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The best exhibitions of 2025, as chosen by curators and museum directors

Curators and museum directors from leading institutions worldwide selected their favorite exhibitions of 2025, highlighting a diverse range of shows. Standouts include Wolfgang Tillmans at Centre Pompidou, Paris, praised for its generous scope and integration of the library space; 'Encounters: Giacometti x Mona Hatoum' at Barbican Art Gallery, London, noted for its dialogue across time; and Ithell Colquhoun's retrospective at Tate St Ives, which repositions the artist from a Surrealist footnote to a major figure. Other acclaimed exhibitions include Noah Davis at Barbican Art Gallery, Linder at Hayward Gallery, Hamad Butt at Whitechapel Gallery, and Caroline Walker at Hepworth Wakefield.

Groundbreaking Achievement: 2025 Turner Prize Goes to Nnena Kalu, First Artist With Learning Disability to Win Prestigious Award

London-based artist Nnena Kalu (b. 1966) won the Turner Prize 2025 at a ceremony in Bradford on December 9, becoming the first artist with a learning disability to receive the prestigious award since its inception in 1984. Kalu’s practice spans sculpture, installation, and works on paper, featuring cocoon-like hanging sculptures made from unconventional materials like masking tape and VHS ribbon, as well as large-scale drawings of spiraling vortexes. She was selected from a shortlist that included Rene Matić, Mohammed Sami, and Zadie Xa, and was recognized for her presentation in the group exhibition “Conversations” at the Walker Art Gallery and her work at Manifesta 15 in Barcelona. The prize includes a £25,000 award.

Napoles Marty wins Frieze Los Angeles Impact Prize

Napoles Marty, a US painter and sculptor based between Connecticut and Rhode Island, has won the 2026 Frieze Los Angeles Impact Prize. The award includes $25,000 and a solo stand at the fair, which opens in late February at Santa Monica Airport. Marty, whose work draws on dream imagery and his Cuban heritage, was selected by a jury including collectors Allison K. Berg and Maisha C. Clark. He will collaborate with fair organizers and Diana Nawi, curator of special projects at the Los Angeles County Museum of Art, on his presentation. Marty was previously a member of the sixth cohort of Nxthvn, a Connecticut-based arts incubator founded by artist Titus Kaphar and impact investor Jason Price.

Nnena Kalu wins the 2025 Turner Prize

Scottish artist Nnena Kalu has won the 2025 Turner Prize, becoming the first learning-disabled person to receive the prestigious award. Her winning work includes suspended sculptures bound with rope and tape, along with swirling vortex drawings, currently on display at Cartwright Hall Art Gallery in Bradford as part of the UK City of Culture festival. Kalu, who is autistic and has limited verbal communication, was nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and for her work Hanging Sculpture 1 to 10 at Manifesta 15 in Barcelona. The jury, chaired by Tate Britain director Alex Farquharson, praised the visual and aesthetic quality of her abstract art, noting its powerful presence and enigmatic expressiveness.

The Best Art Shows of 2025

A roundup of the best art shows of 2025 highlights standout exhibitions across New York galleries and museums. Notable shows include Reverend Joyce McDonald's first major exhibition at the Bronx Museum, Laura Owens' interactive takeover at Matthew Marks Gallery, and Harkawik's refrigerator-mounted photo display featuring 280 artists. Other featured shows include Maxwell Gallery's unsold works, Elisabeth Kley's curator-driven show at White Columns, Cady Noland's sculpture at Gagosian, and Falcon Art Collective's group show in an unfinished midtown building. The article also mentions Alannah Farrell's trans-themed work in Chinatown, Bradford's blue-field paintings at Canada gallery, and the reopening of institutions like the Frick Collection.

Inside the Brighton studio of painter David Shrigley, as an exhibition of his work opens in London

The article offers a behind-the-scenes look at British artist David Shrigley’s Brighton studio, where he prepares for a London exhibition titled 'Exhibition of Old Rope' at Stephen Friedman Gallery. Shrigley, known for his humorous, naive-style paintings and conceptual approach, describes his process of working from word lists generated by assistants, producing up to 12 paintings a day, and embracing absurdity and chance. The studio, a former office building he bought two years ago, is filled with recent large-scale works, a guitar collection, and studio paraphernalia, reflecting his playful yet disciplined practice.

