how darren bader makes show amy winehouse weight machine 1234764467

Darren Bader's first exhibition with Matthew Brown Gallery in New York, titled "Youth," features his signature conceptual works that blur the line between humor and philosophical inquiry. The show includes pieces like "jam on It," a mound of fruit spread placed on a Stephen King novel, and a bin soliciting sock donations, including a pair printed with Edgar Allan Poe's face and injected with Botox. Gallery director Jack Eisenberg describes the challenges of sourcing jam in New York, highlighting the absurd yet meticulous nature of Bader's practice.

llyn foulkes obituary 1234762894

American artist Llyn Foulkes has died at age 91, as confirmed by Kent Fine Art. Known for defying stylistic categorization, Foulkes was an early pioneer of Pop art, showing at Fergus Gallery in the mid-1960s ahead of Andy Warhol. He won the painting prize at the Paris Biennale in 1967 and represented the United States at the IX São Paulo Art Biennial that same year. His work incorporated collaged elements and explored themes of photography, Americana, and commercial pop culture. Foulkes was also a jazz musician, performing with R. Crumb and forming the Rubber Band, which appeared on Johnny Carson's Tonight Show. He invented a one-man-band instrument called the Machine and participated in Documenta 13 in 2012, with a retrospective at the Hammer Museum in 2013.

onassis onx opens in tribeca 1234761127

The Onassis Foundation’s experimental art and tech studio, Onassis ONX, is relocating to a larger 6,000-square-foot space in Manhattan’s Tribeca neighborhood, doubling its size. The new facility at 390 Broadway will open in January with the multimedia exhibition “TECHNE: Homecoming,” featuring works by artists such as Andrew Thomas Huang, Tamiko Thiel, and Sister Sylvester. The space includes advanced production facilities like a motion-capture stage, a three-wall projection room, an expanded sound studio, and enhanced AI and generative media infrastructure.

carlos cruz diezs crosswalk artwork removed 1234752434

An artwork by Venezuelan artist Carlos Cruz-Diez that decorated a crosswalk in Coral Gables, Florida, has been removed following a directive from the Florida Department of Transportation (FDOT) banning public artwork with “social, political, or ideological messages.” The piece, titled *Induction Chromatique* (2017), featured colorful chevron patterns and was originally installed during Art Basel 2017. The city purchased the design for $180,000 and spent $18,000 annually on maintenance, but the crosswalks were painted over last month. The gallery, Ninoska Huerta Gallery, has called for dialogue about restoration or relocation.

maren hassinger bampfa retrospective 1234749583

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) will mount a comprehensive retrospective for interdisciplinary artist Maren Hassinger, opening in June 2025. Titled "Living Moving Growing," the exhibition will span her five-decade career, featuring early wire rope and tree branch sculptures from the 1970s, large-scale recreations, performances, and workshops. Co-curated by chief curator Margot Norton and senior curator Anthony Graham, the show aims to highlight Hassinger's dual practice as a sculptor and performer, with some works staged in partnership with the University of California Botanical Garden.

smithdavidson gallery tjukurrpa the dreaming 2670351

SmithDavidson Gallery has partnered with London-based Unit gallery to present “Tjukurrpa: The Dreaming,” an exhibition timed to the Tate Modern survey of Emily Kam Kngwarray (1910–1996). The show, on view through August 17, 2025, highlights Kngwarray's work alongside pieces by Warlimpirrnga Tjapaltjarri, Makinti Napanangka, and Paddy Nyunkuny Bedford. Founders David Smith and Gabriëlle Davidson, who have collected Australian First Nations art since 2006, describe how their gallery transformed from a focus on 19th-century European and Impressionist art to a dedicated program for Modern and Contemporary Australian Indigenous art, with ethical standards that benefit artists' communities.

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Schoelkopf Gallery in New York has opened "Mary Abbott: To Draw Imagination," the first comprehensive survey exhibition dedicated to Abstract Expressionist painter Mary Abbott, who died in 2019. The show follows the gallery's announcement that it now represents Abbott's estate. Abbott, born in 1921 into a prominent New York family with presidential lineage, studied at the Art Students League and Subjects of the Artists, and showed alongside Jackson Pollock, Willem de Kooning, and others in the landmark 1951 Ninth Street Show, yet her legacy has remained largely overlooked.

