: My Picture World (2022), Reservations (1980), and California Romantica (2019). She was also a passionate collector of photography books and frequently discussed her lifelong practice of collage-making.
The Los Angeles County Museum of Art (LACMA) has booked American singer and rapper Doja Cat as the musical guest for its annual Art+Film Gala on November 1. The event will also honor visual artist Mary Corse, a key figure in the Light and Space movement, and filmmaker Ryan Coogler, known for 'Black Panther' and 'Sinner'. The gala is co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio.
A revealing photograph of singer Lorde from the vinyl edition of her new album *Virgin* has gone viral, sparking debate on social media. The image, credited to artist Talia Chetrit, shows Lorde in see-through pants without underwear, echoing the album's cover—an X-ray of her pelvis by Heji Shin. Chetrit, known for exploring power dynamics and sexuality in her work, previously photographed Lorde for a single cover. The photo has drawn comparisons to Chetrit's earlier self-portraits and has been discussed in the context of nudity and illusion in art.
At the 2025 Glastonbury Festival in the UK, Turner Prize-winning artist Mark Wallinger presented an anti-fascist installation titled "Jungle Gym" at the Terminal 1 Stage, curated by Oriana Garzón as part of the exhibition "No Human is Illegal." The work, built with chainlink fencing and using only Unicef blue, highlights the suffering of children in Gaza and the bureaucratic challenges faced by migrants. Festivalgoers entered by answering a British citizenship test question, with incorrect answers sending them to the back of the line, before passing through a cabin styled as a refugee camp to reach the installation.
The UK government has finalized design plans for a national memorial to Queen Elizabeth II in London’s St James’s Park. A team led by architect Norman Foster of Foster + Partners, including British-Nigerian artist Yinka Shonibare CBE RA, will create a natural stone path connecting royal gardens, a translucent cast-glass balustrade on the Blue Bridge inspired by the Queen’s wedding tiara, and figurative sculptures of the Queen and Prince Philip. Landscape designer Michael Desvigne is also part of the team, working with the Queen Elizabeth Memorial Committee. The final design will be announced in April 2026, coinciding with what would have been the Queen’s 100th birthday, with a budget of £23 to £46 million from public funds.
Dartmouth College students have reignited a campaign to rename the Black Family Visual Arts Center, a campus facility funded by billionaire investor Leon Black. The movement, led by freshman Oscar Rempe-Hiam and supported by student government, criticizes the administration's lack of urgency in distancing the institution from Black, whose long-standing ties to Jeffrey Epstein and personal allegations of sexual misconduct have sparked years of controversy.
The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.
The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.
New Orleans Auction Galleries has announced its upcoming Fine Art and Design sale, featuring 279 lots that span over a century of modern and contemporary art. The auction highlights a diverse range of works, including pieces by Mexican modernist José Clemente Orozco, Abstract Expressionist Grace Hartigan, and Southern Regionalist John McCrady. The selection focuses on themes of identity, social consciousness, and the intersection of text and visual media.
A previously unknown scrapbook containing over 150 unseen photographs by Cecil Beaton and Lee Miller has been acquired by the University of Oxford’s Bodleian Library. Compiled between 1943 and 1949 by Roland Haupt, a darkroom assistant who processed film for both photographers during World War II, the album includes rare war reportage, portraits, and personal mementos. Among the highlights is an unpublished alternative shot of Miller in Adolf Hitler’s bathtub and Surrealist-inflected images of the conflict's aftermath.
A collection of over 100 photographs by German photographer Albert Scopin, taken while he lived at New York's legendary Chelsea Hotel from 1969 to 1971, has been rediscovered and published in a new book. The images, long thought lost after being sent to a German magazine in the 1970s, were unexpectedly recovered by a gallerist in 2016 and capture the hotel's eclectic residents and vibrant countercultural scene.
Pierre Huyghe has unveiled his most ambitious project to date in Berlin, a major exhibition titled 'Liminals' staged at the cavernous Halle am Berghain. Commissioned by the LAS Art Foundation as part of its 'Sensing Quantum' program, the installation features a massive 50-minute film projected in a former electrical station, accompanied by a droning, atmospheric soundscape. The work continues Huyghe’s exploration of AI-driven systems and 'unworlding,' attempting to create a space that transcends human subjectivity through bio-technological environments.