The Prix Marcel Duchamp, France's most prestigious art prize, has announced its 2026 nominees: Joël Andrianomearisoa, Josèfa Ntjam, Laura Henno, and the duo David Brognon and Stéphanie Rollin. The five nominees will exhibit together at the Musée d’Art Moderne de Paris in October, with the winner receiving €35,000. The jury is led by Centre Pompidou director Xavier Rey and includes prominent curators, collectors, and past winners such as Kader Attia.
Sperone Westwater, a 50-year-old New York gallery, closed on January 1, 2026, amid a legal dispute between its co-founders Gian Enzo Sperone and Angela Westwater. Court filings reveal Sperone accuses Westwater of mismanagement, including using the gallery's Norman Foster-designed building on the Bowery to subsidize unprofitable operations, while Westwater counters that Sperone has been largely absent since 2016 and is attempting to extract maximum financial benefit. The corporation's two directors are deadlocked, and a receiver may be appointed to oversee dissolution, including sale of the building and distribution of assets.
On Public Domain Day 2026, works from 1930 entered the U.S. public domain, including art by Piet Mondrian, Paul Klee, José Clemente Orozco, and Sophie Taeuber-Arp. Notable artworks now free to use include Mondrian's *Composition With Red, Blue, and Yellow*, Klee's *Tierfreundschaft*, Orozco's *Prometheus*, and Taeuber-Arp's *Composition of Circles and Overlapping Angles*, as well as pieces by Philip Guston, Marc Chagall, and Edward Hopper from the Metropolitan Museum of Art. Literary works like Sigmund Freud's *Civilization and Its Discontents* and William Faulkner's *As I Lay Dying*, films such as *All Quiet on the Western Front*, and musical compositions including "Dream a Little Dream of Me" and "Georgia on My Mind" also entered the public domain, along with the original Betty Boop character and early *Blondie* comics.
Five new art hotels opened in 2025, including Hotel Saint Augustine in Houston, Texas, and Capella Taipei in Taipei, Taiwan. Hotel Saint Augustine, located near the Menil Drawing Institute, features minimalist interiors by Post Company with custom furnishings and Art Deco-style lighting, while Capella Taipei boasts an art program curated by The Artling, showcasing works by artists such as Chen-Lin Lee, Jasper Huang, Tara Vaughan, Joel Escalona, and Etan Pavavalung. Both properties emphasize craftsmanship and cultural connection through curated art and design.
Suzanne Landau, 80, will step down as director of the Israel Museum in Jerusalem, having informed staff at the museum’s end-of-year party. She has served as director since September 2023, initially as acting director after Denis Weil resigned amid board disagreements. The museum’s search for a new CEO is in advanced stages, and Landau will assist during a transition period. Her tenure included the installation of Anselm Kiefer’s "Ages of the World" and a restructuring that saw Dganit Sanker-Lange appointed deputy director.
An unsanctioned augmented reality exhibition titled “Encoded” has taken over the American Wing of the Metropolitan Museum of Art, featuring works by 17 North American Indigenous artists. The exhibition, organized by the nonprofit media lab Amplifier and co-curated by Tracy Rector, overlays digital artworks onto iconic paintings and sculptures, including a piece by Josué Riva that replaces Thomas Sully’s portrait of Queen Victoria with a moving image of Acosia Red Elk (Umatilla, Cayuse & Nez Perce) delivering the message “Be a Good Ancestor.” The intervention launched on Indigenous Peoples’ Day and Columbus Day, October 13, 2025, and runs through December 13, without the Met’s permission.
Kathleen Goncharov, a curator known for her work at Just Above Midtown gallery and the Boca Raton Museum of Art, died at her home in Boca Raton, Florida, on December 31 at age 73. Over her career, she served as senior curator at the Boca Raton Museum of Art from 2012 to 2025, curated exhibitions internationally from Rio de Janeiro to Rome, and was commissioner of the US Pavilion for the Venice Biennale in 2003, presenting Fred Wilson's exhibition "Speak of Me as I Am." She also held positions at Creative Time, the New School, MIT, the Nasher Museum of Art, and the Brodsky Center for Innovative Editions, and was a working artist for 40 years.
