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An expert’s guide to Indigenous Australian art: five must-read books on the subject

Kelli Cole, lead curator of Tate Modern's Emily Kam Kngwarray survey, and academic Jennifer Green recommend five essential books for understanding Indigenous Australian art. The selections range from Wally Caruana's concise survey 'Aboriginal Art' (2025) to John Kean's 'Dot, Circle and Frame' (2023), which details the origins of the Papunya Tula art movement. The recommendations come amid major international exhibitions spotlighting Indigenous Australian art, including Tate Modern's Kngwarray show and the National Gallery of Art's 'The Stars We Do Not See'.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

79th Juried Members’ Exhibition opens at Museum of Art

The 79th Juried Members’ Exhibition has opened at the Museum of Art, showcasing works selected from member artists through a competitive jury process. The exhibition highlights a diverse range of media and styles, reflecting the creative output of the museum's artist community.

London's Dulwich Picture Gallery prepares to reveal £5m redevelopment

Dulwich Picture Gallery in south London will open a newly transformed sculpture garden to the public on 6-7 September, as the centerpiece of its £5m Open Art project. The redevelopment reclaims previously underused green space for a rotating programme of contemporary art on two-year loans, alongside permanent works including a land art piece by Kim Wilkie, an ArtPlay Pavilion designed by HoLD Collective and Carmody Groarke, and a new entrance restoring elements of John Soane's 1811 plans. The project is funded by principal donor The Lovington Foundation, The Julia Rausing Trust, the Manton Foundation, and a public campaign, as the gallery receives no regular government funding.

Rediscovered David Wojnarowicz mural could disappear from view again

A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.

Behind the scenes of assembling SAM's large-scale Ai Weiwei exhibition

The Seattle Art Museum (SAM) team faced an extraordinary challenge installing the retrospective “Ai, Rebel: The Art and Activism of Ai Weiwei,” which required handling eight tractor-trailers of artwork—far more than the usual two—within just three weeks. The exhibition features 130 complex works, including a giant tree sculpture, a life-size jail cell replica, and a Lego rendition of the Mueller report, many arriving without instruction manuals and requiring creative assembly by a 12-person crew led by lead preparator Joshua Gosovich.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Catch These Glamourous Summer Exhibitions at SCAD Lacoste

SCAD Lacoste, the Savannah College of Art and Design's campus in Provence, France, is hosting three summer exhibitions: 'Christian Dior: Jardins Rêvés', the first Dior exhibition in southern France, featuring over 30 haute couture silhouettes and 60 accessories by Dior and his successors; 'DRIFT: Unfold', a permanent interactive installation by the Dutch artist duo DRIFT that transforms visitors' heartbeats into audiovisual displays; and 'Studio Bee: 100% Made by SCAD', showcasing work by recent SCAD fashion graduates. The Dior show runs until September 28, while the Studio Bee exhibition continues until November 2.

How to Plan an Art-Filled Day Trip to the Berkshires

This article is a travel guide for planning an art-focused day trip to the Berkshires in western Massachusetts, highlighting key cultural destinations for summer 2025. It details MASS MoCA in North Adams, a vast contemporary art museum housing works by Sol LeWitt, Anselm Kiefer, Louise Bourgeois, and James Turrell, with current exhibitions including a Vincent Valdez retrospective and Alison Pebworth's "Cultural Apothecary." The guide also covers the Clark Art Institute in Williamstown, featuring its "Ground/work 2025" outdoor sculpture exhibition curated by Glenn Adamson, alongside shows by Mariel Capanna, mid-century modern graphic design, and Isamu Noguchi. Additional attractions include the LOUD Weekend and FreshGrass music festivals, plus dining options like the museum campus's cafe and the Tourists hotel restaurant.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

Wandering Between Worlds Exhibition at Pullen Arts Center

Pullen Arts Center in Raleigh, North Carolina, is presenting the group exhibition "Wandering Between Worlds" in its Main Gallery, featuring seven local artists: Alison Coleman, Ari Ferro, Jenn Hales, K. Orr Ambrose, Nancy Goodrich, Marcia Moran, and Min Zhong. The show explores landscapes both real and imagined, with a closing reception scheduled for October 25 and an artist talk on September 18. The exhibition is free and open to the public, and artwork is available for purchase through the center.

Artist Amy Sherald has canceled her upcoming show at the Smithsonian

Artist Amy Sherald has canceled her upcoming solo exhibition at the Smithsonian's National Portrait Gallery, scheduled to open September 19. The cancellation stems from a dispute over her painting *Trans Forming Liberty* (2024), which depicts a trans woman with pink hair and a blue gown holding a torch. Sherald stated that the museum expressed concerns about including the portrait, leading to discussions about removing it. She claims the Smithsonian planned to replace the painting with a video of people reacting to it, which she opposed as it would debate the value of trans visibility. The Smithsonian denies the painting was to be replaced, saying the video was meant to provide context. Sherald's exhibition, *Amy Sherald: American Sublime*, was organized by SFMOMA and is currently on view at the Whitney Museum.

