Walk the auction: your guide to Christie’s 20th and 21st Century Art sales in NY this May

Christie’s is holding its spring 20th and 21st Century Art sales week in New York from 12–15 May 2025, featuring over 500 works across six live auctions. Highlights include the single-owner collection of Leonard and Louise Riggio, led by a rare Piet Mondrian and René Magritte’s *Les droits de l'homme*; the 20th Century Evening Sale headlined by a Claude Monet from his *Les Peupliers* series; and the 21st Century Evening Sale, where Jean-Michel Basquiat’s *Baby Boom* sold for $23.4 million. Other notable consignors include Anne and Sid Bass, Tiqui Atencio, and Ago Demirdjian. The free public exhibition runs from 3–15 May at Christie’s Rockefeller Center galleries.

Early Basquiat to Lead Sotheby’s Contemporary Auctions -

Sotheby’s will offer a rare untitled 1981 painting by Jean-Michel Basquiat at its Contemporary Evening Auction in New York, estimated at $10–15 million. The work, unseen for 36 years, has been held in a private collection since 1989 and captures the raw energy of Basquiat’s breakout period. Other highlights include Lucio Fontana’s *Concetto spaziale, La Fine di Dio* (1963), Robert Rauschenberg’s *Combine Rigger* (1961), Frank Stella’s *Adelante* (1964), and Ed Ruscha’s *That Was Then This Is Now* (1989). The auction is built around three major private collections: the estate of gallerist Barbara Gladstone, the Roy Lichtenstein Foundation, and the “Im Spazio” group assembled by Daniella Luxembourg.

Surprised by Jack: A Review of “Jack Whitten: The Messenger” at MoMA in New York

The Museum of Modern Art in New York is hosting "Jack Whitten: The Messenger," the largest survey ever mounted of the late abstract artist Jack Whitten, who died in 2018. The exhibition features 175 works spanning his sixty-year career, from early quasi-representational pieces to his innovative "slab" paintings made with a custom squeegee device and his later "tesserae" works that mimic glass tiles using acrylic paint. The show includes archival audio of Whitten discussing his creative process, which blended philosophy, craft, and science, and is curated by MoMA's Michelle Kuo, who knew Whitten personally.

Untitled: Artist Takeover April 2025

The Denver Art Museum hosted 'Untitled: Artist Takeover' in April 2025, an evening event featuring performances, artmaking, and installations by Indigenous artists. Highlights included a fashion show by SunRose IronShell, drag tours of the Kent Monkman exhibition, poetry readings, dance performances, and a finale titled 'Planting Seeds' with Sarah Ortegon Highwalking. Drop-in experiences offered ledger art, yarn art, temporary tattoos, and frybread-making, alongside one-night-only installations by Sarah Ortegon Highwalking.

The story of the Met’s ‘missing’ Banksy

John Barelli, head of security at the Metropolitan Museum of Art from 2001 to 2016, revealed that Banksy illicitly installed a painting at the museum in 2005 with the help of three accomplices who distracted guards. The work, titled 'Last Breath' and depicting a woman in a gas mask, was affixed to a wall with a placard claiming it was a donation. Banksy later requested its return, but Barelli told The New Yorker that the museum had thrown it out—though he admitted to taking it himself upon retirement, saying he might sell it if he needs money.

Native artist Mary Sully gets her due at Minneapolis Institute of Art

The Minneapolis Institute of Art (Mia) has opened "Mary Sully: Native Modern," a solo exhibition featuring the intricate "personality prints" of Yankton Dakota artist Mary Sully (born Susan Mabel Deloria). The show includes 18 triptychs, drawings, memorabilia, and a film clip, highlighting her abstract vertical designs that blend Dakota heritage with 1920s–1940s celebrity culture. Sully, who died in obscurity over 60 years ago, was rediscovered by her great-nephew, Harvard professor Philip Deloria, after he found her work in a basement. Her art was previously included in the groundbreaking exhibition "Hearts of Our People" at Mia, and she also had a solo show at the Metropolitan Museum of Art in New York in 2024.

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Outgoing Tate Director Argues for Bigger Tax Breaks for Donors

Outgoing Tate director Maria Balshaw has publicly called on UK Chancellor Rachel Reeves to implement larger tax breaks for wealthy philanthropists who donate to museum endowment funds. She argues this would level the playing field with US institutions and provide crucial financial stability for UK museums.

