Margareta Magnusson, the Swedish author and artist who popularized the concept of 'death cleaning' (döstädning), has died at age 92. In her 80s, she wrote the international bestseller 'The Gentle Art of Swedish Death Cleaning,' which advocated for the mindful decluttering of one's belongings to spare loved ones the burden after one's death.
An anonymous artist collective known as The Secret Handshake has installed a provocative 12-foot-tall guerrilla statue in Washington, D.C., titled 'KING OF THE WORLD.' Located near the U.S. Capitol, the monument depicts Donald Trump and Jeffrey Epstein recreating the iconic 'Titanic' film pose, accompanied by ten banners and a plaque satirizing their historical friendship.
ai art copyright supreme court ruling
The U.S. Supreme Court has declined to hear an appeal from computer scientist Stephen Thaler, effectively upholding lower court rulings that AI-generated artwork cannot be copyrighted. The case centered on a 2012 digital work titled "A Recent Entrance to Paradise," which Thaler claimed was created autonomously by his AI system, DABUS. By refusing the case, the court leaves in place the U.S. Copyright Office's stance that copyright protection requires "traditional human authorship."
University of North Texas (UNT) Dean Karen Hutzel revealed in leaked transcripts that the cancellation of artist Victor “Marka27” Quiñonez’s exhibition was an "institutional directive" driven by political pressure. The show, titled “Ni de Aquí, Ni de Allá,” featured art critical of U.S. Immigration and Customs Enforcement (ICE) and was abruptly shut down shortly after opening. Hutzel warned faculty that the university is "vulnerable" to retaliation from Texas state officials who have previously targeted academic programs and funding at other state institutions over ideological disagreements.
Craft-based activism is surging in the U.S. as a form of protest against Immigration and Customs Enforcement (ICE) policies and operations under President Trump's second term. Projects include the "Melt the ICE" hat, a red beanie pattern that has sold over 65,000 copies and raised over $600,000 for immigrant-support nonprofits, and origami rabbits for a detained five-year-old boy, drawing direct parallels to historical craft-as-resistance movements like the Norwegian topplue worn against Nazi occupation.
Former French culture minister Jack Lang and his daughter, film producer Caroline Lang, have been named in newly released U.S. Department of Justice documents as having had ties with the late financier and convicted sex offender Jeffrey Epstein. The correspondence reveals Caroline Lang co-founded a company, Prytanee LLC, with Epstein in 2016, and that Jack Lang requested personal favors like the use of Epstein's car or plane.
Art Basel Qatar is set to proceed as scheduled in early February despite heightened Gulf tensions following U.S. and U.K. troop reductions near Doha. Dealers and visitors remain cautious, with some delaying travel plans, while Iran's temporary airspace closures have disrupted flights. Organizers say they are continually evaluating the security environment and remain committed to delivering a successful inaugural edition.
The Trump administration has withdrawn the United States from 66 international organizations, conventions, and treaties, including 31 UN-affiliated bodies, as announced in a presidential memorandum. Among the cultural organizations dropped are the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM), the International Federation of Arts Councils and Culture Agencies (IFACCA), the Freedom Online Coalition, and the UN Alliance of Civilizations. The withdrawal follows a review ordered by President Trump in February 2025, with Secretary of State Marco Rubio asserting that many of these groups are "dominated by progressive ideology."
Bonhams, the UK-based auction house, reported a nearly 90% surge in pre-tax losses to £213 million ($286.3 million) in 2024, alongside a 9% revenue decline to £176 million ($236.6 million), according to filings with Companies House. The losses were driven by £153 million in impairment charges due to reduced cash flow forecasts, reflecting a write-down on the investment value held by former owner Epiris. The house was sold to Pemberton Asset Management in October 2024, and subsequently saw a leadership overhaul, with Seth Johnson appointed CEO, Liese Thomas as CFO, and Jennifer Babington as COO, replacing Chabi Nouri and Céline Assimon.
Archaeologists have identified the original location of a looted fresco fragment from Pompeii that was repatriated from the U.S. to Italy in 2023. The fragment, depicting baby Hercules wrestling a snake, was found to have once decorated the upper lunette of a private chapel (sacellum) at the ancient villa of Civita Giuliana. The discovery was made during excavations in 2023 and 2024, and the fragment will be exhibited at the Antiquarium of Boscoreale from mid-January.
