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trump cuts museums funding aam report

A new survey from the American Alliance of Museums (AAM) reveals that one-third of American museums have lost government grants and contracts since President Donald Trump took office. Based on responses from 511 museum directors, the report documents funding cuts from federal agencies including the Institute of Museum and Library Services (IMLS), the National Endowment for the Humanities (NEH), and the National Endowment for the Arts (NEA). These losses have forced museums to defer infrastructure improvements, cancel programming for underserved communities, and lay off staff. Some institutions have taken legal action, and a court ruling in May halted further dismantling of the IMLS. The Mellon Foundation has offered emergency grants, but two-thirds of surveyed museums have been unable to replace lost funding, with a median grant loss of $30,000.

national gallery of art closes government shutdown

The National Gallery of Art in Washington, D.C., announced it will close starting October 5 due to the ongoing government shutdown, becoming the first major museum in the capital to do so. The Smithsonian Institution, which operates several other museums, is using its own funds to remain open at least through Monday. The closure threatens upcoming programming, including a major exhibition of Australian Indigenous art scheduled to open October 18, which is currently still listed as planned.

Artist’s Perspective: Anila Quayyum Agha

Artist Anila Quayyum Agha will give a talk at the Frist Art Museum in Nashville on May 22, 2026, discussing her exhibition "Anila Quayyum Agha: Interwoven." The survey spans two decades of her practice, including immersive installations, works on paper, paintings, and sculptures that draw on themes of migration, identity, and inequality, as well as influences from Indo-Islamic architecture, poetry, and the California Light and Space movement.

Women in the American Glass Studio at Corning Museum of Glass

The Corning Museum of Glass will open a new exhibition titled "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition focused on women artists working in glass during the American Studio Glass Movement from the 1960s through the late 1970s, featuring over 200 objects by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky.

CMOA unveils the 59th Carnegie International

The Carnegie Museum of Art (CMOA) held a press tour on May 1, 2026, for the 59th Carnegie International, titled "If the word we." The exhibition features 61 artists from around the world, including 36 newly commissioned works, alongside pieces from CMOA's permanent collection. It opens to the public on May 2, 2026, and runs through January 3, 2027. Notable participants include artists Abraham González Pacheco, Elle Márjá Eira, Hans Ragnar Mathisen, Joar Nango, G. Peter Jemison, Sarah Ndele, and Georges Adeagbo, with tours led by professor Jongwoo Jeremy Kim.

FAD News: Brooklyn Museum to Stage Art of Manga, the First Major Americas Survey of Manga as Fine Art

Brooklyn Museum will present 'Art of Manga' on October 3, 2026, the first large-scale exhibition in the Americas dedicated to manga as a fine art form. Organized by the Fine Arts Museums of San Francisco, the show features over 600 original hand-drawn manga artworks (genga) by influential Japanese artists including Araki Hirohiko, Oda Eiichiro, Takahashi Rumiko, and Tagame Gengoroh, spanning foundational figures to eight contemporary masters.

'Tough Stuff' Women in the American Glass Studio opens May 16 at CMoG

The Corning Museum of Glass (CMoG) will open 'Tough Stuff: Women in the American Glass Studio' on May 16, 2026, running through January 10, 2027. This is the first survey exhibition dedicated to women artists working in glass during the 1960s and 1970s, featuring over 200 objects from artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. Curated by Tami Landis, the show draws from CMoG's permanent collection, the Rakow Research Library, and notable loans, presenting works that have never been displayed before.

Curator Conversation: Inside The Stars We Do Not See

The Denver Art Museum is presenting "The Stars We Do Not See: Australian Indigenous Art," an exhibition organized by the National Gallery of Victoria, Melbourne and the National Gallery of Art, Washington, in association with the Denver Art Museum, the Portland Art Museum, and the Peabody Essex Museum. The show features works from the National Gallery of Victoria's collection, including paintings by Indigenous Australian artists such as Mirdidingkingathi Juwarnda Sally Gabori, Thunduyingathi Bijarrb May Moodoonuthi, and others, with Bank of America serving as the North America Tour Sponsor.

Take a walk on the wild side with the Haas Brothers' fantastical new show

The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.

Raphael Exhibition at the Met Offers Rare Glimpse Into Renaissance Master's Genius

The Metropolitan Museum of Art has launched a major retrospective titled 'Raphael: Sublime Poetry,' featuring over 230 works sourced from more than 60 international institutions and private collections. The exhibition provides a chronological survey of the Renaissance master’s career, spanning his early years in Urbino to his definitive period at the papal court in Rome, and includes iconic paintings such as the 'Alba Madonna' alongside rare preparatory sketches and immersive projections of his Vatican frescoes.

