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Christo and Jeanne-Claude artwork to be presented for the first time ever at Gagosian.

An unrealized work by Christo and Jeanne-Claude, recently discovered in Christo's atelier, will be presented for the first time at Gagosian in London. Titled *Air Package on a Ceiling*, the installation features a 52-foot-long, 33-foot-wide inflated form wrapped in rope, softly illuminated from within to resemble half a cloud protruding from the ceiling. The piece is realized from the original 1968 model and preparatory drawings and collages.

How Entertainment Exec Hassan Smith Built an Art Collection Championing Black Artists

Entertainment executive Hassan Smith has curated a deeply personal art collection in his North Atlanta home that bridges historical mastery with contemporary Black identity. His holdings range from a 17th-century Rembrandt drawing in the kitchen to iconic photography by Gordon Parks and contemporary works by artists like Ferrari Sheppard and Derek Fordjour. The collection is characterized by its integration into daily family life, featuring a Basquiat-inspired aesthetic that begins at the front door.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

KOO JEONG A “KANGSE X” at Hauser & Wirth, Zurich

Koo Jeong A presents "KANGSE X" at Hauser & Wirth in Zurich, an exhibition that extends from her previous show "ODORAMA CITIES" at the Korean Pavilion of the 60th Venice Biennale. The title derives from the Korean term "KANGSE," meaning spatial strength, and the show encompasses her multifaceted practice across drawing, painting, sculpture, installation, film, and animation, including her earlier work "MYSTERIOUSSS" (2017).

Es Devlin Is Creating a Living Portrait of the Entire U.K.

British artist Es Devlin has launched a participatory public artwork titled "A National Portrait for the National Portrait Gallery," inviting all 69 million U.K. residents to upload selfies that are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin’s drawings. The portraits appear on a framed screen in the museum’s History Makers gallery, and the project runs through October 27, accompanied by online and onsite drawing classes.

Polish pavilion at Venice Biennale explores fluidity of language with film recorded underwater

Poland's entry for the 2024 Venice Biennale, titled *Liquid Tongues*, is an audio-video installation by artists Bogna Burska and Daniel Kotowski. The work centers on a performance by the Chór w Ruchu (Choir in Motion), which includes both hearing and deaf performers, with much of the content filmed underwater in a Warsaw swimming pool. Presented across two screens in the Polish pavilion, the installation draws inspiration from whale song to explore alternative modes of communication, using spoken English and International Sign. The project builds on a previous performance at Warsaw's Zachęta National Gallery of Art and was developed in close collaboration with curators Ewa Chomicka and Jolanta Woszczenko.

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

AI Helps UK Researchers Identify Unknown Subject in Hans Holbein Drawing as Anne Boleyn

Researchers Karen L. Davies and Hassan Ugail used artificial intelligence facial recognition to analyze two Hans Holbein drawings from the Royal Collection Trust. Their study, published in npj Heritage Science, suggests that a portrait previously labeled as Anne Boleyn actually depicts her mother, Elizabeth Howard, while a drawing cataloged as an unidentified woman is the true likeness of Anne Boleyn. The findings challenge long-held identifications based on 18th-century inscriptions and align more closely with contemporary descriptions of Boleyn as slender with dark hair.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

Chanel and Guggenheim Launch Transatlantic Curatorial Fellowship

Chanel and the Solomon R. Guggenheim Foundation have announced a new transatlantic curatorial fellowship, set to launch in 2027. The Chanel Culture Fund Fellowship is a one-year program for MA- and PhD-level scholars, who will begin at the Guggenheim Museum in New York before moving to the Peggy Guggenheim Collection in Venice. The announcement coincides with the start of the Venice Biennale, and the open call for fellows will begin this fall. The fellowship includes a stipend and travel support, and is designed to complement the Peggy Guggenheim Collection's existing International Fellowship.

In Venice to Install Work for the Biennale, Artist Guadalupe Maravilla Alleges Racial Profiling by Police

New York–based artist Guadalupe Maravilla, in Venice to install his work for the 2026 Venice Biennale, alleges he was racially profiled by police after leaving the Arsenale venue. Two officers demanded his documents, called backup, and attempted to handcuff him before he de-escalated the situation and left. Maravilla, known for his 'Disease Thrower' sculptures that address migration and healing, shared the incident on Instagram and provided a statement to ARTnews.