Diana Al-Hadid’s Norm-Resisting Survey Exhibition at MSU Broad Art Museum

The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.

Art, fashion and nature join forces

The article features a conversation between Los Angeles-based artist Sam Falls and Edoardo Zegna, chief marketing, digital and sustainability officer at the Italian luxury menswear brand Zegna, during Miami Art Week. Falls creates works that blend Land Art and plein air photography by leaving materials in natural environments, while Zegna discusses the brand's century-long stewardship of Oasi Zegna, a 100 sq. km forest in the Italian Alps. Zegna has created an invitation-only pop-up space called Villa Zegna in the Design District showcasing Falls's works, and Falls also has pieces at 303 Gallery's stand at Art Basel Miami Beach and in the Ruinart Lounge.

‘I’ve always been interested in the invisible’: Woody De Othello on his new solo show at Pérez Art Museum Miami

Miami-born artist Woody De Othello presents his first solo museum exhibition in his hometown, titled "coming forth by day," at the Pérez Art Museum Miami (PAMM). The show, named after the Egyptian Book of the Dead, explores ritual objects and spirituality across the African diaspora, connecting Othello's ceramic works to ancestral beliefs. In an interview with The Art Newspaper, Othello discusses how his Haitian Catholic upbringing and Miami's multiculturalism shape his practice, and he acknowledges the vulnerability of delving into African religious traditions that may be taboo within his family.

Black and Indigenous artists stand out in Portland Art Museum exhibition

The Portland Art Museum is currently featuring an installation by artist Christopher Myers titled *Let the Mermaids Flirt With Me* (2022), which serves as the centerpiece of the exhibition *Global Icons, Local Spotlight*. The work consists of stained glass lightboxes arranged in an octagonal structure, depicting Black life and water symbolism, including images of a Black mermaid, fire hydrant scenes, and references to the water spirit Mami Wata. The installation incorporates objects like gas cans, oars, life jackets, and votive candles, transforming the space into a shrine-like environment.

Get Ready to Explore the Recently Renovated Portland Art Museum All Winter Long

The Portland Art Museum (PAM) will reopen its completely renovated campus on November 20 after nine years and $111 million in construction. The centerpiece is the Mark Rothko Pavilion, a glass structure that connects the museum's two historic buildings—the Main Building (1932) and the Mark Building (1924)—replacing a confusing underground tunnel that often caused visitors to miss entire exhibitions. The renovation touches 100,000 square feet total, including a new media gallery, upgraded spaces, and a 24/7 public passageway through the pavilion. An exhibition of eight paintings by Mark Rothko, who spent his childhood in Portland, will open alongside the pavilion.

Exhibition of large scale contemporary art at Smithsonian’s Hirshhorn Museum

The Smithsonian's Hirshhorn Museum will present "Big Things for Big Rooms," an exhibition tracing the development of immersive, large-scale artworks from the late 1960s to the present. Organized by head curator Evelyn C. Hankins and curatorial assistant CJ Greenhill Caldera, the show features 10 works—five on view for the first time—drawn largely from the museum's collection, including pieces by Robert Irwin, Richard Long, Sam Gilliam, Dan Flavin, Lygia Pape, Mika Rottenberg, Olafur Eliasson, Spencer Finch, Rashid Johnson, and Paul Chan. The exhibition runs from November 21, 2025, through July 4, 2027, and is divided into two parts: the first explores pioneering "Environments" from the 1960s, while the second highlights contemporary artists expanding on those ideas.

‘The government understands what is at stake’: Italian art world weighs in on tax cut at Artissima

The Italian parliament reduced VAT on art sales from 22% to 5%, the lowest rate in Europe, a move announced by Prime Minister Giorgia Meloni's government. The tax cut was celebrated at the 30th anniversary dinner of the Fondazione Sandretto Re Rebaudengo in Turin, where politician Federico Mollicone noted it had been over 30 years in the making. The contemporary art fair Artissima, holding its 32nd edition in Turin, became the first Italian fair to test the new tax policy. Italian dealers reported positive effects, including easier deal closures and increased sales to both Italian and European collectors, with some galleries experiencing their best opening day ever.

