art katherine brinson curator guggenheim

The article profiles Katherine Brinson, a curator at the Guggenheim Museum in New York, known for organizing major exhibitions for artists like Alex Katz, Danh Vo, and most recently a mid-career survey of sculptor Carol Bove in the museum's iconic rotunda. In a Q&A format, Brinson discusses her curatorial philosophy, her deep connection to the Frank Lloyd Wright building, and her introverted nature, while revealing plans to make the Carol Bove show more welcoming with seating areas and daily tea service.

art humberto moro dia foundation interview

Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.

art michele oka doner public installation

Michele Oka Doner, an 80-year-old artist known for her public installations, is preparing to unveil "Talisman," a new work composed of 300 illuminated heads that will create a sacred grove on the Park Avenue Mall at 66th Street in New York this spring. In an interview with CULTURED, she discusses the engineering challenges of the project, including weight limits imposed by the MTA due to the tunnel beneath the mall, and reflects on her earlier public works such as the mile-long floor installation at Miami International Airport and "Radiant Site" at the Herald Square subway station, which she won a national competition for in 1987.

art 2026 whitney biennial review artists

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, features 56 artists and collectives without a unifying theme or title. The review describes the exhibition as intentionally incoherent, reflecting America's current state of irrationality and violence. Notable works include Oswaldo Maciá's scent-based 'Requiem for the Insects', Zach Blas's apocalyptic AI installation, Emilie Louise Gossiaux's sculptures honoring her guide dog, Ash Arder's multimedia works exploring ecology and infrastructure, and Enzo Camacho and Ami Lien's politically charged diorama 'For a Just War Against America'. The show's atmosphere is dominated by clanging percussion, ominous drones, and discordant sounds, with a general tenor of unease.

art moca north miami chana sheldon florida

The Museum of Contemporary Art, North Miami (MOCA) is celebrating its 30th anniversary in 2026. Founded two decades before Art Basel Miami Beach transformed the city into a global art destination, MOCA began as a small one-room gallery dedicated to contemporary work from South Florida. Under Executive Director Chana Sheldon, who has led the museum since 2018, the institution has fostered connections between local creatives and the international art world, mounting landmark exhibitions such as “AFRICOBRA: Messages to the People” (2018), which later traveled to the Venice Biennale. Current shows include a 15-year survey of Hiba Schahbaz and the first museum exhibition of Diana Eusebio, both curated by women.

art david burtka neil patrick harris collection

Neil Patrick Harris and David Burtka open their Hamptons and New York homes to CULTURED for a two-part tour, discussing their art collection and its connection to their new cocktail cookbook, *Both Sides of the Glass*. The couple's first acquisition was a Robert Longo "Wave" study, and their collection includes provocative works by Titus Kaphar, Patrick Jacobs, Andy Warhol, and a Banksy smashed into a fireplace. Burtka describes a common thread of hidden stories and mysteries in their pieces, while Harris notes the importance of works that reveal new details on closer inspection.

art new york chelsea exhibtion guide

The article surveys current Chelsea gallery exhibitions, highlighting two major shows: "Louise Bourgeois. Gathering Wool" at Hauser & Wirth (through April 2026) and "Milton Avery: The Figure" at Karma (through December 2025). The Bourgeois exhibition features rarely seen works from the artist's last three decades, including the motorized sculpture "Twosome" (1991) and the fountain "Mamelles" (1991/2005), curated by Philip Larratt-Smith. The Avery show presents a survey of his figure paintings from the 1920s to 1964, emphasizing his flat, interlocking forms and unexpected color palettes.

design fashion black bourgeois aesthetic rob franklin

The article is a personal essay by a writer reflecting on the play "Purpose" and its depiction of a Black political family's home, which triggers memories of his own childhood in the Morehouse College president's residence. He observes a recent surge in popular culture's portrayal of Black bourgeois aesthetics, citing examples like the Met Gala exhibition "Superfine: Tailoring Black Style," Ralph Lauren's Oak Bluffs collection, and the HBO series "And Just Like That…" with its focus on the Todd Wexley family's art-filled apartment.

design art precious okoyomon garden

Precious Okoyomon, editor of CULTURED at Home gardens, selects five unconventional natural landscapes that thrive against difficult odds. These include Dumbarton Oaks in Washington DC with its ancient wisteria, the radioactive waste site Dead Horse Bay in Brooklyn where invasive species bloom, the childhood haven Glen Helen Nature Preserve in Ohio, the Persian-inspired Untermyer Gardens in Yonkers, and Derek Jarman's seaside garden beside a nuclear plant in Dungeness, UK. Each location is described through Okoyomon's personal reflections, illustrated by Erin Knutson.

art made in la biennial hammer museum

The Hammer Museum has announced the lineup for the seventh edition of its biennial survey "Made in L.A.," curated by Essence Harden and Paulina Pobocha. Starting with a list of over 1,000 artists and no predetermined theme, the curators visited numerous studios over six months to select 28 participants. The exhibition includes artists working beyond traditional definitions, such as online archivist Jerald Cooper and DJ programmer Michael Donte, alongside experimental filmmakers, choreography, ceramics, and installations. The show features works by Pat O'Neill, Carl Cheng, Greg Breda, and others, reflecting Los Angeles's car culture, light, and evolving landscape.

