Five can’t-miss fall art shows in Whatcom and Skagit counties

The article highlights five must-see fall art exhibitions in Whatcom and Skagit counties in Washington state. Featured shows include Mary Ann Peters' solo exhibition "myself inside your story" at the Whatcom Museum, Barbara Sternberger's abstract painting survey "At the Core" at Western Gallery, Joy Olney's "Pure Joy" at Cordata Gallery, and Voxel Gallery's first anniversary celebration with its "World Famous" exhibition. The piece also notes a photo exhibition on broadcasting pioneer Elaine Horn curated by archivist Jeff Jewell at the Whatcom Museum's Old City Hall.

US artist takes stage in Venice exhibition

U.S. artist Alma Allen, a self-taught sculptor based in Mexico, has mounted an exhibition titled "Call Me the Breeze" at the U.S. Pavilion for the Venice Biennale after a fraught selection process. The process, which removed language on diversity, equity, and inclusion in favor of promoting "American values," caused several institutions to withdraw from vying for the commission. Allen created a bronze evil eye for the pavilion's exterior to ward off bad vibes, and his show includes a dozen new works alongside pieces from the last 20 years. The prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, leading to a new project with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator.

Postcard from North Carolina

The Nasher Museum of Art at Duke University is celebrating its twentieth anniversary with the exhibition "Everything Now All at Once," on view from August 21 to November 1, 2026. The show gathers landmark works from the museum's contemporary collection, emphasizing artists and perspectives historically excluded from dominant narratives. Curated by director Trevor Schoonmaker and curator Dr. Xuxa Rodriguez, the exhibition is presented as an evolving visual mixtape rather than a fixed archive, reflecting the cultural exchange of North Carolina's Research Triangle.

People and places

Elisa Contemporary Art Riverdale Gallery will open a new group exhibition titled "People and places" on May 20, 2026, running through September 2. The show features works by six artists: Betty Ball, Carol Bennett, Sherry Karver, Mitch McGee, Dean Moore, and Jeffrey Palladini, with a focus on uplifting summer themes including water scenes, poolside figures, and bright yellow elements. The exhibition includes new works from Ball's Land & Sea series and introduces Sherry Karver as a new gallery artist.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Ahead of the Met Gala, an Up-Close Look at “Costume Art”

United States Pavilion to Open at the 61st International Art Exhibition of La Biennale di Venezia With Landmark Solo Presentation by Alma Allen: Call Me the Breeze

The United States Pavilion will open at the 61st International Art Exhibition of La Biennale di Venezia with a landmark solo presentation by artist Alma Allen, titled "Call Me the Breeze." The exhibition marks the first time the U.S. Pavilion has dedicated its space to a single artist in this context, highlighting Allen's sculptural work that blends organic forms with industrial materials.

United States Pavilion to Open at the 61st International

The United States Pavilion at the 61st International Art Exhibition of La Biennale di Venezia will open on May 6, 2026, featuring a solo presentation titled "Call Me the Breeze" by American artist Alma Allen. Curated by Jeffrey Uslip and commissioned by the American Arts Conservancy with support from the U.S. Department of State and the Guggenheim Foundation, the exhibition transforms the historic Giardini pavilion with sculptures in bronze, walnut burl, and various stones, including Colorado Yule marble used in the Lincoln Memorial.

Asian Heritage Month 2026 at the Vancouver Art Gallery

The Vancouver Art Gallery is hosting a month-long program of talks, tours, and workshops for Asian Heritage Month 2026, celebrating Asian art and ideas. Highlights include weekly Lunchtime Look tours led by Senior Curator Diana Freundl and a Mandarin-language tour by Lynn Chen, a panel discussion titled "Modernity in Translation: Art, Architecture and Poetry in Iran" moderated by curator Pantea Haghighi with architect Hossein Amanat and Dr. Jeff Derksen, and a hands-on collage workshop by artist Vanessa Lam. The program also previews the gallery's upcoming landmark exhibition "Modern Iran and the Avant-Gardes, 1948–78," opening December 11, 2026, which will be the largest presentation of Iranian modernism ever mounted in Canada, featuring over 30 artists and approximately 100 works.

What’s on now at San Francisco museums, May 2026

San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.

Charlottesville's Confederate statues are centerstage in West Coast art exhibition rooted in tragedy and trauma

The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.

Frist Art Museum Will Present 100 Years of Contemporary Indigenous Art

The Frist Art Museum in Nashville will present "An Indigenous Present," an exhibition spanning 100 years of modern and contemporary Indigenous art, from June 26 to September 27, 2026. Co-curated by artist Jeffrey Gibson and independent curator Jenelle Porter, the show features 15 artists who use abstraction as a tool for liberated expression, including Teresa Baker, Raven Chacon, Kimowan Metchewais, Caroline Monnet, George Morrison, Mary Sully, Jaune Quick-to-See Smith, and Kay WalkingStick. Organized by the Institute of Contemporary Art/Boston, the exhibition draws from Gibson and Porter's landmark 2023 publication of the same title and is structured into five thematic sections that place emerging artists in dialogue with established makers.