Christie’s announced a projected sales total of $2.1 billion for the first half of 2025, matching its H1-2024 figure. While art categories like Impressionist, modern, and Old Masters saw modest growth—Old Masters sales rose 15% to $55 million—luxury categories (handbags, watches, cars, jewelry) surged nearly 30% to $468 million, now accounting for 22% of the total. Notable sales included René Magritte’s *La reconnaissance infinite* (1933) for £10.3 million and Piet Mondrian’s *Composition with Large Red Plane, Bluish Grey, Yellow, Black, and Blue* (1922) for $46.7 million. Guaranteed lots remained low at 1.5%, and the sell-through rate held steady at 88%.
Artnet News revisits a podcast episode featuring editor-in-chief Naomi Rea, who examines the breakdown of traditional art pricing logic amid a cooling market. The episode explores how the rules that once governed art valuation have eroded, leaving dealers, advisors, and collectors struggling to navigate a market described as being in a "danger zone." Rea discusses how mega-galleries, emerging dealers, and advisors are quietly recalibrating their strategies as speculation dries up and confidence wanes.
Artnet News recapped nine notable art and design crossovers in pop culture from 2025. These include a Renoir painting spotted in a Wes Anderson film, a John Everett Millais reference on a Taylor Swift album cover, and a Dieter Rams chair appearing in the TV show "Severance." The article also highlights painter Ronan Day-Lewis bringing his visual world to film with his debut "Anemone," Spike Lee incorporating his art collection into the film "Highest 2 Lowest," and Frank Lloyd Wright's Oak Park home being featured on the TV series "The Bear."
The Metropolitan Museum of Art in New York has opened "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. survey of the Finnish modernist painter. The exhibition features approximately 60 works spanning Schjerfbeck's entire career, drawn primarily from the Finnish National Gallery / Ateneum Art Museum, as well as other Finnish and Swedish collections. Curated by Dita Amory of the Met and Anna-Maria von Bonsdorff of the Ateneum, the show takes a thematic rather than chronological approach, highlighting Schjerfbeck's evolution from academic realism to a distinctive, introspective modernism.
Sotheby's will hold its second auction in Saudi Arabia on January 31, 2026, following a successful inaugural sale in Diriyah in February 2024 that netted $17.3 million. The upcoming sale, titled "Origins," features over 70 works by established Saudi Arabian and Middle Eastern artists alongside international names, with top lots including a Pablo Picasso painting estimated at $2–3 million and works by Jean Dubuffet, Roy Lichtenstein, and Andy Warhol. The auction aims to build on lessons from the first sale, which revealed strong demand across price points and generational diversity among buyers.
The article reflects on the closure of several notable contemporary art galleries in 2025, including Clearing, Blum, High Art, Venus Over Manhattan, Sperone Westwater, Galerie Francesca Pia, Tilton Gallery, Altman Siegel, Kasmin, Rena Bransten Gallery, L.A. Louver, and Canal Projects. It opens with a eulogy for Florine Stettheimer by Georgia O'Keeffe, drawing a parallel between the artist's unique way of life and the distinctive, charismatic spirit of galleries that have shuttered. The author recounts personal experiences at now-closed spaces like Metro Pictures, JTT, and Clearing, and quotes dealer Olivier Babin and the legendary Leo Castelli on the fleeting importance of galleries.
Jean-Michel Basquiat's 1983 painting *Onion Gum*, priced at $21.5 million, was one of the most expensive works for sale at the 23rd edition of Art Basel Miami Beach. The large square canvas, featuring a white head and handwritten text, has a long market history: it sold for $7.36 million at Sotheby's in 2012 to hedge fund manager Daniel Sundheim, then failed to meet its estimate at auction in 2016, fetching $6.6 million. Since 2017, Van de Weghe Gallery has used the work as collateral for bank loans, showing it at multiple Art Basel fairs with prices rising from $16.5 million in 2018 to the current $21.5 million.
Konstantin Akinsha, a prominent curator and art historian of Russian and Ukrainian art, has identified 14 artworks in the collection of the Palazzo de Nordis museum in Cividale del Friuli, Italy, as likely forgeries. In a Substack post and interview with ARTnews, Akinsha scrutinized the De Martiis Collection, donated in 2015 by the late collector Giancarlo De Martiis, which includes works attributed to Russian and Ukrainian modernist painters. He points to suspicious provenances involving Jean Chauvelin, a disgraced French art dealer, and Boris Gribanov, a convicted forger. A specific still life attributed to Olga Rozanova (1915-17) is nearly identical to a 1999 painting by contemporary Russian artist Andrei Saratov, who confirmed he did not paint the museum's version. Elisabetta Gottardo, the municipal head of culture, acknowledged Akinsha's authority and pledged further investigation.
