Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.
Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.
Private & Public Gallery has partnered with Green Island Restaurant in Jersey to install a rotating display of works by local artists Jacques Le Breton, Charles Haydn Taylor, Claire Haithwaite, and Hazel Wynn. The exhibition features a diverse range of media, including ceramics, iPad drawings, and paintings created from found coastal materials, all arranged in a traditional French Salon style.
Atlanta’s cultural landscape is undergoing a significant transformation as its major museums spearhead ambitious expansions and programming shifts. Institutions like the High Museum of Art, the Spelman College Museum of Fine Art, and the Atlanta Contemporary are leveraging the city's economic growth and its status as a hub for Black culture to redefine their roles within the community. These developments include physical renovations, record-breaking acquisitions, and a renewed focus on local and diverse artistic voices.
The Arizona State University Art Museum is set to open "Carmen Lomas Garza: Picturing the Familiar" this May, a retrospective dedicated to the 76-year-old Chicana artist and author. The exhibition highlights Garza’s career-long commitment to documenting South Texas and Mexican-American life through paintings, prints, and children's book illustrations. Her work focuses on intimate, everyday scenes—from domestic interiors to community celebrations—that were heavily influenced by her involvement in the Chicano movement.
Singapore's art scene is hosting several diverse exhibitions this April, ranging from a cat-themed group show at Tokonoma to Chok Si Xuan’s solo exploration of technological materials at Starch. Other highlights include a collaborative exhibition at Fluxus House Gallery featuring emerging artists Tay Ying, Zhixin Sheng, and Winnie Chua, which examines the nuances of early adulthood through personal correspondence and imagery.
The Brooklyn Museum has announced a landmark exhibition titled "Hopi Kachina Dolls: Blessings for a Balanced World," scheduled to open in October 2026. Featuring over 120 objects ranging from the 19th century to the present, the show draws from the museum's extensive Indigenous art collection alongside contemporary loans of ceramics, textiles, and jewelry. The presentation is uniquely structured around the life stages of Hopi women—from infancy to marriage—and includes newly commissioned video interviews with community members.
Hui Noʻeau Visual Arts Center on Maui is presenting its Annual Juried Exhibition from January 16 to February 20, 2026. The open-theme show features works in ceramics, printmaking, sculpture, photography, painting, digital media, jewelry, Hawaiian cultural arts, wood, fiber, and more, juried by Denise Karabinus, Executive Director of Honolulu Printmakers. The exhibition opens with a juror walkthrough and reception on January 16, and artists from Maui and beyond were invited to submit work created within the past two years.
A new exhibition titled "Living Tradition. Past. Present. Future. Colorado Women Artists" has opened in the Colorado State Capitol's Rotunda Gallery, featuring 12 mobile murals honoring past, present, and future women artists from Colorado. Organized by the Women's Caucus for Art Colorado Chapter (WCACO) over four years, the show also includes additional works in the Governor's and Lieutenant Governor's offices. The murals, created collaboratively by a team of female artists, depict black-and-white portraits of each honoree surrounded by imagery from their own work, with finishing touches applied by designated "Face Whisperers."
Toi Tauranga Art Gallery in New Zealand reopens on November 15, 2025, after a two-year closure and transformation. The revamped space features a new entrance at Masonic Park, a Mauri Stones installation, a gallery store highlighting regional artists, a creativity centre, improved accessibility, and a café. The reopening exhibitions include 'Whakairo' by Kereama Taepa, 'Old Friends' curated by Dr Penelope Jackson, 'Glimmer' in the new Meldrum Gallery, and works by Pusi Urale, Vaimaila Urale, and Darcy Nicholas, among others.
A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.
The British Museum (BM) is planning to display the Bayeux Tapestry from September 2026 to July 2027, following a loan agreement with the French government. The tapestry, owned by the French state, will return to England for the first time in nearly a thousand years after its dedicated museum in Bayeux closed for renovations. The BM's Sainsbury Exhibitions Gallery is long enough to accommodate the 70-meter embroidered strip in a single straight line, a key factor in securing the loan over other contenders like the Victoria and Albert Museum. Conservators will display the tapestry at a 60-degree angle with low lighting to minimize fading, and visitors will likely follow an audio-guided tour with 25 minutes to view the 58 scenes.
