Il Padiglione Italia alla Biennale è il più internazionale di sempre

Chiara Camoni presents the Italian Pavilion at the 2026 Venice Biennale with her exhibition "Con Te Con Tutto" in the Arsenale. The show is divided into two sections: the first features monumental yet intimate sculptures, including her signature "sister" figures made from necklaces and terracotta fragments, while the second section continues the installation with a focus on circular production and zero waste. Camoni emphasizes a return to front-facing statuary, avoiding the gigantism of past editions, and works with sustainable, handmade processes.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

Un ciclo di mostre è allestito sotto terra in un ipogeo del quartiere Pigneto a Roma

A family of entrepreneurs acquired an ancient bar in Rome's Pigneto neighborhood in 2020, inheriting a Roman-era hypogeum dating back to the 1st century BC. Originally a pozzolana quarry, later a wine cellar and WWII air-raid shelter, the space beneath the historic bar Necci dal 1924 reopened to the public on March 12 as an exhibition venue. It now hosts "Sottoforma," a cycle of three exhibitions curated by Donatella Giordano and Agatha Jaubourg that explore the theme of the invisible through contemporary art. The first exhibition features works by Eva Marisaldi, Enrico Serotti, and Luca Vitone, running until March 31, followed by shows with Iginio De Luca and Liliana Moro in April, and José Angelino and Elena Bellantoni in May 2026.

Actress Alba Clemente Tells Her Story in the Theater and Reveals What Lies Behind Her Partenope, a Smoking Siren

L’attrice Alba Clemente si racconta a teatro e svela cosa si nasconde dietro la sua Partenope, sirena fumatrice

Actress Alba Clemente (née Primiceri) recounts her life and career in a theatrical performance titled "Racconto di una vita, anzi tre: ALBAINCLEMENTE," directed by Guido Torlonia. The show, adapted from an earlier piece created with director Andrew Ondrejcak, premiered in Naples and is set to tour Rome and Milan. Clemente reflects on her rebellious youth in Amalfi, her studies at the Accademia di Belle Arti in Naples, and her encounters with artists such as Joseph Beuys, Andy Warhol, Jean-Michel Basquiat, Alex Katz, and Robert Mapplethorpe. She also describes meeting her husband, internationally renowned painter Francesco Clemente, in Rome on the day Pier Paolo Pasolini was assassinated.

A Venezia sta aprendo un nuovo Palazzo delle Arti e delle Culture grazie alla Fondazione Giancarlo Ligabue. L’intervista

A new Palazzo delle Arti e delle Culture – Collecto is opening in Venice at Palazzo Erizzo Ligabue, a 15th-century palace on the Grand Canal. The initiative, spearheaded by Inti Ligabue (45), son of the late paleontologist and entrepreneur Giancarlo Ligabue, will open to the public from May 7 to May 24, 2026, offering guided tours of a collection of over 400 pieces spanning from 4.5-billion-year-old fossils to contemporary works by artists such as Arcangelo Sassolino, Nico Vascellari, and Giorgio Andreotta Calò. The project builds on the Fondazione Giancarlo Ligabue, established in 2016 from the original Centro Studi founded in 1973, and will feature a residency by artist Marta Spagnoli.

C’è un artista che ha deciso di vivere in povertà come un monaco francescano. La storia

Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.

Kunsthaus Paradiso is Born in Venice: Italian Art Has a Home, Despite the Biennale

Nasce a Venezia la Kunsthaus Paradiso: l’arte italiana ha una casa, malgrado la Biennale

A new project called Kunsthaus Paradiso has opened in Palazzo Molin Querini in Venice, running from May 4 to May 31 in conjunction with the Venice Biennale. Founded by curator Caroline Corbetta, the initiative evolved from her earlier Crepaccio project (2012–2016) in Milan and the Padiglione Crepaccio, which debuted at the 2013 Biennale Arte curated by Massimiliano Gioni. Kunsthaus Paradiso focuses on Italian and Venice-based artists—including Thomas Braida, Fabio De Meo, Caterina Rossato, Ornella Cardillo, Alessandro Miotti, Melania Fusco, Mauro Campagnaro, Marta Spagnoli, Barbara De Vivi, Spazio Punch, Giorgio Andreotta Calò, Mattia Sinigaglia, and the collective Scafandra—offering a platform for emerging and local talent during the Biennale.

Why Does Italy No Longer Qualify for the World Cup or the Biennials?

Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?

Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.