art burning man dustin yellin

Artist and Pioneer Works founder Dustin Yellin discusses his annual tradition of attending Burning Man in the Nevada desert with journalist Sophia Cohen. Yellin, who first attended the festival in 2012 despite initial skepticism, describes the transformative experience of biking through the Playa with its lights and large-scale artworks. After this year's Burning Man, he will return to New York to complete *The Politics of Eternity*, a 10,000-pound sculpture debuting at the Armory Show.

david rimanelli willem de kooning cosey fanni tutti

Art critic David Rimanelli reviews Willem de Kooning's exhibition "Endless Painting" at Gagosian's 555 West 24th Street location, curated by Cecilia Alemani, running through June 24, 2025. The show spans de Kooning's career from 1944 to his final phase, though notably omits his black-and-white oil-and-enamel paintings from the late 1940s. Rimanelli expresses ambivalence, finding the show dreary and pointless despite the high caliber of individual works, and critiques the press release's focus on fragmented body parts. Separately, Johanna Fateman reviews Cosey Fanni Tutti's exhibition at Maxwell Graham, highlighting her controversial 1970s series "Magazine Actions" (1972–80), on view through June 28, 2025.

Fever Pitch: On Bourgeois Coldness by Henrike Kohpeiß

The article is a critical essay analyzing Henrike Kohpeiß's new book, 'Bourgeois Coldness,' which examines the concept of coldness as an affective strategy of the bourgeois subject. Kohpeiß traces this subjectivity from its mythological roots in Homer's Odyssey to its modern manifestations, arguing that it is forged in and sustained by structures of racial exploitation and colonial power, despite claims of abolition.

Manifesto for a Radical Femininity for An Other Cinema

The article presents the 1977 "Manifesto for a Radical Femininity for an Other Cinema" by artists Maria Klonaris and Katerina Thomadaki. The manifesto, published in connection with a rare screening of their films at e-flux Screening Room, calls for a feminist rupture with dominant cinematic language and images, advocating for a "cinema of the body" that challenges patriarchal hierarchies in both sexuality and authorship.

Almost Everything in the World Depends on This Substance

"Fast alles in der Welt hängt von dieser Substanz ab"

Artist Monira Al Qadiri presents her exhibition "Hero" at the Berlinische Galerie, focusing on oil tankers as central figures. The show explores the hidden violence and scale of the petroleum industry through a large wall painting of the supertanker Hero, miniature tankers with satirical names, and a video work depicting their destruction. Al Qadiri connects this to her long-term artistic investigation of oil's imagery and materiality.

‘Tide of Returns’: Ocean Space in Venice

The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.

Martin Schongauer en toute majesté

The Louvre Museum in Paris has opened a major retrospective dedicated to Martin Schongauer (c. 1445–1491), the German engraver and painter from Colmar, bringing together a large portion of his known works. The exhibition features around one hundred pieces, including fifty engravings, five of his rare drawings, and nearly all of his attributed paintings—such as the "Virgin and Child at the Window" (c. 1480) from the Getty Museum and the "Orlier Altarpiece" (c. 1470–1475) from the Musée Unterlinden. The centerpiece is Schongauer's "Virgin of the Rose Bush" (1473), displayed at low height to reveal its botanical precision. Co-curated by Pantxika Béguerie De Paepe and Hélène Grollemund, the show also highlights Schongauer's influence on contemporaries and later artists through comparative works by Rogier van der Weyden and others.

A historic section of the Eiffel Tower's original staircase is set to go up for auction

Un tronçon historique de l’escalier d’origine de la tour Eiffel s’apprête à s’envoler aux enchères

The auction house Artcurial is set to auction a 2.75-meter-tall section of the original spiral staircase from the Eiffel Tower on May 21. This specific segment, consisting of fourteen riveted steel steps, was part of the structure connecting the second and third floors until it was dismantled in 1983 to make way for modern elevators. Estimated between €120,000 and €150,000, the piece holds significant historical value as it is the inaugural 'Lot No. 1' from the original 1983 dispersal sale.

LILIA CARRILLO IN NEW YORK THE MEXICAN PAINTER WHO WAS AHEAD OF HER TIME

Americas Society in New York has opened "Lilia Carrillo: Ruptures and Premonitions," curated by Tobias Ostrander. The exhibition presents 24 paintings by Mexican artist Lilia Carrillo (1930–1974), created between 1961 and 1974, alongside archival materials. It introduces Carrillo to New York audiences as a key figure of the Generación de la Ruptura, a postwar movement that broke with Mexican muralism in favor of abstraction. The show highlights her experimental techniques—carving and scraping paint, embedding fabric and paper—and her engagement with mortality, Surrealism, and political turmoil, including the 1968 Tlatelolco massacre.

