Heartware Store & Gallery’s Latest Pop-Up Is A Quirky Convenience Store-Themed Art Exhibition In Joo Chiat

Heartware Store & Gallery in Singapore's Joo Chiat district has launched "555 MART," a solo exhibition by Bangkok-based illustrator and graphic designer Nene (Nanthawan Jamsai). The gallery has been transformed into a neon-lit, immersive convenience store where everyday grocery items like cup noodles and canned sardines are reimagined through ballpoint pen sketches and vibrant Risograph printing. The show features a mock checkout belt and art displayed alongside groceries, blending a retail environment with a traditional gallery space.

Tides of creation: New IU Eskenazi Museum exhibit explores ocean biodiversity through art

The Indiana University Eskenazi Museum of Art has opened “Mulyana: Vital Ecosystems,” an immersive exhibition by Indonesian artist Mulyana. The installation features a vibrant underwater world constructed from hand-knitted crochet, felt, and repurposed plastic waste, including takeout bags collected during the pandemic. Central to the display is the artist’s signature character, "Mogus," an octopus-like creature that serves as a symbol of empathy and environmental stewardship.

Two exhibits trace the origins of the Sarasota Artist Colony

Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.

ARTS at King Street Station 2026 Exhibition Calendar

The ARTS at King Street Station in Seattle has announced its 2026 exhibition calendar, featuring a diverse lineup of 13 shows from November 2025 through February 2027. Highlights include "Welcome to Paradise: ¡Viva Puerto Rico Libre!" by Jo Cosme, which critiques colonial narratives of Puerto Rico; "Living and Loving Under the Carceral State" by Alison Bremner; a South Indian kolam exhibition by Anuradha Samrat; and "Tết In Diaspora" by Nhi Vo celebrating Vietnamese New Year. Other exhibitions explore Afrofuturism, Black figuration, animation, augmented reality, the legacy of Black Arts West Theater, and themes of mothering and gender-based violence.

‘People didn’t believe it was real’: Indigenous artists push to shut the Everglades migrant-detention facility Alligator Alcatraz

Miccosukee and Seminole artists, culture-bearers, and youth organizers are protesting the opening of a migrant-detention facility nicknamed Alligator Alcatraz at the Dade-Collier Training and Transition Airport in Big Cypress National Preserve, Florida. In July, a communal action coordinated with the collective Unidos Immokalee included ceremony, dance, sign-making, and distribution of supplies, with participants like Kendal Osceola and Maeanna Osceola speaking out against the facility, which they see as colonial violence on ancestral lands. The facility, run by Florida’s Division of Emergency Management in partnership with the US Department of Homeland Security, opened on 3 July and has faced legal challenges, including a temporary halt to construction by a federal judge in August, though a September appeals panel stayed the shutdown order.

PHOTOS: Globally-renowned artist Lucy Sparrow debuts 13,000-piece felt exhibition

Globally-renowned English felt artist Lucy Sparrow has opened a new 13,000-piece felt exhibition titled "Lucy Sparrow’s Quick Shop" at FloridaRAMA in St. Petersburg, Florida. The immersive grocery-themed pop-up features handmade felt versions of everyday products like avocados, toothpaste, and seafood, and functions as both an art installation and a shop where visitors can purchase the signed felt items. The exhibition will remain open only as long as the stock lasts, with special shopping events alongside the artist scheduled for November 25, 26, and 28.

New Overland Park art gallery marks new chapter for local painter

Mark Freeman, a former sales professional who turned to painting in 2020, is opening his own gallery and studio called Studio 80 in downtown Overland Park, Kansas, on November 7. The space at 7139 W. 80th St. will display his abstract and figurative works with local themes, feature a monthly local artist, and operate as both a gallery and working studio. Freeman, who previously showed at the 80 Santa Fe Gallery, aims to control his artistic destiny and give back to the community through partnerships with nonprofits.

Sarasota art exhibition features items that are 'Shopliftable'

An art exhibition titled "Shopliftable" has opened at the 502 Gallery in Sarasota, Florida, featuring small-scale artworks that are intentionally easy to steal. The show, organized by co-owner and director Tim Jaeger, includes works by artists such as Nancy Hielscher, who presents a triptych from her "Yardwork" series depicting bromeliads, and Virginia Hoffman, who displays alternative-print photographs in antique negative holders. All pieces are for sale and span a variety of mediums, with many presented in sets.

