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A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.

Gauguin ‘fake’ is real, Mrinalini Mukherjee and her circle, Franz Xaver Messerschmidt’s head piece—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three main stories. Host Ben Luke discusses the authentication of Paul Gauguin's final self-portrait (1903) at the Kunstmuseum Basel, which was recently confirmed as genuine after being questioned earlier this year. He also interviews Tarini Malik, curator of 'A Story of South Asian Art: Mrinalini Mukherjee and Her Circle' at the Royal Academy of Arts in London, and speaks with Katharina Lovecky and Georg Lechner about the exhibition 'Franz Xaver Messerschmidt: More than Character Heads' at the Belvedere in Vienna, featuring Messerschmidt's Character Head No. 25 as the Work of the Week.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

The opening of the Princeton University Art Museum, explained

The Princeton University Art Museum (PUAM) is set to reopen with a new building featuring nine main pavilions, including a European Art Pavilion and an Ancient Mediterranean Art Pavilion, along with study spaces, lecture halls, and a restaurant called Mosaic Restaurant. In an advance tour, Director for Collections and Exhibitions Chris Newth and spokesperson Stephen Kim answered community questions about dining options, study areas, and the museum's rotating exhibitions, which will display only about four percent of the collection at a time. Notable returning works include Antioch mosaics, a Guanyin sculpture, Andy Warhol's "Blue Marilyn," and Charles Willson Peale's "Washington at Princeton." The museum will host a 24-hour opening event for students.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.

Hong Kong’s latest art auctions see turnover lingering at 8-year low

Hong Kong's major auction houses—Christie's, Phillips, and Sotheby's—held their seasonal modern and contemporary art evening sales over the past weekend, with total turnover lingering at an eight-year low. Despite the overall downturn, a handful of records and last-minute withdrawals improved the success ratio, and several lots drew vigorous bidding, such as Salvo's "Mattino di primavera (Spring Morning)" which sold for HK$4 million (five times its low estimate) and Firenze Lai's "Basic Knot" which fetched HK$477,300 (nearly four times its low estimate).

Picasso Achieves HK$197 Million Breaking Artist's Asia Auction Record at Christie's Hong Kong Evening Sale - Christie's

Christie's Hong Kong held its 20th/21st Century Evening Sale on 26 September 2025 at The Henderson, achieving a total of HK$565,649,000 (US$73,038,183). The top lot was Pablo Picasso's *Buste de femme*, which sold for HK$196,750,000 (US$25,404,911) after over 15 minutes of bidding, setting a new auction record for the artist in Asia. Zao Wou-Ki's *17.3.63* also performed strongly, achieving HK$85,200,000. The sale saw 92% of lots sold, with the overall hammer price 116% above the low estimate, and works by Chinese, Southeast Asian, Korean, and Japanese artists all sold out.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Southeast Asia’s largest French Impressionist exhibition is opening in Singapore with over 100 artworks

National Gallery Singapore will host "Into the Modern: Impressionism from the Museum of Fine Arts, Boston," the largest French Impressionist exhibition ever staged in Southeast Asia, from November 14, 2025 to March 1, 2026. The show features over 100 artworks across seven thematic sections, including 17 pieces by Claude Monet and masterpieces by Renoir, Degas, Cézanne, Pissarro, Sisley, and Morisot, all on loan from the Museum of Fine Arts, Boston. None of the works have been displayed in Southeast Asia before.

Olafur Eliasson: Your curious journey | June 21 - September 21, 2025

The article announces Olafur Eliasson's traveling exhibition 'Your curious journey,' running from June 21 to September 21, 2025, at the Taipei Fine Arts Museum. Featuring 17 works spanning installation, painting, sculpture, and photography, the show reflects on the Icelandic-Danish artist's three-decade career and marks his first major presentation in the Asia-Pacific region. The exhibition will later travel to the Singapore Art Museum, Auckland Art Gallery Toi o Tāmaki, Taipei Fine Arts Museum, Museum MACAN in Jakarta, and MCAD Manila - Museum of Contemporary Art and Design.

The Red-Hot Market for South Asian Modernism Has a New Star

A 1989 painting by Bangladeshi modernist S.M. Sultan, titled *Untitled (Cultivation)*, sold for $50,800 at Christie’s New York on Wednesday, more than doubling its high estimate of $25,000 and setting a new auction record for the artist. The work was acquired by a South Asian institution. Sultan, who died in 1994, is known for his depictions of muscular peasants and has only 14 recorded auction results, with his previous record of $19,500 set just two months earlier at Sotheby’s.