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

Nudes by Tamara de Lempicka and Jenny Saville lead quiet Sotheby’s Modern and contemporary sale

Sotheby’s June Modern and contemporary art evening sale in London netted £50.8m (£62.5m with fees) from 48 lots, with an 87% sell-through rate, falling below the pre-sale estimate of £55.2m to £81.1m and marking a 25% decrease from last year’s equivalent sale. The top lot was Tamara de Lempicka’s *La Belle Rafaëla* (1927), which sold for £6.1m (£7.4m with fees), while a Jenny Saville drawing *Mirror* (2011-12) achieved an auction record for the artist at £1.7m (£2.1m with fees). Several high-profile works were passed, including Egon Schiele’s *Portrait Study (Head of a Girl, Hilde Ziegler)* and Barbara Hepworth’s *Vertical Forms*, reflecting cautious bidding in a bearish market.

$10 million Tamara de Lempicka leads sales at Sotheby’s London modern and contemporary evening auction.

Sotheby’s modern and contemporary evening sale in London on June 25, 2025, achieved £62.43 million ($83.97 million), led by Tamara de Lempicka’s *La Belle Rafaëla* (1927) which sold for £7.47 million ($10.05 million). Other top lots included works by Pablo Picasso, Jean-Michel Basquiat, Claude Monet, Jenny Saville, and Elizabeth Peyton, with Saville setting a new auction record for a drawing. Eight lots failed to sell, including pieces by Egon Schiele and Pierre-Auguste Renoir.

Design Miami announces 2025 international events and exhibitions programme

Design Miami has announced its 2025 international events and exhibitions programme, dubbed Design Miami.In Situ, in celebration of its 20th anniversary. The initiative includes a one-day design event in Aspen with Range Rover on July 31, a 14-day exhibition in Seoul titled 'Illuminated: A Spotlight on Korean Design' in September, the third edition of its Paris fair at L'hôtel de Maisons in October, and the 21st edition of its flagship Miami Beach fair in December. The programme expands beyond the fair's traditional model, with events curated by Ashlee Harrison, Hyeyoung Cho, and Glenn Adamson.

Katharina Grosse: ‘Imagination doesn’t have a scale’

Katharina Grosse has created a monumental site-specific commission titled CHOIR (2025) for the Messeplatz at Art Basel, covering the entire square and the Messe building with her signature spray-painted veils of high color. In an interview with The Art Newspaper, Grosse discusses how she tackled the vast urban space, emphasizing the immediacy of entering the square without any transitional experience, and describes her process of painting over roofs, facades, a fountain, and even a clock, using only magenta and white to create luminous effects. The work is part of a busy summer for the artist, who also has exhibitions at the Deichtorhallen in Hamburg and the Staatsgalerie Stuttgart.

Arkansas Museum of Fine Arts exhibition highlights the art of conservation

The Arkansas Museum of Fine Arts (AMFA) in Little Rock is opening an exhibition titled "The Long View: From Conservation to Sustainability: Works From the Bank of America Collection" on June 13, running through August 31. The show features paintings, photographs, prints, and sculptures from the mid-19th century to the present, highlighting artists who advocated for conservation and sustainable habitats. A free family event, "Family Fest: Into the Wild," will be held on June 14 with activities led by the Arkansas Game and Fish Commission, including artmaking, live animals, and outdoor demonstrations.

Leader of Toronto’s Royal Ontario Museum to depart after a decade at the helm

Josh Basseches, director and CEO of the Royal Ontario Museum (ROM), announced on June 5 that he will step down at the end of 2025 after a decade in the role. Under his leadership, the museum underwent three renovations and one expansion, including the reopening of the Weston Entrance, the creation of the Willner Madge Gallery Dawn of Life, and the launch of the C$130m OpenROM renovation project. Notable exhibitions during his tenure included Christian Dior, Kent Monkman: Being Legendary, and Auschwitz. Not long ago. Not far away.

‘Ralph Steadman: And Another Thing’ showcases 60 years of the artist’s uncanny, unique perspective

The Bates College Museum of Art will open 'Ralph Steadman: And Another Thing' on June 6, a major exhibition spanning 60 years of the artist and illustrator's career. Featuring 149 objects, the show includes works from Steadman's collaborations with Hunter S. Thompson, political commentary, and literary illustrations, along with a life-size bronze sculpture 'Vintage Dr. Gonzo' by Jud Bergeron. Originally scheduled for 2020 but delayed by the pandemic, the exhibition runs through Oct. 11 and fills the entire museum.