Maine art galleries showcase dozens of artists in summer shows

A roundup of summer art exhibitions across Maine highlights dozens of artists showing at galleries and pop-up spaces from Rockport to Portland. Notable shows include Alexandre Gallery's pop-up featuring charcoal works by the late Cooper Union-trained artist Emily Nelligan, who spent decades depicting Cranberry Island; Karma's annual summer pop-up at artist Ann Craven's deconsecrated church in Thomaston; and solo exhibitions at Caldbeck Gallery, Courthouse Gallery, and Cove Street Arts. Other venues such as Carver Hill Gallery, Corey Daniels Gallery, Dowling Walsh, and Moss Galleries present group and solo shows spanning landscape painting, mythical imagery, and works addressing social resistance.

Art Market Auctions Recovered Late 2025, But Not A "Comeback" – Citi Wealth

Citi Wealth's report, "State of the Art Market 2026: Don’t Call It A Comeback," finds that the global art market entered 2026 with renewed optimism, but confidence is highly selective and concentrated at the high and accessible ends. The November 2025 Modern and Contemporary Art auctions in New York surged 77% year-on-year to $2.2 billion, driven by the record-breaking $236.4 million sale of Gustav Klimt's *Portrait of Elisabeth Lederer* from the Leonard Lauder collection. However, numerous galleries closed in 2025, including BLUM gallery and Venus Over Manhattan, and traditional hubs like London and New York face slow growth while emerging regions gain influence.

The international gallery bridging contemporary artists and art history masters reopens in Milan: The Interview

Riapre a Milano la galleria internazionale che mette in dialogo artisti contemporanei e maestri della storia dell’arte. L’intervista

The artist-run space Octagon is set to establish a permanent home in Milan at Via Maroncelli 12, officially opening on April 15, 2026, during the city's Art Week. Founded by artist Jacopo Mazzetti in 2018, the gallery is transitioning from a nomadic model that saw recent collaborations in Paris and Athens to a fixed physical presence. The inaugural exhibition will feature works by the French Symbolist master Odilon Redon, maintaining the space's signature curatorial approach of bridging historical art with contemporary perspectives.

miami bakehouse art complex celebrates 40 years

The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.

One of LACMA's first commissions finds new life at David Geffen Galleries

Alexander Calder's monumental fountain sculpture "Three Quintains (Hello Girls)" has been reinstalled at the Los Angeles County Museum of Art's new David Geffen Galleries, more than 60 years after it was first commissioned for the museum's original 1965 campus. The colorful, whimsical piece features four water jets that propel mobile-like paddles, and its water jets were turned back on in March 2025. The sculpture now anchors the northeast corner of the new building, placed alongside the main cafe and near the W.M. Keck Education Center, with a technically advanced filtration system to address previous environmental challenges.

Marina Abramović’s Historic Venice Biennale Exhibition Is a Full-Circle Moment

Marina Abramović has become the first living woman to be honored with a dedicated exhibition at the Gallerie dell’Accademia di Venezia, titled “Marina Abramović: Transforming Energy.” The show, which coincides with her 80th birthday, features works selected in dialogue with Renaissance masterpieces from the museum’s permanent collection, including pieces such as “The Lovers, Great Wall Walk,” “Balkan Baroque,” and “Pietà (Anima Mundi).” Abramović first visited the Venice Biennale at age 14 and later won the Golden Lion there in 1997; this exhibition marks a full-circle return to the city that inspired her.

Exhibition | Trishla Jain, 'In Equilibrium' at Sundaram Tagore Gallery, New York, New York, United States

California-based artist Trishla Jain presents her first solo exhibition at Sundaram Tagore Gallery in New York, featuring abstract canvases from her 'Yantra' and 'Tantra' series. The works are deeply rooted in the artist’s lifelong meditation practice and spiritual study, utilizing intricate patterns of dots, dashes, and grids to represent the intangible process of breath awareness. While the 'Yantra' series focuses on mathematical precision and geometric focus, the 'Tantra' series explores fluid, organic arrangements that evoke celestial or topographical forms.