CIMB Artober Art & Soul 2025 is set to catalyse the growth of Malaysia’s art scene

CIMB Artober Art & Soul 2025, an annual art event organized by CIMB Group in Malaysia, has evolved from a pandemic-era lifeline for artists into a major cultural and commercial platform. This year’s edition features over 30 galleries, more than 100 artists, and includes never-before-seen works by the late Malaysian artist Datuk Ibrahim Hussein. The event has been recognized as an official programme of the Asean Economic Ministers’ Meeting, underscoring its growing significance in the region.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

Frieze Seoul’s fourth edition takes on tariffs and a tough market

The fourth edition of Frieze Seoul (3-6 September) will host around 120 galleries at the Coex convention centre in Gangnam, including mega-galleries like Gagosian, Hauser & Wirth, Pace, David Zwirner, and White Cube. The fair welcomes about 20 new exhibitors, such as 10 Chancery Lane Gallery and de Sarthe from Hong Kong, The Breeder from Athens, Carvalho from New York, Make Room from Los Angeles, and Ota Fine Arts from Tokyo. However, more than 40 galleries are not returning, including Karma, Mariane Ibrahim, Michael Werner, and Neugerriemschneider. The event unfolds amid significant political and economic turbulence in South Korea, including the impeachment of former president Yoon Suk Yeol after a martial law declaration, the election of new President Lee Jae Myung, and ongoing tariff negotiations with the United States, all contributing to a climate of uncertainty.

‘Geometry of Light’: Step into the shadows at Seattle Asian Art Museum

The Seattle Asian Art Museum has opened 'Geometry of Light,' an immersive exhibition featuring artist Anila Quayyum Agha's 300-pound laser-cut steel lantern sculpture that projects intricate geometric shadows across the gallery walls, ceiling, and floor. Visitors' movements become part of the artwork as their own shadows interact with the light patterns. The show spans three galleries, including paper and fabric works and two light-box installations, and also features Ai Weiwei's 'Water Lilies' rendered in LEGO bricks, on view through March 2026.

Art Blooms Across South Korea in September, Despite an Uneasy Market

South Korea's Ministry of Culture, Sports and Tourism is promoting a month-long Korea Art Festival in September 2025, featuring scores of events including design, craft, and calligraphy biennials across the country. The centerpiece is the concurrent staging of Frieze Seoul (fourth edition, over 120 exhibitors) and Kiaf (24th edition, some 175 galleries) at the Coex convention center in Gangnam, with a single ticket granting access to both fairs. International galleries have been opening local outposts in Seoul, and a Centre Pompidou branch is planned, as the city builds its reputation as an art capital.

See Ai Weiwei’s Largest-Ever U.S. Exhibition in Seattle Before It’s Gone

The Seattle Art Museum (SAM) has opened 'Ai, Rebel: The Art and Activism of Ai Weiwei,' the largest-ever U.S. exhibition of the Chinese-born artist-activist, featuring 130 works from the 1980s to the 2020s. Organized in three thematic sections—'Introducing the Rebel,' 'Material Disruptions,' and 'Watching Ai Watching Power'—the retrospective includes performance, photography, sculpture, and installations. Additionally, Ai Weiwei's 'Water Lilies' (2022), a Lego-based work referencing Monet, is on view at the Seattle Asian Art Museum. The exhibition runs through September 7, 2025.

Trump administration’s anti-woke campaign targets Smithsonian museums

The Trump administration has launched a campaign targeting Smithsonian museums, accusing them of promoting an "anti-American agenda" through exhibits that focus on oppression rather than national achievements. A White House document, obtained by the Guardian, lists problematic exhibits at seven museums, including a Benjamin Franklin display linking his scientific work to slave ownership and a film about George Floyd's murder. The administration has demanded content corrections and threatened to remove what it calls "woke" ideology from the institution.

This Week at LACMA

LACMA announces a week of programming from August 18–24, headlined by the opening of *Now Showing: Youssef Nabil’s I Saved My Belly Dancer*, an exhibition featuring the artist’s 2015 video starring Tahar Rahim and Salma Hayek, alongside related photographs and Egyptian movie posters. Member previews run August 21–23 before the public opening on August 24. Other highlights include a mindful evening with Buddhist art tied to the ongoing exhibition *Realms of the Dharma: Buddhist Art Across Asia*, plus concerts, workshops, and family programs.