Art professor Brian Corr debuts solo exhibition at the Museum of Nebraska Art

The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.

What’s new this spring at the Cantor Arts Center

The Cantor Arts Center at Stanford University has launched two major exhibitions that challenge traditional perceptions of nature and craft. 'Animal, Vegetable, nor Mineral' features the multimedia work of Miljohn Ruperto, utilizing virtual reality, sculpture, and animation to critique how humans categorize and expand into both physical and digital landscapes. Simultaneously, 'Jeremy Frey: Woven' presents over 30 intricate baskets by the MacArthur Fellow and Passamaquoddy artist, marking the final and only West Coast stop for this career-spanning survey.

Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," a comprehensive survey of Southern photography and portraiture from the early 20th century to today. Meanwhile, the New Orleans Museum of Art (NOMA) is preparing to open a significant retrospective of Louisiana native Robert Gordy, marking the first major presentation of his multidisciplinary work at the institution in over forty years.

One Day in SA: Is Every Month Contemporary Art Month?

San Antonio’s art scene is characterized by a rapid-fire schedule of artist-run exhibitions and pop-up events that often center around the Blue Star Arts Complex. A recent survey of the city's offerings highlighted diverse installations, including Scott Martin’s immersive automotive video work at Slab Cinema Arthouse and Lauren Raye Snow’s mystical portraiture at FL!GHT gallery. The local landscape is defined by a DIY spirit where openings are frequent, fleeting, and deeply communal.

Tiffany Chung’s exhibition at the AD&A Museum maps history within deep geological time

The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.

Conceptual artist Theresa Hak Kyung Cha’s gets expansive tribute in California show

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.

Illinois art and design faculty explore stories about place in Krannert Art Museum exhibition

Eleven artists from the University of Illinois Urbana-Champaign School of Art & Design explore the relationship between people and place in a new exhibition at Krannert Art Museum. Titled “Another Place: Storymaking the Entangled Prairie,” the show opens January 29 and runs through July 2, featuring sculpture, installation, photography, printmaking, video, and performance. Curated by art history professor Terri Weissman, the exhibition is tied to the Humanities Research Institute’s 2025-26 theme “Story and Place.” Works include Ryan Griffis’s multimedia project on the Illinois River Valley, Stephen Signa-Avilés’s wearable sculptural assemblage “The Recollector,” and Melissa Pokorny’s prairie-inspired installation.

UK Art Museum announces Spring ’26 exhibitions and photography lecture

The University of Kentucky Art Museum has announced its Spring 2026 exhibition lineup, running from February 3 to June 27, alongside the first Robert C. May Endowed Photography Lecture of the semester. The season features two main exhibitions: "Ecstatic Personas," a group show exploring joy as a radical force with works by Carlos Rosales-Silva and Shannon Alonzo, and "Harry Gamboa Jr.: The Early, The Late, The Lost," a career-spanning survey of the artist's photography, performance, and writing. Gamboa, a co-founder of the influential collective Asco, will also deliver a lecture on March 27 as part of the photography lecture series.

Radical History: Chicano Prints from the Smithsonian American Art Museum exhibition opens at The Huntington

The exhibition "Radical Histories: Chicano Prints from the Smithsonian American Art Museum" opens at The Huntington's Marylou and George Boone Gallery from November 16 to March 2. Curated by E. Carmen Ramos, the show features 60 works by nearly 40 artists and collectives, tracing over six decades of Chicano printmaking as a tool for resistance, community building, and cultural reclamation. The exhibition is organized into five thematic sections—"Together We Fight," "¡Guerra No!," "Violent Divisions," "Rethinking América," and "Changemakers"—and begins with the late 1960s Delano Grape Strike, highlighting how artists used silkscreens, posters, and offset prints to mobilize communities and confront injustice.

Aki Sasamoto invites viewers to her singular ‘life laboratory’ at the Museum of Contemporary Art Tokyo

Japanese artist Aki Sasamoto presents her first mid-career survey, 'Aki Sasamoto’s Life Laboratory,' at the Museum of Contemporary Art Tokyo (MOT). The exhibition traces two decades of her unique practice combining absurd sculptural devices—such as haemorrhoid cushions and oversized fishing lures—with improvised performances that blend humorous spoken narratives, physical actions, and mark-making. The show features installations, documentation, and live performances, with each room exploring a different relationship between performance and object or video.