On December 15, 2025, the Musée du Louvre in Paris was forced to close as approximately 400 of its 2,100 employees went on strike, picketing outside the museum's glass pyramids and turning away visitors. The strike follows a series of crises at the institution, including a $102 million jewel heist in broad daylight two months prior, a flooding incident from a burst water pipe in November, and ongoing concerns about deteriorating facilities, long lines, and substandard restrooms and dining areas. Workers are demanding higher wages and better conditions, with three trade unions—CGT, SUD, and CFDT—warning in an open letter that staff feel like "the last bastion before collapse."
David Zwirner gallery in New York hosted a four-day benefit exhibition titled “Toward the Light: Artists for the Ali Forney Center,” which raised $950,000 for the Ali Forney Center, a nonprofit supporting queer youth with housing, education, job training, and medical care. Curated by art adviser Stephen Truax, the show featured 37 artists, including Ross Bleckner, Marlene Dumas, Jenna Gribbon, Julie Mehretu, and Wolfgang Tillmans, and generated $1.2 million in sales, with artists receiving $250,000 and the gallery waiving its commission. Truax, who previously co-organized smaller editions with Sotheby’s, shifted to a gallery partnership to gain more control over sales and pricing, more than doubling his initial $350,000 fundraising goal.
Maria Balshaw, the director of Tate, will step down in the new year after nine years at the helm, the museum announced Friday. Appointed in 2017, Balshaw was the first woman to lead the institutional network, which includes Tate Modern and Tate Britain. Her tenure was marked by a substantial diversification of Tate’s collection and programming to spotlight new art forms, indigenous artists, and artists from the Global South. She also oversaw the launch of a landmark £150 million endowment fund for Tate Modern to address financial woes. Memorable exhibitions included surveys of pre-internet digital artists, modern art in Nigeria, and retrospectives for Leigh Bowery, Isaac Julien, Yoko Ono, and Emily Kam Kngwarray.
A 1976 Hippopotamus Bar by François-Xavier Lalanne sold for $31.4 million at Sotheby's after a 26-minute bidding war, setting a new auction record for the French artist. The hand-wrought copper, steel, and wood piece, commissioned by art patron Anne Schlumberger, is the only copper prototype from the series and features concealed compartments for bottle storage, ice bucket, and glassware. The sale was part of the Schlumberger collection, which also included a gold-patinated bronze armchair by Claude Lalanne that fetched $1 million and a pair of bronze gates that sold for $787,400.
The article analyzes the auction performance of Chinese artists born after 1990 (post-90s) in the first half of 2025, based on data from the Artnet Price Database and the Artnet Intelligence Report. It highlights a shift from short-term speculation to longer-term competition, with the market showing more robust structure including stratified pricing and wider transactional geography. Key figures include Li Hei Di, whose large-scale painting sold for HK$2.67 million at Sotheby’s Hong Kong, and other artists like Zhang Zipiao, Yuan Fang, and Wang Qianyao achieving consistent mid-range prices between HK$300,000 and HK$800,000. Sales in Hong Kong reached HK$12.4 million, while artists also entered Western markets in New York and London.
Emma McIntyre, a New Zealand-born painter known for her oxidation technique using rust on canvas, has rapidly ascended in the art world. After earning MFAs in Auckland and Pasadena, she joined mega-gallery David Zwirner in 2024, with additional representation by Château Shatto in Los Angeles and Air de Paris. Her auction record was set at Phillips London in October 2025, with her work "Seven types of ambiguity" selling for $225,100. McIntyre's practice blends material experimentation—including iron oxide pigments and bubble wrap—with references spanning Greek myth to Rococo art.
French painter Claire Tabouret's full-scale maquettes for six new stained-glass windows at Notre-Dame Cathedral go on public display at Paris's Grand Palais museum through March 15. The designs, chosen from 110 submissions in an international competition, depict the Pentecost and will be fabricated by the historic atelier Simon-Marq. The new windows replace 19th-century lights by Eugène Viollet-le-Duc and Jean-Baptiste Lassus, which survived the 2019 fire but are being replaced at the direction of French President Emmanuel Macron and Archbishop Laurent Ulrich.