Learning is something aesthetic and emotional. Marco Dallari says so in his latest book (and in this interview)

L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)

Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.

Since 1968, Protests Have Revealed the Real Impact of the Venice Biennale

The article recounts the 1968 protests at the Venice Biennale, where artists, students, and activists clashed with police over the event's perceived ties to bourgeois power and capitalist commodification. It draws parallels to the 2024 Biennale, where groups like Art Not Genocide Alliance, Pussy Riot, and Femen demonstrated against the participation of Russia and Israel, while artists staged strikes and performances like the Solidarity Drone Chorus to highlight the Gaza conflict.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Biggs Museum spotlights the art and influence of Elizabeth Catlett

The Biggs Museum of American Art is presenting "The Art of Elizabeth Catlett from the Collection of Samella Lewis," on view through June 21, 2026. The exhibition features Catlett's prints and sculptures, drawn from the collection of her former student and lifelong friend Samella Lewis, and also includes works by Lewis and Catlett's husband, Francisco Mora. Catlett, who studied with Grant Wood and worked with the Taller de Gráfica Popular in Mexico City, focused her art on the lives of Black women, addressing themes of identity, equity, labor, family, and freedom.

parties metropolitan museum vanguard dinner

The Metropolitan Museum of Art hosted its 2026 Vanguard Council dinner, celebrating the institution's youngest patrons. The evening featured a Chinese-inflected menu developed by James Beard Award-nominated wine bar Lei, remarks from Met CEO Max Hollein and Vanguard Council co-chair Arielle Patrick, and a crowd of New York tastemakers including dealer Lucas Zwirner, patron Laila Blavatnik, and designer Isabel Wilkinson Schor. Guests departed with custom tote bags as parting gifts.

art fair small gallery budget abmb

The article offers practical advice from emerging gallerists on how to exhibit at Miami Art Week on a tight budget. Dealers like Margot Samel, Alex Nazari, Marina Vranopoulou, and Cole Solinger share cost-saving strategies: booking hotels early, flying into Fort Lauderdale, renting cars through Costco, shipping art in cardboard bins, bringing their own chairs, and staffing booths themselves. The piece highlights the financial strain of booth fees, shipping, and add-on costs, with Untitled Art founder Jeffrey Lawson even shrinking booth sizes to accommodate struggling galleries.

The Public Legacy of Gonzalo Díaz

EL LEGADO PÚBLICO DE GONZALO DÍAZ

A collaborative research project, the Gonzalo Díaz Archive, was presented at the National Museum of Fine Arts in early 2025, focusing on the late artist's five-decade connection to the University of Chile. Just before his death in December 2025, Díaz publicly called for the university to safeguard a substantial part of his prolific work, and he was posthumously awarded the university's Rector Juvenal Hernández Jaque Medal. His widow, artist Nury González, will lead a funded project to transform his decades of preparatory notes and sketches into a new artist's book.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Vhils: the street artist presents his exhibition “L'interstice” at the Danysz Gallery in Paris

Portuguese street artist Vhils, also known as Alexandre Farto, presents his latest solo exhibition titled "L'interstice" at the Danysz Gallery in Paris from May 22 to June 20, 2026. The exhibition features works crafted from materials sourced in the capital, including fragmentary posters, metal structures from political billboards, subway doors, and ceramic tiles, exploring Paris as a "fragmented experience" centered on public transport and daily transitions.

Exhibition | Travis MacDonald, 'Had a Farm' at Contemporary Fine Arts | CFA, Berlin, Germany

Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.

Dennis Potter’s TV legacy gets a radical retelling at Studio Voltaire

English artist Hilary Lloyd has opened a new exhibition at Studio Voltaire in London titled 'Very High Frequency,' which reimagines the life and work of playwright and television dramatist Dennis Potter. Through a series of short films featuring Potter's collaborators, including actors Gina Bellman, Alison Steadman, Richard E Grant, and producer Kenith Trodd, Lloyd constructs a theatrical biography that explores Potter's enduring influence. The exhibition eschews traditional formats, scattering monitors and screens in unexpected locations to mirror Potter's own blending of reality and fantasy, and incorporates footage from his iconic works such as 'The Singing Detective' and 'Pennies from Heaven.'

Here's what's at Southwest Florida art centers in August

Southwest Florida's art centers are hosting 29 exhibitions in August, spanning venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's juried show 'Vice and Virtue' exploring morality, Jacob Z. Wan's LGBTQ+ intimacy-themed mixed media installation 'Me, Myself and I, Vol. 3', a youth exhibition 'INK: Quilt of Identity' by ALSO Youth, and Dorothea (D') Calvert's ceramic series 'Praxis'.