Jimmy Tsutomu Mirikitani, a New Sort of Street Artist, Rises from Art History’s Margins

Jimmy Tsutomu Mirikitani, a late Japanese American collagist who lived and worked as a street artist in New York City, is the subject of a new solo exhibition at the Spencer Museum of Art in Kansas City, on view through June. Co-curators Maki Kaneko and Kris Imants Ercums organized the show thematically rather than chronologically, reflecting Mirikitani's fragmented life—from surviving the atomic bombing of Hiroshima and incarceration at Tule Lake to arriving in New York in the 1950s. The exhibition draws on years of research, including visits to the parks where he lived and to Hiroshima, and builds on Linda Hattendorf's 2006 documentary *The Cats of Mirikitani*.

Re-Air: The Young Painter Curators Are Rushing to Work With

Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.

What Is the Venice Biennale? Everything You Need to Know

The Venice Biennale returns for its 61st edition, running from May 9 to November 22, 2026. The event, often called the Olympics of the art world, comprises a central exhibition curated by an artistic director, national pavilions from dozens of countries, and officially approved Collateral Events. This year's edition was to be curated by Koyo Kouoh, a celebrated Cameroonian-born curator, but she died at 57 in May 2025 before announcing the title and theme, “In Minor Keys.” The Biennale organization has moved forward with a team of five curatorial advisers executing her vision. The event is overseen by president Pietrangelo Buttafuoco and is expected to draw over 800,000 visitors.

Art Basel’s Swiss Fair Will Include a New Initiative Where Galleries Will Withhold Works from Their PDF Previews

Art Basel has announced a new initiative called "Basel Exclusive" for its upcoming Swiss fair, running June 18–21 with VIP previews June 16–17. Under the program, participating galleries will withhold at least one artwork—or even their entire booth—from the PDF previews sent to clients ahead of the fair, encouraging collectors to visit in person. So far, 170 of 232 exhibitors (nearly 75%) have signed on, including major galleries like Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, Gladstone, Lehmann Maupin, Lisson, Matthew Marks, Paula Cooper, Thaddaeus Ropac, and White Cube, as well as secondary-market dealers such as Galerie 1900-2000, Helly Nahmad, Landau, Mayoral, Pace Di Donna Schrader, and Van de Weghe. Art Basel’s chief artistic officer Vincenzo de Bellis described it as a "gallery-led process" developed from conversations with exhibitors, formalized during Art Basel Hong Kong.

Seoul’s Centre Pompidou, Three Years in the Making, Will Open in June

The Centre Pompidou Hanwha is scheduled to open in Seoul on June 4, coinciding with the 140th anniversary of diplomatic relations between France and South Korea. Housed in the iconic Tower 63 and designed by architect Jean-Michel Wilmotte, the new institution is a partnership with the Hanwha Foundation of Culture. The agreement includes a four-year brand licensing deal and a schedule of eight monographic exhibitions drawn from the Pompidou’s permanent collection.

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The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.

6 Objects That Capture Everything Brilliant and Strange About the Shakers

The Institute of Contemporary Art in Philadelphia has opened a new exhibition titled "A World in the Making: The Shakers," which places the work of seven contemporary artists alongside over 100 historical Shaker objects. The show, a collaboration with the Vitra Design Museum and the Milwaukee Art Museum, draws heavily from the collection of the Shaker Museum in New York to explore the community's legacy of radical simplicity, order, and purpose.

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Turner Prize-winning artist Tai Shani has officially terminated her book contract with Phaidon, the prominent arts publisher owned by billionaire collector Leon Black. Shani cited Black’s extensive financial ties to the late sex offender Jeffrey Epstein and the "horrific allegations" of sexual assault leveled against Black as the primary reasons for her withdrawal. Describing the move as a "feminist practice" of refusal, Shani walked away from a planned monograph despite praising the publisher's editorial team.

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The Italian Ministry of Culture has acquired a rare double-sided Renaissance painting by Antonello da Messina, 'Ecce Homo; Saint Jerome in Penitence,' for $14.9 million in a private sale with Sotheby's New York. The work was withdrawn from a planned public auction, and its final institutional home is now the subject of a heated debate among major Italian museums and the artist's hometown.

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TEFAF New York has announced the exhibitor list for its 2026 edition, set to take place at the Park Avenue Armory from May 15 to 19. The fair will feature 88 galleries from 14 countries, including nine new participants and 78 returning dealers, with a focus on modern and contemporary art, design, jewelry, and antiquities. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner will be present.