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Blanche Lazzell (1878–1956), a pioneering American Modernist artist and printmaker largely forgotten today, is featured in the exhibition “Herself: American Artists of the 20th Century” at New York’s Lincoln Glenn Gallery. The show brings together 30 women artists spanning roughly 90 years, including Alice Neel, Grace Hartigan, Barbara Kruger, Sheila Hicks, and March Avery. Lazzell, who earned her fine arts degree at West Virginia University in 1905, studied at the Art Students League alongside Georgia O’Keeffe, traveled to Paris, and cofounded the Provincetown Printers, the nation’s first woodblock print society. She is credited with developing the white-line woodcut technique known as the Provincetown Print, and her work is held by major institutions including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Smithsonian American Art Museum.

arrival hotel art fair change the game 2658185

A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.

basel social club is a beautiful mess art basel 1234745671

The Basel Social Club (BSC), a rogue nonprofit exhibition platform, has taken over a defunct private bank in Grossbasel for its fourth edition, offering a free-entry counter-program to the main Art Basel fair. Over 100 rooms are transformed into living artworks, featuring installations like a functional Black hair salon ("It’s a Whole Lotta Money"), a video essay critiquing online review systems ("1 ★ Review Tour"), and a jewelry boutique in the former vault ("Bijoux Solaires"). The event is described as chaotic, punk, and intimate, with performances such as Faisal Abdu’Allah giving real haircuts in a vintage barber chair.

heft gallery opens in new york city ai art 1234741940

Adam Heft Berninger has opened Heft, a new gallery on Manhattan's Lower East Side, dedicated to artists who work with systems-based practices such as generative code, machine learning, and scanners. Berninger, who previously worked with MoMA and the Public Art Fund and ran the curatorial platform Tender, emphasizes that the gallery is not an "AI art" gallery but a contemporary art space where technology serves as a tool for artistic methodology rather than a defining label. He argues that misconceptions about AI art can only be overcome through in-person viewing, and that the scarcity of galleries focused on this kind of work globally—countable on two hands—presents an opportunity.

why leonora carringtons otherworldly sculptures are generating interest and controversy 2608664

Leonora Carrington, the British-born Surrealist artist, has seen a dramatic revival of interest in her work, with her paintings breaking auction records and her sculptures gaining new attention. However, a bitter dispute has emerged between supporters of her later bronzes and critics questioning their legitimacy, complicating her legacy. Carrington lived most of her life in Mexico and died in 2011 at age 94, but her reputation has soared posthumously, marked by a 2015 retrospective at Tate Liverpool, her influence on the 2022 Venice Biennale, and a current retrospective traveling from Palazzo Reale in Milan to Musée du Luxembourg in Paris. Her painting *Les Distractions de Dagobert* (1945) sold for $28.5 million at Sotheby’s New York in May 2024, setting a record for a British-born female artist, while her wooden sculpture *La Grande Dame (The Cat Woman)* (1951) fetched over $11.4 million in November 2024.

magritte drawing ebay rago wright auction 2633720

An anonymous buyer purchased an untitled René Magritte drawing on eBay for $1,580 in January 2025. The work, executed in ballpoint pen, colored pencil, and pencil on paper, will be auctioned by Rago/Wright in Lambertville, New Jersey on May 21 with a high estimate of $150,000—a nearly hundred-fold increase. The drawing depicts three giant white chess pieces towering over a landscape and once belonged to Mora Henskens, companion of Harry Torczyner, a friend and collector of the artist. It was acquired by Henskens from Magritte's widow, Georgette Berger Magritte, and later sold through VanDeRee Auctions before appearing on eBay.

sothebys 70 million giacometti bust may auction 1234739396

Sotheby’s will offer Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, hand-painted by the artist as a tribute to his brother Diego, at its May 13 modern art evening sale in New York with an estimate exceeding $70 million. The 25-inch-tall work, one of six casts, is being sold anonymously through the Soloviev Foundation and comes from the estate of real estate magnate Sheldon Solow. It was exhibited at the 1956 Venice Biennale and spent nearly two decades at the Fondation Maeght before Solow acquired it in 1980. The sale also includes a Piet Mondrian painting estimated at $50 million at Christie’s as part of the Leonard Riggio collection.