Andrea Carlson: A Constant Sky

The Denver Art Museum will present "Andrea Carlson: A Constant Sky," the first museum survey of mixed-media visual artist Andrea Carlson, from October 5, 2025, to February 16, 2026. The exhibition features over 30 works on paper, three large-scale paintings shown together for the first time, and a monumental sculptural work titled "Columns for a Horizon." Carlson, who descends from Grand Portage Ojibwe and European settlers, creates intricate, colorful works that challenge colonial narratives in American landscape painting and museum collections.

Review | A sprawling survey highlights the women making art around D.C.

A survey exhibition titled "Women Artists of the DMV: A Survey Exhibition" at the American University Museum in Washington, D.C., showcases 63 works by women artists from the region. The show, reviewed by Mark Jenkins, features depictions of women as everyday people, archetypes, allegorical figures, and goddesses, alongside some abstract pieces, with a preference for representational art.

Denver Art Museum proudly presents Andrea Carlson’s first museum survey, A Constant Sky

The Denver Art Museum (DAM) has announced "A Constant Sky," the first museum survey of artist Andrea Carlson. The exhibition, which marks the museum's centennial of collecting Indigenous arts, features Carlson's bold paintings that challenge colonial narratives and cultural consumption. The show is curated with input from Dakota Hoska, former Associate Curator of Native Arts at DAM, now at the National Gallery of Art, and John Lukavic, Andrew W. Mellon Curator of Native Arts at DAM.

The US’s largest Raphael exhibition is opening at the Met next year

The Metropolitan Museum of Art in New York will present the largest-ever Raphael exhibition in the Americas next spring, titled "Raphael: Sublime Poetry" (29 March–28 June 2026). Curated by Carmen Bambach, the show brings together over 200 works—including paintings, drawings, decorative objects, and tapestries—spanning Raphael’s career from Urbino and Florence to Rome. Major loans include the Alba Madonna from the National Gallery of Art, Washington, D.C.; the Portrait of Baldassare Castiglione from the Louvre; and works from the British Museum, Uffizi, Prado, and Vatican Museums. The exhibition is structured chronologically, with special focus on recent scientific analysis and Raphael’s depictions of women.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

Mavis Pusey’s First Solo Museum Exhibition Spotlights Her Work in Geometric Abstraction

Mavis Pusey: Mobile Images, the first major museum survey of the Jamaica-born artist and educator Mavis Pusey (1928–2019), opens at the Institute of Contemporary Art (ICA) Philadelphia on July 12 and runs through December 7. Co-organized with the Studio Museum in Harlem, where it will travel in spring 2027, the exhibition features over 50 years of Pusey’s work in geometric abstraction, including paintings, prints, and works on paper. It highlights her Broken Construction series (1960s–1990s) and incorporates photographs, personal notes, and archival materials to contextualize her practice.

Joyce Pensato at the ICA Miami, FL, USA

The Institute of Contemporary Art, Miami (ICA Miami) will present a major survey of Joyce Pensato (1941–2019) from December 2, 2025, to March 15, 2026. The exhibition brings together approximately 65 works spanning five decades, including rarely seen pieces from the 1980s, 1990s, and early 2000s, and traces the evolution of her recurring motifs—from early Batman drawings (1976) to enamel paintings and imagery drawn from cartoon and live-action figures like Felix the Cat and South Park.

The legacy of the Baghdad Modern Art Group is explored in first major US show

The Hessel Museum of Art at Bard College in New York State has opened "All Manner of Experiments: Legacies of the Baghdad Modern Art Group," the first major US survey of the influential Iraqi collective. Organized by curators Nada Shabout, Tiffany Floyd, and Lauren Cornell, the exhibition brings together 64 works by 30 artists—including Dia al-Azzawi, Jewad Selim, and Mohammed Ghani Hikmat—spanning from 1951 to 2023. Many pieces have not been publicly displayed in decades, and the show draws from private collections and major Arab institutions such as the Barjeel Art Foundation, the Dalloul Art Foundation, the Ibrahimi Collection, and Qatar Museums. The exhibition also addresses the devastating loss of modern Iraqi art during the Iraq War, with an estimated 85% of 8,000 works from the Saddam Arts Centre looted or damaged.

Major show of African American quilts opening at BAMPFA — despite federal funding cuts

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is opening "Routed West: Twentieth-Century African American Quilts in California" on June 8, the first major museum survey of its vast African American quilt collection. The collection, bequeathed by Oakland collector Eli Leon in 2018, includes over 3,000 quilts, with 100 featured in the exhibition. The show focuses on migration during the Second Great Migration (1940–1970) and highlights artists like National Heritage Fellow Laverne Brackens, Rosie Lee Tompkins, and Arbie Williams, alongside multi-generational quilting families. The exhibition opens despite recent federal funding cuts for conservation work on the quilts.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.