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Schiaparelli's artistic director Daniel Roseberry debuted dramatic recreations of crown jewels stolen from the Louvre during the brand's Paris Haute Couture Week show. The pieces, worn by actor Teyana Taylor, were inspired by a pearl-and-diamond tiara and bow brooch once owned by Empress Eugénie, which were among an estimated $102 million in gems taken in a heist last October.

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Zahi Hawass, the 78-year-old former Egyptian minister for antiquities, is the subject of a new self-mythologizing documentary titled "The Man With the Hat." The film recounts his rise to international fame through countless TV appearances, his role in overseeing major discoveries like the 3,000-year-old "lost golden city" in Luxor, and his leadership in building the $1 billion Grand Egyptian Museum (GEM). Hawass is also shown advocating for the repatriation of artifacts such as the Nefertiti bust and the Rosetta Stone, while sidestepping controversies that have marked his career.

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A previously unknown Renaissance portrait attributed to Hans Baldung Grien, executed in silverpoint in 1517 and depicting Susanna Pfeffinger, is expected to sell for up to $3.5 million at a Paris auction on March 23. The drawing, which measures just four by six inches, has remained in the Pfeffinger family for 500 years and was only recently discovered by Old Master drawings expert Patrick de Bayser. It is being offered by French auction house Beaussant Lefèvre and Associés and Paris gallery Cabinet de Bayser at Hôtel Drouot.

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South Africa has canceled its submission for the 2024 Venice Biennale, a performance piece titled *Elegy* by artist Gabrielle Goliath, because the work planned to commemorate the deaths of women and children in Gaza. Culture minister Gayton McKenzie withdrew financial support and terminated the partnership with the organizing nonprofit Art Periodic, calling the project "highly divisive" and related to a polarizing international conflict. Goliath, curator Ingrid Masondo, and their colleague James Macdonald have condemned the decision as censorship, while the selection committee that unanimously chose Goliath described it as an abuse of executive authority.

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The Las Vegas Museum of Art (LVMA) has unveiled architectural designs by Pritzker Prize-winning architect Francis Kéré for its first standalone museum, a 60,000-square-foot building at Symphony Park in downtown Las Vegas. The design incorporates local stone, baobab trees, and a canopy for shade, drawing inspiration from the Mojave Desert and the city's culture, with a central staircase evoking a canyon. The museum, supported by a land donation from the city and a partnership with the Los Angeles County Museum of Art (LACMA), has raised over half of its $200 million goal and is slated to open in 2029.

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The New York Botanical Garden's 34th annual "Holiday Train Show" features miniature replicas of New York landmarks crafted from natural materials by the botanical artists of Applied Imagination. This year's edition adds two new models: the recently renovated Delacorte Theater in Central Park and the Whitney Museum of American Art's Meatpacking District flagship, designed by Renzo Piano. The Whitney replica, built over three months by artist Ava Roberts and fabrication director Kaitlin Schmidt, uses a new two-way mirrored acrylic glass technique for the windows and incorporates materials like purple smoke bush branches, horse chestnut bark, and fallen Zelkova bark. The company, founded by Paul Busse in 1991 and now run by his daughter Laura Busse Dolan, creates whimsical versions of landmarks using leaves, sticks, fungi, and other dried plant materials.

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Michelangelo, best known for masterpieces like the Sistine Chapel ceiling and the Pietà, also served as the governor and procurator general of fortifications for Florence in 1529, tasked with designing military defenses against the Medici family. After the Medici were expelled in 1527, Michelangelo joined the "Nine of the Militia" committee, but his overly complex drawings were so impractical that almost none were built. The Medici, backed by Pope Clement VII, successfully besieged Florence in 1529–30, forcing Michelangelo into hiding in a secret chamber beneath the Medici Chapel, where he drew figurative works rediscovered in 1975. He was eventually pardoned and went on to create major commissions like the tomb of Pope Julius II and The Last Judgement, but left Florence for Rome in 1534.

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More than 100 staff members at the Tate galleries in England began an indefinite strike on August 18, 2020, protesting the institution's plan to cut over 300 jobs from its commercial arm, Tate Enterprises. The PCS union voted overwhelmingly in favor of striking after Tate confirmed 313 redundancies, citing anticipated revenue loss from a long-term drop in visitor numbers due to the pandemic. Workers are demanding that 10% of government bailout funds be invested in Tate commerce, that no redundancies occur while senior staff earn six-figure salaries, and that Tate push for more government aid. The strike has closed several Tate gift shops, with picketing scheduled through August 22 and an indefinite strike from August 24.