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Art Toronto gives Latin American artists pride of place with new curated section

Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.

At the Atlanta Art Fair's second edition, the city showed its strengths

The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.

Art in Focus: New Public Exhibit by Julia Chiang Presented by Art Production Fund

Julia Chiang has unveiled a new public art exhibition titled "This Way That Way, Here" at Rockefeller Center in New York City, presented by Art Production Fund as part of the Art in Focus series. The show features a trio of glass cases with 18 glazed ceramic vessels at 45 Rockefeller Plaza, a diorama-like window display at 10 Rockefeller Plaza created through a children's workshop called Art Sundae, murals throughout the campus reproducing excerpts from Chiang's 2021–2025 works, and a 125-foot mural on the Rink Level. The exhibition runs through the end of October and includes paintings and ceramics that explore themes of the human body and natural phenomena.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

Reverend Joyce McDonald: ‘Art was like therapy for me’

Reverend Joyce McDonald, a 74-year-old artist and minister, is the subject of her first museum survey, 'Ministry: Reverend Joyce McDonald,' at the Bronx Museum. The exhibition showcases her ceramic sculptures, which she began creating after an HIV diagnosis in 1995 while struggling with heroin addiction and sex work. McDonald discovered ceramics through an art therapy program with the Jewish Board of Family Services and later connected with Visual Aids, a New York organization supporting HIV-positive artists. Her works, often depicting figures praying or embracing, are held in collections including the Hammer Museum, Brooklyn Museum, and CCS Hessel Museum of Art.

Exhibition as Séance at Seoul Mediacity Biennale with Anton Vidokle, Hallie Ayres, and Lukas Brasiskis

The 13th Seoul Mediacity Biennale, titled “Séance: Technology of the Spirit,” will open in August 2025 at the Seoul Museum of Art. The exhibition is curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis of e-flux, who previously organized the Shanghai Biennale in 2023. The curators aim to structure a film program as an extension of the exhibition, engaging with themes of Cosmism and spiritual séance. They have collaborated with the Hong Kong-based architecture firm COLLECTIVE to transform the museum’s white-wall space into a scenography evoking different metaphysical realms, using color and light to enhance the experience.

London Gallery Weekend, Brazil’s National Museum, Jane Austen at the Morgan—podcast

The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the fifth edition of London Gallery Weekend, which opens amid a sluggish global art market; the National Museum of Brazil's planned partial reopening after a devastating 2018 fire; and the Morgan Library & Museum's new exhibition 'A Lively Mind: Jane Austen at 250', featuring a miniature portrait of the author. Host Ben Luke speaks with gallerists Ananya Mukhopadhyay and Jeremy Epstein about the weekend's potential market impact, interviews museum director Alexander Kellner on the recovery efforts, and discusses the Austen portrait with curator Juliette Wells.

5 Artists on Our Radar in May 2025

Artsy's May 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Julia Jo, Raina Lee, Yaya Yajie Liang, and two others. Julia Jo, a Korean painter based in New York, showed new works at the Independent art fair with Charles Moffett, featuring emotionally charged, abstract figurative paintings. Raina Lee, a Taiwanese American ceramicist, presented pocket-sized glazed stoneware at NADA and Future Fair during New York Art Week, inspired by travel and cultural relics. Yaya Yajie Liang, a Chinese painter based in London, creates oil paintings with fluid brushstrokes exploring bodily sensations and interconnectedness.

Refurb and rehang at London's National Gallery, Tate Modern turns 25 and Inge Mahn's ‘Balancing Towers’—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. First, the National Gallery in London reopens its Sainsbury Wing after a two-year closure, featuring a major architectural overhaul by Annabelle Selldorf and a complete rehang of the collection; Luke tours the space with director Gabriele Finaldi. Second, Tate Modern celebrates its 25th anniversary, with Luke discussing its impact and future with Louisa Buck and Dale Berning Sawa. Third, the Work of the Week segment highlights Inge Mahn's sculpture 'Balancing Towers' (1989), featured in the exhibition 'Are we still up to it?' – Art & Democracy at Herrenchiemsee Palace, discussed with co-curator Oliver Kase.

Polar icebergs and North Devon cliffs meet with powerful new art exhibition at The Burton

Royal Academician Emma Stibbon opens a new exhibition, "Melting Ice | Rising Tides," at The Burton at Bideford on May 10. The show features monumental drawings and prints inspired by field trips to Svalbard and the Weddell Sea, alongside a five-metre-wide installation responding to erosion in Bideford Bay. It includes a film with contributions from Andy Bell, Caroline Lucas, and Dr. Dylan Rood, and a limited edition print, "Atlantic Edge" (2025), priced at £390 to support the gallery.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.

