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Cara and Diego Romero: Tales of Futures Past Comes to Albuquerque Museum

The Albuquerque Museum will present "Cara and Diego Romero: Tales of Futures Past" from November 1, 2025, through February 8, 2026. This is the first national traveling exhibition to bring together the work of acclaimed contemporary artists Cara Romero (Chemehuevi) and Diego Romero (Cochiti), featuring 40 works including Diego’s pottery and lithographs and Cara’s photographs from her Indigenous Futurism series. The exhibition, organized by the Figge Art Museum in Davenport, Iowa, includes the debut of Cara Romero’s large-scale photographs "Four Horsewomen I and II" and a documentary by Kaela Waldstein. Public events include an opening panel moderated by artist and scholar Deborah Jojola.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

The rooms where the magic happened: National Gallery of Ireland exhibition explores Picasso’s studios

The National Gallery of Ireland is opening an exhibition titled "Picasso: From the Studio" that shifts focus from the artist's famous subjects—such as weeping women and bullfighting—to the physical spaces where he created his work. Curated by Janet McLean and Joanne Snrech, the show draws heavily from the Musée Picasso in Paris and includes over 100 works, ranging from early pieces made from scraps to late paintings like *Musician* (1972). The exhibition recreates the atmosphere of key studios through paintings, film, and photographs, including iconic images by Dora Maar of Picasso painting *Guernica* (1937). The gallery owns only one Picasso painting, *Still Life with a Mandolin* (1924), which is included.

Tate Britain’s Lee Miller exhibition seeks to go beyond her mythology

Tate Britain is opening a major survey of American photographer Lee Miller (1907-77), running from 2 October 2025 to 15 February 2026. Curated by Hilary Floe, the exhibition aims to refocus attention on Miller’s artistic output rather than her storied personal life—her roles as a Surrealist, fashion photographer, war correspondent, and muse to figures like Man Ray, Pablo Picasso, and Jean Cocteau. The show presents the UK’s largest survey of her work, deliberately selecting images based on artistic merit rather than biographical illustration.

Picasso Achieves HK$197 Million Breaking Artist's Asia Auction Record at Christie's Hong Kong Evening Sale - Christie's

Christie's Hong Kong held its 20th/21st Century Evening Sale on 26 September 2025 at The Henderson, achieving a total of HK$565,649,000 (US$73,038,183). The top lot was Pablo Picasso's *Buste de femme*, which sold for HK$196,750,000 (US$25,404,911) after over 15 minutes of bidding, setting a new auction record for the artist in Asia. Zao Wou-Ki's *17.3.63* also performed strongly, achieving HK$85,200,000. The sale saw 92% of lots sold, with the overall hammer price 116% above the low estimate, and works by Chinese, Southeast Asian, Korean, and Japanese artists all sold out.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

Picasso: From the Studio

The article, titled "Picasso: From the Studio," appears to be a page from the National Gallery of Ireland's website. However, the actual content is blocked by a security verification service (CAPTCHA) that prevents access to the article text. The page indicates that the user must enable JavaScript and cookies and pass a security check to view the content.

Picasso painting not seen in 80 years heads to auction in France

A Picasso painting unseen for over 80 years, *Buste de femme au chapeau à fleurs (Dora Maar)* (1943), will be auctioned at the Drouot salesroom in Paris on 24 October by Lucien Paris auction house. The work, depicting the artist's lover and muse Dora Maar, has been held in a private French collection since 1944 and carries an estimate of €8 million. The auction catalogue includes an authentication certificate from the Comité Picasso and notes the painting was documented in *Cahiers d’art* and photographed by Brassaï.

The Red-Hot Market for South Asian Modernism Has a New Star

A 1989 painting by Bangladeshi modernist S.M. Sultan, titled *Untitled (Cultivation)*, sold for $50,800 at Christie’s New York on Wednesday, more than doubling its high estimate of $25,000 and setting a new auction record for the artist. The work was acquired by a South Asian institution. Sultan, who died in 1994, is known for his depictions of muscular peasants and has only 14 recorded auction results, with his previous record of $19,500 set just two months earlier at Sotheby’s.

Sotheby’s secures $120m Pritzker and $400m Lauder collections, with works by Matisse, Munch and Van Gogh

Sotheby’s has secured two major private collections for its autumn New York sales: the Pritzker collection, estimated at $120 million, and the Lauder collection, valued at around $400 million. The Pritzker collection includes Vincent van Gogh’s *Romans Parisiens* (1887) with a $40 million estimate, while the Lauder collection features Gustav Klimt’s *Portrait of Elisabeth Lederer* (1914-16) estimated at over $150 million, along with works by Matisse, Munch, and Martin. The sales will take place at Sotheby’s new headquarters in the Breuer Building this November.