Bizarre robot dogs sporting Musk, Zuckerberg heads torment visitors in Berlin museum — as part of creepy influencer exhibit

A pack of robot dogs fitted with hyper-realistic silicone heads of tech billionaires and cultural icons—including Elon Musk, Mark Zuckerberg, Jeff Bezos, Pablo Picasso, and Andy Warhol—is now on display at the New National Gallery in Berlin as part of the traveling interactive exhibit "Regular Animals." Created by American artist Beeple (Mike Winkelmann), the cyborg canines wander aimlessly and defecate AI-generated images in the style of the celebrity head they wear. The exhibit previously appeared in Miami and San Francisco.

Amplifying Indigenous Voices with Phil Cash Cash and the Portland Art Museum

The Portland Art Museum is launching a program to bring on a team of Native American co-curators to revitalize its Native American art collection, led by curator Kathleen Ash-Milby. The museum has partnered with multi-disciplinary artist and scholar Phil Cash Cash, a member of the Nez Perce and Cayuse tribes, who will contribute Indigenous perspectives to the collection's evolution. Cash Cash, who holds a PhD in Anthropology and Linguistics and co-founded the Crow's Shadow Institute of the Arts, gave a talk to the museum's Native American Art Council in early 2026, marking a new collaborative phase.

New York’s Metropolitan Museum of Art Presents “Musical Bodies” Exhibition

The Metropolitan Museum of Art in New York will open a major exhibition titled "Musical Bodies" on June 7, 2026. The free exhibition will feature over 130 objects, including musical instruments, paintings, sculptures, and drawings, to explore the 4,000-year relationship between musical instruments and the human body. It will be organized into six thematic sections and includes items from ancient Egyptian rattles to a guitar owned by Prince.

The Met Appoints Oluremi C. Onabanjo as Curator of Photographs

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as Curator in its Department of Photographs following an international search. Onabanjo, who joins from the Museum of Modern Art (MoMA), will oversee exhibitions, acquisitions, and research for 20th-century and contemporary photography, with a specific emphasis on international practices in Africa and Asia. Her role includes the stewardship of the Walther Collection, a massive gift of over 6,500 works, and the preparation of a major exhibition scheduled for 2028.

The Metropolitan Museum of Art Appoints Oluremi C. Onabanjo as Curator in the Department of Photographs

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a Curator in the Department of Photographs. Joining from the Museum of Modern Art (MoMA), Onabanjo will focus on 20th-century and contemporary photography with a specific emphasis on international practices from Africa and Asia. Her responsibilities include overseeing the stewardship of the recently acquired Walther Collection and developing a major exhibition for 2028.

Orlando Museum of Art just announced its 2026 Florida Prize lineup

The Orlando Museum of Art has unveiled the artist lineup for the 2026 Florida Prize in Contemporary Art, scheduled to run from May 30 through August 23. This 12th edition marks the largest in the program's history, featuring 12 artists including Maria Theresa Barbist, Jason Hackenwerth, and the duo We Are Nice’n Easy. The exhibition will culminate in a $20,000 grand prize awarded by juror Jade Powers, alongside a $2,500 People’s Choice Award.

Everything you need to know about the Met Gala 2026 and ‘Costume Art’ exhibition

The Metropolitan Museum of Art has announced details for its 2026 Costume Institute exhibition, titled 'Costume Art,' which is set to open on May 10, 2026. Curated by Andrew Bolton, the show will explore the 5,000-year history of the 'dressed body' by juxtaposing contemporary and historical fashion with sculpture, antiquities, and portraiture from across the museum’s 17 departments. The exhibition will be preceded by the annual Met Gala on May 4, 2026, serving as the primary fundraiser for the department.

New public art biennial to take over Dallas’s urban greenbelt park

Dallas is set to launch the KTX Biennial in spring 2027, marking Texas’s first biennial dedicated exclusively to public art. Curated by Jovanna Venegas of New York’s SculptureCenter, the exhibition will feature nearly a dozen contemporary works installed along the Katy Trail, a popular 3.5-mile urban greenbelt. The inaugural edition is themed around a science-fiction story by Ursula K. Le Guin, focusing on the interconnectedness between humans and their environment.