A gold pocket watch recovered from the Titanic wreck, owned by Isidor Straus, sold for £1.78 million ($2.33 million) at Henry Aldridge and Son Auctioneers in Devizes, England, setting a new auction record for Titanic memorabilia. The 18-carat Jules Jurgensen watch, engraved and given to Straus on his 43rd birthday in 1888, stopped at 02:20 when submerged. Straus, a Macy's partner and former U.S. Congressman, perished with his wife Ida on the Titanic in 1912. The sale also included other items totaling £3 million, such as a letter by Ida Straus and a Titanic passenger list.
A new survey by Museums Moving Forward (MMF), the 2025 Report on Workplace Equity and Organizational Culture in U.S. Art Museums, finds that employees at smaller U.S. museums report higher job satisfaction than those at major institutions, despite persistent issues of low pay, burnout, and inequity. The report surveyed over 3,100 staff across 91 institutions, nearly double the number in MMF's 2023 study, and notes a sharp rise in union organizing, with 55% of art museum unions formed in the last five years. Non-union staff earn about 78% of unionized counterparts, though unionized workers report higher dissatisfaction. Smaller museums (budgets under $15 million) outperformed larger ones on well-being measures, suggesting workplace culture and agency matter more than pay.
President Donald Trump sought a gift for King Charles during a state visit last month, prompting his administration to request a sword from the Dwight D. Eisenhower Presidential Library, Museum, and Boyhood Home in Abilene, Kansas. The library refused to release the sword—a 1947 gift from Queen Wilhelmina of the Netherlands—citing federal law that requires preserving original artifacts for the American public. Trump instead gave King Charles a replica of Eisenhower’s West Point Officer’s Sabre. Subsequently, library director Todd Arrington was forced to resign after being told he could no longer be trusted with confidential information, a move he believes may have been linked to his refusal to hand over the artifact.
A 30-year-old Chinese tourist damaged two ancient terracotta warriors at the Mausoleum of Qin Shi Huang in Xi’an, China, on Friday. According to local officials, the man climbed over guardrails and a protective net, jumped more than 15 feet into Pit No. 3, and pushed and pulled the clay figures, causing varying degrees of damage before being restrained by security. Authorities suspect the man suffers from mental illness, and the case remains under investigation. The site reopened the following day.
The proposed 2026 federal budget plans to defund the Institute of Museum and Library Services (IMLS), allocating only $6 million—down from its current $313 million—to close the agency. The cuts are part of a broader restructuring led by the Department of Government Efficiency (DOGE), which has already placed IMLS employees on administrative leave. Congress must approve the budget by October 1 and reauthorize the Museum and Library Services Act by September 30 for the agency to survive, despite a temporary restraining order and a lawsuit by 20 state attorneys general.
A new mural at Chicago's Rate Field commemorates Pope Leo XIV (formerly Robert Prevost, known as "Father Bob") attending Game 1 of the 2005 World Series as a White Sox fan. The mural, located near Section 140, features the pope in regalia with hands raised, above a screenshot from the Fox broadcast showing him in White Sox gear alongside his friend Ed Schmit. The artwork honors both the papal election and Schmit, a lifelong Sox fan who died in 2020 and had predicted Prevost would become pope.
Faculty at the School of Visual Arts (SVA) in New York have voted to unionize, with 1,200 instructors casting ballots 77% in favor of joining the United Auto Workers (UAW). The new bargaining unit, SVA Faculty United–UAW, was certified by the Labor Relations Board on May 23 and will seek its first contract this summer. Adjunct faculty, who make up most of SVA’s teaching corps, cited stagnant wages, heavier course loads, and the loss of retirement contributions and paid sabbaticals as key reasons for organizing. SVA’s administration said it encouraged participation and pledged to bargain in good faith.
A federal judge issued a preliminary injunction on Tuesday blocking President Trump's executive order to eliminate the Institute of Museum and Library Services (IMLS). District Court Judge John J. McConnell Jr., appointed by President Obama, ruled that the dismantling violated the Administrative Procedure Act and Congress's constitutional power over appropriations. The injunction follows a lawsuit by the American Library Association and AFSCME, and a temporary restraining order last week. Trump's March 14 executive order had declared IMLS "unnecessary," placing staff on leave, terminating grants, and dismissing board members.
Martha McDonald will perform original songs on a glass armonica at the Fairmount Water Works in Philadelphia as part of 'Currents,' a new multimedia art exhibit. The show features installations by 10 local artists that animate the historic water system's underground corridors, coinciding with the 250th anniversary of the Declaration of Independence. Works include a 3D animation timeline of the Schuylkill River by Nadia Hironaka and Matthew Suib, photographic pieces by Julianna Foster, and an installation by Taji Ra’oof Nahl addressing water and honey bees. The exhibit runs through Aug. 8.