Comment | Picasso’s ‘Three Dancers’ sparked my love of art. Let's give others the chance to find their own way in

Tate Modern’s exhibition *Theatre Picasso*, opening this week, centers on Pablo Picasso’s painting *The Three Dancers* (1925), which the artist himself valued above *Guernica*. The show marks the painting’s 100th anniversary, featuring Tate’s entire Picasso collection alongside major loans, and is staged by artist Wu Tsang and writer-curator Enrique Fuenteblanca with contributions from contemporary dancers and choreographers. The article’s author recounts a personal journey with the painting, from initial confusion in a secondary school art room to a lifelong passion ignited by teacher Jean Morrison and a school trip to Paris.

Ten essential works of art to see at the Museum of Modern Art, New York

The article presents a curated list of ten essential artworks at the Museum of Modern Art (MoMA) in New York, coinciding with the departure of longtime director Glenn Lowry after 30 years and the appointment of Christophe Cherix as his successor. It highlights iconic pieces such as Picasso's "Les Demoiselles d'Avignon" (1907) and Matisse's "The Red Studio" (1911), while reflecting on MoMA's history, its founding vision by Alfred Barr, and its evolution through expansions including the incorporation of PS1 and the $450 million renovation of its 53rd Street building.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

The Victoria & Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" at the Sainsbury Gallery from March 21 to November 1, 2026. The exhibition traces the legacy of founder Elsa Schiaparelli from the 1920s to the present, under current owner Diego Della Valle and creative director Daniel Roseberry. It will feature over 200 objects spanning Paris, London, and New York, including garments, accessories, jewelry, paintings, photographs, and archive material. Highlights include the Skeleton dress (1938) and the Tears dress (1938), created in collaboration with Salvador Dalí. The show also explores Schiaparelli's relationships with clients like Wallis Simpson and artists such as Pablo Picasso, Jean Cocteau, and Man Ray.

Less than two years after opening, the Museum of Censored Art in Barcelona has closed its doors

The Museu de l’Art Prohibit (Museum of Censored Art) in Barcelona, the world's first museum dedicated to censored artworks, has closed indefinitely less than two years after opening. Founded in October 2023 by Catalan journalist and businessman Tatxo Benet, the museum housed over 200 banned works by artists including Ai Weiwei, David Wojnarowicz, and Abel Azcona. The closure, announced on June 27, was attributed to financial losses caused by four months of picketing by the Solidarity and Unity of Workers union (SUT), which protested the museum's termination of a contract with management company Magma Cultura. The union demanded better working conditions, including improved air conditioning, more breaks, and higher pay.

The Louvre Invited 100 Contemporary Artists to Copy—and Reinterpret—Its Masterpieces. Here's What They Made

The Louvre invited 100 contemporary artists to create copies or reinterpretations of works from its collection, spanning antiquity to the 19th century. The resulting artworks—paintings, sculptures, audio recordings, and videos—are now on view in the exhibition "Copyists" at the Pompidou Center Metz, curated by Chiara Parisi and Donatien Grau, running until February 2, 2026. Artists were given an open-ended brief, leading to diverse outcomes from faithful reproductions to radical reinventions of masterpieces by Delacroix, Goya, and Vermeer.

$10 million Tamara de Lempicka leads sales at Sotheby’s London modern and contemporary evening auction.

Sotheby’s modern and contemporary evening sale in London on June 25, 2025, achieved £62.43 million ($83.97 million), led by Tamara de Lempicka’s *La Belle Rafaëla* (1927) which sold for £7.47 million ($10.05 million). Other top lots included works by Pablo Picasso, Jean-Michel Basquiat, Claude Monet, Jenny Saville, and Elizabeth Peyton, with Saville setting a new auction record for a drawing. Eight lots failed to sell, including pieces by Egon Schiele and Pierre-Auguste Renoir.

Albuquerque Museum Presents German Modernism Amid Empire, Democracy, and Dictatorship

The Albuquerque Museum will present "Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin" from August 23, 2025, to January 4, 2026. The exhibition features over 70 paintings and sculptures tracing German modern art from the early 20th-century avant-garde through the Weimar Republic to the Nazi dictatorship, including works by Max Beckmann, Otto Dix, George Grosz, Hannah Höch, Wassily Kandinsky, Paul Klee, and Salvador Dalí, many rarely shown in the U.S.

Climate protester splashes pink paint on Picasso work at Montreal Museum of Fine Arts

On Thursday morning, a supporter of the environmental activist group Last Generation Canada splattered pink paint on Pablo Picasso's 1901 painting *L'hétaïre* at the Montreal Museum of Fine Arts (MMFA). The painting, on loan from the Pinacoteca Agnelli in Turin and featured in the exhibition *Berthe Weill: Art Dealer of the Parisian Avant-garde*, was behind protective glass and showed no immediate damage. The activist, identified only as Marcel, was arrested and charged with mischief under $5,000. The museum reopened the rest of the exhibition after about an hour.