Arboretum poppies, a tribute to late Wyndmoor artist

The Morris Arboretum & Gardens in Philadelphia recently displayed supersized red poppies at its entrance, reproductions of the colossal sculptures "Papaver Rubrum Giganteum" created by the late artist Gary G. Miller. Originally installed at the arboretum in May 2008, the installation featured 300 handmade aluminum poppies with 20-inch flower heads on 10-foot stems. Miller, a sculpture and photography teacher at Germantown Friends School and a facilitator at Woodmere Art Museum, was killed by a drunk driver in 2013. To commemorate his work, the Chestnut Hill Community Association organized an exhibition titled "Papaver Rubrum Giganteum Redux," featuring photographs of the poppies in a pop-up space from September 27 to October 4.

Shanghai residency space merging art and fashion to launch in November

A new Shanghai artist residency and exhibition space called Cheruby House will launch on 8 November, ahead of Shanghai Art Week (10-16 November). The venue opens with a solo show by its first resident, Mexican artist and designer Bárbara Sánchez-Kane, whose work explores military machismo through sculpture, painting, text, and clothing. Founded by Chinese collector Cherry Xu, Cheruby House is located in a 1939 heritage building at 758 Changle Lu and aims to merge art and fashion. It will host three residencies and exhibitions per year, with Thai artist Tanat Teeradakorn slated for 2026.

Faizi Rahmeen Art Gallery yet to open doors

The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.

Rocket Man Jacky Tsai’s interstellar adventure

London-based Chinese artist Jacky Tsai painted the exterior of a ZQ-2E Y2 rocket, which launched into space in May from China's Jiuquan Satellite Launch Center. The project, titled "Chang'e Flying to the Moon," was a collaboration with commercial space company LandSpace, reimagining the Chinese moon goddess in a cosmic context. Tsai worked with engineers to apply aerospace-grade paint, avoiding colors like green that could interfere with tracking systems. He had planned to recover separated rocket parts for a sculptural installation or charity auction, but all painted sections were incinerated upon re-entry.

High fashion and French cars bring St. Louis Art Museum exhibit ‘Roaring’ to a close

The St. Louis Art Museum's 'Roaring' exhibit, which opened after a five-year delay due to the pandemic, is nearing its July 27 closing date. Featuring 12 vintage cars and over 160 items, the show explores the intersection of French automobiles and fashion between 1918 and 1939, highlighting the era's artistic and mechanical innovation. Nearly 70,000 visitors have attended, making it the museum's most popular attraction since 2018's 'Sunken Cities.'

New gallery Forever Changes in downtown Akron brings inclusive approach for local artists

Art x Love, a creative agency owned by Allyse and Mac Love, has opened a new gallery called Forever Changes in downtown Akron, Ohio. The gallery offers local artists of all skill levels the opportunity to display and sell their work through both free and paid display options, with a community open house scheduled for July 11. The space at 35 S. Main St. features over 200 artworks by 22 local artists, including both newcomers like Boo Koch and Day Watajii, and established artists such as Karen Koch, Julienne Hogarth, and David Lile. The gallery operates on a non-curatorial model, accepting nearly all submissions suitable for public display, and aims to provide a zero-risk platform for artists who have never shown their work before.

Seven years after brutal fire, National Museum of Brazil to partially reopen

The National Museum of Brazil (Museu Nacional-UFRJ) in Rio de Janeiro will partially reopen its galleries nearly seven years after a devastating electrical fire destroyed around 90% of its collection. The temporary reopening features guided tours of three rooms, including one displaying decorative paintings uncovered during restoration, the surviving Bendegó meteorite, a suspended sperm whale skeleton, and donated objects such as fossils, manuscripts, ceramics, and Indigenous artefacts. The museum's full reopening is scheduled for 2028, with a reconstruction budget of 516.8 million reais ($90.4 million) and an additional 170 million reais ($29.8 million) still needed.

Elizabeth Smith and Sue Lowday unite for Isle of Wight Open Studios exhibition

Isle of Wight artist Elizabeth Smith will open her studio at Nightingales in Bonchurch from 17th to 25th May 2025 as part of the Isle of Wight Open Studios event. Her watercolour paintings and prints, including works from her Charting Ventnor series, capture the architecture and landscapes of the South Wight. Fellow artist and designer Sue Lowday, a former silversmith who now works in leather, will also exhibit at the same venue from 17th to 21st May, showcasing her handcrafted belts, bags, and other items.