Artist Mashonda Tifrere Launches New Exhibitions

Mashonda Tifrere, an art collector, musician, and founder of two art-based nonprofits, has launched two new projects in San Diego. She created a mindfulness audio tour titled "Inscape: Art and Collection at the Stuart Collection" for the Stuart Collection at UC San Diego, guiding listeners through 22 site-specific artworks. She also curated a group exhibition called "Somewhere in Between" at Quint Gallery in La Jolla, featuring works by artists including Taylor Chapin, Megan Gabrielle, and Nathan Wong.

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

french police search institut du monde arabe as part of epstein probe

French police conducted a raid on the Institut du Monde Arabe in Paris as part of an investigation into its former president, Jack Lang, and his daughter, Caroline Lang. The probe, led by the National Financial Prosecutor's Office, focuses on suspicions of aggravated tax fraud and money laundering linked to their names appearing in the newly released Jeffrey Epstein files. Lang, a former culture minister, resigned from the institute to protect its reputation, denying all allegations.

south carolina artist wins 158k copyright infringement case mural

A federal judge in South Carolina awarded artist Todd Atkinson $158,400 in a copyright infringement case against artist Chan Shepherd and the building owner, Justin L. McFalls. Atkinson painted a mural of a train and water tank on a building in Clover, S.C., in 1982, and registered its copyright in 2023. After McFalls purchased the building, he hired Shepherd to paint a similar version over the original, removing Atkinson’s signature and adding Shepherd’s own. The court found violations of the Visual Artists Rights Act (VARA), awarding $150,000 in statutory damages and $8,400 in actual damages.

neh awards grants promote classical art conservative values

The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects in its first grant round since President Donald Trump dismissed nearly all members of the National Council on the Humanities. The largest grants—$10 million each—went to the University of Texas at Austin and the Foundation for Excellence in Higher Education (FEHE), with other significant awards to the Abigail Adams Institute, Grand Central Atelier, and the Museum of the American Revolution. Many funded projects emphasize American exceptionalism, classical philosophy, civics, and Western canonical texts, reflecting the Trump administration's conservative priorities.

courtney mcclellan evangelical college supreme court simulation shirley fiterman liberty

Courtney McClellan's exhibition "Simulations" at the Shirley Fiterman Art Center in Lower Manhattan features deadpan photographs of empty mock courtrooms at universities across the American South, including a haunting simulation of the Supreme Court's chambers at Liberty University, an evangelical Southern Baptist college in Virginia. The show, which includes images taken over six years, is installed with blue borders and wainscoting that blur the line between architecture and image, placing viewers in the position of judge and jury while highlighting the theatricality of these spaces.

historic preservation groups request pause on trump ballroom at the white house

Historic preservation groups, led by the National Trust for Historic Preservation, have formally requested a pause on construction of President Donald Trump's new ballroom at the White House. Demolition began on the East Wing to make way for a 55,000-square-foot addition, which the Trust argues would overwhelm the White House's classical design and disrupt its historic fabric. The letter, sent to the National Capital Planning Commission, National Park Service, and Commission of Fine Arts, urges a halt until legally required public reviews occur. The Society of Architectural Historians and the American Institute of Architects have also voiced concerns, though none of these groups hold statutory authority to stop construction.

remnants enaissance equestrian statue french dig

Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.

pompeii garden of hercules restoration

The Pompeii Archaeological Park has unveiled the restored Garden of Hercules, replanted with 1,200 violets, 1,000 ruscus plants, 800 antique roses, vines, and fruit trees to mirror its appearance 2,000 years ago. The restoration is based on botanical research from the 1950s by Wilhelmina Jashemski, who identified pollen, spores, and plant fossils at the site. The garden, located on Regio VIII, Insula 2, also features a recreated ancient irrigation system and a terracotta statue of Hercules, and was once used for commercial perfume production.

yuge zhou midnight moment

Artnet is co-presenting Midnight Moment in partnership with Times Square Arts this June, featuring Yuge Zhou's video work *Trampoline Color Exercise*. The piece uses archival Olympic footage to show gymnasts tumbling on pink-gridded trampolines in a seamless collage, exploring themes of globalization, geopolitical tension, and humanity's pursuit of perfection. Zhou, a video artist with a background in computer science and a former child singer in China, discusses her creative journey and the inspiration behind the work in an accompanying interview.