new frick collection elitist pleasure 1234738874

The Frick Collection in New York has reopened after a multiyear renovation and expansion by Selldorf Architects with Beyer Blinder Belle. Under director Ian Wardropper, the museum hired ambitious young curators who introduced fresh perspectives, including online programming focused on social contexts, temporary relocation to the Whitney's old space (Frick Madison) where they presented female old masters like Rosalba Carriera and contemporary artists of color like Barkley Hendricks, and a rehang that organized works by time and place. The expansion adds new exhibition spaces, a gallery for old master drawings, and opens the Frick family's former bedrooms to the public, housing treasures like gold ground paintings and Impressionist works.

anonymous was a woman symposium report 1234738945

A symposium organized by Anonymous Was A Woman, an arts nonprofit, was held at New York University to discuss findings from a new survey on the status of women artists. The survey, commissioned by the nonprofit and compiled by Julia Halperin and Charlotte Burns with SMU Data Arts, revealed that women artists face significant challenges including financial precarity, lack of studio space, and limited time to create art. Over 300 attendees heard panel discussions featuring artists like Coco Fusco, Steffani Jemison, and Judith Bernstein, followed by roundtables where 40 women professionals in the arts anonymously shared insights on community and resource gaps.

German artist Georg Baselitz dies aged 88

German artist Georg Baselitz has died at age 88, as confirmed by the Thaddaeus Ropac gallery. Known for his expressive paintings and sculptures, Baselitz rose to prominence in the 1960s after a scandal over sexually symbolic works led to a high-profile court case. He pioneered painting canvases upside down from 1969 onward, a technique he used to grapple with German history and collective guilt. His work spanned six decades and included notable sculptures, such as a wooden figure at the 1980 Venice Biennale that appeared to perform a Nazi salute, which he later clarified was inspired by an African artifact. Baselitz achieved international acclaim in the 1980s and became one of Germany's highest-priced living artists, alongside Gerhard Richter.

Los Angeles County Museum of Art’s new David Geffen Galleries reframe 6,000 years of history

The Los Angeles County Museum of Art (LACMA) is preparing to open its new $720m David Geffen Galleries, a massive undulating concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the new building adds 110,000 square feet of gallery space and 3.5 acres of public parkland, marking the completion of a two-decade capital project led by Director Michael Govan. The facility will house the museum’s permanent collection, which has been largely out of public view for seven years, and features innovative exhibition strategies such as hanging artworks directly onto concrete walls.

Lily Allen’s ‘West End Girl’ Portrait Makes Its Museum Debut

Lily Allen's portrait, created by Spanish artist Nieves González for the cover of her album 'West End Girl,' has gone on public display at London's National Portrait Gallery. The painting, which blends Old Master techniques with contemporary fashion, was loaned to the museum by Allen herself and will be exhibited for a year.

Tate Modern to Mount Its First Monet Show Ever

Tate Modern has announced its 2027 exhibition program, headlined by "Monet: Painting Time," the museum's first-ever solo exhibition dedicated to Claude Monet since it opened 26 years ago. The show, opening February 27, 2027, will feature rarely seen works from global lenders and new research, following an initial presentation at the Musée de l'Orangerie in Paris opening this September to mark the centenary of Monet's death.

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Nnena Kalu, a Glasgow-born, London-based artist known for her charged abstract works driven by rhythmic repetition, has won the 2025 Turner Prize, the U.K.'s top award for contemporary art. The announcement was made at a ceremony at Bradford Grammar School, with Kalu receiving £25,000 ($33,000) for her presentation at Bradford's Cartwright Hall Art Gallery, featuring a colorful installation of suspended bundles made from found materials like VHS tape, fabric, rope, and paper. Kalu, born in 1966, is the first learning disabled artist to be nominated for and win the Turner Prize, marking a historic milestone.

almine rech closes london gallery 1234755425

Almine Rech is closing her London gallery in Mayfair after more than a decade, as reported by Melanie Gerlis in the Art Newspaper. The space, which opened in 2014 on Savile Row before moving to Grosvenor Hill, hosted exhibitions by artists including Javier Calleja, Chloe Wise, Jeff Koons, and Esther Mahlangu. Rech stated that London remains "important" to her and that she plans to open something in the city in the future, but offered no specifics. The London branch was put into liquidation, with Companies House filings indicating a £6.3 million deficit, though Rech said she owes no money to artists, workers, or suppliers and described the filing as a technical step to restructure a lease. Her gallery will continue operating its other eight locations across Paris, New York, Brussels, Shanghai, Monaco, and Gstaad.