From monumental scroll paintings to metaphorical breasts: five works to see at Art SG

The article highlights five standout works at Art SG, the Singapore art fair. Featured artists include Pinaree Sanpitak, whose hand-blown glass sculpture *Stacked Offering I* (2024-25) continues her exploration of breasts as metaphors for womanhood and spirituality; Jakkai Siributr, whose textile work *CG20* (2023) repurposes discarded uniforms from Thailand's struggling tourism workers into a tapestry of healing; Citra Sasmita, whose installation *Timur Merah Project XI: Bedtime Story* (2023-24) centers female protagonists in Balinese mythological scrolls; and Ayesha Singh, whose wall reliefs from the *Evolution* series trace Indian architectural motifs. Prices range from around $5,000 to $40,000, with works shown by galleries including Ames Yavuz, Flowers Gallery, Yeo Workshop, and Nature Morte.

9 Up-And-Coming Gallerists Chart the Path To—and Beyond—Showing at Art Basel Miami Beach

Nine emerging galleries from around the world are showing in the Positions sector of Art Basel Miami Beach 2025, a dedicated platform for up-and-coming exhibitors. The article profiles several of these gallerists, including Allann Seabra and Ian Duarte of Verve in São Paulo, and Mauricio Aguirre of N.A.S.A.L. in Mexico City and Guayaquil. They discuss their gallery's growth, key milestones such as artists participating in the 36th Bienal de São Paulo, and their hopes for gaining international exposure and deepening understanding of their local art scenes.

In pictures: a season for newcomers at Art Basel Miami Beach’s Meridians

Yasmil Raymond returns for her second year as curator of Art Basel Miami Beach’s Meridians sector, focusing on showcasing a more diverse group of artists and providing opportunities for newcomers. She highlights several works, including Huang Yong Ping’s political sculpture referencing a US spy plane incident, Stephanie Syjuco’s critique of Western culture through a photography-studio installation, Ward Shelley’s post-truth library, Jesús Rafael Soto’s immersive Pénétrable, Luisa Rabbia’s feminist reimagining of a labor strike painting, and Anne Samat’s woven family portrait made from thrift-store objects.

Art Basel Miami Beach Diary: a pettable bronze piece, an un-buttoned up party and tarot in a grotto

At Art Basel Miami Beach, the art collective MSCHF invites fairgoers to touch their bronze sculpture *Touch Me Sculpture One More Time* (2024) on Perrotin’s stand, featuring a counter that tracks each pat. The Institute of Contemporary Art Miami hosted a VIP opening night with figures like director Alex Gartenfeld and artist Andreas Schulze, while the Thom Browne club stood out in matching attire. Other highlights include kinetic sculptures by Breakfast (Andrew Zolty) at 1 Hotel South Beach, a tarot-reading grotto by Julie Schenkelberg at Nada fair, and Robbie Williams’s furniture debut with Moooi at Design Miami.

In a risk-averse market, Paris Photo offers diversity

Paris Photo returns to the Grand Palais for its 28th edition, featuring 220 exhibitors from 33 countries, including 178 galleries and 42 publishers. The fair opens amid a risk-averse market where dealers report slower acquisitions, increased production costs, and reduced collector risk-taking, yet attendance reached 81,000 in 2024. Notable trends include a resurgence of Japanese galleries after a five-year absence, strong Latin American presentations from Buenos Aires, São Paulo, Santiago, and Mexico City, and a rise in women artists to 39% of practitioners, up from 20% in 2018. Highlights include MEM's exhibition of the August 6 Hiroshima Day student photography project and Claudia Andujar's Yanomami works shown by Galeria Vermelho.

Bharti Kher Makes a Powerful Return to Painting: ‘I Wanted to Break This Sort of Spell’

Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.

A Husain horse painting, a portrait of Max Ernst’s soulful dog, and a Fini cat mask: our pick of the September auctions and fairs

The article highlights several notable artworks heading to auction and art fairs in September 2024. These include M.F. Husain's "Untitled (Horses)" (1971) at Christie's New York, estimated at $100,000–$150,000, following a record-breaking sale of another Husain work earlier this year. Also featured are Leonor Fini's embroidered cat mask (around 1960) at Weinstein Gallery during Independent 20th Century in New York, Dorothea Tanning's "Katchina and Her Soul" (1951) at Sotheby's London, and Alberto Giacometti's "Small Head of Elsa Schiaparelli" (around 1935) at FAB Paris.