A Swedish court acquitted six climate activists from the group Återställ Våtmarker (Restore Wetlands) who smeared red paint on the protective glass of Claude Monet's painting *The Artist’s Garden at Giverny* (1900) at the National Museum of Sweden in June 2023. The painting, on loan from the Musée d'Orsay in Paris, was unharmed; the court ruled the activists had no intent to damage the work, noting they used water-soluble paint and targeted a glass-covered piece, though some paint reached the frame.
Brazilian authorities arrested one suspect after an armed robbery at São Paulo's Mário de Andrade Library on Sunday, where two thieves stole eight Henri Matisse engravings and works by Brazilian painter Candido Portinari. The artworks were displayed in a glass vitrine as part of the exhibition “From the Book to the Museum,” which was set to close November 30. The thieves held up a security guard and a couple, stuffed the items into a canvas bag, and discarded some works near a rubbish heap during their escape, partially captured by facial recognition cameras. The second suspect remains at large, and the library has not disclosed which specific works were taken.
Wafaa Bilal has been named the recipient of the 2025 ARTnews Award for Established Artist, recognizing his survey exhibition “Wafaa Bilal: Indulge Me” at the Museum of Contemporary Art, Chicago (February 1–October 19, 2025). The show is the first major retrospective for the Iraqi American artist, featuring works that put his body at risk, including the iconic performance *Domestic Tension* (2007), in which remote participants fired a paintball gun at him over the internet, and *Virtual Jihadi* (2008), a modified video game that blurs the lines between aggressor and victim. Curated by Bana Kattan, the exhibition restages elements of Bilal’s original performance and presents his ongoing critique of U.S. involvement in the Middle East, particularly the Iraq War and the use of drone warfare.
Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left the museum less than a year before its scheduled September 2026 opening. The museum stated it has no immediate plans to replace her, with George Lucas continuing to oversee curatorial direction. This departure follows a series of staffing issues, including the exit of director and CEO Sandra Jackson-Dumont in March 2025, layoffs of 22 staff members in May, and the earlier losses of curator Amanda Hunt and curator-at-large Dan Nadel. The $1-billion museum, first announced in 2017, has faced repeated delays due to the pandemic and supply-chain shortages.
Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left her post, as first reported by the Los Angeles Times. Her departure is the latest in a series of leadership exits at the institution, which is set to open on September 22, 2026. The museum was founded by George Lucas and Mellody Hobson, and Rivas was one of six women of color appointed to high-ranking roles in 2020 by then director and CEO Sandra Jackson-Dumont, who left in February. The museum laid off 15 employees in May, and CEO duties are now held on an interim basis by Jim Gianopulos, while Lucas himself oversees curatorial content.
The Phillips Collection in Washington, D.C. has deaccessioned eight major works by artists including Georges Seurat, Georgia O'Keeffe, and Anish Kapoor at Sotheby's fall sales. O'Keeffe's "Large Dark Red Leaves on White" (1927) sold for $7.9 million, a Seurat drawing fetched $4.9 million, while a painting by Arthur Dove fell short of expectations and a Kapoor sculpture failed to sell. The plan, devised by director Jonathan Binstock, aims to fund future contemporary art commissions and collection care, but has sparked an 18-month dispute between museum leadership and the Phillips family descendants over the interpretation of founder Duncan Phillips's legacy.
This article explores the rediscovery of Roman sculpture during the Renaissance and its profound influence on artists like Raphael, Donatello, Michelangelo, and Leonardo da Vinci. It details how Roman sculptors, inspired by Greek methods after the conquest of Greece in 146 B.C.E., created highly realistic works that served both artistic and political purposes, glorifying emperors and reinforcing imperial power. The piece highlights six iconic Roman sculptures—including the Equestrian Statue of Marcus Aurelius, the Colossus of Constantine, Trajan's Column, and the Augustus of Prima Porta—describing their historical context, artistic features, and enduring legacy.
A long-lost painting by Peter Paul Rubens, a dramatic crucifixion scene dated to around 1614–15, was discovered among the possessions of a deceased Parisian homeowner during a routine appraisal. Auctioneer Jean-Pierre Osenat identified the work and consulted Rubens expert Nils Büttner, who confirmed its authenticity through x-ray imaging and pigment analysis. The painting sold at auction on November 30 for €2.3 million ($2.7 million), exceeding its presale estimate of €1–2 million.