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Jonathan Carver Moore, founder of an eponymous gallery in San Francisco, is presenting a solo booth of new paintings by Cameroonian-born artist Sesse Elangwe at the FOG Design + Art Fair. The works, developed during a residency with the gallery, depict local Bay Area subjects against recognizable backdrops. Moore, who opened his gallery in 2023 after a career in nonprofit communications and criminal justice reform, emphasizes creating an inclusive, conversational atmosphere for art viewing and collecting.

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Conservators restoring paintings in the Great Hall of Blenheim Palace, a UNESCO World Heritage site in the UK, discovered graffiti names written on the ceiling dating back to 1843. The names, found over 60 feet up, include workers such as a plasterer from 1843 and individuals from 1968, along with dates like 1931 and 1939. The discovery was made during a $16 million roof restoration project that began in 2024 and is set to finish next year.

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Riyadh Art has launched an open call for the seventh edition of Tuwaiq Sculpture, scheduled for January and February 2026 under the theme 'Traces of What Will Be.' The open call runs from August 27 to October 1, 2025, inviting sculptors worldwide to submit proposals for a live sculpting experience in Riyadh. Twenty-five artists will be selected to create original works that will be permanently installed across the city. An international curatorial team has been announced: U.K.-based Sarah Staton, German-born Rut Blees Luxemburg, and Saudi artist Lulwah Al Homoud. The edition introduces two new sculpting categories—Granite + Stainless Steel Integration and Reclaimed Metal—and selected artists receive an honorarium plus travel and accommodation support.

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Maura Brewer, a Los Angeles-based artist and academic, creates video works that expose the role of art in money laundering. Her 2021 piece *Private Client Services* demonstrates the laundering process, while *Offshore* (2024) serves as a satirical guide for artists navigating global finance, featuring locations like the Cayman Islands and Geneva Freeport. Her ongoing project *Leverage* examines art-backed loans through the case of collector Daniel Sundheim. Brewer also works as a private investigator and recently lost her home in the Eaton Fire.

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The inaugural VIMA contemporary art fair opened in Limassol, Cyprus, at a former SODAP winery industrial site. Co-founded by Lara Kotreleva, Edgar Gadzhiev, and Nadezhda Zinovskaya, the fair aims to spotlight Cypriot and Mediterranean art, featuring a curated outdoor exhibition titled 'The Posterity of the Sun' with 17 artists, including Valentinos Charalambous, Monia Ben Hamouda, and Adrian Pepe. Curator Ludovic Delalan emphasized the site's historical and natural context.

NADA’s Heather Hubbs on Building the Fair Into an Art-World Mainstay

Heather Hubbs, executive director of the New Art Dealers Alliance (NADA), reflects on the organization's evolution from a grassroots initiative into an international coalition with over 250 gallery members and fairs in New York and Miami. The 12th edition of NADA New York returns to the Starrett-Lehigh Building from May 13–17, featuring more than 100 galleries and the return of the Curated Spotlight, organized by curator Anthony Elms in partnership with TD Bank. Hubbs discusses the fair's growth, its commitment to supporting galleries and artists year-round, and highlights 51 first-time exhibitors and experimental works by artists like Chang Sujung and Douglas Rieger.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Luminous Tiffany Window Poised to Net $2 Million at Auction

A late 19th-century Tiffany stained-glass window, known as the Boyd Family Memorial Window (The Falls), is set to be auctioned at Christie's in June with an estimated price of $2 million. The window, depicting a waterfall and sunset landscape, has been installed in the Second Congregational Church in Winsted, Connecticut, for 125 years and was commissioned by Ellen Wright Boyd in memory of her parents.

And Just Like That… Carrie Bradshaw’s Closet Hits the Auction Block

Julien’s Auctions is hosting a massive sale of over 500 props, costumes, and furnishings from the HBO series "And Just Like That…". The auction features iconic items associated with characters Carrie Bradshaw, Charlotte York, and Miranda Hobbes, including a prop Rolex watch engraved for Mr. Big, high-fashion garments, and furniture from the characters' New York apartments. Bidding began online in early April and will culminate in a live two-day event in California at the end of the month.

The Monumental Impact of Indian Miniature Painting

Aicon Art in New York has opened its first exhibition dedicated entirely to Indian miniature painting, titled "Courtly Visions: Indian Miniature Painting." The show features a breadth of works created between roughly 1630 and the early 19th century, showcasing the intricate detail and narrative scenes characteristic of the genre. It aims to highlight the diverse styles and themes that emerged from various royal courts across the Indian subcontinent.