National Museum of Asian Art Presents “Korean Treasures: Collected, Cherished, Shared”

The Smithsonian's National Museum of Asian Art will present "Korean Treasures: Collected, Cherished, Shared" from November 8, 2025 to February 1, 2026, marking the first U.S. exhibition of masterpieces from the Lee Kun-Hee Collection. Featuring over 200 works including a dozen Korean National Treasures, the exhibition spans 1,500 years of Korean art—from ancient Buddhist sculptures and ceramics to Joseon dynasty furnishings and 20th-century modern paintings. The collection, donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, comprises more than 23,000 works accumulated over 70 years. The exhibition is co-organized by the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art, Korea, with additional loans from the Leeum Museum of Art shown exclusively in Washington, D.C.

New $31m art-filled park planned for downtown Pittsburgh

The Pittsburgh Cultural Trust (PCT) will open a four-acre art-filled park called Arts Landing in 2026, part of a $600 million government plan to revitalize the city's cultural district. The $31 million project will feature ten regional artists, including Pittsburgh-based vanessa german, whose work 'Lifted' honors local elders, and Thaddeus Mosley, whose exhibition 'Touching the Earth' will travel from New York's City Hall Park via a partnership with the Public Art Fund. Other commissions include Darian Johnson's wildlife sculptures with VaultArt Studio and John Peña's interactive kinetic work with the Children's Museum of Pittsburgh.

Meet the Curator: Informal Conversation on Monet’s Floating Worlds

The Portland Art Museum is hosting a series of informal, interactive conversations with curators and a conservator about the exhibition "Monet’s Floating Worlds at Giverny." Participants include Jeannie Kenmotsu, The Arlene and Harold Schnitzer Curator of Asian Art, and Hugo Torii, Garden Curator at Portland Japanese Garden. The free events explore connections between Monet’s waterlilies, Japanese printmaking, and conservation, encouraging open discussion and audience engagement.

Exhibition as Séance at Seoul Mediacity Biennale with Anton Vidokle, Hallie Ayres, and Lukas Brasiskis

The 13th Seoul Mediacity Biennale, titled “Séance: Technology of the Spirit,” will open in August 2025 at the Seoul Museum of Art. The exhibition is curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis of e-flux, who previously organized the Shanghai Biennale in 2023. The curators aim to structure a film program as an extension of the exhibition, engaging with themes of Cosmism and spiritual séance. They have collaborated with the Hong Kong-based architecture firm COLLECTIVE to transform the museum’s white-wall space into a scenography evoking different metaphysical realms, using color and light to enhance the experience.

Meyer Riegger and Jocelyn Wolff Open Joint Seoul Gallery Ahead of Frieze

Berlin's Meyer Riegger and Parisian Galerie Jocelyn Wolff will open a joint gallery in Seoul's Hannam-dong district on 2 September 2025, marking their first permanent Asian outpost. The new space, named Meyer Riegger Wolff and led by director Gaia Musi, will represent artists from both galleries including Clemens von Wedemeyer, Miriam Cahn, and Marcel Duchamp. The inaugural exhibition, "Heute Nacht geträumt (Dreamed Last Night)" (2 September–7 November 2025), will explore drawing across four centuries in a salon-style format.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

New world record for Canaletto as view of Venice sells for £31.9m

A Canaletto painting, *Venice, the Return of the Bucintoro on Ascension Day* (circa 1732), sold for £27.5 million (£31.9 million with fees) at Christie’s in London on July 1, setting a new auction record for the artist. The work, once owned by Britain’s first prime minister Robert Walpole, exceeded its $20 million estimate and was purchased by an anonymous phone bidder. The sale drew five bidders from Asia, Europe, and North America, and the painting was backed by a third-party guarantor.

Home of murdered Pakistani artist Ismail Gulgee becomes a museum

The home and studio of murdered Pakistani Modernist artist Ismail Gulgee has been transformed into a museum by his son, installation artist Amin Gulgee. Opened in February 2025 in central Karachi, the museum preserves the late artist's work, including his Expressionist calligraphic paintings and later abstract canvases, which had been locked away since Gulgee, his wife, and a maid were killed in 2007 by their driver and an accomplice. The building, designed by architect Nayyar Ali Dada, now houses a carefully curated collection that traces Gulgee's evolution from formal calligraphy to vibrant abstraction.