The PHLCVB, the PMA, and Meg Saligman Announce Major Art Installations for 2026

The Philadelphia Convention and Visitors Bureau, the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, and the Middleton family have announced major art installations for 2026 to celebrate America's 250th anniversary. A dual-venue exhibition titled "A Nation of Artists" will open in April 2026 at the PMA and PAFA, featuring over 1,000 works of American art, including pieces from the private collection of Phillies majority owner John S. Middleton. Additionally, renowned muralist Meg Saligman will launch "Ministry of Awe," a six-story immersive art experience housed in a 19th-century bank.

Cezanne family home opens to the public as Aix-en-Provence fetes its famous former resident

The French city of Aix-en-Provence is launching Cezanne 2025, a year-long program of events and exhibitions celebrating its most famous resident, Paul Cézanne. The season begins with two major openings: the Bastide du Jas de Bouffan, Cézanne's family home, now open to the public after extensive renovations, and a major exhibition at the Musée Granet titled "Cezanne au Jas de Bouffan" (28 June to 12 October), which explores the painter's work during his 40 years at the estate. A highlight of the exhibition is the reconstruction of the Grand Salon, featuring a recently discovered mural fragment, *Entrée du port* (1864), and loans from institutions including the National Gallery in London and the Petit Palais in Paris.

The Musée des Arts Décoratifs celebrates France’s ‘king of fashion’, who married haute couture to art

The Musée des Arts Décoratifs in Paris is presenting a new exhibition, *Paul Poiret: Fashion is a Feast*, dedicated to the early 20th-century French couturier who styled himself the “King of Fashion.” The show draws on the museum’s extensive Poiret collection, spanning from the Belle Époque through the 1920s, and features his garments alongside photographs, drawings, posters, and illustrations. It traces Poiret’s career from his start at the House of Worth to his independent house, his collaborations with artists such as Raoul Dufy and Maurice de Vlaminck, and his exotic inspirations from travels in Europe and North Africa.

Melbourne exhibition celebrates the long overlooked contributions of Indigenous Australian artists

An exhibition titled "65,000 Years: A Short History of Australian Art" opens at Melbourne University’s Potter Museum of Art on 30 May, celebrating the long-overlooked contributions of Indigenous Australian artists. Co-curated by Judith Ryan and Marcia Langton, the show argues that Indigenous art dates back millennia before European settlement but was only recognized as fine art from the 1980s, having been previously confined to ethnographic categories. It highlights frontier artists like Tommy McRae, William Barak, and Mickey of Ulladulla, as well as contemporary photographers Ricky Maynard, Naomi Hobson, and Destiny Deacon, while addressing the link between racist policies and the denial of Indigenous art's value.

Lawren Harris leads the way in Heffel’s all-Canadian marquee spring auctions in Toronto

Heffel Fine Art Auction House held its spring sales in Toronto on May 22, featuring an all-Canadian lineup of 85 lots with an estimated value of C$18m to C$22m. Despite rain and economic concerns, the two-session sale achieved C$22m total, led by Lawren Harris's *Northern Lake* (1926) at C$3.1m. Other highlights included record-breaking prices for Franklin Carmichael, Arthur Lismer, and A.Y. Jackson, plus strong results for Emily Carr and Tom Thomson works.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

Aboriginal art returns to Sotheby’s New York two years after pioneering dealer Tim Klingender's death

Two years after the death of pioneering Aboriginal art dealer Tim Klingender in a boating accident, his widow Skye McCardle-Klingender is organizing a multi-owner auction at Sotheby’s New York on 20 May. The sale includes 65 lots from Klingender's personal collection and other owners, featuring works by leading Aboriginal artists such as Emily Kam Kngwarray, Ginger Riley Munduwalawala, Rover Thomas, Mick Namarari Tjapaltjarri, and Richard Bell. McCardle-Klingender is working with former National Gallery of Australia curator Wally Caruana to assemble the auction, which aims to continue Klingender's legacy of elevating Indigenous Australian art on the global stage.

Ten essential works of art to see on the French Riviera

The article highlights ten essential artworks to see on the French Riviera, tracing the region's artistic heritage from the 19th century to the present. It features works by Paul Signac, Henri Matisse, Ludovico Brea, and others, housed in museums such as the Musée de l'Annonciade in Saint-Tropez and the Musée Matisse in Nice, with historical context on how artists like Renoir, Picasso, and Chagall were drawn to the area's light and atmosphere.

$70m Giacometti bombs at patchy Sotheby’s Modern art auction

Sotheby's Modern evening sale in New York on May 13 brought in $152 million ($186.4 million with fees), falling short of its presale estimate of $170 million to $248 million. Four lots were withdrawn before bidding began, including works by Winslow Homer, Wassily Kandinsky, Candido Portinari, and Pierre-Auguste Renoir. The sale's star lot, Alberto Giacometti's bronze bust 'Grande tête mince' (1954/55), estimated at over $70 million, failed to sell when bidding stalled around $64 million. Other notable results included strong sales for Jean Arp, František Kupka, and Robert Delaunay, but several high-profile works by Henri Matisse, Pablo Picasso, Edgar Degas, Pierre Soulages, and David Smith also failed to find buyers.