Monumental exhibition of works by Anselm Kiefer heads to the Saint Louis Art Museum

The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.

HOPE Outdoor Gallery Makes Its Long-Awaited Return

The HOPE Outdoor Gallery, a beloved open-air graffiti art space in Austin, is preparing to reopen after six years of closure. Founder Andi Scull announced that the new site, located on an 8-acre plot near Austin-Bergstrom International Airport, is purpose-built with four distinct sectors including a courtyard, a roofless circular structure, a garden, and a village of shipping containers. The layout is designed to spell out "HOPE" when viewed from planes landing or departing. The original location on Baylor Street closed in 2018, and the team has been working since then to secure a new home, with the goal of opening before the end of the year, pending permits.

25 of 2025: 5 Painters Who’ve Been Catching Our Eye

Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.

A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

Thaddaeus Ropac opens its first gallery in Milan.

Thaddaeus Ropac opened its first gallery in Milan on September 20, 2025, located in the neoclassical Palazzo Belgioioso near Via Monte Napoleone. The inaugural exhibition, “L’aurora viene,” features works by Georg Baselitz and Lucio Fontana. The 280-square-meter space is the mega-gallery’s seventh location worldwide. Elena Bonanno di Linguaglossa, a veteran with experience at Lévy Gorvy Dayan, Fondazione Pastificio Cerere, and Blain|Southern, will lead the Milan branch.

Untitled Art Houston opens with a slew of four- and five-figure sales

Untitled Art Houston opened its inaugural edition on Thursday, September 18, with a VIP preview that generated uneven but promising sales. Lower-priced works sold well, with notable transactions including a $415,000 piece by Carlos Cruz-Diez at Sicardi Ayers Bacino, a $125,000 painting by John Alexander at McClain Gallery, and a $150,000 bronze sculpture by Clare Rojas at Jessica Silverman. Other galleries reported sales ranging from $2,000 to $55,000, with some dealers selling out their stands. The fair marks Houston's first new art fair in years, following the demise of the Houston Fine Art Fair and Texas Contemporary Art Fair.

Artists Jennifer Packer and Marie Watt receive $250,000 Heinz Awards

Artists Jennifer Packer and Marie Watt have been named winners of this year's Heinz Awards for the Arts, receiving an unrestricted cash prize of $250,000 each. The awards, now in their 30th edition, are bestowed by the Pittsburgh-based Heinz Family Foundation and honor individuals in the arts, economy, and environment. Packer, a painter known for boldly colorful figurative works, and Watt, whose practice spans steel sculpture and textiles rooted in Indigenous traditions, will be honored at a ceremony in Pittsburgh next month.

David Bowie Centre, Bukhara Biennial, Hilton Als on Jean Rhys, Hurvin Anderson and Kara Walker—podcast

The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. Host Ben Luke tours the newly opened David Bowie Centre at the V&A East Storehouse in London, a permanent repository for thousands of items from Bowie's archive, discussing the displays with curator Madeleine Haddon. The episode also reports on the inaugural Bukhara Biennial in Uzbekistan, with art market editor Kabir Jhala delivering a verdict from the opening and curator Diana Campbell offering insights. Finally, the podcast features a 'Work of the Week' segment on two paintings—Hurvin Anderson's 'Untitled' (2025) and Kara Walker's 'West Indies' (2014)—shown in an exhibition at Michael Werner Gallery in London curated by critic and writer Hilton Als, which explores the life and work of Dominican-born writer Jean Rhys.

