San Francisco’s Trash Company Marks 35 Years of Stunning Art Made of Recycled Garbage With Free Gallery Opening

San Francisco's waste management company Recology is celebrating 35 years of its Artist-in-Residence program with a free retrospective exhibition featuring artworks made from recycled garbage. The show, held at the Minnesota Street Project in collaboration with Recology, includes pieces by 63 artists who have scavenged materials from the company's 47-acre recycling center since 1990. Notable works include Nemo Gould's 'Impala' sculpture, made from scavenged antlers, power tools, and household items. The exhibition runs through August 30, 2025, and a traveling version called 'Reclaimed: The Art of Recology' is touring the country.

A grocery store turned art gallery? Only in the East Village

Village Gourmet Grocery, a corner store on 2nd Avenue and East 6th Street in New York's East Village, is hosting "EN EL KIOSCO," a solo exhibition of surreal paintings by Miami-born artist Juan Jose Heredia, through June 29. The show is organized by the nomadic Desnivel Gallery, founded by artist-curator Maria De Victoria, and features Heredia's works on soft fabrics like burlap, including pieces such as "Bunny ears of absence" and "Anemone Cerberus." The grocery store remains open for regular business from 8 a.m. to 1 a.m. (3 a.m. on weekends), allowing visitors to view contemporary art while shopping for snacks.

Mike Fredrickson’s New Album and Paintings

Mike Fredrickson, a Riverwest-based painter and musician, has released a new album titled *Sunken Treasure* and is showcasing his paintings at two Milwaukee venues. The album, recorded in Chicago with collaborators including drummer Dave Braun and guitarist Scott Ligon, features 13 songs blending catchy grooves with introspective lyrics. His vibrant cityscape and portrait paintings are on display at The Daily Bird and Beans and Barley through mid-May.

Ghosts in a Postcard Idyll

Geister im Postkartenidyll

Kôji Fukada's film "Nagi Notes" premieres in competition at the Cannes Film Festival, following Yoriko (Takako Matsu), a sculptor and farmer living a quiet, self-sufficient life in the rural Japanese town of Nagi. Her routine is disrupted when her old friend Yuri (Shizuka Ishibashi), an architect, arrives to model for a sculpture, stirring buried emotions and past conflicts. The film explores the slow, delicate process of creating art and the psychological tensions between the two women, set against the backdrop of Nagi's idyllic but symbolically flat landscape.

Investigators search again for stolen Celtic gold treasure

Ermittler suchen erneut nach gestohlenem Kelten-Goldschatz

More than three years after the theft of a Celtic gold treasure from the Kelten Römer Museum in Manching, Bavaria, investigators are conducting a new search for the missing loot. Four perpetrators were arrested and sentenced to long prison terms in July 2025, but only a small portion of the stolen gold coins was recovered. Now, based on new intelligence, Bavarian state police are searching the property of the main suspect and his partner in Plate, Mecklenburg-Vorpommern, using X-ray and radar technology. They believe 411 gold coins and a gold casting ingot—about three kilograms of gold—are professionally hidden there, along with cash from other burglaries. The suspect's partner is under investigation for money laundering for allegedly offering to help sell the gold.

Meloni on Venice Biennale: 'I've somewhat lost track'

Meloni über Venedig-Biennale: "Habe den Überblick etwas verloren"

Days before the opening of the Venice Biennale, the entire international jury resigned in protest over Russia's participation despite its war against Ukraine. The jury had previously excluded Russia and Israel from prize consideration due to International Criminal Court warrants against their leaders. Italy's Prime Minister Giorgia Meloni admitted she had "lost track" of the situation, while the government sent inspectors to Venice. Biennale organizers responded by postponing the Golden Lion awards until November and introducing two audience-choice awards that will include Russian and Israeli entries.

At the INHA, the summer closure of the library revives the debate

À l’INHA, la fermeture estivale de la bibliothèque ravive le sujet

The National Institute for Art History (INHA) in Paris is facing backlash over its decision to implement a permanent two-week summer closure of its library every August. Originally introduced as a temporary measure during the 2024 Olympics and subsequent renovations, the closure is now being formalized by the administration despite a change in leadership. Staff and researchers have launched a petition, arguing that August is a critical period for international scholars and students who rely on the library’s extensive collections.