Why Is Everyone Obsessed With Bogs?

The New York Times Art section published an explainer titled "Why Is Everyone Obsessed With Bogs?" examining the cultural fascination with wetlands, particularly bogs, across fashion and art. The article explores how bogs have become a recurring motif in contemporary visual culture, from runway collections to gallery installations, reflecting a broader societal interest in these unique ecosystems.

Uncertainty, But Also Optimism, Mark New York Art Week

New York Art Week in May will feature high-value auction items and several major private collections going to market, serving as a key indicator of the art market's health amid current economic and political uncertainty. The event brings together galleries, auction houses, and collectors for a concentrated period of sales and exhibitions.

At Milan Design Week, Creative Seating Brings Fresh Ideas to the Table

Milan Design Week has unveiled a series of innovative seating concepts that challenge traditional forms of furniture. Highlighting the intersection of sculpture and utility, the showcase features standout pieces including a crisp, minimalist couch, a monolithic chair, and a playful pouf, all of which demonstrate how contemporary designers are rethinking the ergonomics and aesthetics of reclining.

What’s Your Star Sign? The Ancients Could Offer You Some Insight.

The article explores the ancient origins of astrology, tracing its foundational concepts to Babylonian, Egyptian, and classical civilizations. It details how these early cultures developed complex systems of celestial observation and interpretation that predate modern horoscope apps and the contemporary astrology industry.

For Baccarat, This Artist Created a Different Kind of Chandelier

Artist Harry Nuriev has designed a new chandelier for the luxury crystal house Baccarat. The piece, titled "Everyday Chandelier," replaces a portion of the traditional, ornate crystal components with mass-produced, utilitarian objects like plastic cups, water bottles, and light bulbs.

The Unsettling Museum

ArtReview's feature 'The Museum in Crisis' presents a critical diagnosis of contemporary museums, questioning their foundational authority, purpose, and relevance. The article compiles perspectives from professionals, highlighting challenges like restitution claims, alienated audiences, and the need to dismantle colonial hierarchies embedded in language and display practices. It argues that museums must move beyond being mere preservers to become active producers of public knowledge.

The Emanent Museum

Artist and writer Farid Rakun, a member of the collective ruangrupa, offers a critical diagnosis of contemporary museums. He argues that institutions in his Indonesian context are either state-run and subject to unstable political direction, or privately owned and driven by colonialist, capital-accumulating mentalities. He laments the intertwining of these models, which prioritizes revenue and growth over genuine cultural service.

Endangered Species? Venice Biennale Ditches Golden, Silver Lions for 2026 Edition

The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.

Oculus Serenade: Artwork by Peter D. Gerakaris - The Berkshire Edge

The article announces and describes artist Peter D. Gerakaris's exhibition "Oculus Serenade," which features a collection of vibrant tondo (round) paintings, works on paper, and mosaic artworks. Gerakaris's work merges microscopic and macroscopic perspectives, focusing on motifs from the natural world such as endangered botanicals, exotic birds, and aquatic life, inspired by his firsthand experiences in diverse ecosystems. The exhibition's centerpiece is a four-foot diameter "Orchid Oculus Tondo," surrounded by hand-embellished prints and a cut-glass mosaic, with the artist's process described as a form of "visual jazz." The article also notes Gerakaris's interdisciplinary practice, his previous projects including a permanent installation at the Berkshire Botanical Garden, and details for an upcoming artist's reception at the Cornwall Library.

SPAIN ORIOL VILANOVA AND THE ABOLITION OF THE MUSEUM AND THE ARCHIVE

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.

Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.

JEZIK AND COSTA EXPLORE MEMORY AND EXILE IN A GROUP EXHIBITION

The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.

1990s pop icon Jewel is the protagonist in Venice with an exhibition that rewrites the geographies of the feminine

L’icona pop Anni ‘90 Jewel è protagonista a Venezia con una mostra che riscrive le geografie del femminile

Singer-songwriter Jewel, a 1990s pop icon with four Grammy nominations, is presenting her largest exhibition to date in Venice. Titled "Matriclysm: An Archaeology of Connections Lost," the immersive show runs from May 6 to November 22, 2026, at the Salone Verde, coinciding with the 2026 Venice Biennale. Curated by Joe Thompson, the exhibition blends painting, textiles, sculpture, sound, and installation to explore themes of femininity, motherhood, care, and intergenerational knowledge, drawing on forgotten rituals and marginalized mythologies.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.