New Zealand-born engineer-turned-artist Mike Hewson has opened 'The Key’s Under The Mat,' an interactive social sculpture inside the subterranean Nelson Packer Tank at the Art Gallery of New South Wales in Sydney. The free exhibition, running from October 4, 2025 through 2026, transforms a former WWII oil reservoir into an art park featuring dozens of usable sculptures—including a functioning sauna, steam room, laundromat, playground, and barbecue—all made from thousands of salvaged objects. Visitors are encouraged to dwell, play, create, and even do laundry, with the artist describing the work as a 'handmade utopia.'
Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.
Dataland, the world's first museum dedicated to AI arts, will open to the public on June 20 at The Grand LA complex in Los Angeles. Designed by Gensler, the museum's inaugural exhibition, 'Machine Dreams: Rainforest' by Refik Anadol Studio, runs through January 31, 2027, and uses a Large Nature Model (LNM) processing ecological and biofeedback data in real time to create an immersive, evolving sensory experience.
The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.
Los Angeles will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026. Co-founded by Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum is located in Frank Gehry's Grand LA complex within the Grand Avenue Cultural District. Its inaugural exhibition, "Machine Dreams: Rainforest," runs through January 31, 2027, and features the Large Nature Model—the first open-source generative AI model dedicated to nature. The exhibition uses real-time audience biofeedback and ecological datasets to create a shifting digital rainforest, including an Infinity Room that plays the extinct Kauaʻi ʻŌʻō bird's call. Pioneer Memberships are now on sale, offering exclusive pre-opening access and a generative print.
Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.
The Tomás y Valiente Art Center (CEART) in Fuenlabrada is hosting a major exhibition of Catalan artist Teresa Vall Palou titled "Chromatic Atmospheres." Featuring over sixty large-format works produced over the last decade, the show highlights Vall Palou’s experimentation with color, form, and "conscious unconsciousness" through expansive canvases and diluted glazes. Despite a sixty-year career largely spent in "opacity," this exhibition marks a significant moment of public recognition for the artist, whose abstract style draws comparisons to Pollock and Rothko.
Hong Kong’s Kwai Fung Hin gallery has expanded internationally for the first time, opening a new outpost at 30 Beach Road in Singapore. Founded by former banker Catherine Kwai in 1991, the gallery specializes in 20th-century modern and contemporary art with a focus on cultural heritage. The new space launched with an exhibition titled “Worlds beyond Reality – Monet’s Legacy II,” featuring a masterpiece by Claude Monet alongside works by Zao Wou-Ki and Chu Teh-Chun.
Art a path to conservation
Dunedin-based artist Clare Reilly is celebrating her 50th year of exhibiting with a practice that merges vibrant depictions of New Zealand’s native flora and fauna with active environmental advocacy. Her work, which frequently features birds in flight as symbols of spiritual uplift, serves as both a tribute to the natural world and a warning about habitat loss. Through her career, she has collaborated with her late husband Max Podstolski under the Primitive Bird Group banner and participated in hands-on conservation efforts, such as the tūī relocation project to Banks Peninsula.
López de la Serna CAC has launched a collective exhibition exploring the evolution of portraiture through the works of four major contemporary artists: Francesco Clemente, Alex Katz, David Salle, and Henry Taylor. The exhibition moves beyond traditional representation to examine how identity is constructed in the postmodern era, utilizing diverse approaches ranging from Clemente’s mystical pastels and Katz’s flat, vibrant aesthetics to Salle’s fragmented collages and Taylor’s socially conscious figuration.
The Museums of Poitiers in France have officially acquired 'La Musée,' a landmark collection of 523 works by women artists spanning the 17th to the 21st centuries. Assembled by artist and historian Eugénie Dubreuil since 1999, the collection includes paintings, sculptures, and decorative arts intended as a 'counterproposal' to the male-dominated art historical canon. The acquisition was finalized in March 2024 following a rigorous two-year review process and was accompanied by a €150,000 grant from the Les Beaux Yeux endowment fund to support a five-year project dedicated to women artists.
