KAWS (Brian Donnelly) has been named Uniqlo's first-ever artist-in-residence, tasked with expanding the brand's "Art for All" philosophy. He will curate art events across Uniqlo stores worldwide and collaborate with the company's museum partners, including the Museum of Modern Art in New York, Tate Modern, the Louvre, and the Museum of Fine Arts, Boston. His first collection with Uniqlo is scheduled for Fall/Winter 2025.
Jeffrey Gibson has installed four large bronze animal sculptures—a deer, a coyote, a squirrel, and a hawk—on the facade of the Metropolitan Museum of Art in New York, collectively titled “The Animal That Therefore I Am.” At a talk with Met curator Jane Panetta, Gibson explained that the works draw on his early paintings on brain-tanned elk hides and his ongoing exploration of Indigenous kinship philosophies, which honor all living beings as extensions of ourselves. The sculptures, each adorned with ceremonial regalia inspired by Native American traditions, are designed to be viewed as four-sided paintings and connect the museum’s Central Park location to Gibson’s home in the Hudson River Valley.
Fashion brand Albino & Preto has collaborated with the Jean-Michel Basquiat estate on a new collection of jiujitsu sets and lifestyle apparel featuring the artist's paintings. The limited-edition collection, released on September 10 ahead of New York Fashion Week, incorporates martial arts motifs that Basquiat often used in his work, including a reference to the jiujitsu foot lock known as "Achilles." The Basquiat estate has a history of fashion collaborations, including a previous line with H&M tied to the 2022 exhibition "King Pleasure."
Sotheby's has secured a major consignment of approximately $400 million in art from the collection of the late Leonard Lauder, who died in July at age 92. The highlight is Gustav Klimt's "Portrait of Elisabeth Lederer" (1914–16), expected to fetch over $150 million, potentially shattering Klimt's auction record. The sale also includes two other Klimt landscapes, six bronzes by Henri Matisse, a $20 million Edvard Munch painting, and an Agnes Martin work, totaling 55 artworks. The auction will inaugurate Sotheby's new space in the former Whitney Museum building, designed by Marcel Breuer.
Artist Nicholas Galanin withdrew from a symposium tied to the Smithsonian American Art Museum exhibition “The Shape of Power: Stories of Race and American Sculpture,” alleging that organizers asked him not to record the event or share footage on social media. The symposium, a private event not publicly listed on the Smithsonian’s website, also included curator Hamza Walker, artists Titus Kaphar and Miguel Luciano, and critic Aruna D’Souza. Galanin stated on Instagram that the request effectively censored participants, though a Smithsonian spokesperson denied censorship, citing that not all participants consented to recording. The exhibition was previously singled out by President Donald Trump in an executive order criticizing the Smithsonian for promoting “divisive, race-centered ideology.”
A lost painting by 17th-century Flemish master Peter Paul Rubens has been discovered in France. The 1613 painting of Jesus on the cross was found in September 2024 by French auctioneer Jean-Pierre Osenat in a Paris mansion. Experts confirmed its authenticity via X-ray imaging and pigment analysis, with German art historian Nils Buttner delivering the news to Osenat. The painting will be offered for sale on November 30. Separately, the National Gallery in London has announced it will begin collecting art made after its long-held 1900 cut-off date, leading to concerns about renewed rivalry with the Tate, as the two institutions had previously maintained an agreement dividing which works went to which collection.
Patrizia Sandretto Re Rebaudengo, a top European art collector and founder of a Turin-based foundation, is partnering with New York's New Museum for a series of commissions. The first commission will be realized by Italian artist Diego Marcon, known for his uncanny videos, with his work titled 'Krapfen'—a musical dance film blending American animation and Italian opera. The New Museum, currently undergoing a renovation and expansion with a seven-story annex, is set to reopen this fall. 'Krapfen' was also co-commissioned by Chicago's Renaissance Society, Paris's Lafayette Anticipations, and the Vega Foundation, run by Canadian collector Elisa Nuyten, and will debut at the Renaissance Society before its New Museum run.
The estate of Elaine Wynn, the late casino magnate and top art collector who died in April 2024, has announced plans for her renowned collection. Francis Bacon's triptych *Three Studies of Lucian Freud* (1969)—which Wynn purchased for a record $142.2 million at Christie's in 2013—will be donated to the Los Angeles County Museum of Art (LACMA), where she served as board cochair. The painting, the first Bacon to enter LACMA's collection, will debut in the museum's new David Geffen Galleries when they open next year. Separately, Christie's will auction 20 works from Wynn's collection across three sales in New York this November, with estimates totaling at least $75 million. Highlights include Richard Diebenkorn's *Ocean Park #40* (1971), Lucian Freud's *The Painter Surprised by a Naked Admirer* (2004–05), Joan Mitchell's *Sunflower V* (1969), and J.M.W. Turner's *Ehrenbreitstein* (1835).