Salman Toor to See First Solo Show in Europe Next Year

The Courtauld Gallery in London has announced its 2026 programme, headlined by Pakistani-born, New York-based painter Salman Toor's first solo exhibition in Europe. Titled "Someone Like You," the show will feature around 20 of Toor's emblematic canvases, including "The Bar on East 13th" (2019), which directly references Édouard Manet's "A Bar at the Folies-Bergère" (1882) from the Courtauld's collection. The exhibition will also include a selection of Toor's works on paper, such as "Fag Puddle in Vitrine" (2021), recently acquired by the museum. Toor's profile has risen sharply over the past five years as his intimate paintings of queer, South Asian men have resonated with institutions and the art market.

15 Art Shows to See in Los Angeles This Fall

This fall, Los Angeles museums are presenting a diverse array of exhibitions that explore community, justice, and historical reclamation. Highlights include a historical survey of Mail Art in Latin America, a traveling exhibition of radical Chicano prints from the Smithsonian at the Huntington, a show at the Getty drawn from the Guerrilla Girls' archive, and a two-person exhibition at Skirball pairing Philip Guston with Trenton Doyle Hancock. Other notable shows include 'Monuments' co-organized by the Brick and the Museum of Contemporary Art, solo exhibitions by Guadalupe Maravilla at REDCAT and by American Artist on Octavia E. Butler, and the California Biennial at the Orange County Museum of Art. The article also lists shows at Oxy Arts, the Museum of Contemporary Art, and other venues, featuring artists such as Ken Gonzales-Day, Tavares Strachan, and Stanya Kahn.

'Both Sides of the Line: Carmen Herrera & Leon Polk Smith' at the University of Michigan Museum of Art, USA

The University of Michigan Museum of Art presents 'Both Sides of the Line: Carmen Herrera & Leon Polk Smith' from 30 August 2025 to 4 January 2026. The exhibition features over 45 works—including paintings, works on paper, and three-dimensional objects—that explore the creative dialogue between the two geometric abstraction pioneers, who were neighbors and friends. It is the first time their work has been shown together at this scale, highlighting Herrera's crisp lines and bold colors alongside Smith's sweeping curves and expansive forms.

Artists and Organizations Rally Against Censorship in Open Letter

Hundreds of arts organizations and professionals have signed an open letter denouncing censorship, titled 'Cultural Freedom Demands Collective Courage: A Nation-Wide Statement of Values and Principles for the Field of Arts and Culture.' The statement, issued by the National Coalition Against Censorship (NCAC) and New York’s Vera List Center for Art and Politics, responds to the National Endowment for the Arts terminating over $27 million in grants. This follows President Donald Trump's second term, which has banned diversity, equity, and inclusion initiatives in federal government, forcing DEI offices at the National Gallery of Art in Washington, D.C., and the Smithsonian Institution to close. The White House also published a list of artworks at the Smithsonian it deems to feature 'improper ideology.' The letter aims to rally cultural institutions against increasing pressure on programming decisions.

Interisland - Department of Art and Art History

The Art Gallery at the University of Hawaiʻi at Mānoa presents "Interisland: New Paintings from New York & Hawaiʻi," a survey exhibition running from August 31 to December 7, 2025. Featuring approximately 40 painters from New York City and Hawaiʻi, the show explores commonalities and differences in contemporary painting across these geographically distant regions. Curated by Liam Davis, Jan Dickey, and Debra Drexler, the exhibition marks the ten-year anniversary of "New New York: Abstract Painting in the 21st Century" and includes a spectrum of representational and nonrepresentational works from artists such as Cody Anderson, Kiko Bordeos, and Clare Grill.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Pérez Art Museum Miami explores the evolution of photography, from Marina Abramović and Zanele Muholi to Wolfgang Tillmans

The Pérez Art Museum Miami (PAMM) is presenting "Language and Image: Conceptual and Performance-Based Photography from the Jorge M. Pérez Collection," an exhibition curated by Fabiana Sotillo that traces the evolution of photography as a fine art form. Featuring works by artists including Thomas Struth, Marina Abramović, Zanele Muholi, Wolfgang Tillmans, Isaac Julien, and María Teresa Hincapié, the show explores photography’s shift from documentary tool to conceptual medium, with a focus on performance art and the camera’s ability to preserve ephemeral moments. The exhibition also draws parallels between historic photographic innovation and contemporary developments like artificial intelligence.