The Cincinnati Art Museum has announced its first full-scale scholarly exhibition of works by Cincinnati-based artist Charley Harper, titled "The Art of Charley Harper: Creatures Wild and Tame." The exhibition will run from October 16, 2026, through March 7, 2027, featuring around 150 works, including ten large paintings commissioned by the U.S. National Park Service that were only briefly displayed in Washington, D.C., in the 1990s. The show is presented in partnership with the Charley Harper Art Studio and marks the artist's first museum retrospective.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
The USC Fisher Museum of Art is hosting the "Freedom Plane National Tour: Documents That Forged a Nation," a traveling exhibition of rare founding-era documents from the U.S. National Archives. The show, which runs through May 3, includes items such as a rare engraved copy of the Declaration of Independence, the Treaty of Paris (1783), and a Senate markup of the Bill of Rights (1789). USC is the only university stop on the eight-city national tour, and the documents arrived in Los Angeles on a special Boeing 737. The exhibition has drawn history students, faculty, and the public, with USC Distinguished Professor Peter C. Mancall bringing his class to study the documents up close.
The Clay Studio in Philadelphia has launched "Radical Americana," a citywide initiative involving 24 arts organizations and 45 artists to mark the United States' 250th anniversary. The project features 25 exhibitions across the region, showcasing new works that engage with American craft heritage and material culture. Participating artists were tasked with researching historical objects—ranging from Federal-period furniture to Pennsylvania Dutch fraktur—to create contemporary responses that reflect on the nation's complex history.
The Sertoma Arts Center in Raleigh, North Carolina, is hosting a series of exhibitions throughout 2025 and 2026, featuring a wide array of local and regional artists. The current exhibition is the 47th annual Sertoma Parks Artists Association (SPAA) show, featuring over 30 artists, running from February to April 2026. Upcoming shows include a May-June 2026 exhibition highlighting artists like Adam Cooley and Natacha Sochat, and the center regularly presents themed exhibits such as its annual Student, Instructor, and Patron exhibition.
The University of Texas at Austin abruptly closed an exhibition at its Visual Arts Center after a single day because it included a piece critical of U.S. Immigration and Customs Enforcement (ICE). The artwork, a neon sign reading "Fuck ICE" by artist Tammie Rubin, was part of a group show curated by the university's own art faculty. The administration cited concerns about the work's "vulgarity" and potential to distract from the university's educational mission as reasons for the closure.
The University of Arkansas School of Art is hosting the United States International Poster Biennial at its Studio + Design Center in Fayetteville, featuring juried posters from designers worldwide, including works by university faculty, students, and alumni. A public reception on January 29 will include remarks by assistant professor Ryan Slone and the presentation of the Gold Award to MDES Fellow Andi Hardin for her poster "The Gratitude Magma – Yellowstone." The exhibition has also traveled to several other U.S. universities and will have international stops in 2026.
The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.
Globally-renowned English felt artist Lucy Sparrow has opened a new 13,000-piece felt exhibition titled "Lucy Sparrow’s Quick Shop" at FloridaRAMA in St. Petersburg, Florida. The immersive grocery-themed pop-up features handmade felt versions of everyday products like avocados, toothpaste, and seafood, and functions as both an art installation and a shop where visitors can purchase the signed felt items. The exhibition will remain open only as long as the stock lasts, with special shopping events alongside the artist scheduled for November 25, 26, and 28.
The Asian Art Museum in San Francisco has opened a new exhibition titled "Rave into the Future: Art in Motion," which transforms the gallery into an immersive rave-like experience featuring a copper dance floor, live DJ sets, robot Roombas swirling glitter, and nine distinct "stages" representing the lifecycle of a rave. Curated by Naz Cuguoğlu, the show brings together queer and women artists of West Asian heritage from the Bay Area, New York, and Europe, and will run through January 16.
A monumental sculpture titled "Reflection" by French-born artist Prune Nourry has been installed at Ocean Terrace Park in Miami Beach, honoring the women of the U.S. Coast Guard Women’s Reserve (Spars) who served during World War II. The 21.3-foot sculpture features a half-face resting in water, completed by its reflection, with a mangrove tree sprouting from the side of the head. It was unveiled on October 30 and is Nourry’s first public art project in the U.S. The work uses the likeness of Yeoman Third Class Nellie Locust, a Cherokee woman who served in the Spars, with permission from her family. The sculpture was created in collaboration with landscape architect Raymond Jungles.