Celebrating Indigenous Vitality: MORE COLORS THAN THE EYE CAN SEE

The Portland Art Museum and SITE Santa Fe have launched "MORE COLORS THAN THE EYE CAN SEE," a national educational initiative based on Jeffrey Gibson’s historic solo exhibition for the U.S. Pavilion at the 60th Venice Biennale. Developed in collaboration with the Smithsonian National Museum of the American Indian and a cohort of ten educators, the project introduces 14 interdisciplinary K-12 lesson plans. These resources integrate Indigenous contemporary art into subjects ranging from mathematics to social studies, utilizing Gibson’s vibrant aesthetic to explore themes of identity, representation, and creative sovereignty.

Are we seeing the demise of statement stands at art fairs?

The era of the 'statement stand' at international art fairs is rapidly declining as galleries shift away from immersive, high-risk installations in favor of more conservative group presentations. Rising participation costs, the sheer volume of the global fair calendar, and the financial pressure to recoup expenses have made experimental booths like those once championed by Jeffrey Deitch or Gavin Brown an endangered species.

The Met Announces New Details for the 2026 Met Gala and Spring Costume Art Exhibition

The Metropolitan Museum of Art has unveiled details for its Spring 2026 Costume Institute exhibition, titled "Costume Art," and the accompanying Met Gala. Opening May 10, 2026, the exhibition will explore the relationship between the dressed body and art history by pairing garments with artworks from the museum's permanent collection. The event will also inaugurate the new 12,000-square-foot Condé M. Nast Galleries, designed by Peterson Rich Office, which are dedicated to fashion and cross-departmental displays.

Old Master Grandeur and Modern Patronage Converge at the 2026 Norton Museum of Art Gala

The Norton Museum of Art's 2026 annual gala drew nearly 700 guests and raised nearly $5 million for the museum's programs. The event featured a live auction hosted by Sotheby's Oliver Barker, selling works by contemporary artists like Julie Curtiss, Jeffrey Gibson, Jessie Henson, and Marilyn Minter, and honored trustee Ronnie Heyman and artist Loie Hollowell. The evening's design was inspired by the concurrent exhibition "Art and Life in Rembrandt's Time: Masterpieces from the Leiden Collection."

France’s ex-culture minister Jack Lang resigns from L’Institut du Monde Arabe amid Epstein revelations

Jack Lang, France's former culture minister, resigned as president of the Institut du Monde Arabe (IMA) on February 7 following revelations in the Epstein files that his name appeared 673 times. Lang, 86, denies any wrongdoing, acknowledging a long "cordial relationship" with Jeffrey Epstein but claiming ignorance of his sex crimes. The Paris prosecutor's office opened a preliminary investigation into Lang and his daughter Caroline for "laundering of aggravated tax fraud," and Lang stepped down after being summoned by the French foreign ministry at the request of President Macron and Prime Minister Lecornu.

February e-bulletin

Bowdoin College Museum of Art (BCMA) announces the reopening of its upper-level galleries (Assyrian, Shaw-Ruddock, Walker, and Markell) on February 3, 2026, following floor refinishing and reinstallation projects, with additional galleries (Bowdoin, Boyd, Rotunda) set to reopen in March. Three new exhibitions are now on view in the lower-level galleries: "Josefina Auslender: Drawing Myself Free," "Hung Liu: Happy and Gay," and "From Guild to Genius: Inventing 'The Artist' in Western Culture." The museum also highlights the acquisition of Anna Boberg's painting "The Blue Roof [Det blå taket]," a loan of an Edmonia Lewis sculpture to the Peabody Essex Museum for the exhibition "Edmonia Lewis: Said in Stone" opening February 14, 2026, and an upcoming artist talk with Samira Abbassy.

Georgia Museum of Art reaches for the stars with new exhibition

The Georgia Museum of Art has opened a new exhibition titled "We, Too, Are Made of Wonders," on view from January 24 to June 28, 2026. Inspired by Ada Limón's poem "In Praise of Mystery," the show brings together poetry, astronomy, science, and visual art to explore humanity's fascination with the cosmos. It features historic, modern, and contemporary works from the museum's permanent collection, including pieces by Dorothy Hood, Mildred Thompson, Lamar Dodd, Robert McCall, and others. Poems guide visitors through themes of wonder, science, mythology, and space exploration, with several works on view for the first time.

How much should art cost? The pitfalls and paradoxes of pricing works

The article examines the current state of the art market, which is in its third consecutive year of contraction. It traces how low interest rates fueled speculative price inflation, leading to a boom in ultra-contemporary art that has now burst, with collectors shifting toward Old Masters. Dealers like Larry Gagosian are now advocating for lowering primary market prices, while private sales stall due to sellers' 'anchoring' to peak valuations. The piece highlights the disconnect between high prices and long-term value, using examples such as auction records being manipulated (e.g., Patrick Drahi's anonymous bidding on a Francis Bacon triptych) and the reality that most artworks in even celebrated collections depreciate.