Fashion designer Jason Wu has collaborated with the Robert Rauschenberg Foundation to create a Spring 2026 collection titled "COLLAGE," inspired by the late artist's work and presented during New York Fashion Week. The collection draws on ten works from the foundation's holdings, including pieces from Rauschenberg's "Hoarfrost" series (1974–76) and "Airport Suite" (1974), with Wu granted rare access to study the artist's use of fabric and collage. The collection will be shown alongside a major Rauschenberg piece on September 14, 2025, and will be available for purchase in February 2026.
John Pritzker, a Top 200 collector and Metropolitan Museum of Art trustee, has donated 188 Dada and Surrealist works by 37 avant-garde artists to the Met. The Bluff Collection includes pieces by Man Ray, Marcel Duchamp, Max Ernst, Francis Picabia, and others, spanning collages, paintings, photographs, objects, and rare publications. Many works will feature in the museum's upcoming exhibition “Man Ray: When Objects Dream,” opening September 14, which includes 35 Man Ray pieces from the collection. The gift also establishes a research program funded by the John Pritzker Family Fund.
The article reviews Stephen Shore's book *Early Work*, which collects photographs he took between the ages of 13 and 18, from 1960 to 1965. Despite his youth, the images display remarkable sophistication, a feat Shore attributes to an atypical childhood that included early access to cameras and a copy of Walker Evans's *American Photographs*. The book includes a "pre-history" essay in which Shore reflects on his formative influences, including time spent at Andy Warhol's Factory and a friendship with headmaster William Dexter, who deepened his interest in photography. The earliest image in the book is a portrait of Dexter taking a photograph, which Shore describes as a metanarrative of a photographer photographing a photographer.
America’s new ambassador to Britain, Warren Stephens, has transformed Winfield House, the official residence in Regent’s Park, into a private museum by installing works from his family’s art collection. The display includes several Cézannes, a Renoir, a Degas, and a centerpiece Monet painting, *Effet de soleil couchant sur la Seine à Port-Villez* (1883), hung above the drawing-room mantelpiece. Unlike most ambassadors who rely on loans from the State Department’s “Art in Embassies” program, Stephens draws directly on his own holdings, which were assembled in partnership with the Arkansas Museum of Fine Arts.
An Argentine court has charged Patricia Kadgien, 58, and her husband, the daughter and son-in-law of Nazi official Friedrich Kadgien, with concealing looted artworks. The charges follow a police raid on their Mar del Plata home after a snapshot of a looted Baroque painting by Giuseppe Ghislandi appeared in an online real estate listing. The painting, once owned by Jewish collector Jacques Goudstikker, was recovered along with 22 works by Henri Matisse and others, whose provenance is under investigation. Separately, iconic designer Giorgio Armani has died at 91 in Milan; he was a noted contemporary art supporter, subject of a 2000 solo exhibition at the Solomon R. Guggenheim Museum, and founder of the Armani/Silos cultural venue. The Louvre has appointed Bénédicte Savoy as its next "Chaire du Louvre," a position from which she will deliver lectures on the museum's collections, continuing her advocacy for repatriation of African art.
Clearing, a New York-based gallery known for launching the careers of artists like Korakrit Arunanondchai, Harold Ancart, and Marguerite Humeau, has permanently closed its spaces in New York and Los Angeles after 14 years. Founder Olivier Babin cited an unsustainable path forward, stating the gallery could no longer operate at its standards. The closure follows a wave of New York gallery shutdowns, including Blum, Venus Over Manhattan, and Kasmin, which is transitioning into a new entity called Olney Gleason. Clearing’s final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.
The article introduces the annual 'Icons' issue of Art in America, profiling artists whose decades-long practices reflect deep commitment to their mediums. Featured artists include Paul Pfeiffer, who became hyper-aware of image grammar through early video work; Consuelo Jimenez Underwood, who found her voice in textiles; David Diao, who references Barnett Newman; and the late Joel Shapiro, who explored transformation through wood sculpture. The issue also includes an interview with Tehching Hsieh on freethinking and art, plus departments on curatorial challenges, a Bukhara Biennial curator Q&A, and an appreciation of Dara Birnbaum.