Folklore and Nature Converge in Cat Johnston’s Expressive, Eccentric Puppets

London-based artist Cat Johnston creates expressive puppets and sculptures that blend folklore, nature, and childhood memories into eccentric characters like a fashionable bat, a melancholy sun, and gods representing sunburn, hay fever, and insomnia. Her work, which draws on historical costumes and emotive, cartoonish faces, inhabits dreamlike realms where the familiar meets the strange.

“Plenty more” at Cherry Hill, Cologne

The exhibition "Plenty more" has opened at the Cherry Hill gallery in Cologne, featuring works by artists Asta Lynge, Jakob Ohrt, and Eleanor Ivory Weber. The show is a reinterpretation of their previous 2024 exhibition "Plenty," held at Astrid Noacks Atelier in Copenhagen, with the curatorial decision to remove or reinterpret existing works rather than add new ones. The exhibition will run until April 18, 2026.

The Space Between. Adam Patrick Grant by Michela Ceruti

Adam Patrick Grant’s artistic practice is rooted in a meticulous and devotional process of observation, transitioning from a background in film to a dedicated focus on oil painting over the last three years. Working from his London studio, Grant utilizes an extensive archive of personal sketches, photographs, and found imagery—such as anonymous postcards and family photos from markets—to capture fleeting moments of intimacy and the unspectacular everyday. His work is characterized by a rhythmic dialogue between the act of walking, the gathering of visual fragments, and the translation of these memories into tender, precise compositions.

Interview with French cartoonist Hugo Didier who draws the Cannes Film Festival 79

Intervista al fumettista francese Hugo Didier che disegna il Festival di Cannes 79

French cartoonist and illustrator Hugo Didier (Paris, 1993) has been commissioned to reinterpret and narrate the 79th edition of the Cannes Film Festival (May 12–23) through his drawings, which have appeared on the festival's official Instagram account. In an interview, Didier discusses how cinema influences his visual imagination, his preference for traditional drawing techniques (nib pens, Rotring technical pen, ink washes, watercolor) over digital, and his creative process that often begins with spontaneous sketches. He also reflects on the role of comics in contemporary French culture, noting their ability to explore diverse themes and reach wide audiences through a playful yet accessible medium.

Jury or Public? The Biennale Is Not an Algorithm, But Neither Is It a Liturgy

Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia

The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.

Annual {Ink}arcerated art exhibition returns to Arizona Center May 15

The {Ink}arcerated: Creativity Within Confinement art exhibition returns to the Arizona Center on May 15, featuring 365 new paintings, drawings, and sculptures created by incarcerated individuals. Managed by doctoral students Alexis Klemm and Madeline Boersma from ASU's School of Criminology and Criminal Justice, the program involves distributing art supplies to 17 correctional facilities across Arizona, including a youth facility for the first time, and curating the completed works into a polished exhibition with museum lighting and display walls.

Anna Thew's exhibition

New Art Projects gallery in London is presenting a solo exhibition of Anna Thew, an artist whose practice spans painting, performance, filmmaking, and music. The show brings together historic and recent works on paper and film, including pieces never before shown or screened, and will feature a new multi-screen projection created for the duration of the exhibition. Thew first made a film in 1980 and gained a reputation for challenging the Structuralist Materialist school of British experimental cinema through works that emphasize emotive content, poetic editing, and spoken word soundtracks.

Lights, Funding, Action – Film Grant Open Call

The Sharjah Art Foundation has launched the ninth cycle of its Short Film Production Grant 2026, issuing an open call for applications from filmmakers worldwide. The grant provides financial support, with a total fund of AED 120,000 (approx. USD 30,000), for the completion of short films of 50 minutes or less across all genres. Selected projects may also premiere at a future edition of the Sharjah Film Platform festival.