June Book Bag: from the cool influence of Ice Age art to the story of Arshile Gorky’s early years in the US

This article presents a roundup of six new art books released in June, covering a diverse range of topics. Titles include a monograph on Arshile Gorky's early years in New York, a collection exploring interspecies consciousness from the Serpentine Galleries, a book accompanying a British Museum exhibition on Ice Age art, a lavish Taschen monograph on Salvador Dalí, and a three-volume photographic study of the American West by Maryam Eisler and Alexei Riboud.

MAM’s New Erin Shirreff Exhibition Reshapes Sculpture and Photography

The Milwaukee Art Museum (MAM) will present “Permanent Drafts,” a major exhibition of over 40 recent works by Canadian artist Erin Shirreff, opening May 30. The show spans collage, photography, sculpture, and video, including site-specific installations and a new museum acquisition, “Paper sculpture” (2024). Shirreff, who began as a sculptor, uses photography to explore the gap between 2D representation and 3D objects, creating works that challenge how viewers perceive images and forms. Key pieces include the cyanotype collage “Inside times” (2020) and the sheet-metal installation “Drop” (2025).

Inside Denver’s Cookie Factory Turned Art Gallery

A former fortune cookie factory in Denver's Baker neighborhood has been transformed into a nonprofit art space called the Cookie Factory, opening this weekend. The 5,000-square-foot venue, founded by philanthropist and real estate developer Amanda J. Precourt, features a gallery, sculpture garden, and video-screening rooms. The inaugural exhibition, 'Nothing Without Nature,' presents site-specific works by Colorado-based artist Sam Falls, created using natural materials and processes. The space is free to the public and will also host fundraising events, performances, and community meetings.

John Singer Sargent exhibition in London shines a light on the lives of the ‘dollar princesses’

English Heritage has opened an exhibition titled 'Heiress: Sargent’s American Portraits' at Kenwood in London, featuring 18 portraits by John Singer Sargent of American heiresses known as the 'dollar princesses.' These women traveled to the UK in the late 19th century to marry into the British aristocracy, bringing wealth that helped restore estates like Blenheim Palace. The show marks 100 years since Sargent’s death and includes never-before-displayed works, such as a charcoal portrait of Consuelo Vanderbilt. Curator Wendy Monkhouse emphasizes that the exhibition focuses on the sitters as individuals, addressing themes of misogyny, stereotyping, and xenophobia.

11 New Artist Auction Records Set in May 2025

During New York's spring auction week starting May 12, 2025, major houses Sotheby's, Christie's, Phillips, and Bonhams collectively brought in $1.27 billion, slightly above the estimated $1.25 billion but down 17% from the previous year. The top lot was Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) at $47.56 million, but the mood was tense as trophy works like Andy Warhol's *Big Electric Chair* (1967–68) were withdrawn and several top lots, including Alberto Giacometti's *Grande tête mince* (1955), failed to sell. Amid this volatility, 11 new artist auction records were set, five of which were for women artists, notably Marlene Dumas's *Miss January* (1999) selling for $13.65 million—the most expensive work by a living woman artist at auction.

Five Big Lots to Watch as New York’s Spring Auctions Spring Into Action

New York's May auction season has begun, with Christie's, Sotheby's, and Phillips presenting major works by artists including Jean-Michel Basquiat, Robert Rauschenberg, Ed Ruscha, Cecily Brown, and Marlene Dumas. Highlights include Basquiat's 'Baby Boom' (estimate $20–$30 million) at Christie's, a Basquiat 'Untitled' (1981) at Sotheby's, and Marlene Dumas' 'Miss January' (1997), which could break the auction record for a living woman artist. Sotheby's will also feature works from the late dealer Barbara Gladstone's collection, while the San Francisco Museum of Modern Art is deaccessioning Frank Stella's 'Adelante' and other works to fund new acquisitions.

Rose Art Museum Holds First Benefit Gala in Over 20 Years

The Rose Art Museum at Brandeis University held its first benefit gala in over twenty years in New York City on May 12, 2025. The event honored Lizbeth Krupp, longtime Chair of the museum's Board of Advisors, and acclaimed artist Hugh Hayden, whose major survey "Hugh Hayden: Home Work" is currently on view at the museum. Co-chaired by Sara Friedlander and Abigail Ross Goodman, the gala raised over $900,000 toward a new $2 million Exhibition Endowment Fund, seeded by a lead gift from Krupp, to support future contemporary art exhibitions.