Photographer Giles Duley brings images of historic and current wars into dialogue in Manhattan pop-up show

British photographer Giles Duley has opened a pop-up exhibition titled "Distortion/Memory/Resilience" in a 77th-floor penthouse at Sutton Tower in Manhattan, running from 12 to 24 May. The show features haunting war photography alongside installations—Youth, Childhood, and Memory—that draw parallels between historic and current conflicts. Duley, who lost both legs and an arm after stepping on a landmine in Afghanistan, uses a camera obscura, children's art from war zones, and side-by-side images of injured children from the London Blitz and Beirut to create an immersive experience. The exhibition is presented by the luxury tower's developer and includes benefit dinners hosted by Duley.

Former Korean Prosecutor Convicted in Alleged Lee Ufan Painting Bribery Scheme

A former senior South Korean prosecutor, Kim Sang-min, has been convicted on appeal for allegedly gifting a painting by renowned artist Lee Ufan to former first lady Kim Keon Hee in exchange for political support ahead of the 2024 parliamentary elections. The Seoul High Court overturned an earlier acquittal, sentencing Kim to two years in prison (suspended for three years) for bribery, plus a separate suspended sentence for illegal political donations. The case took a strange turn when Kim's defense argued the artwork, titled *From Dots (No. 800298)* and valued at 140 million won ($95,500), was a forgery worth less than $700—a claim the court rejected after physically examining the piece and consulting experts.

Keith Haring Before the End of the World

The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.

Arch Hades Turns a Venetian Palazzo Into an Emotional Landscape

British artist Arch Hades has transformed the Scoletta Battioro e Tiraoro di Venezia, a historic palazzo on Venice's Grand Canal, into an immersive solo exhibition titled “Arch Hades: Return | Ritorno,” timed to the 61st Venice Biennale. The show features site-specific paintings, sculptures, and a soundscape, anchored by the monumental 22-panel painting *Return* (2025), which draws on Greco-Roman sculpture, Symbolism, Surrealism, and Romanticism, and echoes Gustav Klimt's lost “Faculty Paintings.” New works from Hades's “Confessions” series and the mirrored chrome piece *Sphinx* (2026) further explore themes of memory, connection, and existentialism.

Parasol Unit returns with a showcase of women from Central Asia and beyond

Parasol Unit, the London non-profit exhibition space that closed in 2020 after 16 years, has relaunched with a new exhibition titled "Turandot: To the Daughters of the East" as an official collateral event of the Venice Biennale. Held at the historic Palazzo Franchetti, the show features 11 female artists from Central Asia and surrounding regions, curated by founder Ziba Ardalan. The exhibition spans video, installation, sculpture, painting, textile, and sound works by artists including Lida Abdul, Huma Bhabha, Mona Hatoum, and Tala Madani, and runs from 9 May to 31 October.

Pleasure, parody and propaganda: rethinking the art of illustration in a new history of the genre

D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.

‘She had a fresh, informed eye’: mural depicting late Venice Biennale curator Koyo Kouoh displayed in lagoon city

A mural honoring Koyo Kouoh, the late curator of the 2025 Venice Biennale, has been unveiled in Venice. Created by US artist Derrick Adams, the collage titled "Heavy is the head that wears the crown" adorns the facade of the Palazzetto dello sport Giobatta Gianquinto near the Arsenale. Kouoh died on 10 May 2025 at age 57 after a cancer diagnosis. The tribute was organized by curator Francesco Bonami, who had invited Kouoh to join the jury for the 50th Venice Biennale in 2003.

Towering homage to Bamiyan Buddhas rises over Manhattan’s High Line

A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.

Has A.I. Solved the Mystery of This El Greco Painting?

New research using artificial intelligence has challenged the long-held belief that El Greco's altarpiece *The Baptism of Christ* was largely painted by his son and workshop assistants. A machine-learning model called Patch, developed by researchers at Western Reserve University, analyzed the painting's microscopic surface texture and found underlying connections suggesting El Greco himself painted the majority of the work, with only a small region at the bottom attributed to other hands.

This Watch Witnessed the Rise of the Empire State Building. Now It’s Up for Sale

A rare 1929 Patek Philippe wristwatch, originally owned by Paul Starrett—the chairman of the corporation behind the Empire State Building—is headed to auction at Phillips in New York. The Tiffany & Co. signed timepiece was purchased by Starrett during the construction of the iconic skyscraper and features unique floral engravings alongside his initials. It is expected to fetch between $15,000 and $30,000 during the June sale.

NBA Star Devon Booker Finds Perspective at James Turrell’s Fabled Roden Crater

NBA star Devin Booker has developed a significant connection with James Turrell’s Roden Crater, visiting the massive land art project in a dormant Arizona volcano three times since 2020. The Phoenix Suns guard has formed a mutual friendship with Turrell, who praised Booker’s artistic sensibility, while Booker credited the immersive installation with providing a sense of presence and perspective that transcends his professional basketball career.