The Kemper Museum of Contemporary Art has launched "The World in Kansas City," a new exhibition timed to coincide with the city's role as a host for the upcoming World Cup. Featuring a diverse array of textiles, ceramics, photography, and mixed-media works, the show highlights international artists who have established deep roots within the Midwestern United States.
The Birger Sandzén Memorial Gallery in Lindsborg, Kansas, has rescheduled the reception for its 128th annual Midwest Art Exhibition to Saturday, February 7, 2026, from 2 to 4 p.m., with exhibition talks at 2:30 p.m. The show features works by Tim Stone and Marco Hernandez of Wichita, woodcarvings by Glenn Knak of Salina, mixed media pieces by Genevieve Waller of Denver, and selections by Gretchen Elliott’s art students at Smoky Valley High School.
The exhibition 'Routed West: Twentieth-Century African American Quilts in California' will run from September 18, 2026, to January 17, 2027, at BAMPFA. It traces the flow and flourishing of quilts during the Second Great Migration (1940–1970), when approximately five million African Americans moved from the rural South to the North and West, with hundreds of thousands arriving in California carrying quilts as containers of ancestral memory and cultural survival. The show features more than 80 artworks organized across several themes, highlighting repurposed work clothes, improvisational piecing, and pattern-based quilting by migrants from Arkansas, Louisiana, Mississippi, Oklahoma, and Texas. Works by contemporary artists show how these traditions remain alive today.
The article discusses the opening of the National Museum of Art, Architecture, and Design in Oslo in 2022, which aims to break down traditional boundaries between art, design, and craft by housing the combined collections of several major Norwegian institutions. It highlights the inclusion of Sámi artist Máret Ánne Sara's work "Pile o' Sapmi" (2017) at the museum's entrance, a piece made from reindeer skulls that blends art, craft, and cultural identity, reflecting the museum's mission to challenge hierarchical distinctions.
Hauser & Wirth, the global gallery empire with 18 spaces worldwide, has acquired the historic Palazzo Forcella De Seta in Palermo, Sicily, to open a new venue. The deal was formalized in mid-November and awaits approval from regional authorities and the Italian Ministry of Culture. The gallery plans to restore the 2,000-square-meter building, which previously hosted Manifesta 12 in 2018, and create an arts destination with cultural programming, echoing its successful model in Somerset, Menorca, and Los Angeles.
The Detroit Institute of Arts (DIA) announced its first major Native American exhibition in 30 years, titled "The Contemporary Anishinaabe Art: A Continuation," opening September 28, 2025. The show will feature 60 U.S.-based Anishinaabe artists and include jewelry, basketry, painting, pottery, and woodworking, with gallery text in Anishnaabemowin. The exhibition was curated with an advisory council of Ojibwe, Ottawa, and Potawatomi artists.
The Ruth and Elmer Wellin Museum of Art at Hamilton College is hosting "Jamea Richmond-Edwards: Another World and Yet the Same," a major solo exhibition featuring the work of the Detroit-born artist. The show highlights Richmond-Edwards’ signature large-scale collages and immersive installations that blend fashion, mythology, and personal history to explore Black Americana and Afro-futurism.
The Fairfield Art Association is opening a new exhibition titled "Iowa Art Quilters and Fiber Artists" on May 1st at the Fairfield Arts & Convention Center. The show features eight recognized Iowa artists—Karen Anne Babcock Grimes, Sue Kluber, Judy Ludwick, Wendy Read, Barbara Riggs, Kathryn Roe, Jean Taft, and Patricia Weber—displaying up to 50 original art quilt works in various sizes and styles, many of which are available for purchase. A reception for the artists and guests will be held from 6 to 9 p.m.
Helena College is showcasing its annual capstone exhibition, titled 'The Cost of Living,' at the Holter Museum of Art in Helena, Montana. The show features final projects from six second-year art students—Vinessa Sanford, Kraig Mougeot, William Krings, Linus Leeper, Sophie Uda, and Red Romano—and opened on April 3, running through May 3, 2026. Assistant professor Seth Roby organized the exhibition, which includes works ranging from a turbulent abstract painting to a whimsical nook with lavender wisteria and fairy dwellings, all exploring existential themes tied to life and living.