President Donald Trump posted on Truth Social criticizing the Smithsonian and museums nationwide, claiming they focus excessively on negative aspects of U.S. history such as slavery. He described these institutions as the last remaining segment of 'WOKE' culture. The article counters his remarks by highlighting the National Museum of African American History and Culture (NMAAHC), which presents both the horrors of slavery and themes of survival, liberation, and perseverance through objects like Harriet Tubman's handkerchief and artworks by Jacob Lawrence and Alison Saar. It also references the 2022 exhibition 'Afro-Atlantic Histories' at the National Gallery of Art, which balanced depictions of violence with messages of freedom and resilience.
Spike Lee's new film *Highest 2 Lowest*, an English-language reinterpretation of Akira Kurosawa's *High and Low*, prominently features artworks from Lee's personal collection—or replicas of them—as set decoration. Production designer Mark Friedberg used Lee's collection, previously surveyed at the Brooklyn Museum in 2023, as a reference to establish the character of music tycoon David King, played by Denzel Washington. Works by Jean-Michel Basquiat, Kehinde Wiley, Deborah Roberts, Gordon Parks, Henry Taylor, and others appear in the film, including Basquiat's *Horn Players* (1983) and *Now's the Time* (1985), Tim Okamura's portrait of Toni Morrison, and pieces from Andy Warhol's 'Muhammed Ali' series.
Greenpeace activists climbed a Shell-operated gas rig in the North Sea and unfurled a 315-square-foot crimson canvas created with artist Anish Kapoor, titled "Butchered," to protest environmental destruction. Separately, London's Imperial War Museum faces criticism for an information board in its Holocaust Galleries that historians say contains a serious misrepresentation of the Nuremberg race laws, with The Spectator accusing the institution of "soft Holocaust distortion." Meanwhile, the family of late mixed-media artist John Outterbridge is sifting through the charred ruins of his Altadena home, destroyed in the Eaton Fire, hoping to salvage artworks and archives to create a tribute.
The article reports on several art world developments: US museums are making progress on Spanish-language translation efforts despite broader challenges like declining attendance and funding. The Harvard Art Museums have acquired Heinz Mack's Light-Relief (1960), a gift from the Mack Foundation. The Detroit Institute of Arts is opening its first major Native American art exhibition in over three decades, featuring 90 works by Anishinaabe artists. Ukrainian artist David Chichkan was killed fighting against Russia. Additionally, the Natural History Museum is displaying the Alien franchise egg prop in its space exhibition.
The Frank Lloyd Wright Building Conservancy has acquired 11 original pieces designed by Frank Lloyd Wright for the Price Tower in Bartlesville, Oklahoma, including the lobby direction board, an armchair, three copper tables, two stools, and four embossed copper panels. The acquisition, funded by donors, was made to prevent further sale and dispersal of the items after they were sold without the conservancy's permission in spring 2024, despite being protected under a preservation easement. The artifacts are currently stored in the Dallas area, and the conservancy intends to return them to Price Tower.
Sylvio Perlstein, the legendary art collector, patron, and impresario, died on August 6. Hauser & Wirth confirmed the news, calling him a visionary who shaped one of the most important art collections of the past century. In 2018, the gallery exhibited 380 pieces from his collection across its Chelsea and Hong Kong locations in the show 'The Sylvio Perlstein Collection – A Luta Continua'. Perlstein was born in Belgium in the 1930s, fled to Brazil with his family during World War II, and later joined the diamond business in Antwerp. His collection spanned Dada, Surrealism, American minimalism, and Land art, featuring works by Man Ray, René Magritte, Donald Judd, and many others. He maintained close friendships with artists and displayed works throughout his Paris home, which cultural critic Arthur Lubow described as 'a contemporary version of Ali Baba's cave'.
The article profiles Victoria Coates, an art historian and former Trump administration official, who is leading 'Project Esther,' a conservative initiative aimed at taking over US higher education and targeting progressive organizations. Named after the biblical queen, the project accuses critics of Israel of anti-Semitism and seeks to dismantle what it describes as a 'terrorist support network.' Coates, who previously served as Deputy National Security Advisor and worked on Rumsfeld's memoirs, has a long history of attacking academia from within, including as an anonymous blogger behind 'Elephants in Academia.'
Amy Sherald's portrait of a Black transgender Statue of Liberty, titled *Trans Forming Liberty* (2024), has appeared on the cover of *The New Yorker* after the artist canceled a planned iteration of her traveling survey at the Smithsonian's National Portrait Gallery, alleging censorship. Sherald said museum leadership objected to the painting and proposed replacing it with a video discussion that would include anti-trans views. The work is currently on view at the Whitney Museum, where her survey 'American Sublime' runs through August 10. The Smithsonian later stated it sought to contextualize rather than replace the work, while the Trump administration praised the removal as a 'principled and necessary step' amid broader scrutiny of the institution's exhibitions.