What You Should Definitely Avoid in Venice

Was man in Venedig unbedingt vermeiden sollte

The article humorously critiques the Venice Biennale, highlighting several disappointments. It describes a Japanese pavilion installation by Ei Arakawa-Nash featuring baby dolls for diaper-changing, which a critic dismisses as a male artist over-romanticizing parenthood. Other flops include long queues for the German and Austrian pavilions, underwhelming main exhibition "In Minor Keys," and annoying self-promotional performers outside venues. The piece also laments the presence of loud American collectors and donors who dominate the event.

There Has Never Been an Apolitical Venice Biennale

"Es hat niemals eine unpolitische Venedig-Biennale gegeben"

The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.

More Than Breakfast

Mehr als Frühstück

The article explores the enduring presence and symbolism of the egg as a motif throughout art history. It highlights works by artists from Hieronymus Bosch and Pieter Bruegel the Elder to Salvador Dalí and Constantin Brâncuși, showing how the egg has been used in painting, sculpture, and photography to represent themes of origin, life, and perfect form.

Venice Biennale 2026 Highlights: Off-Site Exhibitions

ArtReview editors highlight off-site pavilions and exhibitions at the 61st Venice Biennale, running from 9 May through 22 November 2026. Featured works include Li Yi-Fan's film *Screen Melancholy* at Palazzo delle Prigioni, which uses motion capture and a free-trial videogame engine to explore digital alienation and the 'enshittosphere,' and Roberto Diago's installation *Free Men* at the Pavilion of Cuban Republic, comprising rusted iron heads, fragmented wooden figures, and text works critiquing political oppression in Cuba.

The 2026 Venice Biennale Is Quintessential Biennial Art

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Swiss-Cameroonian curator Koyo Kouoh, opened in 2026. The main exhibition at the Arsenale and Giardini features works by artists such as Éric Baudelaire, Maria Magdalena Campos Pons, Mohammed Z. Rahman, Sohrab Hura, and Rose Salane, among others. The exhibition centers on themes of mourning, colonial history, slavery, and healing, with works like Baudelaire's video installation linking the flower trade to the transatlantic slave trade, and a tribute section honoring artists Beverly Buchanan and Issa Samb.

Nicholas Pope, sculptor whose career came in two acts, 1949–2026

Nicholas Pope, a British sculptor known for his organic, post-minimalist works, has died at age 76. His career unfolded in two distinct acts: an early phase in the 1970s producing roughly-hewn wooden columns like *Oak Tree Column* (1973) and *Drooping Column* (1975), which earned him a spot in the British Pavilion at the 1980 Venice Biennale, followed by a decades-long hiatus after contracting viral encephalitis in Tanzania. He later returned to sculpture with brighter, brasher works in ceramic, glass, and felt, including *The Apostles Speaking in Tongues Lit By Their Own Lamps* (1993–96) and collaborations like *The Conundrum of the Chalices of the Seven Deadly Sins and Seven Virtues* (2015) with James Maskrey.

2026 Venice Biennale pavilions: your go-to list [Updated]

ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.

What to See in Sydney This Spring 2026

Sydney's art scene is energized by the opening of the 25th Biennale of Sydney, titled 'Rememory' and curated by Hoor Al Qasimi, which explores histories carried in the body rather than physical monuments. Concurrently, four notable exhibitions across the city engage with similar themes of legacy and history. Kirtika Kain's 'Unkept' at the Chau Chak Wing Museum creates a fictional archive from anti-caste traditions to address Dalit lineage and colonial collection politics, while Ron Mueck's 'Encounter' at the Art Gallery of New South Wales uses hyperreal sculpture to confront contemporary brutality and vulnerability.