The Broadway Theater in Rock Springs, Wyoming, has launched a new rotating art exhibit in its lobby, featuring local and regional artists. The program will display new artwork every 60 days, with all pieces available for purchase. The inaugural artist is Debora Soule, a longtime Rock Springs resident and former director of the Community Fine Arts Center, known for nature-inspired works reflecting the Western landscape. An opening reception with Soule is scheduled for May 12, and the theater is seeking additional artists for future exhibits.
The South Dakota Art Museum Guild will host a program on April 28, 2026, featuring Sioux Falls artist Rodger Ellingson. Ellingson will present “Events and Seasons: Painting in Living Color,” showcasing his plein air and studio works in watercolor and acrylic, with subjects drawn from the upper Midwest and northern Rockies. The event includes coffee and social time at 9:30 a.m., followed by the program at 10 a.m. at the South Dakota Art Museum in Brookings.
Residents of Surrey Heights Dementia Care Centre, part of CHD Living, visited a dementia-friendly art exhibition and sculpture trail hosted by King Edward School, Witley, in partnership with appART. Wellbeing Coordinator Karen accompanied residents on short walks to the school, where they engaged with artworks including Beatles-themed pieces and a tiger sculpture. One resident, Nick, was encouraged to apply to exhibit his own work at next year's event, while another resident, Karen, who had previously declined outings, participated calmly and enthusiastically.
Heart Café and Church in Liverpool is hosting an art exhibition titled 'Rebirth' until May 3rd. Curated by café employee Emily Blackmore, the show features 25 works by 21 local artists, interpreting themes of spring and new beginnings. It opened on Good Friday to align with ideas of spiritual transformation.
Calligraphy artist Gema Martínez has opened a new solo exhibition titled 'Evocâre' at the tourist information office in Torre del Mar on Spain's Costa del Sol. The exhibition presents a series of works that use distorted, superimposed, and invented calligraphic signs to explore the mechanisms of memory, transforming personal recollections into visual, often illegible, writing.
The South Pasadena Spring Arts and Music Crawl is set to return on April 25, 2026, featuring a significant group art exhibition at Jones Coffee Roasters. Curated by Sector Seven Contemporary Art Gallery (S7CAG), the showcase includes a mix of medium-to-large format paintings, ceramics, and woodworking from local artists such as Stephen Dudro and Elisa Quiñonez. The event transforms the city's historic downtown into a walkable festival with live music, artisan vendors, and interactive pop-up galleries.
The Motown Museum in Detroit has unveiled its latest exhibition, "Psychedelic Soul: A Journey Through Rhythm and Time," hosted at the Esther Gordy Edwards Centre for Excellence. The showcase features a diverse array of artifacts from Motown’s experimental era, including Stevie Wonder’s Minimoog Model D synthesizer, vintage Neumann engineering equipment, and flamboyant stage costumes worn by members of The Miracles.
The Edwardsville Arts Center has announced a two-week countdown for artist applications for the 2026 Edwardsville Art Fair. Scheduled for September 25-27 in City Park, the fair seeks roughly 90 artists across various media, including ceramics, painting, and digital art, with a final deadline of April 30. The event features a specialized category for emerging artists that waives booth fees to encourage newcomers to the professional circuit.
Gisborne-based artist Melanie Tangaere Baldwin has unveiled her latest solo exhibition, Ā Mua, at the Tairāwhiti Museum. The showcase features a departure from her previous multi-disciplinary work, focusing heavily on sculptural hand-stitched textile art that depicts powerful female forms, alongside light boxes exploring the symbolism of fire.
The Millworks Art Studios in Harrisburg has introduced a new cohort of resident artists dubbed "The New Guard," featuring a diverse range of local talent. This group includes photorealistic racecar painter Annika Koser, found-objects sculptor and former architect Jeff Scorza, and woodworker Kelly Anoka, alongside the recent addition of narrative artist Marina Radanovic. Each artist brings a distinct material focus—from industrial glass and metal to upcycled local timber—strengthening the collaborative creative community within the studio complex.
Watercolor artist Judy Thompson and her daughter, poet Kristin Gifford, have launched a collaborative exhibition titled “Becoming Midwest: Life Between” at the Washington Pavilion Visual Arts Center in Sioux Falls. The show features 27 artworks and 12 poems that explore shared themes of motherhood, the natural landscape of the Great Plains, and the complexities of regional identity. The project marks the first formal partnership between the pair, blending Thompson’s established watercolor practice with Gifford’s contemporary poetry.