Blunk Space gallery in Point Reyes Station, California, is presenting '100 Candleholders', an exhibition running from 17 January to 28 March 2026. The show features 100 artists and designers from around the world—including Max Lamb, Bethan Laura Wood, Ido Yoshimoto, and Jonathan Cross—each invited to create a candleholder inspired by the late sculptor JB Blunk, his work, or his self-built home and studio, Blunk House. This is the second installment in the '100' series, following '100 Hooks' in 2023-24, and takes its cue from Blunk's own 1981 exhibition '100 Plates Plus', which explored the artistic potential of everyday objects.
Artist and author Oliver Jeffers is holding his first exhibition in his hometown of Belfast in over 20 years. The show, titled "Disasters and Interventions," is on view at the Naughton Gallery at Queen's University and features a series of works where Jeffers inserts calamitous scenes—such as an oil tanker spill or an airship crash—into tranquil vintage landscapes, transforming calm into catastrophe. The project began when he found a discarded print in New York's Chinatown and began painting into it, eventually building a collection over 14 years that balances tragedy with a wry, thoughtful humor.
The Museum of Applied Arts Cologne (MAKK) in Germany is presenting an exhibition titled “From Louise Bourgeois to Yoko Ono: Jewellery by Female Artists,” featuring 101 pieces of jewelry created by 45 female artists. The show, which opened November 11 and runs through April 26, highlights works by well-known figures such as Yoko Ono and Louise Bourgeois, including Ono's yellow and white gold ring shaped like a vinyl disc inscribed with “Imagine Peace” and Bourgeois’ gold spider brooch and silver shackle neckpiece. The exhibition was curated by Lena Hoppe in collaboration with museum director Petra Hesse, and an accompanying book edited by the curators will be published by Arnoldsche Art Publishers in February 2026.
François-Xavier Lalanne's 1976 'Hippopotame Bar,' a whimsical copper, steel, and wood cabinet shaped like a hippopotamus with hidden compartments, sold for $31.4 million at a Sotheby's auction on December 10, 2025. Originally commissioned by the late oil heiress and philanthropist Anne Schlumberger, the piece sparked a 26-minute bidding war that far exceeded its $7–10 million estimate, making it the most valuable design object ever sold at auction and shattering Lalanne's previous auction record.
Komal Shah discusses the exhibition "Making Their Mark: Works From the Shah Garg Collection" at Washington University in St. Louis' Kemper Art Museum. The show spans nearly eight decades and features nearly 70 artists, including Howardena Pindell, Joan Mitchell, Jaune Quick-to-see Smith, Katharina Grosse, Lorna Simpson, Sarah Sze, and Mary Weatherford. Shah, who established the collection with her husband Gaurav Garg, emphasizes the importance of celebrating women artists and challenging the notion that excellence is limited to men.
“The Art of Banksy: Without Limits,” a touring exhibition dedicated to the anonymous British street artist Banksy, will open January 30 at the Del Mar Fairgrounds in San Diego. Featuring 200 pieces including certified originals from private collectors and replicas, the show presents prints, photographs, sculptures, murals, and video-mapping installations, along with an infinity room, a hologram installation, and a room focused on Banksy’s Ukraine-related works. The exhibition, which debuted in Istanbul in 2016, is not officially sanctioned by Banksy but serves as a tribute to his provocative, satirical art.
Art Basel Paris in October introduced a new ultra-exclusive preview called Avant Première, catering to top-tier galleries with seven- and eight-figure works, while some emerging exhibitors felt sidelined. Meanwhile, the fair's organizers dropped the term "VIP," renaming its dedicated department to "collector and institutional relations," as CEO Noah Horowitz explained that the term could be off-putting to a new generation of buyers. Parallel events like Trauma, a curatorial platform founded by artist Adrian Ghenie, and the Basel Social Club offered more inclusive, youth-driven alternatives, though they still maintained guest lists.