Tide of Returns: Reclaiming Memory Through Oceanic Ritual

Thyssen-Bornemisza Art Contemporary (TBA21) Academy has opened its 2026 program at Ocean Space in Venice with the exhibition 'Tide of Returns'. Developed by the Repatriates Collective, the show features artists, filmmakers, and Indigenous communities from across the globe, transforming the former Church of San Lorenzo into an immersive environment. It moves beyond conventional restitution debates by presenting repatriation as a living, tidal process expressed through ritual, memory, and community care, using materials like sand from Anindilyakwa Country and returned shell dolls.

Star Wars Reveals Lucas Museum’s 1st Ever Cinema Exhibit With Name & Launch Date

The Lucas Museum of Narrative Art has announced its first-ever cinema exhibition, titled *Star Wars in Motion*, which will debut as part of the museum's opening lineup on September 22, 2026. The exhibition focuses on vehicles from the first six *Star Wars* films, including Luke Skywalker's landspeeder and General Grievous' wheel bike, highlighting how motion and transport are depicted in the saga. It is one of over 30 installations curated by George Lucas and Mellody Hobson from the museum's founding collection, featuring more than 1,200 objects across 100,000 square feet.

Young talent shines at Rochdale’s FAB Youth Arts Festival

Rochdale recently hosted the FAB Youth Arts Festival, a multi-disciplinary event marking the conclusion of the town’s tenure as the Greater Manchester Town of Culture 2025-26. The festival featured a diverse array of visual arts, including the unveiling of a major new mural by artist Hayley Garner (Aylo) on the Regal Moon building, an outdoor exhibition at the Square Gallery by Hopwood Hall College students, and interdisciplinary showcases at Ebor Studio. The event attracted over 1,500 visitors and focused on the themes of freedom, art, and belonging.

Frame Work: Detroit art exhibition dives into our curious brains

Multidisciplinary artist Jamie Wineman, also known as Wolfganggang, has debuted a new solo exhibition titled "Neuroplasticity IV: Fragmented Reality" at the Metropolitan Museum of Design Detroit. The interactive installation combines design, sound, and physical elements to create a terrain that mimics the human brain's structure. Visitors are encouraged to navigate the space as active participants, exploring how life experiences can rewire cognitive pathways and reshape our perception of reality.

Art Exhibition Opening – Sunday March 8th

Artist Del Chapo is set to debut a new solo exhibition titled "Open Season" at Embers Dispensary in Washington, D.C. The showcase features paintings heavily influenced by early grindhouse and exploitation cinema, characterized by a raw aesthetic that includes visible drips, scratches, and overpainting. The opening reception is scheduled for the evening of March 8, 2026.

Young At Art exhibition opens Saturday in Hilo

The 38th annual Young At Art (YAA) exhibition has opened at the Wailoa Center in Hilo, showcasing 125 juried artworks created by K-12 students from 18 schools across Hawaii Island. This year's theme, "SHIFT," prompted young artists to explore concepts of change and transition through various mediums. The event marks a significant return to a centralized venue and a new collaboration between the East Hawaii Cultural Center (EHCC) and the Wailoa Center, following years of decentralized satellite displays during the pandemic.

Bournemouth’s street art scene comes alive in Boscombe

Boscombe hosted a new street art exhibition organized by the Raw Wall Collective inside the Sovereign Shopping Centre in Bournemouth. The pop-up gallery, which opened on 31 October, featured work from over 40 artists spanning graffiti, pop art, and digital design, with a launch night including DJs, performers, and live painting. Hundreds of visitors attended over the weekend, exploring displays that addressed themes of identity, mental health, and community.

New Tacoma Art Museum exhibit explores haunting power of memory

The Tacoma Art Museum has opened a new fall exhibition titled 'Haunted,' which explores the lingering presence of memory through a blend of visual art and film. Curated by Ellen Ito, the immersive show invites visitors to reflect on how the past echoes in everyday life, combining cinema and fine art to evoke emotional responses. Ito discussed the exhibition on 'ARC Seattle' with co-anchor Tyrah Majors.

Smithsonian National Museum of African Art delays LGBTQ Pride exhibit

The Smithsonian National Museum of African Art has postponed an upcoming exhibition featuring LGBTQ+ African artists until 2026, citing its "current budgetary situation." The delay comes amid heightened scrutiny of the Smithsonian by the Trump administration, raising concerns about political pressure on cultural institutions.