Seven local female artists have launched 'Gossip,' a self-produced group exhibition at Union Hall Gallery in San Diego’s Golden Hill neighborhood. Curated by Scarlett Baily, the show features a diverse array of disciplines including ceramics by Amber Schnitzius, oil painting by Baily Ludwick, and photography by Sarai Elguezabal. The exhibition emerged from the artists' shared desire to bypass the restrictive thematic requirements often found in San Diego’s limited gallery scene, opting instead for a space that prioritizes personal storytelling and creative intuition.
Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.
The Nicholas Metivier Gallery in Toronto has officially announced the representation of Tom Wilson Tehohàhake, a multidisciplinary artist, musician, and Order of Canada appointee. Wilson’s latest paintings are set to make their debut with the gallery at the upcoming Dallas Art Fair in April 2026. His work is characterized by vibrant, intricate patterns that incorporate elements of Mohawk beadwork and excerpts from his own literary writings.
The Park City Artists Association is hosting its third annual “Spring Into Art” showcase at The Yarrow from March 20 to 22. This free public exhibition features a diverse array of works from local creators, including ten painters specializing in various media, five jewelers, and six award-winning photographers. The event also highlights three-dimensional works such as steel sculptures, glass art, woodwork, and fiber art.
West Winds Gallery has officially opened in downtown Grand Junction, Colorado, transforming a former 1950s-themed diner into a multi-disciplinary art space. Owned by Cynthia Duff, the gallery underwent a year-long renovation to accommodate a diverse collection of works from over 50 local artists, spanning mediums such as metalsmithing, woodworking, ceramics, and fine art. The venue also integrates a wine tasting bar and custom framing services to create a multifaceted community hub.
Local artist Brenda Bryant has unveiled her latest exhibition, "Shadows and Light," at the Bastion Lane Espresso Bar in Uki. The collection features eight oil and pastel paintings inspired by the Gondwana rainforest and the remnants of the Big Scrub in Australia's Northern Rivers region. Bryant’s work utilizes a soft, misty aesthetic to capture the atmospheric tranquility of the forest, occasionally incorporating fantastical elements influenced by J.R.R. Tolkien.
RichesArt Gallery, the only Black-owned art gallery in Austin, hosted its Rhythms and Poetry open mic night on February 3, featuring slam poetry, rappers, and spoken word performances. The event, organized by poetry director Jonathan Ezemba in collaboration with gallery founder Richard Samuel, operated on a pay-what-you-can basis to keep it accessible. Performers like Maya Edwin shared personal poems about identity, queerness, and Blackness, emphasizing the gallery's role as a safe space for Black artists.
The University of Arkansas School of Art is hosting the United States International Poster Biennial at its Studio + Design Center in Fayetteville, featuring juried posters from designers worldwide, including works by university faculty, students, and alumni. A public reception on January 29 will include remarks by assistant professor Ryan Slone and the presentation of the Gold Award to MDES Fellow Andi Hardin for her poster "The Gratitude Magma – Yellowstone." The exhibition has also traveled to several other U.S. universities and will have international stops in 2026.
Cecilia Giménez, the Spanish woman who accidentally became famous in 2012 for her botched restoration of a 19th-century fresco of Ecce Homo by Elías García Martínez, has died. The painting, housed in the Sanctuary of Mercy Church near Zaragoza, was severely deteriorated when Giménez, then 81, attempted to repaint it with the permission of the local priest. Her amateur restoration transformed the original into a viral internet meme dubbed "Monkey Christ," drawing global ridicule but also unexpected tourism to the quiet town of Borja.
Sarasota Art Museum presents "Radical Softness," a retrospective exhibition spanning visual artist Janet Echelman's 40-year career. The show features her signature large-scale mesh sculptures suspended in cities worldwide, including the temporarily closed "Bending Arc" in St. Petersburg, alongside full-scale pieces and scale models. Echelman's work originated from a 1997 Fulbright lectureship in India, where lost paints led her to create art with fishing nets. The exhibition also includes her computer-programmed sculptures, which calculate angles, weight, and wind forces.