Making Waves – Breaking Ground

The third annual Space to Breathe summer art exhibition, titled 'Making Waves – Breaking Ground,' is on view at Bowhouse in St Monans, Fife, Scotland, from 19 July to 4 August 2025 and 16-31 August 2025. Organized by Sophie Camu Lindsay and Alexander Lindsay in collaboration with Purdy Hicks Gallery, the show features 11 artists and over 100 works—paintings, drawings, and photographs—that explore the natural world, particularly land and sea. The installation uses a unique hanging system in the 900-square-meter barn space, allowing visitors to create their own journey through the works. Artists push boundaries in technique, with many using innovative photographic processes that blur the line between photography and painting, such as Anaïs Tondeur's rayograms of radioactive plants from Chernobyl.

Reclaiming Narratives: Rowan’s Art Gallery & Museum Announces 2025-2026 Exhibitions

Rowan University Art Gallery & Museum has announced its 2025-2026 exhibition season, featuring four solo shows by artists vanessa german, Qualeasha Wood, Devan Shimoyama, and Jazlyne Sabree. The exhibitions explore themes of healing, identity, African folk culture, the Black LGBTQ experience, and ancestral resilience through diverse media including sculpture, digital tapestry, painting, and collage. All exhibitions are free and open to the public at the gallery's location in Glassboro, New Jersey.

Three artists, three questions: Contemporary art

Three Israeli artists—Ronit Porat, an evacuated photographer working with archival materials; an emerging artist using shrapnel from rocket shells as art material while serving as an IDF reservist; and a young artist opening a new exhibition after a break—are profiled in this column by Basia Monkaj. Each answers three questions about inspiration, the definition of art, and what makes their work unique, set against the backdrop of the ongoing war in Israel and the centenary of Surrealism.

The good, the bad and the simply ‘tone deaf’: a roll call of celebrity art

Pop superstar Ed Sheeran has joined the ranks of celebrity artists, offering his Cosmic Carpark Paintings at £900 each at HENI Gallery in London from 11 July to 1 August, with half the proceeds supporting music education in UK state schools. The article also reviews other celebrity artists including Robbie Williams (whose Moco Museum show is called 'tone deaf' by critic Eddy Frankel), Adrien Brody (showing at Eden Gallery in New York), Lucy Liu (creating erotic lesbian art), Bob Dylan (exhibiting at Halcyon Gallery), and Johnny Depp (represented by Castle Fine Art).

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

What Does It Feel Like to Be Called an Emerging Artist at 72? Ask Takako Yamaguchi

Takako Yamaguchi, a 72-year-old Japanese-born artist based in Los Angeles, is experiencing a career resurgence with a new series of seascapes featured in a 2023 show at Ortuzar and the 2024 Whitney Biennial. She is set to receive her first solo museum exhibition in Los Angeles at MOCA's Grand Avenue space starting June 29, where she will present 10 new works. In an interview with CULTURED, Yamaguchi discusses her ambivalent relationship with the sea, her process of drawing inspiration from other artists' seascapes rather than nature itself, and her identity as an outsider who has lived most of her life in the U.S. while retaining Japanese citizenship.

Meloni takes control of Italian museums

Meloni reprend en main les musées italiens

Italy’s culture ministry under Prime Minister Giorgia Meloni has appointed 14 new directors for so-called “second-tier” museums, reinforcing a shift away from the international “super-director” model introduced by the 2014 Franceschini reform. All appointees are Italian except for French director Axel Hémery, who was reappointed at the Pinacoteca di Siena due to his strong performance. The move follows the earlier ousting of foreign directors at top-tier museums, with only two foreign-born directors—Eike Schmidt and Gabriel Zuchtriegel—remaining, both of whom hold Italian citizenship.

Required Reading

This week's Required Reading roundup from Hyperallergic covers a diverse range of art-world stories. French photographer JR has unveiled "La Caverne du Pont Neuf Paris" (2026), an optical illusion installation that transforms the pathway across the Seine into a black-and-white mountain range cave, paying homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge. Other highlights include architecture scholar Karrie Jacobs investigating a New York waterfront walking initiative for The Nation, curator Tara Contractor writing in Apollo about James McNeill Whistler's use of metallic pigments influenced by Japanese traditions, and Rob Corsini interviewing Amelia Abraham about their new book celebrating photography of queer nightlife for Dazed.