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The Philadelphia Museum of Art is reversing its controversial rebranding decision, abandoning the name "Philadelphia Art Museum" and the acronym "PhAM" after widespread backlash. The museum will retain its new griffin logo but restore the original name, Philadelphia Museum of Art, across all platforms. The rebrand, developed with Brooklyn design studio Gretel at a cost of $1 million, was rolled out less than four months ago but met with public mockery and internal turmoil. The reversal follows the firing of CEO Sasha Suda, who filed a lawsuit over her ouster, and the appointment of Daniel Weiss, former CEO of the Metropolitan Museum of Art, as her successor. Chief marketing officer Paul Dien also resigned amid the fallout. The board voted unanimously to undo the name change after a survey commissioned by an interdisciplinary task force.

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Sesse Elangwe's 2025 painting *True Friends?* sold for $22,000 at San Francisco dealer Jonathan Carver Moore's booth during the opening of FOG Art + Design on January 21. The work, created during a residency run by Moore, was purchased by a local collector. Elangwe, a self-taught Cameroonian artist known for emotionally charged portraits of Black subjects, was the fourth participant in Moore's residency program, which aims to connect artists with Bay Area collectors. Another portrait, *And My Better Half* (2025), was pre-sold for $9,000 to another Bay Area collector.

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Albrecht Dürer created the first printed star charts in Europe in 1515, producing two 17-inch square woodcut maps of the northern and southern celestial hemispheres. The charts depict 48 constellations, including zodiac signs, and feature portraits of ancient astronomers. Dürer collaborated with mathematician Conrad Heinfogel and imperial astronomer Johann Stabius, and the prints were patronized by Holy Roman Emperor Maximilian I. One set sold for £361,250 at Sotheby's in 2011.

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The original painting for the 1977 Star Wars movie poster, created by artist Tom Jung, sold for $3.9 million at Heritage Auctions, becoming the most expensive object associated with the Star Wars franchise to date. The acrylic and airbrush artwork served as the half-sheet poster for Star Wars: Episode IV – A New Hope and features a triangular composition of characters like Luke Skywalker, Princess Leia, and Darth Vader. The painting was consigned by Melissa, daughter of producer Gary Kurtz, and surpassed the previous record for movie poster art.

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Empress Elisabeth of Austria (1837–1898), known as Princess Sisi, has re-entered the cultural spotlight after eagle-eyed historians noticed a striking similarity between Franz Xaver Winterhalter's informal portrait of the Empress with her hair down and a bridal scene in Guillermo del Toro's new film *Frankenstein*, where actress Mia Goth appears with flowing auburn locks. The comparison, shared widely on social media by historian Rachael Gibson and others, gave Winterhalter's 19th-century portrait a new viral moment, sparking renewed interest in Sisi's life and the role of hair in Victorian Europe.

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Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.

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Artist Antonio Pichillá Quiacaín, born in 1982 and based in San Pedro La Laguna, Guatemala, presents his solo exhibition “Umbilical Cord” at Elizabeth Xi Bauer gallery in London. The show, on view through August 2, 2025, features new and recent works that explore Maya visual culture, Indigenous craft traditions, and the knot as both a formal element and a metaphor for connection, life, and time. A 3:22-minute video from 2021 shows the artist in a forest with traditional weaving materials, while the exhibition also marks the gallery’s announcement of representing the artist.

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Archaeologists from the Penn Museum and Ankara Hacı Bayram Veli University have discovered an 8th-century B.C.E. royal tomb in Gordion, Turkey, containing 88 well-preserved objects including bronze cauldrons, vessels, and iron tools. The tomb, located near the famous Midas Mound, suggests a connection to the legendary King Midas or his family, and its cremation burial method predates previous evidence of elite cremation in the region by over a century.

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Lotus L. Kang's latest exhibition, "Already," is on view at 52 Walker in New York through June 7, 2025. The Brooklyn-based Canadian artist transforms the gallery into a diasporic memoryscape using steel greenhouses, mixed-media paintings, sculpture, and found objects like oversized kelp knots and soju bottles. The show takes its title from a poem in Kim Hyesoon's "Autobiography of Death" (2016), and Kang's installation explores themes of presence and absence, memory, and the transmutative qualities of photography and film. In an interview, Kang discusses how Korean poetry helps her understand her own origins as a Korean-Canadian gyopo, and how translation—both linguistic and material—shapes her work.