Sotheby's London will auction the collection of British socialite, collector, and arts patron Pauline Karpidas on September 17 and 18. Described as the 'greatest collection of Surrealism to emerge in recent history,' it includes masterpieces by René Magritte, Salvador Dalí, Leonora Carrington, and Max Ernst, along with works by Andy Warhol, Pablo Picasso, and others. The sale is expected to fetch £60 million ($81 million), the highest estimate ever placed on a single collection at Sotheby's in Europe. Karpidas, who began collecting 50 years ago after meeting gallerist Alexander Iolas, views herself as a 'temporary custodian' for the artworks.
Kim Sajet, the former director of the Smithsonian-run National Portrait Gallery in Washington, D.C., resigned after President Donald Trump claimed he fired her via social media. Despite Trump's demand, Sajet continued reporting to work until formally quitting. Chief Justice John G. Roberts Jr., chancellor of the Smithsonian Institution, intervened to block internal board suggestions to follow Trump's orders, leading the board to issue a resolution affirming its sole authority to fire museum directors. The controversy followed Trump's executive order accusing the Smithsonian of promoting a "divisive, race-centered ideology" and his post calling Sajet a "highly partisan person" and "strong supporter of DEI." Separately, artist Amy Sherald withdrew her mid-career survey from the National Portrait Gallery after being asked to remove a portrait of a trans woman posing as the Statue of Liberty.
Sam Barsky, a self-taught knitter who learned from a library book in 1999 after dropping out of nursing school due to chronic illness, creates intricate pictorial sweaters entirely freehand without patterns. His sweaters depict landscapes and landmarks—such as Central Park, the London Bridge, and the Twin Towers—and he often photographs himself wearing them at the actual sites. His first museum solo exhibition, “It’s Not the Same Without You,” recently closed at the John Michael Kohler Arts Center in Wisconsin, and his work also appeared in the group show “R U Still Painting???” in Manhattan alongside artists like assume vivid astro focus and Uri Aran.
Entertainment mogul and top art collector David Geffen was sued on Tuesday by his estranged husband, model Donovan Michaels, for alleged breach of contract. The lawsuit, filed in Los Angeles Superior Court, claims Geffen promised Michaels lifelong financial support but cut him off after initiating divorce proceedings. The 33-page complaint describes their relationship as exploitative, comparing it to the plot of "Trading Places." Separately, Geffen is also entangled in a legal dispute with crypto billionaire Justin Sun over an Alberto Giacometti sculpture allegedly stolen and traded as part of a fraud scheme.
Painter Amy Sherald has canceled her upcoming solo exhibition “American Sublime” at the Smithsonian’s National Portrait Gallery after the museum considered removing her painting *Trans Forming Liberty* (2024), which depicts a Black transgender Statue of Liberty. The show was scheduled to open in September. Sherald stated she was informed of internal concerns about the painting and that discussions arose about replacing it with a video featuring reactions and discussion of trans issues, which she opposed over fears it would include anti-trans views. She wrote to Smithsonian Secretary Lonnie G. Bunch III that institutional fear shaped by political hostility toward trans lives compromised the integrity of her work.
The 13th Berlin Biennale opened amid controversy over its handling of the Gaza conflict. In a tense press conference, curator Zasha Colah faced questions about whether any invited artists had withdrawn in solidarity with the Strike Germany campaign, and whether she had experienced state repression for addressing the genocide in Gaza. Colah acknowledged one artist’s withdrawal but denied experiencing state repression, while the biennial’s title, “passing the fugitive on,” and its theme of “the fox” were criticized as evasive. The article describes the event as a case study in how German cultural institutions navigate political pressure and censorship.
Sotheby's Upper East Side headquarters at 1334 York Avenue faces financial uncertainty after its tenant, Weill Cornell Medicine, scaled back plans for a research center due to federal healthcare budget cuts. The National Institutes of Health funding freeze has reduced Weill Cornell's projected grants from over $300 million in 2024 to $130 million this year, leading to potential layoffs and halted construction. S&P Global estimates the building has lost nearly half its value since 2020, now worth $443 million, and has assigned Sotheby's a speculative B- credit rating amid declining global art sales. Separately, Italy's culture minister Alessandro Giuli demanded historian Ernesto Galli della Loggia resign from the Council of National Committees after he criticized the government's cultural policies, sparking a public feud. Art Basel Miami Beach announced 285 exhibitors for its 2025 edition, and a UK report showed only one percent of artworks with deferred export licenses were acquired by museums in 2024-25, a sharp decline from previous years.